Because What!?

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This, but with uraichi...

Is it bad that I read the last set in his voice?😂🤣

I truly am obsessed with how Knives Out was like. Hello Daniel Craig, man who has spent the past two decades of his career being alternately beaten up and objectified playing an action hero with no personality. Would you like to please put on a shirt and an incomprehensible vaguely Texan accent and flex your character acting dark comedy muscles as well as your pecs for a while. And he's like BOY WOULD I and they made a work of art. Also love that they put Chris Evans in sweaters. Get your beefcakes then dress them nice make them soft and give them some bonkers character work to do it's what cinema needs more of

I'll be the first one to say that my dad likely didn't know what to do with us, but I'll be the first one to say that he tried. We had a little hallway around the stairs and a little ledge thing along the stairs and that's where we went for timeout. He managed to be a good example for not only me but also my anger-issues older brother and my manic-depressive bi-polar older sister.

A lot of people around me are having kids and every day it becomes more apparent that hitting your children to punish them is insane because literally everything can be a horrible punishment in their eyes if you frame it as such.

Like, one family makes their toddler sit on the stairs for three minutes when he hits his brother or whatever. The stairs are well lit and he can see his family the whole time, he’s just not allowed to get up and leave the stairs or the timer starts over. He fucking hates it just because it’s framed as a punishment.

Another family use a baseball cap. It’s just a plain blue cap with nothing on it. When their toddler needs discipline he gets a timeout on a chair and has to put the cap on. When they’re out and about he just has to wear the cap but it gets the same reaction. Nobody around them can tell he’s being punished because it’s in no way an embarrassing cap, but HE knows and just the threat of having to wear it is enough.

And there isn’t the same contempt afterwards I’ve seen with kids whose parents hit them. One time the kid swung a stick at my dog, his mother immediately made him sit on the stairs, he screamed but stayed put, then he came over to my dog and gently said “Sorry Ellie” and went back to playing like nothing happened, but this time without swinging sticks at the nearby animals.

I get nauseous really easily but I also make sure to have something around that I know I can still eat even if I am. Not only do I not register hunger, but I get really bad headaches if I go too long without eating something.

I am, like, a long running proponent of the "eat something and you'll feel better" crowd and am often one of the first people to suggest "maybe it's time for a snack before I get whipped into a frenzy" but I really do resent how instantaneous it is. like it'll feel like I'm having my worst day in months and then I'll start eating and literally before I even finish I'm like oh yeah the world is beautiful

“add muscle to the skin and bones” This is also helpful for those essays for class that need to be just that little bit longer. Also, the wording you give is super helpful. Thank you for sharing this!

Underwriting: ways to boost your word count

I wrote a fic recently and the word count for the first draft came to about 40,000 words – roughly the length of a novella or ficlet. And that’s fine because I wasn’t striving for a novel or a 100K slow-burn coffee shop AU.

But coming to edit my first draft I realised something about myself. I am an underwriter. My fic could actually be at least 10k (maybe 20k) longer. Of course it’s not all about word count, it’s about the story, but in this case a smaller word count isn’t because I’m a fantastically efficient storyteller it’s because I’ve missed out a lot of stuff. Like, Important Stuff.

So as I set out to add muscle to the skin and bones I’ve already created in draft one I thought I’d share five tips for my fellow underwriters to help you flesh out your writing too.

1)     Make sure to describe the place and space in which the action happens.

There are quite a few places in my first draft where there’s no indication as to where things are taking place– or there is, but it’s the bare minimum and not really enough to build up a clear picture. This probably because as the writer I know exactly what the place looks like so I make the assumption that a bare minimum description will mean the reader knows too.

Now I’m not saying go into masses of detail about what your settings look like. In some cases it’s not useful to describe setting in a lot of detail (e.g. during really fast paced action sequences) but doing a verbal sketch of the space is essential for putting your characters in context and reader understanding.

I really is a fine balance (which is why beta readers are your friend!) But definitely go back to your setting descriptions if you’re an underwriter, they might need some work.

2)    Make sure to describe your character’s appearance.

Similar to the above point – you know what your characters look like, but unless you describe them, the reader won’t.

It’s fair to say that descriptions are open to reader interpretations, but that doesn’t mean you shouldn’t describe them in a healthy amount of detail. So you might try to nail down some of the interesting quirks about your characters to help the reader build a picture – not only will it help the readers understanding, it’ll boost your word count too!

Note: This one functions a little differently in a fic because the readers are probably familiar with how the character looks, but there is nothing wrong with adding your interpretation (or even reminding them, especially if the characters are from a book.)

3)   Include character reactions outside of what they say out loud.

Real life conversations aren’t just about the stuff that comes out of our mouths. So much of human interaction is about body language – so include it in your writing! Saying that the character covers their mouth with their hand when they talk suggests shyness. While another character crossing their arms shows they’re defensive -perhaps because they’re feeling threatened. In real life we don’t always say what we mean – but a lot of the time our actions give away what we’re really thinking. By including these actions around dialogue writers can influence how we as readers view characters and how we interpret interactions between characters. And it can boost your word count too.

The big stuff:

4)     Check your pacing.

When you write it feels like your scene is taking place over hours, days, weeks because when you’re writing it takes time. Reading, on the other hand, is much quicker. A seasoned reader can fly through a 100 page novel in a few hours – a seasoned writer can spend hours writing a 100 words.

When you read back your writing, make sure to check your pacing. You might just find that the Impossible Task you set for your characters at the start of the story is suddenly resolved within the next fifty pages. To boost your word count you might want to start by adding more obstacles between the character and their goal.

For example; your character has to find an object such as a precious jewel. Sounds relatively easy, right? But what if the jewel is lost in the mines of an ancient people, amongst thousands of other treasures that look very similar? What if no one has found this jewel because it’s guarded by a fire breathing dragon? What if the ancient mines and dragon are located in a mountain which is miles and miles away across dangerous lands? What if your characters need to enlist the help of someone with a very specific skill set?

You take one simple objective (finding the jewel) and you put into play a series of obstacles that must be overcome in order to complete the objective. Your underwriting tendencies, like mine, might just mean that there aren’t enough metaphorical (or real) dragons in your story!

5)    Sub-plots.

A sub-plot is a smaller scale plot - often involving the supporting characters - which runs secondary to the main plot. It can be directly linked to the main plot, i.e. the info provided in the subplot directly influences events in the main plot. Or it can simply be linked through place, time or themes of the overall story (e.g. Hermione’s elf rights campaign ‘S.P.E.W’ in Harry Potter and the OoTP is linked to the overall theme of oppression.)

Sub-plots are great because they can serve as some respite from a traumatic main plot; your character is fighting a war (main plot) but also fighting and failing (in hilarious ways) to win the affection of their love interest (sub-plot).

Plus, sub-plots can also help with characterisation, can cause your main character to have the moment of realisation which allows them to overcome the obstacles they face in the main plot and is generally a better reflection of real life! Sub-plots often centre on side-kicks and other characters – people who might not be as devoted to the end goal as the protagonist is. In fact, well written side characters seemingly live their own lives with their own goals. You might choose to showcase this in your sub-plot by letting the conflict of interest cause more problems for the protagonist to overcome.

Either way you could find your word count sky rockets as soon as you add in a few clever sub-plots.

I hope this helped!

Got any questions? Send me an ask

☝️I agree!!

And they look out so hard for the well being of the spiders AND the dolphins

I adore this, I don't know why but I do 🤩

And if I had the money I would, instead I'll share it.

At the gate for my flight home from visiting friends and there's a woman here with a service Shiba Inu. No pics because he has a Do Not Disturb vest and taking pics of strangers is illegal but I need to stress how ON DUTY this animal is. Ears up. Eyes doing Lazer scans of everything. Examining everyone who passes within 10ft like a security guard. Ass planted on her feet. I have never seen a dog with such intense chivalric guardian energy before. He has tiny eyebrows and they are FURROWED with concentration.

This is useful!

Handy reference chart showing the difference between blossoms (ume/plum, momo/peach, sakura/cherry, anzu/apricot, ringo/apple). Note the colors, how the buds sit on branches, and of course petals shapes.

Apricot and apple are veeeery rare as kimono/obi patterns. Morover, what I usually simply call “plum” (ume) is in exactly the Prunus mume (or Japanese apricot/plum) and come with red/white/pinkish flowers.

I can't even!!!!

glad that im not popular enough to have an evil shadow version of my blog that exists just to make contradictions on my posts