Your Headcanons Are So Scrumptious I Want To Crawl Inside Your Brain.

Your headcanons are so scrumptious I want to crawl inside your brain.

All jokes aside, I love all of the detail and thought you put into this!!! And all of the historical references, I'm definitely going to look them all up in more detail later.

Human Alastor (FTM Trans Headcanon)
Human Alastor (FTM Trans Headcanon)
Human Alastor (FTM Trans Headcanon)
Human Alastor (FTM Trans Headcanon)

Human Alastor (FTM trans headcanon)

Full size image

Commentary below:

Here, Alastor is shown at four different stages of his human life:

Childhood - around 12 years old

“Voodoo Killer” - late teenage years

Jazz Musician - early 20s

Radio Star - later adulthood to time of death

His career as a serial killer started when he was around 12 years old and continued up until his death.

The three stages of his adult life are supposed to correspond with different aspects of his demon form’s hairstyle.

During the “Voodoo Killer” stage, he straightened his hair and styled it similarly to his demon form’s hairstyle. However, he did not have an undershave. If viewed from the back, it would look like a simple bob. His appearance is inspired by Clementine Barnabet. I intended for his tignon to be tied in a similar manner to Clementine’s. Additionally, the bandages wrapped around his legs are meant to make him look a little like Voodoo Queen Lala from the 1930s. I gave him bandages instead to make him look like more of an edge lord (lol). The cross worn was originally his mother's. After she died, he painted it black in mourning. He wears it at all times, up until his death, to remember her.

During the “Jazz Musician” stage, he kept his hair short in order to pass for male. This is supposed to correspond with the back side of Alastor’s demon form, which is shaved short. His appearance is inspired by Jelly Roll Morton, one of my favorite Jazz musicians, who also happens to be Creole. Not visible in this pose, but Al wore black gloves that match the color of his hair. 

During the “Radio Star” stage, several aspects of Alastor’s appearance are inspired by the late, great Cab Calloway. Like Cab, Alastor styled his hair in a conk. His suit is also inspired by the iconic white suit worn by Cab Calloway.

Human Alastor (FTM Trans Headcanon)

That being said, creative liberties were taken with Al’s white suit, which is anachronistic for the 1930s. Cab famously wore zoots, but I don’t think that would be Alastor’s style. Since I know so little about 1930s fashion, I gave up and didn’t attempt to give him a historically accurate suit. Instead, his tuxedo is based on the one he wore in the pilot. There are several anachronisms present in Alastor’s canon design, so it might actually fit his character to wear a suit atypical of the 1930s. This could preserve the otherworldly, “Willy Wonka”-esque presence that he has, even on Earth. Still, it’s a pretty glaring historical inaccuracy. Once we get to see Al’s canon human form, I might redesign him.

Since Alastor would have more than one suit, I didn’t worry too much about the inaccuracies present in his clothing. The one thing I refused to compromise on was his microphone.  In the TV show, Alastor’s iconic microphone is a vintage ribbon mic. However, this “pill capsule” style looks more similar to models that were only invented after Alastor’s death. Here’s an example of a ribbon mic that was rolled out shortly before Alastor’s death: The RCA Type 77-A. As you can see, it’s a lot larger in size than Alastor’s microphone.

My first attempt at drawing human Alastor gave him a ribbon mic, seen here: https://www.deviantart.com/thegirlwhodidntsmile/art/Human-Alastor-ribbon-mic-1035514228

In order to be more historically accurate, I discarded this design. Instead, I gave him a spring microphone, technology that is more iconic of the 1920s/1930s. 

Here’s an image of Cab Calloway in front of a spring microphone, one year after Alastor’s death:

Human Alastor (FTM Trans Headcanon)

I took some creative liberties with the flag of Alastor’s microphone. Normally, it is supposed to say the radio station. Since I don’t know what radio station Al’s show aired on, I just had it read “ON AIR” in red.

Importantly, Alastor’s suit has to match the design of his microphone, which is an extension of himself.

It’s a little awkward how Alastor is holding his microphone, so here is how it looks from the back: https://www.deviantart.com/thegirlwhodidntsmile/art/Human-Alastor-back-of-mic-1035514255

The backside of the microphone is supposed to look like an eye, and have a bit of an ominous presence.

A headcanon I have is that Alastor had a severe case of stress-induced vitiligo. Because he was very egotistical, this was a source of shame for him, so he hid it with makeup and clothing. Here is how his face would have appeared shortly before his death: https://www.deviantart.com/thegirlwhodidntsmile/art/Human-Alastor-no-makeup-1035514264

Al’s colors are mostly browns, whites, and black, to keep with the deer theme. The black tips of his shoes are supposed to look a bit like deer hooves. I pictured his height as 5’10, one inch taller than Michael Dillon. Since the average male height was around 5’7, Al was still taller than most men, which made it easier to pass for male.

Bonus image:

https://www.deviantart.com/thegirlwhodidntsmile/art/Alastor-kill-count-1035514155

More Posts from Aro-in-danyl and Others

1 year ago

ugh im going absolutely feral fantasizing about obsessive snily. snily where they are both totally off their rocker. snily scheming painful ways to get back at the marauders. snily killing severus' father. just!!!! obsessive snily!!! where they are so wrapped up in eachother!! that they don't even realize how crazy they're becoming!!!!! i want snily violence 🔪🔪🔪

where the hell am i gonna find a fic like that 😭😭

2 years ago

Hot take: dc x dp, but with good parents Jack and Maddie fenton.

Yes, Danny is part of the batfam. Yes, Bruce has legally adopted Danny and would have adopted jazz (if she didn't insist she was too old to be adopted). Jack is still their loving father. Maddie is still their devoted mother. Both parents recognize that their children love the batkids and the batparents (Yes, this includes Alfred and Maybe Selena) as family, and as the family doesn't seem abnormal (by amity park standards) they let their kids develop healthy relationships with whoever they want.

Made fenton is Bruce Wayne's science nemesis. She doesn't buy "Brucie" for a second. Millionaire playboy who? Every time she picks up her kids from his house as per the shared custody agreement, she finds him tinkering with some strange device and casually points out "yknow, you have something, but it could be better if you....". She's so used to correcting her husband's math errors and design flaws that the first time she catches Bruce with an unsafe device, reflexes kick in.

Jack, on the other hand, pulls an uno reverse on Bruce. Bruce thought he was adopting a black haired and blue eyed teen with angst issues. Nope! Jack now has a new reclusive rich best friend! They're family, practically brothers! You want to run for gotham mayor and end city crime? Anything you say B-man!

Jack and Maddie start showing up to batkids's civilian events for moral support. Cassandra has a ballet recital? They're in the front seat; cheering her on! Tim has a big presentation in front of the company board of directors? Yet again, Jack and Maddie somehow got past building security; and holy heck, why do they have a "support Tim Wayne" t-shirt cannon?!!? After the 5th cookie care basket with sugar snaps that tried to eat his stapler at the bludhaven police station, Dick now has to politely ask them to stop sending food. He appreciates the effort, but the gingerbread men caused a queen of fables scare and tried to eat a convict.

Jack and Maddie know Danny is phantom. The "threats" to shoot him? He's their son! They'd never! But they can't let him know that they know, so they keep up the act half heartedly. They realize their invention killed him. They realize everything they thought they knew about ghosts was wrong. But how do you say sorry to your kid if he isn't ready to forgive you? Especially if you've wronged him infathomably. You don't. You love him unconditionally; and you live each day with him as the gift it is. And you keep his secret, even from him. You fight infathomable and terrifying monsters each night, over and over, praying that once they're gone he can sleep safely. If he ever wants to forgive you, he'll tell you; when he's ready. And if he can't? You live with what you've done, regret and greif forever seered into your soul. You know he is loved and cared for. He is protected. To you, that's all that matters.

1 year ago
No One Compares You Stand Alone, To Every Record I Own Music To My Heart That's What You Are

No one compares You stand alone, to every record I own Music to my heart that's what you are

3 years ago

You've read my mind. I had a completely different post in the works about the Malfoy-Riddle-Leach connection.

It's really fascinating how these 3 characters connect in canon and in fanon.

Because they represent the three main "blood statuses" even if Riddle's is assumed to be muggleborn.

Abraxas Malfoy was able to efficiently get rid if Leach with little effort and loss of power on his side. Going by the official site, people knew he was involved but they couldn't do a damn thing to prove it.

If purebloods were capable of this then what the hell were the Death Eaters in the ministry doing?!

Voldemort took away their security in power, because by the time of his first downfall purebloods were being arrested without trial, or solid evidence, in droves. If Abraxas Malfoy had done what he did to Leach during the Voldemort era he would not have gotten the same leniency he flourished in post-Grindelwald.

TL;DR

Pre-Voldemort

Ministry of Magic: We know it was you.

Purebloods: Oh it was absolutely me.

Post-Voldemort

Purebloods: Bloodpurity? Don't know her.

Ministry of Magic: jail

Purebloods: well if isn't the consequences of my own actions.

Its supremely unfair how under utilized Nobby Leach is in fanfic.

He's a blank slate! The 1st Muggleborn British Minister of Magic but we know very little about him personally or even the circumstances of his election.

Voldemort rose to power in the late 60s-early 70s. Leach was minister sometime between 1962-68. And Leach was supposedly threatened from returning to his position or possibly assassinated.

Do you think poor, working-class, assumed Mudblood of Slytherin Tom Riddle didn't see these shady dealings and go "Okay so taking the legal route to power won't work."

If having power was Tom's only goal then he absolutely would've taken a quicker route to it. But instead Nobby Leach's failure just proved the system was too broken to fix from the inside.

(Quick disclaimer, I think Riddle only used the blood-purity thing to get an in with the purebloods who were running the country. There are better posts that expand on this idea in detail so I'm not going to get into it too much here. Okay? Okay.)

We know so little about Leach that he could conceivably have gone to Hogwarts at the same time as Tom Riddle. Did they know eachother? That's up to you, but if they went to school together then they definitely knew OF eachother.

So here you have Nobby Leach who hit the ground running after graduation, who clawed his way to being the FIRST muggleborn Minister of Magic in a government made up of bloodpurists, and then he just...resigned? Fuck that. That doesn't fit at all.

And anyone with half a brain would've picked up on that. Tom Riddle could not have missed how uncharacteristic this would be if he knew Leach, or heck just noticed the sheer will and patience it takes to become THE Muggleborn Minister of Magic.

On that note, there might've been some sort of Muggleborn movement happening in the background following Grindelwald's defeat. After all it takes more than one person to achieve this kind of victory.

So Tom Riddle watches (or is apart of 👀) a fast-paced, determined movement place the FIRST Muggleborn Minister of Magic and then watches as this victory silently tumbles down into forgotten history.

Meanwhile Tom builds the Death Eaters who also work outside the system via raids and murder despite the fact that they all work inside of it already. Theres already lots to unpack with THAT decision but moving on... Once the Ministry finally gets its shit together and arrests the (clearly labeled with Dark Marks) perpetrators, throwing them in wizard prison eventually reaching the point where they would be thrown in without a trial (Sirius Black), the Pureblood lawmakers all of a sudden realize "oh fuck, this is getting real."

And now what do they have to do to avoid suspicion in this very Red Scare-esque era of spying and tattling on eachother (it worked for Karkaroff) to avoid wizard prison? Play nice with the Muggleborns.

TL;DR

Nobby Leach: went the legitimate route to making change by working WITHIN the system. He rose fast and fell silently.

Tom Riddle: went the shady route to power by working OUTSIDE the system, painstakingly working for decades to build a support base, and falling in notoriety.

There needs to be more fics with them as foils to eachother. And if it has to be me, I warn you it will take YEARS to finish.


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1 year ago

Headcanon that all spider people get what’s called the “Spider-Zoomies” (which is a sudden burst of energy but it’s expressed through Spider-like behavior) except for Miguel because he didn’t get bitten, so every time he makes the mistake of going to HQ in the middle of the night, he gets jump scared by at least one Spider-Man:

Scuttling across the ceiling (Pavitr)

Hissing into the void (Miles)

Bench pressing a building (Peter B)

Jumping fifty feet into the air without warning (Margo)

Building some intricate contraption in complete darkness (Hobie, emphasis on trap)

Running extremely fast without making a sound so you don’t know they’re there until it’s too late (wtf Mayday)

Or crouching into a corner, completely still like a predator watching its prey, and the moment he gets close to them, they whisper “Hey” making him scream so loud that he throws his empanadas in their face (Gwen)

It’s essentially like you’re walking through a building full of eldritch horrors, and you don’t know where any of them are, but they all know exactly where you are, and they win bonus points if they scare the shit out of you. Miguel hates it here.

1 year ago

DP x DC Writing Prompt #9

"Are you sure about this?" J'onn asks, reading the discontent amongst the Kents. Clark and Lois each have a hand on their teenage son's shoulders, who several weeks prior was aged ten years old.

"We're sure," Clark says. He is not, nor is his wife. But his son is, who lays his hand on his mother's and squeezes. It is that surety that J'onn honors as he delves into the young (but not as young as he should be) man's mind.

The memories are hard to find but not gone, hidden behind what Jon can only see manifested as a glowing green wall. When he raises a tentative hand, the shield sparks green, but does no harm. Pushing through is like wading through the consistency of jello, which he finds an overall unpleasant experience. But he is unharmed as he passes through.

Before J'onn can sort through the memories he is all but sucked into the one at the forefront, where a Jon most similar in visage to the one recently returned perches on the edge of a building. Beside him lies a burger, partially unwrapped though uneaten, and a small soda.

As the memory builds out a sun sets on a small suburban town, and a muscled thigh knocks into Jon's, an older man with a shock of white hair and eyes the same light and color as the shield formed around these memories appearing. He's tall even sitting, likely about as tall as Superman, and looks to be in his thirties. A full body suit comprised of black and silver accents stretches across broad shoulders, a stylized D on his chest. He knocks his thigh into Jon's again.

"You said I couldn't go back," Jon says quietly.

"I lied," the man says lightly.

"You're lying now," Jon says, glaring at him. "I can hear your heart."

"Nice try, kiddo, I don't have a heart in this form," the man says, reaching a hand out, presumably to ruffle his hair. Jon dodges.

"I know you're lying. You would've told me. You would've helped me get home."

"Jon--"

"You're protecting Clockwork, aren't you?" Jon demands, eyes beginning to burn red. "That old coot decided it wasn't enough to play with you, he had to play with me too."

The man slaps a hand over Jon's eyes. "Breathe, like we practiced," he instructs firmly. Steam rises from where his palm meets Jon's eyes, but if it hurts he shows no indication. "In, 2, 3. Out, 2, 3."

Jon whimpers but heaves a breath, and the burst of red light dies down from between the man's fingers. His hand moves down to Jon's shoulder.

"I can't pretend to understand Clockwork's decisions," the man says, as tears begin to pool in Jon's eyes. "Frankly, I don't want to. I suspect they are hard decisions to make, sometimes."

"I don't get why you defend him," Jon says. "Dumbledore acting bastard."

"Language," the man says, lightly bopping him on the head. J'onn notes the boy actually winces, as if the blow hurts.

"I am upset with him, I hope you know that," the man continues. "But at the end of the day I'm also grateful. Because I got to meet you." He hooks an arm around Jon's shoulders, pulling him in. "And now you'll get to see your family again. And Sally, Arnold, and Damian!"

Jon sniffles, rubbing roughly at his face. He leans into the man's bicep. A trusted adult figure, then. One he's described his life to. A life, J'onn is sad to note, he appears to have lived for the past six years, as opposed to a sudden shift in appearance. Jon's next question all but confirm it: "Can I really go back? It's been so long. They'll be all grown up."

"Hey, of course you can," the man says, rubbing his shoulder. "I'm sure they've missed you so much. They'll be so happy to see you again."

Jon starts to smile. "I'm going home."

"You're going home!" The man laughs, shaking him.

"I can finally eat some decent barbecue again!"

"Hey!" the man protests, "The smoker blew up one time!"

Jon continues, beginning to get excited. "And Ma will make her jalapeño cornbread! I never could get it right, I can't wait for you to try it!"

J'onn notes the older man's smile fading, eyes growing sad.

"And Damian will definitely want to spar and oh, oh! With you on our side we can totally prank Batman! I bet Alfred will even help! And Mom gives the best hugs, Pops comes really close but Mom will be really excited to meet you, everyone will."

"Jon," The man says.

"I knew you'd be worried about it, but they'll want to meet you," Jon says, clocking his expression. "They'll be grateful. You, you helped me. You kept me safe and taught me how to be Superman. They'll love you, I promise."

"Jon, I can't go with you," the man says gently.

"I'm not saying you stay, but you can visit! I'm sure the Justice League can figure out a way to maintain a portal, they're super used to all that multiverse stuff. Once they have the coordinates, you can stop by whenever!"

"I can't go through the portal, Jon," the man says. "To other worlds, I'm a god. And gods can't interfere. The only reason I can continue to live here is because this is the world of my origin."

Jon gapes at him. "But--but,"

"You're going to see your Mom and Dad again," the man says. "And your brother, and grandparents."

"I can come here, then," Jon says desperately, pushing his way out of the man's arms. The man is already shaking his head. "I can!"

"You can't."

"Why, because Clockwork says so? He's a liar!"

"Because multiverse travel is never a good idea. If you got trapped here again--"

"I wouldn't,"

"You belong with your family,"

"You're my family!" Jon cries. The man freezes. "You, and Sam, and Jazz, and Tucker and Val and Ellie and Pops and Mads, you're all my family! I can't just leave you, I won't!"

"Oh kiddo," The man says, eyes wet. "I love you too. We all do."

"So I'll stay," Jon says decisively. "For all we know my world is a wasteland. Gramps wasn't exactly right in the head when I left. It's better to stay here."

J'onn notes a green vine unwinding from a nearby trellis. It slides down the eave towards the pair.

"You don't mean that," the man is saying.

"I'm sixteen. I can make my own decisions. I'm staying."

The man cups Jon's face. "Your parents did not have a choice in losing you. I'm willing to bet they're devastated. Because I'd be devastated, losing a kid as great as you."

"Maybe they're not even there," Jon says, but the words are half-hearted, and it clearly hurts him to say them.

"I know I seem like a pushover, but if I thought Clockwork was sending you back to anything less than your loving family, I'd destroy him first. And he knows that. They're going to be there, I promise."

"I don't want to go," Jon says. Behind him, the vine rises from the eave of its own will, poised like a cobra enchanted by a snark charmer.

"I know," the man says, eyes drifting to the vine. "I'm so sorry, Jon."

"For what?" Jon asks, as the vine attaches itself to the nape of his neck. His eyes roll back as he collapses into the man's arms. The man hugs him tighter than is strictly necessary.

J'onn expects the memory to now end, alongside Jon's consciousness. To his curiosity, it does not.

"For what it's worth," a young woman spits bitterly, vines supporting her weight as she slips over the side of the roof. "I still think this is horrible." Her eyes are red and miserable.

"Seriously, team punching Dumbledore in the face," A young black man says, appearing in the air supported by a woman almost identical in appearance to the man holding Jon, down to the suit colors. They land on the rooftop.

"Are you sure about this," the dark haired woman with powers over plants asks. "Because to be honest, Danny, I'm five seconds away from punching you in the face."

"Jazz won't speak to you for months," the girl, likely his sister, points out.

"Make it a year," the man says, crossing his arms.

The man, Danny, ignores them all. He cards a hand through Jon's hair. "He'll retain the experience, but not the memories?"

"Yes, he'll be a perfect little superhero, just as you taught him," the woman says, vines twisting agitatedly around her, wrapping around her thigh, wrists and neck almost punishingly.

"Sam," the man says. "He needs to go home. All of you know that."

"He doesn't have to forget us to do so!" the sister bursts, eyes flashing green.

"Remembering would be a torment," Danny says. "He'll know he was loved. That's enough."

"Danny," the plant woman says, sitting beside them both. She puts a gentle hand on his, both on Jon's back. "This is just a different torment."

"And if someone finds out?" Danny asks. He has been patient amidst their scorn, but now a tiny edge ekes into his voice. "A god's child, unprotected? Threatened? He would never stop looking for a way back, and being vocal about it could get him killed."

The others are silent.

"He'll be home. He'll be happy," Danny says. More powerful than a prayer. A directive. He raises his head past the child slumbering in his lap, past them all, face hardening, and says to J'onn: "And you will say nothing."

J'onn takes a step back, fear so thick he could choke on it flooding his very being. Thismanwillkillhim, thismanwillkillhim.

This man will reach through dimensions and kill him.

"Now, get the fuck out of my kid's head," Danny snarls. J'onn is pushed back with enough force he enters his own mind in a vicious whirl that leaves him physically on the floor, gasping.

"I'm sorry," he says as Superman rushes to lift him, and he's not sure who he's apologizing to. Green eyes will pierce his dreams. Vines will crush his throat in his nightmares, screaming silence, silence.

You will say nothing.

"I'm sorry," J'onn says, politely pushing Clark's hands away as he rises. He's already beginning to calm, because he understands. Those are consequences he will not face. He will do as directed. He looks at Jon Kent, bewildered but unharmed, clutching his mother's hand.

J'onn reaches down and dusts at his pants. "I'm sorry," he says evenly, ready to spin his tale. Perhaps the Kents will continue to seek their answers. Perhaps not. He will stay out of it either way. He has been warned.

You were loved by gods. And to keep you safe, they would quiet us all.

2 years ago

hmm I think one of the best things A Series of Unfortunate Events did was establish that being nice =\= being kind, that being polite =\= being helpful, and that a lot of adults with real agency let bad things happen because they are “trying to mind their own business,” (which looks especially damning when you contrast that with our protagonists–literal children with no agency, and no choice as to whether or not they can afford to “just mind their own business”) and that’s why: 1) you get such a real sense of despair at the end of it all 2) it’s an effective statement about how nothing gets better if people go on their whole lives thinking that they can just be nice and polite to others without ever really engaging in the world around them

7 months ago
Yeah So,
Yeah So,
Yeah So,

yeah so,

1 week ago

the thing is that childhood doesn't just end when you turn 18 or when you turn 21. it's going to end dozens of times over. your childhood pet will die. actors you loved in movies you watched as a kid will die. your grandparents will die, and then your parents will die. it's going to end dozens and dozens of times and all you can do is let it. all you can do is stand in the middle of the grocery store and stare at freezers full of microwave pizza because you've suddenly been seized by the memory of what it felt like to have a pizza party on the last day of school before summer break. which is another ending in and of itself

3 years ago

I probably will now, eventually, Nobby Leach is such a blank slate that I don't feel any pressure with keeping him canon.

But Tom Riddle? Now that little shit is frustrating to keep in character. I have so many headcanons for him it's difficult to adhere them to canon. Btw definitely gonna post a new thread about those in a bit. You guys got me on a roll.

The poison-dragonpox headcanon with Abraxas is also one of my favorites. I would absolutely write that.

Its supremely unfair how under utilized Nobby Leach is in fanfic.

He's a blank slate! The 1st Muggleborn British Minister of Magic but we know very little about him personally or even the circumstances of his election.

Voldemort rose to power in the late 60s-early 70s. Leach was minister sometime between 1962-68. And Leach was supposedly threatened from returning to his position or possibly assassinated.

Do you think poor, working-class, assumed Mudblood of Slytherin Tom Riddle didn't see these shady dealings and go "Okay so taking the legal route to power won't work."

If having power was Tom's only goal then he absolutely would've taken a quicker route to it. But instead Nobby Leach's failure just proved the system was too broken to fix from the inside.

(Quick disclaimer, I think Riddle only used the blood-purity thing to get an in with the purebloods who were running the country. There are better posts that expand on this idea in detail so I'm not going to get into it too much here. Okay? Okay.)

We know so little about Leach that he could conceivably have gone to Hogwarts at the same time as Tom Riddle. Did they know eachother? That's up to you, but if they went to school together then they definitely knew OF eachother.

So here you have Nobby Leach who hit the ground running after graduation, who clawed his way to being the FIRST muggleborn Minister of Magic in a government made up of bloodpurists, and then he just...resigned? Fuck that. That doesn't fit at all.

And anyone with half a brain would've picked up on that. Tom Riddle could not have missed how uncharacteristic this would be if he knew Leach, or heck just noticed the sheer will and patience it takes to become THE Muggleborn Minister of Magic.

On that note, there might've been some sort of Muggleborn movement happening in the background following Grindelwald's defeat. After all it takes more than one person to achieve this kind of victory.

So Tom Riddle watches (or is apart of 👀) a fast-paced, determined movement place the FIRST Muggleborn Minister of Magic and then watches as this victory silently tumbles down into forgotten history.

Meanwhile Tom builds the Death Eaters who also work outside the system via raids and murder despite the fact that they all work inside of it already. Theres already lots to unpack with THAT decision but moving on... Once the Ministry finally gets its shit together and arrests the (clearly labeled with Dark Marks) perpetrators, throwing them in wizard prison eventually reaching the point where they would be thrown in without a trial (Sirius Black), the Pureblood lawmakers all of a sudden realize "oh fuck, this is getting real."

And now what do they have to do to avoid suspicion in this very Red Scare-esque era of spying and tattling on eachother (it worked for Karkaroff) to avoid wizard prison? Play nice with the Muggleborns.

TL;DR

Nobby Leach: went the legitimate route to making change by working WITHIN the system. He rose fast and fell silently.

Tom Riddle: went the shady route to power by working OUTSIDE the system, painstakingly working for decades to build a support base, and falling in notoriety.

There needs to be more fics with them as foils to eachother. And if it has to be me, I warn you it will take YEARS to finish.


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aro-in-danyl - Sarcasm is my name. Sincerity is my game.
Sarcasm is my name. Sincerity is my game.

Send me asks about Headcanons. I'll talk your ears off.

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