Here Is The Fourth Chapter:

The fact that Leonardo somehow ends up being the big brother to literally everyone, even those way older than him, is just peak comedy. Like, Casey is a full-grown man, but when he pulls the “C'mon dude, just this once” card, Leonardo's big brother instincts kick in hard and softie that he is, giving in with an “Alright, alright.”

Dreamwave's TMNT (2003)

Squid Game Incorrect Quotes 〇△□

[How I expect Gi-hun reacted after learning that "Young-il" or In-ho is the Front Man.]

Gi-hun: Would you like some coffee?

Front Man (In-ho): I’d love some.

[Gi-hun hurls the coffee pot at him.]

Front Man: …I prefer mine in a cup.

[Gi-hun chucks a mug next.]

Front Man: No cream?

[Gi-hun lobs a creamer container at his head.]

Front Man [dodging]: Maybe a little sugar—

[Gi-hun, with deadpan intensity, launches the entire sugar bowl at him.]

Chapter Two Archive of Our Own Link 🔗: https://archiveofourown.org/works/63964906/chapters/164652766?view_adult=true

I thought Leo always chose to make sacrifices for his brothers and protect them? Sorry I am trying to understand the must I always suffer in your place line. Like didn’t he always choose to do that? He didn’t have to do anything for them. Then again I am a middle child so I guess I don’t get it.

In the 2003 iteration, Leonardo’s role as the eldest and leader is deeply tied to self-sacrifice. Throughout the series, it’s shown and even outright stated that he carries a heavier burden than his brothers. He’s held to a higher standard by both his master and himself, pushing him to train harder, expect more from himself, and make decisions that prioritize his family above all else. In the series, this responsibility is something he accepts willingly—he views it as his duty and his way of protecting his clan.

For the story, however, I wanted to explore what happens when that unwavering sense of duty is pushed too far. Being resurrected as a flesh-eating monster by his own brother becomes a breaking point for him. It’s not just the horror of what he’s become, but the deeper betrayal of his own values—sacrificing his humanity to save his brother.

The line “But now, it seems like for so much of our lives, I must suffer in your place” reflects that shift. It’s Leonardo recognizing how often he’s had to endure pain, not just for the sake of his family but in place of them. This moment of clarity is not about resenting his brothers but realizing the toll of always being the one to bear the burden, the consequences, or the suffering so they don’t have to. In this particular context, it cuts even deeper because his younger brother’s decision to resurrect him—despite knowing there would be consequences—was ultimately driven by not wanting to endure his own suffering.

I hope this helps clarify the meaning behind the line and the emotions it’s meant to convey! Thank you so much for the ask—it’s always wonderful to dive deeper into these moments!

Squid Game Incorrect Quotes 〇△□

Seong Gi-hun: Jun-ho, after a string of doomed, toxic relationships, I think I’ve finally found a healthy, stable partner in Young-il.

Hwang In-ho (a.k.a. "Young-il"): [smirking like a cat that just swallowed a canary] Hello, I'm Young-il. It's nice to meet a friend of Gi-hun's.

Hwang Jun-ho: [stares at In-ho, then at Gi-hun, then back at In-ho. Slowly facepalms.] Oh my God…

Seong Gi-hun: [nervous laugh] Wait, why are you making that face?

Chapter One Archive of Our Own Link 🔗: https://archiveofourown.org/works/62894770/chapters/161049871

Gihun, finding out Youngil is actually alive and is the Frontman: You know what? Next time I join the games I’m gonna wear lipstick and a dress-

Inho: ???

Gihun: -because I like to look pretty when I get FUCKED.

Chapter Two Archive of Our Own Link 🔗: https://archiveofourown.org/works/62894770/chapters/161628754#workskin

Stop, because this has actually taken over my mind.

I imagine Gi-hun as a divorced, gambling-addicted cleaner at the opera house, living there while his daughter trains in ballet at the dormitory. He’s worked there for years, long enough to start believing in the so-called Front Man—especially since said ghost has been giving him impromptu singing lessons.

Gi-hun can’t deny that ever since the Front Man took an interest in him, most of his gambling debts have been conveniently forgotten by those he owed them to. Some creditors have even mysteriously disappeared.

One day, disaster strikes. The prima donna refuses to sing after yet another sabotage by the opera ghost—this time, right in front of the new owner of the opera house, the Recruiter. To make matters worse, a new benefactor has arrived: Cho Sang-woo.

Gi-hun’s childhood best friend.

Sang-woo doesn’t recognize Gi-hun at first—just a cleaner on stage, sweeping up the aftermath of yet another accident. But when it becomes clear that the opera will have to cancel its performance (and refund an audience they can’t afford to lose), Jung-bae, the stage manage who got Gi-hun the job years ago, makes an outrageous suggestion: let Gi-hun sing.

Gi-hun nearly spits out his drink. Everyone laughs. The idea is ridiculous. Him? The starring role?

But then—he sings.

And the laughter stops.

Before he can protest, the costumers are hauling him backstage, fitting him into elaborate robes, combing his hair, shaving his face. By the time he looks in the mirror, he barely recognizes himself. He isn’t just a cleaner anymore.

That night, as Gi-hun steps onto the stage, Sang-woo recognizes the voice before he recognizes the man. The performance stuns the audience, and afterward, Sang-woo finds Gi-hun in his dressing room, inviting him to dinner. The invitation feels surreal—too fine, too polished. The luxury, the crisp new clothes—it’s everything Gi-hun ever wanted.

But something about it feels wrong.

Later, a letter arrives. Not from Sang-woo.

From the Front Man, the opera ghost.

The signature?

A symbol.

〇△□

Before Gi-hun can make sense of it, he is summoned.

This time, not to the stage.

To the depths beneath the opera house.

Where the Front Man waits.

i dont know if this is too niche but then again tumblr never fails to surprise me so… hear me out on this????? i???? kinda need to write this au asap because the poto dynamic with 457 is actually crazy

the phantom is the og masked yearner i fear… he walked so inho could run

also the idea of the phantom (inho) being shorter than christine (gihun) has me giggling a little icl