Art Help

Here's my "lazy" foliage tutorial! 🍀 (I say "lazy" in quotes as I consider this method a shortcut, but still requires some effort for the drawing to look nice)

Gif version of the process:

Thanks for reading!

Main art blog/ Consider tipping me on Ko-fi if you've found this useful!

I feel stupid for asking this so im using anon, but how do you draw the hijab? Whenever I try it looks like an egg www

also, Ramadan Mubarak! May Allah bless you

Don’t feel stupid for asking! Drawing is hard no matter what you’re drawing, so don’t be afraid to ask for help^^ But honestly even I feel like the best of my hijabis look a little egg-like, and that’s okay!

This tutorial is already taking so goddamn long, so I’m just gonna link my coloring and shading tutorial I did a month ago 😭😭

Gosh, I hope what I wrote made sense 😅 But thank you so much for the well wishes! Happy Ramadan (Eid Mubarak at this point WAHHH), and the same to you, may you and your loved ones have many blessings!!

ADDITIONAL REFERENCES

Winchester Meg's Hijab Drawing Tutorial

Souratgar's Hijab Drawing Tutorial

General Tips for Drawing and Shading Fabrics

"and the centry owl stood guard, protector of all in need." TFE, S1E13

Love love love Nightshade's new form 🦉

I compiled a reference for all my artist homies, and myself~

Websites for Artists by alinalal_

Writing advice from my uni teachers:

If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.

Wrote a chapter but you dislike it? Rewrite it again from memory. That way you’re only remembering the main parts and can fill in extra details. My teacher who was a playwright literally writes every single script twice because of this.

Don’t overuse metaphors, or they lose their potency. Limit yourself.

Before you write your novel, write a page of anything from your characters POV so you can get their voice right. Do this for every main character introduced.

do you have any advice on character design?

watch The Sopranos

Art Tutorial Preview

This one was a short weekly tutorial briefly talking about gesture drawing, shapes and how to reference. Next week I’ll do a reference sheet with dynamic poses, I didn’t get to it this week cause I ran out of time. Anyways I hoped this helped some people!

Yo! Get full access to all my tutorials/references through: Patreon: [https://www.patreon.com/lunaartgallery] or Paypal Order: the 10$ package will get you 15 items of anything available on my Patreon, emailed directly to you.

Thank you~!

Wdym by distinctive nose?

(this was what i said was one of my "signature" OC traits in some tags awhile back)

noses are one of my favorite features to draw, so i put all my Best Shapes in the nose. i try to give each character a different one (unless they're related), because it's fun!

noses (੭ ˊᵕˋ)੭

I've had this little idea in my head for a while now, so I decided to sit down and plot it out.

Disclaimer: This isn't meant to be some sort of One-Worksheet-Fits-All situation. This is meant to be a visual representation of some type of story planning you could be doing in order to develop a plot!

Lay down groundwork! (Backstory integral to the beginning of your story.) Build hinges. (Events that hinge on other events and fall down like dominoes) Suspend structures. (Withhold just enough information to make the reader curious, and keep them guessing.)

And hey, is this helps... maybe sit down and write a story! :)

How to avoid White Room Syndrome

by Writerthreads on Instagram

A common problem writers face is "white room syndrome"—when scenes feel like they’re happening in an empty white room. To avoid this, it's important to describe settings in a way that makes them feel real and alive, without overloading readers with too much detail. Here are a few tips below to help!

Focus on a few key details

You don’t need to describe everything in the scene—just pick a couple of specific, memorable details to bring the setting to life. Maybe it’s the creaky floorboards in an old house, the musty smell of a forgotten attic, or the soft hum of a refrigerator in a small kitchen. These little details help anchor the scene and give readers something to picture, without dragging the action with heaps of descriptions.

Engage the senses

Instead of just focusing on what characters can see, try to incorporate all five senses—what do they hear, smell, feel, or even taste? Describe the smell of fresh bread from a nearby bakery, or the damp chill of a foggy morning. This adds a lot of depth and make the location feel more real and imaginable.

Mix descriptions with actions

Have characters interact with the environment. How do your characters move through the space? Are they brushing their hands over a dusty bookshelf, shuffling through fallen leaves, or squeezing through a crowded subway car? Instead of dumping a paragraph of description, mix it in with the action or dialogue.

Use the setting to reflect a mood or theme

Sometimes, the setting can do more than just provide a backdrop—it can reinforce the mood of a scene or even reflect a theme in the story. A stormy night might enhance tension, while a warm, sunny day might highlight a moment of peace. The environment can add an extra layer to what’s happening symbolically.

Here's an example of writing a description that hopefully feels alive and realistic, without dragging the action:

The bookstore was tucked between two brick buildings, its faded sign creaking with every gust of wind. Inside, the air was thick with the scent of worn paper and dust, mingling with the faint aroma of freshly brewed coffee from a corner café down the street. The wooden floorboards groaned as Ella wandered between the shelves, her fingertips brushing the spines of forgotten novels. Somewhere in the back, the soft sound of jazz crackled from an ancient radio.

Hope these tips help in your writing!