got a couple of questions on ig about how i choose colors and i spent way too long putting these together so!! here’s a small color picking guide 🎨✨
hopefully this’ll be helpful to someone, but really i think the most important thing is having fun and experimenting to find what you like best!
EDIT 1: If you're a bit new to art and you're super overwhelmed by the options and you don't know where to start, I highly recommend the morpho series of books
I find monthly art challenges exhausting, but also love a little structured kick in the ass, so for the past month and a half I've been setting weekly challenges for myself. First one: fill a sketchbook page a day with quick poses off Pose Maniacs.
It's a redux of my first figure drawing class exercise as a teen: get from the top of the head to the heel of the foot in the allotted time. All the poses above were 10-30 seconds. Never hurts to get back to basics every so often~
(Although, in that first class, the professor made us go outside and grab twigs that we had to dip in ink to draw with, so we wouldn't get precious about our line work. I'm not THAT ascetic this time around, lol.)
received a few asks about how i draw tf characters and so finally i sat down and started scratching out some notes :))
i'll add more later on if more people are interested and when i have some time,, but i hope these are somewhat informative ?? of at least my own thought processes when it comes to drawing the robot guys
I go over my entire process, so you too can learn how to supplement your income with zines. Please give it a look, and share if you find it helpful!
Just a quick thing I put together. This blew my fucking MIND when my anatomy teacher pointed it out. My drawings instantly got better. You might know it (good for you, I wish I knew it before too T_T) or you might not and it might help you get better.
Hey guys, you know about the Same Energy website right? has someone made a post about that? Cuz otherwise im gonna sing its praises to high heaven for its artistic references
I forgot I have to be active here so here’s my Twitter tutorial on how to draw folds I made a while back to help a friend!
I’ve seen mystery/thriller authors use the same handful of red herrings too many times to count. So here are some (hopefully not as common) red herrings for your writing.
Your narrator can play favourites and scheme and twist the way your readers interpret the story. Use this to your advantage! A character portrayed as untrustworthy can really be someone innocent the narrator framed, vice versa.
A character with a history of betrayal or questionable loyalty is an obvious suspect. They did it once, they could do it again, right? Wrong! They’ve actually changed and the real traitor is someone you trusted.
An expert—like a detective, scientist, or historian—analyses a piece of evidence. They’re ultimately wrong, either due to bias, missing data, or pressure to provide quick answers.
You know that one sidekick or ally who’s somehow always ahead of the curve? They’re just really knowledgeable, your characters know this, but it makes it hard to trust them. Perfection is suspicious! But in this case, they’re actually just perfect.
Maybe one of your characters is seen crying, angry, or suspiciously happy after xyz event. Characters suspect them, but turns out they’re just having a personal issue. (People have lives outside of yours MC smh). Or it could be a cover-up.
At first this character’s alibi seems perfect but once the protag digs into it, it has a major hole/lie. Maybe they were in a different location or the person they claimed to be with was out of town.
Have a seemingly significant pattern—symbols left at crime scenes, items stolen in a specific order, crimes on specific dates. Then make it deliberately planted to mislead.
A character was secretly close to a victim/suspect, making them a suspect. Turns out they were hiding a completely unrelated secret; an affair, hidden family connection, etc.
Create a grudge or past feud and use it to cast suspicion on an innocent character. Introducing an aspect of their past also helps flesh out their character and dynamics as a group + plant distrust.
Luke Castellan, need I say more (I will)? A supposedly innocent character dies, but turns out they faked it and were never a victim in the first place. They just needed to be out of the picture.
A character overhears a threat, argument, etc. They suspect B based on this convo, but turns out they just came to a false conclusion. (Or did they?)
Someone confesses to hearing/seeing a clue, but turns out they were mistaken. Maybe they thought they heard a certain ringtone, or saw xyz which C always wears, but their memory was faulty or influenced by stress.
Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!
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