Behind every Jegulus fic with a wolfstar subplot there is a peter pettigrew, holding the whole operation together.
DBH is full of little details that help understand the characters’ background and their motivations, details which can go entirely amiss if the player isn’t paying enough attention to their surroundings.
You have to play several times over to notice bits and pieces of information scattered everywhere and be able to reconstruct the characters’ background by patiently piecing them together. If you’re thorough enough, you can even uncover whole chunks of the characters’ past which they refuse to talk about (something VERY frequent in Hank’s case…and equally frustrating).
Here are a few details about the life of Hank Anderson, the lieutenant who is chosen to help Connor with his investigation, along with some interpretations of my own about his mysterious past based on the evidence we find in the game:
The park where Hank goes to drink after the Eden Club mission is a playground for children. If you pay attention, you’ll see the place is full of recreational equipments, like a swingset, a toy house and a merry-go-round. He says the place has a nice view and mentions going there a lot before something happened. This is where he used to bring his son Cole to play before his death.
What hurts most about this scene is how a human notices the photo of Hank’s dead son on his kitchen table, then the fact Hank drove to a playground and immediately associates them both, while an android (Connor) is unable to see the correlation between them. This is why Connor asks before what?. He’s clueless to the overwhelming evidence around him of Hank thinking about his son in that moment and choosing to revisit the playground.
Hank used to be part of a multi-department unit called the Red Ice Task Force which successfully busted a ring of drug dealers that sold red ice in Detroit. He has a photo of his unit on his desk, and you can even see the notes he left on each of them, where some nicknames were scribbled and associated to each of their faces. Some of them are fond nicknames, others, not so much:
The nicknames (from right to left):
Prick & Asskisser - the two male policemen in the far right
Nice girl - the smiling policewoman in front of Prick and Asskisser
Asshole - the smiling policeman on the front
Real police - the policewoman in the back, behind Asshole
A good cop - the policeman in the back, right next to her
Hank Anderson
??? - policeman on his left
Not seen since 2019. Owes me some $ - last policeman, in the far left
Hank worked in the Red Ice Task Force two years before the birth of his son Cole. Cole was born in 2029, as seen in the photo below.
Hank also lost his son in 2035, only three years before the events of DBH, as seen in Cole’s picture below.
The reason why Hank feels so disenchanted is because he worked hard to end the traffic of red ice in the city only to lose his son to a doctor who was a drug addict. This made him feel like his work was ultimately worthless and even guiltier about losing his son, since despite his efforts, there was nothing he could do to save him. The day Cole died, he learned he was fighting a losing battle. So he just gave up. On life. On his job as a good police officer. On everything.
Hank plays Russian roulette because deep down, he doesn’t want to die. Something keeps him from offing himself once and for all. He’s afraid of death. Proof of that is how scared he becomes when he is holding for dear life on the ledge right at top of that building during our chase for the deviant Rupert (where you must choose between saving Hank and keep chasing the android). Hank was so scared of the prospect of dying he punches Connor in the face and yells at him due to the android’s refusal to save him. Therefore, Hank might have suicidal tendencies, but he’s not truly suicidal. If he truly wished to die, then all he needed to do was to let go from that ledge or fully load his gun next time he’s at home and shoot himself. And he knows that.
His sense of guilt and helplessness for his son’s death is what makes him so protective of Connor. He’s aware Connor is just an android. And yet prevents him from facing potentially fatal situations. Hank just can’t cope well with death and will project his fatherly feelings for Cole onto Connor. This is why he commits suicide if he witnesses Connor’s death over and over. But this is also the reason why he warms up to Connor throughout the game. He inevitably associates the android with Cole despite himself.
Hank shoots you if he’s hostile after Connor repeats over and over again that he’s just a machine, unable to have real emotions. Hank’s actions have two root causes:
1) The doctor who was high on red ice was emotionally dysfunctional. He used drugs to cope with his personal problems, a behaviour that seemed normal in Detroit given the socioeconomic hardship the city was going through (thirty percent rate of unemployment). We also see how androids are progressively replacing humans in every line of work. Remember when Hank complained how people are replacing normal relationships with humans for androids (Eden Club mission)? This seems to be a big issue in Detroit. Along with the huge unemployment rate, it indicates a depersonalisation of human interaction. That is to say, a tendency for humans to avoid contact with each other and replace real interaction either with an android or with drug abuse, something which Hank not only disapproves, but finds disturbing.
2) In the very first scene of the game, we see the mother despair when she learns they sent an android instead of a real human to save her daughter. Hank’s son didn’t survive because an android was sent to save him. Or at least that’s how Hank sees it. Much like that mother, he believes Cole would be alive if a human doctor had been there for Cole, another consequence of the ongoing depersonalisation process, as Hank sees it.
This is why it’s so important for Connor to restore Hank’s faith in the possibility of there still being real human interaction left in this world. Of there being people who CARE about something. And if Connor fails to do so, repeatedly telling Hank he’s just a machine, this will trigger Hank to the point he’ll relive the day - or night - his son died because the hospital assigned a machine, something less than a human - an android - to save his son. Hank feels wronged, betrayed by mankind, by the very people he swore to protect as a police officer. Despite his efforts to save the city, they let him down. The fact that nobody cared enough to save Cole is what killed him inside and later triggered his suicidal tendencies. Human indifference took away the most important thing in his life.
Thoughout the game, Hank is watching you, trying to figure out what sort of person Connor is. This is why he questions your decisions after every mission. Remember his dialog with Connor where he asks why didn’t he shoot Chloe at Kamski’s place? That’s when he begins to wonder if androids aren’t more than just programmed machines and capable of free will…and even empathy.
Unless Connor’s actions succeed in restoring Hank’s hope in humanity, he sees no light at the end of the tunnel. And what could give a disillusioned, mourning father more hope than an android being able to feel and empathise with both humans and androids, to the point he rebels against his program and spares his targets, regardless of his mission?
There might be more on Hank, so this post will be edited in the future as I notice more details with each gameplay.
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Today’s doodles while at work :)
Don’t ask why Clara is taller than William in the second picture (I drew him first and I liked how he looked and I didn’t wanna change how he was looking)
do me a solid and just reblog this saying what time it is where you are and what you’re thinking about in the tags.
The other day I decided to watch "the walten files" completely, so I ended up drawing Felix. Actually, this is his first design and I don't like it at all. I'll probably end up changing it later.
all of them together!!! (yes, i added bachelor doodles)
drawing all of them realized how much i like the colours of the bachelorettes more 💀 but you gotta love the guys
I have no idea why, but I am getting quite obsessed with the idea of merging Beauty and the Beast with a pirate story. It's as if I just spent half an hour imagining Cogsworth growing up on a pirate ship until he was thirteen, then escaping and joining the English army. There, an older captain takes the effort to give him some education, and Cogsworth ends up becoming the man/clock we all know.
Some lil sketches:
Mr and mrs afton on a cute lil date <3
….while henry babysits
the enchantress’s magic spreads farther than anybody guessed, least of all her
following the curse, things are…..well, they’re joyous, obviously. They’re beautiful. They’re glad, and new, and full of sunlight. But also, sometimes….
Plumette wonders if Lumiere has gotten a little taller. Not a lot, not tremendously so—just an inch or two. It might be the new heels he bought as soon as he could, but she doesn’t quite think so.
Lumiere thinks Plumette’s hair might have gotten curlier, her skin a little softer. No, he thinks, that cannot be quite right, time was frozen during the spell, non? And yet—ohhh, she is as good to him as ever, what does it matter, she is radiant as always, with or without the extra locks.
Cogsworth sees Mrs. Potts moving around the kitchen and thinks, now, didn’t she used to have a touch of the gout in that one leg? And yet there she walks now, as she did when we first met almost thirty years ago. I must have a cog wrong, somewhere, thinks Cogsworth.
He could not always play with his eyes entirely closed, could he, her darling Cadenza? surely he was not so supernatural as that? Garderobe looks at him again and sees his eyes shut, his fingers flying over a passage she knows he shouldn’t know. Something has grown better with his fingers in the time he wasn’t using them. Magia.
Chapeau never says much, but he sees that Cogsworth’s back does not hurt him so anymore. It’s like a gear has shifted and released some spring he didn’t know he had.
Mrs. Potts knows Chapeau should not be that strong—yet he lifts Chip easily, now, as easily as if he were just a cup. Yet before—he’s a skinny man, Mr. Chapeau, I don’t know where he got that from. Mrs. Potts gets herself a cup of tea and thinks about it, crossing her two perfectly fine feet without another thought.
Cadenza notices no difference. His amore is as beautiful as ever, and the only magia he’s privy to is when she chooses to sing for him.
This blog will probably be focused in any hyperfixation that I have at the moment (main blog @pashfoxx)
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