Latest Posts by lagoonia - Page 2

❝ I’m so proud of you. You’ve come a long way since that day I found you by the lake. But can you keep your emotions in check long enough to take me on? Or will they get the better of you as always? I always told you, you’ll be ready the day you’ll knock me down as yourself. This is that moment. This is that moment, Vers! ❞

                                                          Halan hero, feared by  his enemies and celebrated                                                           by  the  Kree  -  Kree  Commander  and  leader  of                                                           Starforce, YON-ROGG, with a devout loyalty to the                                                           Supreme Intelligence and the Kree ideology.                                                   ***           ***           ***                          independent,    mutually    exclusive    and    highly                 selective roleplay blog for Yon-Rogg from  Marvel’s                 ‘Captain Marvel’.  multi-verse,  multi-ship,  primarily                 set in the MCU only.                               - comandeered by Rhea // [ promo credit ]

higher, further, faster, baby ! 

here’s carol danvers / captain marvel, my favorite resident sparkling space babe! she’ll have a full bio coming soon, and for the time being i’ve got some bullet points under the cut. i’ll probably reblog a meme in a bit, but like this post/let me know if you’d like to plot (or… maybe just a starter?) and i’ll come to you!

Keep reading

The deleted scenes from Captain Marvel are giving us new insight into the Kree Empire and I’m loving how fundamentally messed up it is, to the point of the Kree themselves being victims of it.

First we got the Supreme Intelligence. Apparently it always gives the people it imitates white/grey hair and green eyes.

It’s interesting how differently it approaches Carol and Yon-Rogg.

It treats Carol like a friend and acts like a kind mentor because it knows she has always rebelled against people who tries to oppress her, while it’s incredibly abusive to Yon-Rogg

I don’t think it actually takes the form of those whom people admire the most either (though I’m sure that’s what it tells people), but rather those it can use most effectively to manipulate people with. Sure, often times that will be a respected person but if you pay attention both Carol and Yon-Rogg are uncomfortable with who they see.

By taking the form of Mar-Vell, someone Carol only sees in half forgotten dreams, it’s constantly reminding her “See how broken and confused you are. You need guidance”.

It takes the form of Yon-Rogg when talking to him, then mocks him for it “You are so full of yourself. Think you’re real important, huh?” which makes Yon-Rogg think he deserves to be humiliated and abused so he can become more humble.

I can definitely see why they left the Yon-Rogg scene out of the final film (though it’s apparently still canon). First off it’s incredibly unsettling. The SI very much acts like a mix between an abusive parent AND an abusive boyfriend. The way it touches Yon-Rogg gives off some strong sexual predator vibes that leaves you with a slimy feeling that it has used every trick in the book to humiliate him and destroy his self esteem.

And Yon-Rogg actually leans into the touch, maybe because he’s terrified and wants to please the SI, or maybe because he crave it’s acceptance and cherish every little act of kindness. Probably a mix of both.

The scene also puts his and Carol’s last encounter in a different light. Instead of it being a purely triumphant moment for Carol it makes us realize how cruel it is of her to send him back. She of course doesn’t know how the SI treats him and I have no doubt that she’d rather keep him captive somewhere else if she knew, but we’d know and it would sour the moment a bit.

Then there is of course the whole “control your emotions” thing. The SI tells Yon-Rogg that he’s too emotional and he then tells Carol the same thing. A lot of people saw it as him being sexist but it’s pretty clear that all Kree are expected to be as emotionless as possible, probably because the SI see emotions as a liability. Unfortunately they aren’t naturally less emotional. Kree are just as emotional as humans, maybe even more so.

Just look at Ronan. He starts out as an upper-class, well respected member of society who has seemingly mastered his emotions. He doesn’t let Yon-Rogg rile him up when they argue over the “phone” and he hardly even flinches when Carol destroys his ships. But it’s all facade. The people behind the movies have hinted that Ronan has a form of PTSD and that’s why he is the way he is in Guardians of The Galaxy. Kree warriors aren’t supposed to be affected by the horrors they commit, so when the war was over there was no system in place to help people like Ronan who had killed millions of people. Instead he turns to the old religion that existed before the SI where he can freely express his emotions.

Also, Yon-Rogg teaches a primary school class of some sort (the children aren’t called “students” but “recruits” which tells you everything you need to know about the Kree Empire) where he teach them to fight (they’re wearing the same style of clothes that he and Carol wore during their sparring scene) and Kree propaganda (“Skrulls are terrorists and it’s our duty to defend not just Kree but all other races who can’t fight for themselves”) and it’s implied that he and Ronan used to sit through the same classes as children. This tells us that the Kree aren’t naturally cruel. The SI has to tell them the lie that Skrulls are terrorist and speak to Kree compassion by telling them that Kree warriors have to protect others from the merciless Skrulls.

The Kree are a race of scarred and abused people who then inflict that abuse on everyone else because they think they’re doing good. It’s fantastically messed up.

FILM & TV YESTERDAY, TODAY, TOMORROW | DAY 4: URL/ICON

Heroines of SW part 1.

I decided to draw first the representative figures of the first trilogy, Padme, Ashoka and Riyo Chuchi, I know that there is also more characters on this era, but I wanted to draw them first. The next one I´m going to incorporate other characters of the prequels like Jedis of the Jedi council or mandalorians.

wife….

Riyo Chuchi !

Little Duchess in Kalevala 💚✨

Young Obi-Wan and Satine, by Jake Bartok.

Unrestrained* summer fun

* actually somewhat restrained, really

Star Wars: Attack of the Clones - Padme Costume Designs by Ian McCaig

Reading The Art of Revenge of the Sith and

Um what

Why would you leave any of this out

Concept art for Padme’s funeral on Naboo from Star Wars: Episode III - Revenge of the Sith by Iain McCaig

Padme doodling

Duchess

Could you pretty please draw Padme? Hope you have a wonderful new year!!

Happy new year to you too Anon! Here is Padme :D

⊰ jedichosen: ⊱

            ❛   𝐇𝐎𝐖  ?    ❜    hollowed words  :    carved and ripped from the depths of his torment.    night after night he’s been witness to such endless destruction ,    to the end of all times.    her death is a prophecy that should not be ignored.    𝐈𝐓 𝐂𝐎𝐔𝐋𝐃 𝐍𝐄𝐕𝐄𝐑 𝐁𝐄 𝐌𝐄𝐑𝐄𝐋𝐘 𝐀 𝐃𝐑𝐄𝐀𝐌    /    𝐇𝐈𝐒 𝐌𝐎𝐓𝐇𝐄𝐑 𝐓𝐀𝐔𝐆𝐇𝐓 𝐇𝐈𝐌 𝐀𝐒 𝐌𝐔𝐂𝐇.    for once ,    the softness of her skin cannot assuage his torture ,    and it’s a reminder of all he might lose.    ❛    i keep seeing you    ——    dead    .    .    .    ❜    vanishing notes ,    while blue eyes avoid her own.    but his fingers come down ‘pon her tender cheek  ;    caressing with a devotion reserved only for deities ,    finally admitting his defeat.    ❛    i don’t know what to do.    ❜          

          𝐒𝐓𝐀𝐑𝐒, 𝐓𝐎𝐎, 𝐓𝐑𝐄𝐌𝐁𝐋𝐄  &  𝐒𝐇𝐀𝐊𝐄.  ( 𝐖𝐈𝐓𝐇 𝐓𝐇𝐄 𝐏𝐑𝐎𝐌𝐈𝐒𝐄 𝐎𝐅 𝐈 𝐌 𝐏 𝐋 𝐎 𝐒 𝐈 𝐎 𝐍 ).  galaxies bear witness with each passing day, of how too-often, ethereal light trembles  &  gives way –– leaving voids  &  their endless shadows to s p l a y.    ❛  … don’t shut me out.  ❜    trepidation stirs the breath within the fragile cage of her chest ; though it shakes, love holds her steady.  she bows her head, leaning into the ever-fleeting touch of his hand …    ❛  i’m here. with you. right now.  ❜     she’d no intention of ever  s l i p p i n g  away     /     no matter what the constellations spell  &  splay.

     ❛  &  i love you. we’ll figure this out.  ❜

            the   force   is   known,   to   its   most   fundamental   grounds,   by   those   who   are   able   to   p o s s e s s   it.   it   is   of   every   star,   &   every   moon.   it   is   breath,   it   is   LIFE.   it   f l o w s   between   every   stone,   &   when   its   rhythmic   turn   greets   finality   with   a   gracious   bow,   —   seeks   shelter   in   the   skies   above.   it   is   because   of   this   dance,   that   the   tempo   of   her   heart   lives   o n   …   it   is   why   she   is   able   to   visit   here,   to   travel   home   –   be   near.   ( she’s h a r d l y gone. )

              this   isn’t   the   first   time   constellations   led   her   off   a   guiding   light’s   path   to   distances   left   unfrequented   &   uninhabited   –   that   is,   by love,   by good   –   SINCE   FORGOTTEN.   by   him.

                  ❛ —- you’re  H U R T I N G. ❜

   ╱     a starter for: ⊰ @vadaer​​​ ! ⊱

⊰ jedichosen: ⊱

         𝐏𝐈𝐂𝐓𝐔𝐑𝐄 𝐇𝐈𝐌 𝐁𝐑𝐎𝐊𝐄𝐍 ,    head bowed in obliterated weakness and coming to rest softly ‘pon her shoulder.    in this darkness ,    she stands like a 𝒃𝒆𝒂𝒄𝒐𝒏 𝒐𝒇 𝒍𝒊𝒈𝒉𝒕 ,    unwavering.    THE BRIGHTEST STAR IN HIS GALAXY.    how could he ever endure the loss of her  ?    the answer is simple  :    he wouldn’t.    first comes the coldness of dread ,    alike glacial fingers that ensnare his fragile mind.    all things die ,    whispers the dragon.    ❛    what if i can’t    ––––    ❜    save you.    oh ,    he cannot speak of it  !    merely imagining existence without her brings about paralyzing terror    /    and so the dragon rejoices.    𝕖𝕧𝕖𝕟 𝕤𝕥𝕒𝕣𝕤 𝕓𝕦𝕣𝕟 𝕠𝕦𝕥 ,    𝕒𝕟𝕒𝕜𝕚𝕟 𝕤𝕜𝕪𝕨𝕒𝕝𝕜𝕖𝕣.    ❛    WHAT IF I’M NOT POWERFUL ENOUGH  ?    ❜    it is only in the cover of night shadows that he dares voice such concern ,    notes trembling in fear.    he wasn’t enough once    ––––    and his mother paid the price.    arms tighten ‘round her frame  ;    perhaps she’ll remain unhurt should he never let go.    ❛    i love you ,    so much.    ❜    emotion swallows his words.    ❛    i can’t lose you.    ❜          

          ❛  death   is   part   of   life,   anakin.   it’s   –––   natural,   for   all   of   us.  ❜    a   small,   practiced   smile.   ❛  &   if   it   should   find   me   sooner   than   later,   i’d   still   be   with   you   …   you   know   that.   nothing   could   keep   me   away   …   ❜   tears   prick  at   the   corners   of   her   eyes;   mirrored   constellations   spell   and   tremble.   (     she’d   been fearful.     )   it’s   true.   but   right   here,   &   right   now,   the   stubbornness   of   a   queen’s   heart   and   a   politician’s   mind   steels   her   resolve.   she   won’t   bend   now.  not   before   him,   as   he   needs   her   most.  𝐒𝐇𝐄   𝐖𝐈𝐋𝐋   𝐒𝐏𝐈𝐋𝐋   𝐇𝐄𝐑   𝐒𝐎𝐑𝐑𝐎𝐖𝐒   𝐀𝐌𝐎𝐍𝐆𝐒𝐓   𝐓𝐇𝐄   𝐖𝐈𝐍𝐃𝐒   𝐎𝐅   𝐀   𝐒𝐓𝐎𝐑𝐌,   𝐋𝐎𝐍𝐆   𝐂𝐎𝐌𝐈𝐍𝐆.  he   envelops   her,   body   &   soul !!  –––––––   she’ll   steady   the   waves,   a   master   of   the   tide.          R   E   S   T.          ❛  we   could   run   from   everything,   all   of   this.   the   council,   the war,   the ( fear )   …   ani,   run   with   me.   with   our   baby.  we   still   have   time;   we   can   find   our   answers   there.   i   know   of   places,   places   that   are   safe  !!   places   that   we   can   be   happy   –––––   free.  ❜

❛  you  can  tell  me  where  they are ,  or  i  can  find  them  myself .   telling  me  where  they are is  the  safer  choice .  ❜

               FATE  &  CIRCUMSTANCE  are  peculiar  things.  one  is  destined,  the  other  -  stumbled  upon.  yet,  it  would  seem,  that  both  have  brought  her  here  to  this  bitter  finality.  for  surely,  by  heart  or  by  soul,  she  would  not  survive  this.  [ y e a r s ]  have  since  come  to  pass.  her  name,  a  memory;  for  she  only  lived  in  the  shadows  of  the  empire.  &  HER  STORY  had  not  been  (   their   )  own.  for  their  tale  could  not  spill  ink  upon  a  page  all  the  same.  her  son  was  to  remain  hidden,  like  his  sister.  she’d  left  –  for  their  SAFETY.  her involvement  with  the   a l l i a n c e  …  it  was  a  sentence  to  be  served  by  her,  alone.  they  would  never  meet  their  father.  they  couldn’t.  not  like  t h i s.

               ––––––– not  now.

                ❛ —— anakin,  i’m  begging  you;  leave  them  be,  don’t  do  this  …  ! ❜

               he,  like  his  name,  felt  foreign  –––  lost  to  her.  &  yet,  so  terribly,  she  wished  to  call  him  h o m e.

‘FORCE SENSITIVITY;’

padmé, as any woman during pregnancy, undergoes some radical transformations while carrying her children. only these transformations are heightened by an effect of the force-laden midi-clorians within the twin embryos. walking visions, sleepwalking manifestations of the force, the experienced agony as her body starts to react against these midi-chlorians — these occurrences shake padmé to the very bone. anakin? on mustafar? just a d r e a m. when she can’t make sense of what’s happening, she turns to her husband. – yet she almost wishes to see … what obi-wan would advise …

𝟏𝟎𝟎 𝑵𝑶𝑵𝑽𝑬𝑹𝑩𝑨𝑳 𝑷𝑹𝑶𝑴𝑷𝑻𝑺 .    (  a  collection  of  100  nonverbal  action  prompts .   mature  and  potentially  triggering  themes  are  present .   add  “ + reverse ”  to  swap  assigned  roles .)

∗ o1﹕ sender  tucks  hair  out  of  receiver’s  face . ∗ o2﹕ sender  offers  receiver  a  bite  from  their  fork . ∗ o3﹕ sender  places  their  feet / legs  in  receiver's  lap . ∗ o4﹕ sender  offers  receiver  an  earbud  to  share  their  music . ∗ o5﹕ sender  comforts  receiver  in  the  aftermath  of  a  nightmare . ∗ o6﹕ sender  gives  receiver  company  in  the  hospital . ∗ o7﹕ sender  wraps  their  arms  around  a  hysterical  receiver  to  calm  them . ∗ o8﹕ sender  shows  up  at  receiver’s  home  late  at  night . ∗ o9﹕ sender  falls  asleep  leaning  against  receiver . ∗ 1o﹕ sender  wields  a  [ gun / knife ]  at  receiver . ∗ 11﹕ sender  runs  their  fingers  through  receiver’s  hair . ∗ 12﹕ sender  invites  receiver  to  dance . ∗ 13﹕ sender  takes  a  [ picture / video ]  of  receiver . ∗ 14﹕ sender  places  their  head  in  receiver’s  lap . ∗ 15﹕ sender  and  receiver  make  eye  contact  across  a  busy  room . ∗ 16﹕ sender  pushes  receiver  against  a  wall  to  kiss  them . ∗ 17﹕ sender  and  receiver  cook  together . ∗ 18﹕ sender  comes  to  receiver  after  being  injured . ∗ 19﹕ sender  sits  in  receiver’s  lap . ∗ 2o﹕ sender  lifts  receiver's  chin ,  invoking  eye  contact . ∗ 21﹕ sender  overtakes  receiver  in  combat . ∗ 22﹕ sender  finds  receiver  [ injured / bloodied ] . ∗ 23﹕ sender  straightens  an  article  of  receiver’s  clothes . ∗ 24﹕ sender  crawls  into  bed  with  receiver . ∗ 25﹕ sender  rolls  their  eyes  at  receiver . ∗ 26﹕ sender  lights  receiver’s  [ cigarette / joint ] . ∗ 27﹕ sender  is  caught  wearing  receiver's  clothes . ∗ 28﹕ sender  strikes  receiver  with  a  pillow . ∗ 29﹕ sender  writes  a  note  on  receiver’s  skin :  [ note ] . ∗ 3o﹕ sender  wraps  a  blanket  around  receiver’s  shoulders . ∗ 31﹕ sender  runs  and  jumps  into  receiver’s  arms . ∗ 32﹕ sender  shoves  receiver  out  of  anger . ∗ 33﹕ sender  hovers  over  receiver’s  shoulder  as  they  complete  a  task . ∗ 34﹕ sender  is  found  by  receiver  somewhere  they  shouldn’t  be . ∗ 35﹕ sender  curls  up  against  receiver  in  their  sleep . ∗ 36﹕ sender  is  found  drunk  by  receiver . ∗ 37﹕ sender  throws  an  item  of  sentiment  bitterly  at  receiver . ∗ 38﹕ sender  joins  receiver  in  the  shower . ∗ 39﹕ sender  is  caught  following  receiver . ∗ 4o﹕ sender  traces  one  of  receiver’s  [ scars / bruises ] . ∗ 41﹕ sender  twines  their  fingers  with  receiver’s . ∗ 42﹕ sender  barges  into  receiver’s  home  unannounced . ∗ 43﹕ sender  kicks  receiver’s  shin  beneath  a  table . ∗ 44﹕ sender  aggressively  shoves  past  receiver . ∗ 45﹕ sender  kisses  receiver’s  [ forehead / cheek ] . ∗ 46﹕ sender  pulls  receiver  out  of  harm’s  way . ∗ 47﹕ sender  is  found  sobbing  by  receiver . ∗ 48﹕ sender  locks  receiver  out  of  their  room . ∗ 49﹕ sender  brings  receiver  [ coffee / tea ]  in  the  morning . ∗ 5o﹕ sender  rests  their  forehead  against  receiver’s . ∗ 51﹕ sender  plays  a  song  for  receiver  that  reminds  them  of  them :  [ song ] . ∗ 52﹕ sender  takes  a  [ punch / stab / bullet ]  meant  for  receiver . ∗ 53﹕ sender  buys  receiver  a  drink  at  a  bar . ∗ 54﹕ sender  needs  receiver’s  help  getting  in  the  bath . ∗ 55﹕ sender  and  receiver  cross  paths  in  the  kitchen  late  at  night . ∗ 56﹕ sender  twists  receiver’s  arm  behind  their  back . ∗ 57﹕ sender  winks  at  receiver . ∗ 58﹕ sender  is  found  collapsed  by  receiver . ∗ 59﹕ sender  prevents  an  injured  receiver  from  getting  up . ∗ 6o﹕ sender  claps  a  hand  over  receiver’s  mouth  to  silence  them . ∗ 61﹕ sender  cages  receiver  against  a  [ wall / the floor ]  with  their  arms . ∗ 62﹕ sender  storms  away  from  receiver  during  an  argument . ∗ 63﹕ sender  is  found  by  receiver  sleeping  in  receiver’s  bed . ∗ 64﹕ sender  [ applies / touches up ]  receiver’s  makeup . ∗ 65﹕ sender  throws  receiver  into  a  wall  during  combat . ∗ 66﹕ sender  dances  sensually  with  receiver . ∗ 67﹕ sender  strikes  receiver  across  the  face . ∗ 68﹕ sender  places  their  hand  on  receiver’s  leg  while  driving . ∗ 69﹕ sender  pulls  a  chair  out  from  under  receiver . ∗ 7o﹕ sender  catches  receiver’s  wrist  when  they  turn  to  leave . ∗ 71﹕ sender  leaves  an  intimate  mark  on  receiver . ∗ 72﹕ sender  beats  receiver  in  a  video  game . ∗ 73﹕ sender  and  receiver  stand  in  stunned  silence  after  a  fight . ∗ 74﹕ sender  cares  for  receiver  while  they’re  sick . ∗ 75﹕ sender  and  receiver  go  on  a  hike . ∗ 76﹕ sender  is  caught  snooping  in  receiver’s  things . ∗ 77﹕ sender  and  receiver  cuddle  while  watching  television . ∗ 78﹕ sender  throws  something  aggressively  at  receiver . ∗ 79﹕ sender  creeps  up  behind  receiver  to  scare  them . ∗ 8o﹕ sender  and  receiver  go  shopping  together . ∗ 81﹕ sender  helps  receiver  [ dye / style ]  their  hair . ∗ 82﹕ sender  draws  receiver  into  a  kiss  by  the  back  of  their  neck . ∗ 83﹕ sender  is  discovered  having  a  panic  attack  by  receiver . ∗ 84﹕ sender  accidentally  injures  receiver  during  sparring . ∗ 85﹕ sender  grabs  receiver  roughly  by  the  hair . ∗ 86﹕ sender  brings  receiver  to  their  knees  during  combat . ∗ 87﹕ sender  shows  receiver  evidence  of  a  lie  they  told . ∗ 88﹕ sender  winks  [ seductively / mockingly ]  at  receiver . ∗ 89﹕ sender  yells  at  receiver  to  put  their  hands  in  the  air . ∗ 9o﹕ sender  helps  receiver  patch  up  a  wound . ∗ 91﹕ sender  holds  receiver  as  they  cry . ∗ 92﹕ sender  silently  and  angrily  points  receiver  towards  the  door . ∗ 93﹕ sender  gestures  for  receiver  to  sit  down . ∗ 94﹕ sender  pulls  receiver  into  their  lap . ∗ 95﹕ sender  cradles  receiver’s  face . ∗ 96﹕ sender  tackles  receiver  out  of  the  way  of  danger . ∗ 97﹕ sender  has  hidden  an  injury  from  receiver ,  and  receiver  finds  out . ∗ 98﹕ sender  confronts  receiver  about  their  unhealthy  behavior . ∗ 99﹕ sender  proposes  to  receiver . ∗ 1oo﹕ sender  has  just  died ,  receiver  finds  out .