I’m A Bit Curious On Hal’s Personality In His Depictions. From What I Know Is That Early Hal Was

I’m a bit curious on Hal’s personality in his depictions. From what I know is that early hal was headstrong, cocky, kind of a goofball, and detached (dissociating away his fear and averse to commitment). This seems to be the version of Hal that most people write.

But then there’s the whole Parallax thing, and the Spectre run. I don’t know much about it but it seems hal gets a lot more subdued and melancholy as the spectre. And then after that he comes back as flesh and bone.

So what is he like at the end of that?

Pre-Johns and pre-Parallax Hal tended to be more happy go lucky, stupid, and generally doe eyed hopeful "the system that fucked me over once definitely won't do it again!" type of man. He was also entitled at times. But this is mostly true up until around the time of Hard Traveling Heroes, which is when he starts to be heartbroken and melancholic, traits that persist until the climax of Emerald Twilight.

A lot of people say Emerald Twilight came from nowhere and I disagree. I think those people weren't paying attention, because all the signs were there. Hal had been steadily becoming more disillusioned and melancholic through the 70s and 80s until we get to the 90s, where that heartbreak gets amplified to the nth degree. Hal didn't go from stupid to mad with grief without a transition period in the middle. But a lot of people think once a run from x writer ends, it no longer counts for the next one, and so they say the tragedy came from nowhere.

At the very start of the 90s, Hal has a lot of suicidal ideation going on. The run itself begins with him more or less saying "There’s nowhere else to go" (paraphrasing) and throwing himself off a cliff. He waits until he's almost crashing head first into the ground to pull himself out of there using his ring. He's flirting with the thought of death.

He is also self sabotaging. He pulls back from everyone and turns himself into a homeless man who lives on the road because he's looking for a sense of self, a meaning to life he has lost. He becomes a seasonal worker because he needs something to do, but those jobs never last because the life he's trying to leave behind (in the shape of Guy Gardner) keeps metaphorically knocking on the door and dragging him back to Green Lantern.

Even when he comes back, he chooses to do solitary things. For example: exploring space to recruit more GLs, that keeps interactions to a minimum. It's all things that are brewing in a pressure cooker that blows up when Coast City is destroyed in front of Hal's eyes and the hero community drops the ball. Hard.

They all say well, it’s not MY city. They all say get over it. Clark goes and creates a monument using scraps of the very bomb that killed everyone and everything Hal knew all his life, and immediately after that Clark is in Metropolis enjoying the sun and saying aaaaah. what a nice day.

And Hal doesn't snap immediately. The tension is there, but at first he does try to keep it together until it becomes impossible. He tries to reconstruct Coast City, but there are limits to what the ring can do. The one thing he could depend on, his will power, is not enough. He is not enough. His grief and anger become so big that his mind just... fractures. He snaps. No one's listening and no one's helping, so he will take matters into his own hands and make. it. right.

This Hal is angry. This Hal has a heart with a hole that threatens to kill him at any moment but he endures because he cannot die until he does what needs to be done. This Hal refuses the help that comes too late, he has killed his friends, he has destroyed the corps, he has killed Sinestro. Kyle arrives like a lighthouse in the middle of the storm but for Hal it's too late because he has driven his ship into the cliff and is letting it sink with himself still in it.

He is mad at himself and mad at the world for failing Coast City and all the innocent lives lost. He almost becomes a god, and is perceived as a god by some due to the power he now possesses. There are moments when clarity hits him and the old wounded heartbroken Hal shows his face, and he is dying. His pain is so palpable. His anguish. The old Hal wants help. But Parallax Hal does not want to be saved.

Of course, the status quo changes with the events of Final Night. Hal sacrifices himself to save the Earth. He sees that only in death will his anger stop, and he sees that he's the only one who can do what no one else could do for Coast City. It's a no brainer. He sacrifices himself and burns himself to a crisp reigniting the sun. Hal doesn’t expect to come back. He doesn’t want to come back. This is HIS final night.

Unfortunately, The Spectre had other plans. His anger morphs into straight up depression because now he is alive enough to deal with the outcome of what he did as Parallax. He has to live with the tragedy of what he lost and the tragedy of what he did. Few people stand by his side and want to give him a chance. Very few people recognize there's good in him. Most want to see him dead and gone. He himself wants to be dead and gone. Helen, his niece, being there definitely helps him not lose it, not lose himself. She is his hope. She is the innocence he lost and he will never get back.

After all of this, he is more grounded, mature. Still melancholic. Still haunted by everything that happened. He is cocky, of course, and self assured, because at the end of the day those are the things he can cling to with some sort of safety net. But they're also things he uses to keep the raw wounds hidden.

Post Johns? Yeah like more than half of this is lost because Hal’s the greatest hero ever and he can do no wrong. He is headstrong, overconfident, cocky, and ultimately good, but he is missing like half of his soul.

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10 months ago

Destiny fans why are you allergic to old man Osiris to the point that you subscribe to the fanon that guardians can age....


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1 year ago
We All Know THAT Type Of The Warlocks

We all know THAT type of the Warlocks

1 year ago

You also have to take in everything that Osiris has gone through as well, losing almost all of the Iron Lords, losing Saint, almost became wrathborn, lost Sagira and his light bc of it and then got possessed by Savathun, and as far as we know (or I know, i could full well be missing some lore), Osiris has never fully processed any of it and just shoved down all his grief.

Every day I fight battles for Osiris's honor. Every single time he's a relevant character being his Messy and Brash self people take it personally. Every time I think it'll be different.

Anyways

I really liked Osiris's characterization in Lightfall, it felt more true to how he is as a character than he was in Seraph. However I'm already seeing people being Weird about him. On one hand, I understand he isn't for everyone, not everyone has to like him as he's a very difficult man (which is exactly why I like him.) However there's a difference between just... Disliking a character and egregiously misreading and misinterpreting one.

Two major points I've seen talked about already, ad infinitum, that I feel I have to give you a better perspective of: the urgency of which he acts, and his unhealthy training techniques. (And to a lesser point the claim that he's been over exaggerated which spoilers: he's always been like this.)

His urgency

(or as so many of you claim, that he's yelling at us the entire time.)

I feel like someone having to walk a baby through how to use building blocks it's THIS dire.

THE THEME OF LIGHTFALL IS GRIEF. It's grief and finding a way to accept that grief, not push it down or block it, not fight it every step of the way, but rather let it flow through you and allow it.

Osiris's arc throughout Lightfall is grappling with this: he's not had the TIME to process his grief, both over Sagira and over the loss of his Light. He feels inadequate because there's never been a time where he hasn't been able to act himself.

Osiris outright states in the campaign that he always used his grief as something to push him forward, as a means to fix it, like he did with Saint. But he can't do that now and it frustrates him. He pushes us because it's a reflection of himself, he's beyond frustrated with the fact that he can't do this himself, that he has to rely upon others when he's been self reliant for hundreds of years.

Not only that but he's ALWAYS been a very no-nonsense kind of guy, it used to be that he had Sagira to balance out his social awkwardness, but since she isn't here to often speak For him he's been struggling to interact with others. Sagira acted as a median, now that she's gone he's had to go it alone, you can't blame him for his bluntness.

Now... the yelling scene... I don't know why but everyone seems to be taking this one really really personally despite that fact it's painstakingly clear he's yelling because he's angry with HIMSELF. You're all so focused on the fact he yelled — which, I feel I need to remind you he's in grief and he's going through a very hard change, he's always been calm so seeing him like this really puts into perspective how much he's hurting. No one is talking about his apology afterwards.

He recognizes that he lashed out incorrectly, (and imo he's ALLOWED to after all he's gone through. god forbid grief be expressed in any capacity other than quiet depression.) And then he apologizes. Because that's what he does. He recognizes a misstep and apologizes. This is how he's always been.

Training

And when he's training us, telling us to push beyond our limits, this is a reflection of himself again. This is how he trained. We know this because this is how the Crucible became what it is now.

But I will also take good ideas where I can get them. And Osiris's belief that Guardian minds and bodies can be sharpened as one sharpens a sword is a damn good idea. You've seen the results in the Crucible. Do I really have to say any more?

The Conqueror 2

Osiris has always pushed himself (and in part I think Felwinter added to this) so it only makes sense he'd try to push us in the same manner. The entire point of this is to show it's wrong and Osiris eventually recognizes it as wrong! His perspective was incorrect! And it changes! Because that's how stories work!

Grief

Grief is not always shown with crying messes, it's not always quiet depression, it can manifest by being incredibly volatile and angry and that's how Osiris handles his grief when he can't just power himself through it anymore.

His arc is coming to terms with the fact he can't just wrestle his grief into submission. His arc is that he doesn't have to deal with his grief alone. His arc is that his mortality and inability to act himself isn't a personal failure. His arc is that he lets it flow rather than try to push it down. Like strand, Osiris's grief is a river and he's been trying to build a dam for the past several months.

Osiris is a nuanced character. He has flaws and he's never hid them. If you played the entire campaign with the audio off and subtitles off and you can't grasp the simple fact Osiris is experiencing incredible amounts of grief and trauma that's on you, my friend.


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2 weeks ago

Barry: Where's Hal? Ollie: Don't worry, I'll find him. Ollie, shouting: Kyle sucks! Hal, distantly: Kyle is the best person ever! Fuck you! Ollie: Found him.


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8 months ago

Hello this a long shot call, am a citizen of Palestine. I am here to request for your support to help get my insulin, I was diagnosised with type 1 diabetes and due to current situation in Gaza I'm unable to get my insulin injection as a result I'm here begging for little financial support to help me purchase insulin for this week.My donation link is available on my pinned post

palestine isn't free till everyone is free


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10 months ago

Are fedoras really that bad?

Are Fedoras Really That Bad?
Are Fedoras Really That Bad?
Are Fedoras Really That Bad?
Are Fedoras Really That Bad?
Are Fedoras Really That Bad?

YES YES THEY ARE

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gtswmeiko - Zane who just wants to keep a single hyperfixation
Zane who just wants to keep a single hyperfixation

i sometimes make my own posts but this is really just my reblog hell

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