Good night, good night. Parting is such sweet sorrow, that I shall say good night till it be morrow.
OLIVIA HUSSEY in ROMEO AND JULIET (1968), dir. Franco Zeffirelli
This is kind of a pairing to my Sirius, and please ignore the fact that there was meant to be a chair, but I can't draw chairs.
Like Sirius, Regulus wears the purples so typical of the wizarding world, but unlike Sirius, Regulus pairs the purple with the popular green. His tunic is green silk, edged with purple and embroidery made from gold thread. Not only is his wealth displayed in having actual gold for embroidery, but also in the pearls that edge the embroidery, giving an extra richness to his garment. Regulus' tunic may have less purple (an expensive dye), but the use of green (also an expensive dye) with gold and pearls sets his tunic as just that bit more costly and is evidence of him throwing around the weight of the family name.
Further evidence of that is found in his coat. This is inspired by Victorian coats. One of the interesting aspects of the Black family is that they have gas lighting, a surprisingly modern invention compared to the candles used elsewhere, hence working it into his outfit. The coat is dual toned green and purple and edged in silver embroidered with 'Toujours Pur', the Black family motto. The crest has also been painstakingly embroidered on the cape of the coat. This is very personally tailored and there can be no doubt about it.
Regulus has a somewhat Norman haircut. I just particularily vibe with him having this look. I think the Normans were considered new money, but their influence cannot be ignored and so the haircut stuck around with purebloods (in my head). It also contrasts nicely with Sirius' longer hair.
Here, Regulus is penning his resignation letter.
I think Peter Pan (2003) did the best version of George Darling, especially with regards to the dual-casting tradition.
Not only did it let Jason show off his acting range but the explorations of masculinity were really fascinating to watch. George Darling is a nervous wreck who is constantly trying to prove himself as a 'proper' gentleman. "I must become a man that children fear and adults respect!" While he certainly scared the hell out of Wendy then, she still responded "Father? Brave?" to her mother's claims.
So, when Wendy goes to Neverland, she meets a man who is, as Jason Isaacs said, "strangely alluring yet repulsive at the same time, and looks like her dad". Captain Hook is the nightmare version of Wendy father. He's confident, he's aggressive, and he is a cruel, selfish asshole. But the sad thing is, he'd probably be more respected in Edwardian society than George.
Going back to George, when he finds out his kids are missing he literally sprints home out of pure fear and desperation to bring them back. He ran! That is a HUGE 'proper gentleman' no-no! Then when the kids do come home, he practically knocks himself out sprinting into the nursery and smashing his body against the door frame! He tries to put on the gentlemanly persona. Stiff upper lip, manly-man handshake, keep your emotions buried deep inside... but he can't do that. But that's a good thing! He breaks down, embraces his children, and their family is whole again. Rejecting Edwardian social norms was the right thing to do.
So, what I love about this version of George Darling and Captain Hook is how effectively they portray the best and worst forms of masculinity.
just because i’m not posting about it does not mean i am not thinking about it. absence of evidence is not evidence of absence
yeah “i can teach you” is kind and gentle and warm and comforting. it’s also hot. right
i am about to create an au SO self indulgent. the target audience is 1 person and that person is me
You thought when people painted the "someday you're going to have to choose, for real, between the World and God, you won't be able to walk the line between both" picture that they were talking about martyrdom.
Some extreme. "Trample this picture of Jesus." "Say you don't believe!" "Convert to a different religion!"
You didn't realize that it wouldn't look like that. You didn't realize that when the line gets drawn in the sand, and Jesus is on one side, the other side would look like crying people wailing out, "why can't you just accept me for who I am? Why aren't I enough for you?"
You didn't realize that the choice would be between Jesus the Truth...or a majority of people in the culture making movies, making t-shirt slogans, changing their names, gently telling you that maybe this word in the Bible doesn't mean what you think it means, maybe love just means love, maybe you can have Jesus and whatever sexuality you want.
"Did God really say...?"
You thought it would be something overt. But the bad guys never said, "hey, choose the dark side over the light." They always said, "hey, maybe you don't even know what Jesus said."
The choice is: "It is the Lord. Let Him do what seems good to Him." OR "Did God really say...?"
That's the choice. This is where the rubber meets the road. This is our "choose this day who you will serve." As for me, I'm serving the Lord, and He's holding on to me. He never changes, and yes He did really say.
Hold fast to the truth. It doesn't change. People and cultures do.