Flawed characters are the ones we root for, cry over, and remember long after the story ends. But creating a character who’s both imperfect and likable can feel like a tightrope walk.
1. Flaws That Stem From Their Strengths
When a character’s greatest strength is also their Achilles' heel, it creates depth.
Strength: Fiercely loyal.
Flaw: Blind to betrayal or willing to go to dangerous extremes for loved ones.
“She’d burn the whole world down to save her sister—even if it killed her.”
2. Let Their Flaws Cause Problems
Flaws should have consequences—messy, believable ones.
Flaw: Impatience.
Result: They rush into action, ruining carefully laid plans.
“I thought I could handle it myself,” he muttered, staring at the smoking wreckage. “Guess not.”
3. Show Self-Awareness—or Lack Thereof
Characters who know they’re flawed (but struggle to change) are relatable. Characters who don’t realize their flaws can create dramatic tension.
A self-aware flaw: “I know I talk too much. It’s just… silence makes me feel like I’m disappearing.” A blind spot: “What do you mean I always have to be right? I’m just better at solving problems than most people!”
4. Give Them Redeeming Traits
A mix of good and bad keeps characters balanced.
Flaw: They’re manipulative.
Redeeming Trait: They use it to protect vulnerable people.
“Yes, I lied to get him to trust me. But he would’ve died otherwise.”
Readers are more forgiving of flaws when they see the bigger picture.
5. Let Them Grow—But Slowly
Instant redemption feels cheap. Characters should stumble, fail, and backslide before they change.
Early in the story: “I don’t need anyone. I’ve got this.”
Midpoint: “Okay, fine. Maybe I could use some help. But don’t get used to it.”
End: “Thank you. For everything.”
The gradual arc makes their growth feel earned.
6. Make Them Relatable, Not Perfect
Readers connect with characters who feel human—messy emotions, bad decisions, and all.
A bad decision: Skipping their best friend’s wedding because they’re jealous of their happiness.
A messy emotion: Feeling guilty afterward but doubling down to justify their actions.
A vulnerable moment: Finally apologizing, unsure if they’ll be forgiven.
7. Use Humor as a Balancing Act
Humor softens even the most prickly characters.
Flaw: Cynicism.
Humorous side: Making snarky, self-deprecating remarks that reveal their softer side.
“Love? No thanks. I’m allergic to heartbreak—and flowers.”
8. Avoid Overdoing the Flaws
Too many flaws can make a character feel unlikable or overburdened.
Instead of: A character who’s selfish, cruel, cowardly, and rude.
Try: A character who’s selfish but occasionally shows surprising generosity.
“Don’t tell anyone I helped you. I have a reputation to maintain.”
9. Let Them Be Vulnerable
Vulnerability adds layers and makes flaws understandable.
Flaw: They’re cold and distant.
Vulnerability: They’ve been hurt before and are terrified of getting close to anyone again.
“It’s easier this way. If I don’t care about you, then you can’t leave me.”
10. Make Their Flaws Integral to the Plot
When flaws directly impact the story, they feel purposeful rather than tacked on.
Flaw: Their arrogance alienates the people they need.
Plot Impact: When their plan fails, they’re left scrambling because no one will help them.
Flawed but lovable characters are the backbone of compelling stories. They remind us that imperfection is human—and that growth is possible.
it brings you joy
somebody has to take care of the characters
you have a lesson to teach
it gets you through everyday life
there's people excited for the next chapter
to provide hope for yourself and others
if you don't tell the story, no one else will
it's a way of expressing yourself / what you go through
to make yourself and others feel less alone
people adore your writing
your characters would miss you if you left
nobody can take your place / write your stories for you
to leave something behind to be remembered by
to release your emotions
to inspire other people
hey, i have a question! i hope you don't mind. i am working on my first wip ever and i don't know how if i should use a story structure or not. do you have any suggestion/advice for me? <333
Hello! Hi! Thank you for submitting your post! I apologize if you’ve submitted it for a few weeks and I am now just getting back to it. I need to check my inbox more often. 😅
I do not mind the question at all! I love it when people take a shot in the dark and ask me anything! I will try my best to answer your question!
First off, congratulations on working on your first ever WIP! That’s big! That’s major! A first step to many great things! I am so proud of you for taking the initiative — it isn’t easy!
Second, every story has structure whether you know deliberately plan it or not. It is up to the writer, however, to decide which story structure they specifically want to use. Stories, just life everything else in life, tends to have some kind of structure, of course there is randomness but even then there is structure to it (if you want to get all philosophical about it, hehe).
All structures have the same core principles, it’s just that each one tends to maybe focus or highlight different parts or sections of the overall journey.
Think of it this way: ultimately it is a rollercoaster ride with different loops and turns and themes. Rollercoasters are designed to evoke thrill, fun and fear, along with various other emotions. Same applies with a story structure: same cores just different executions.
I would suggest — if you really want to explore different story structures — to sit down and familiarize yourself with them and notice the slight differences between each. You can even look up story examples that follow that structure to help you get a better understanding.
If after that you just decide not to stick to a particular one that’s fine, as I said, you will subconsciously be working on one. The most common structure is the Hero’s Journey: which I bet 100% that’s the structure you will be using whether you chose it intentionally or not.
Here’s a link to the post about story structure I covered to help you. ☺️
I hope this answers your question!
So, there's a dirty little secret in indie publishing a lot of people won't tell you, and if you aren't aware of it, self-publishing feels even scarier than it actually is.
There's a subset of self-published indie authors who write a ludicrous number of books a year, we're talking double digit releases of full novels, and these folks make a lot of money telling you how you can do the same thing. A lot of them feature in breathless puff pieces about how "competitive" self-publishing is as an industry now.
A lot of these authors aren't being completely honest with you, though. They'll give you secrets for time management and plotting and outlining and marketing and what have you. But the way they're able to write, edit, and publish 10+ books a year, by and large, is that they're hiring ghostwriters.
They're using upwork or fiverr to find people to outline, draft, edit, and market their books. Most of them, presumably, do write some of their own stuff! But many "prolific" indie writers are absolutely using ghostwriters to speed up their process, get higher Amazon best-seller ratings, and, bluntly, make more money faster.
When you see some godawful puff piece floating around about how some indie writer is thinking about having to start using AI to "stay competitive in self-publishing", the part the journalist isn't telling you is that the 'indie writer' in question is planning to use AI instead of paying some guy on Upwork to do the drafting.
If you are writing your books the old fashioned way and are trying to build a readerbase who cares about your work, you don't need to use AI to 'stay competitive', because you're not competing with these people. You're playing an entirely different game.
Writing Tips
Punctuating Dialogue
✧
➸ “This is a sentence.”
➸ “This is a sentence with a dialogue tag at the end,” she said.
➸ “This,” he said, “is a sentence split by a dialogue tag.”
➸ “This is a sentence,” she said. “This is a new sentence. New sentences are capitalized.”
➸ “This is a sentence followed by an action.” He stood. “They are separate sentences because he did not speak by standing.”
➸ She said, “Use a comma to introduce dialogue. The quote is capitalized when the dialogue tag is at the beginning.”
➸ “Use a comma when a dialogue tag follows a quote,” he said.
“Unless there is a question mark?” she asked.
“Or an exclamation point!” he answered. “The dialogue tag still remains uncapitalized because it’s not truly the end of the sentence.”
➸ “Periods and commas should be inside closing quotations.”
➸ “Hey!” she shouted, “Sometimes exclamation points are inside quotations.”
However, if it’s not dialogue exclamation points can also be “outside”!
➸ “Does this apply to question marks too?” he asked.
If it’s not dialogue, can question marks be “outside”? (Yes, they can.)
➸ “This applies to dashes too. Inside quotations dashes typically express—“
“Interruption” — but there are situations dashes may be outside.
➸ “You’ll notice that exclamation marks, question marks, and dashes do not have a comma after them. Ellipses don’t have a comma after them either…” she said.
➸ “My teacher said, ‘Use single quotation marks when quoting within dialogue.’”
➸ “Use paragraph breaks to indicate a new speaker,” he said.
“The readers will know it’s someone else speaking.”
➸ “If it’s the same speaker but different paragraph, keep the closing quotation off.
“This shows it’s the same character continuing to speak.”
Having OCs is actually the worst because those little fuckers will talk about you behind your back.
Clark Kent is a mild mannered reporter. Kal-El is the hero Superman who saves the world every other week. These are 2 separate people, but everybody thinks they are the same person because Clark looks like Kal-El with glasses.
Hello everyone! This post will discuss the emotion amazement.
This section is taken from the Emotion Thesaurus by Angela Ackerman and Becca Puglisi.
Definition: overwhelming astonishment or wonder
widening of the eyes
a slack mouth
becoming suddenly still
sucking in a quick breath
a hand covering one's mouth
stiffening posture
giving a small yelp
rapid blinking followed by open staring
flinching or starting, the body jumping slightly
taking a step back
a slow, disbelieving shake of the head
voicing wonder: I can't believe it! or Look at that!
pulling out a cell phone to record the event
glancing to see if others are experiencing the same thing
pressing a hand to one's chest, fingers splayed out
leaning in
moving closer
reaching out or touching
eyebrows raising
lips parting
a wide smile
spontaneous laughter
pressing palms to cheeks
fanning oneself
repeating the same things over and over
squealing dramatically
a heart that seems to freeze, then pound
rushing blood
rising body tempreture
tingling skin
stalled breaths
adrenaline spikes
momentarily forgetting all else
wanting to share the experience with others
giddiness
disorientation
euphoria
an inability to find words
a racing heartbeat
shortness of breath
knees going weak
feeling overwhelmed as if the room is closing in
collapsing
holding oneself tightly (self-hugging)
walking in jerky, self-contained strides
clamping the hands to the chest
looking down or away to hide one's expression
eyes widening a bit before control is asserted
mouth snapping shut
a stony expression
taking a seat to hide emotion
making excuses if reaction is noticed
stuttering, stammering