Curate, connect, and discover
The other day, I came across a discussion about such a movie as Blood and Honey, who doesn't know, it's a horror slasher based on Winnie the Pooh. A bad horror slasher based on Winnie the Pooh. And since then, I've been thinking in the back of my mind about what makes a slasher good. I'm not a fan of this genre myself, but both in my own opinion and in the opinion of most fans I meet, there are two main ingredients in a successful slasher: creativity and unhinged immoral fun. A semi-crack idea emerged from this:
Classic, a bunch of teenagers played by thirty-year-olds, a secluded location and a maniac. Or better yet, a few. It's only after the first attack that it turns out that at least one of the children is also a psychopath, and will gladly hack the monster in retaliation in an equally sophisticated way. He manipulates a friend to set himself up and play the bait. Not only will he survive the first of the attacks, but he will also gore a monster from bad guy's team along the way. And the child does all this with genuine delight and pleasure. So now we don't have the capture of defenseless victims one at a time, but a full-fledged struggle, where the monster, while preying on teenagers, tries at the same time not to become prey itself. Something from the category of "bite the vampire first to establish dominance."
The traditional Last Girl successfully escapes only because the teenager and the monster are fighting for the right to deal with the last remaining victim.
It would be called Lamb's skin.