I Feel Like Throwing Up

if you don't do anything else today,

Please have a moment of silence for the people who were killed instead of freed when news of emancipation finally reached the furthest corners of the american south.

have another moment for the ledgers, catalogs, and records that were burned and the homes that were destroyed to hide the presence of very much alive and still enslaved people on dozens of plantations and homesteads across the south for decades after emancipation.

and have a third moment for those who were hunted and killed while fleeing the south to find safety across the border, overseas, in the north and to the west.

black people. light a candle, write a note to those who have passed telling them what you have achieved in spite of the racist and intolerant conditions of this world, feel the warmth of the flame under your hand, say a prayer of rememberance if you are religious, place the note under the candle, and then blow it out.

if you have children, sit them down and tell them anything you know about the life of oldest black person you've ever met. it doesn't have to be your own family. tell them what you know about what life was like for us in the days, years, decades after emancipation. if you don't know much, look it up and learn about it together.

This is Juneteenth.

white people CAN interact with this post. share it, spread it.

This is the magic lucky word count. Reblog for creativity juice. It might even work, who knows.

No song nor poetry can convey tragedy like a cat who wants through a door

#1,336

I’m not creating as much as I’d like.

Because I’m trying to predict my future mistakes.

My inner critic believes themself to be prophetic

“You’ve written about this person too many times,

Who in the world would want to keep a sculpture of a dumb cat?

If I were to attempt some editing,

Not a line would be worth keeping.”

If I’m not going to make anything,

I might as well smack myself upside the head.

Death of the author is meant to be metaphorical.

Just because it’s put out into the world doesn’t mean it’s meant to be published.

I could be completely wrong.

But it shuts my inner critic up when I think this,

So maybe it’s worth something.

Maybe when Van Gogh painted “Starry Night” he wasn’t thinking about anything.

Just taking in the view from his asylum and his paintbrush.

thesaurus.com save me

there's laundry to do and a genocide to stop by vinay krishnan

Best Writing Advice I’ve Ever Received

1. “You can’t edit a blank page.”

This advice hit me like a ton of bricks when I first heard it. It’s so simple, yet so powerful. Writing something—even if it’s not perfect—is better than writing nothing at all. The idea is to get the words out, even if they’re messy, and then fix them later. There’s always room to improve, but the hardest part is starting. So, don’t wait for perfection. Just write.

2. “Show, don’t tell—except when you should tell.”

It’s one of the classic writing rules, and yet, I found this piece of advice to be both a game-changer and a huge relief. So often, we get stuck on the idea that “showing” is the ultimate goal. But sometimes, telling is just as effective. It’s about knowing when to lean into subtlety and when to give the reader exactly what they need upfront.

3. “Write the book you want to read.”

This was one of the most liberating pieces of advice I’ve ever received. So many times, we get caught up in writing what we think people will want to read, or what we think is “marketable.” But when you focus on writing a story you genuinely want to read—one that excites and moves you—everything else falls into place.

4. “Don’t compare your first draft to someone else’s final draft.”

This one is a tough one to swallow, especially in the age of social media where we’re constantly exposed to the polished, perfect versions of other people’s work. It’s easy to feel like you’re falling behind when you compare your rough drafts to someone else’s masterpiece. But every writer starts somewhere, and your first draft is just that—a draft.

5. “Make your characters want something, even if it’s just a glass of water.”

This advice came from a workshop, and it’s one that I’ve come back to time and time again. It’s a reminder that characters need motivation—whether it’s a big goal like saving the world, or something small and personal, like finding a glass of water in the desert. A character without desire is a character that feels flat and uninteresting.

6. “The best way to improve your writing is to read more than you write.”

This advice took me a while to fully understand, but it makes perfect sense. Reading other authors’ work, especially those whose writing you admire, teaches you things that can’t be learned through theory or workshops alone. You’ll pick up on pacing, voice, structure, and what makes a story truly captivating—all while expanding your understanding of storytelling.

7. “Your first draft is just you telling yourself the story.”

This was another gem of wisdom that I didn’t fully grasp at first. It’s easy to fall into the trap of wanting your first draft to be perfect, but it’s not meant to be. The first draft is for you—to explore the plot, the characters, the world. It’s your chance to get everything down and see where it leads, without worrying about perfection.

8. “Write with the door closed, rewrite with the door open.”

This is one of Stephen King’s rules of writing, and it’s a brilliant one. When you’re drafting, don’t worry about anyone else reading your work. It’s your time to be raw and experimental. But when it comes to revising, open that door—let others in for feedback, because the revision process is where the magic happens.

thinking about all the “small” art that’s ever existed. songs that were only ever sung in one village. stories written by children that got lost in the shuffle. personal paintings that didn’t survive the test of time. how they affected the lives of just a few, but still existed, still mattered to someone.

“and the universe said…”