Details: Anguish, August Friedrich Schenck - 1876/1880

Hm, eternity

Or: gods speak

A definitive factor of being human is not seeing the big picture.

It's very defining. Humans don't see the big picture. They don't see the celestial game, they don't even know their own nature. With a garden full of secrets on their own planet they haven't even stepped foot in, how could they? They know nothing of the blazing, terrifyingly holy power of a not quite ripe apple. Although they have crafted an entire worship around that particular fruit.

No, they know nothing of true eternity. Or maybe everything. If the unripe apple is holy to them too, does it matter that it's not my kind of holy? Does it matter that it's miniscule? There is no such thing as a smaller infinity, after all.

If I love you like the feeling of atoms assembling into wind gusts and solar flares, a human will love you like the feeling of that wind on their skin.

If I love you like the prayer of a million people to the greatest being they know, a god, a human will love you like the prayer of a child to the greatest being it knows, a mother.

If I love you like two black holes caught in each other's gravity, forcing each other into an unholy dance until they collide, a human loves you like watching two coins circling in a cone. Drawing spirals and spirals until they fall, with a gentle ping, into the hole in the middle.

Humans do not see the big picture.

Perhaps they are redefining holy as we speak.

Perhaps they make their own holy, and yet it is equal to mine.

Motivational things to send in the group chat

Rabindranath Tagore (1861-1941), poem 85 from “The Gardener”, 1914 Translated by the author from the original Bengali. New York: The Macmillan Company.

one of the biggest things I can advocate for (in academia, but also just in life) is to build credibility with yourself. It’s easy to fall into the habit of thinking of yourself as someone who does things last minute or who struggles to start tasks. people will tell you that you just need to build different habits, but I know for me at least the idea of ‘habit’ is sort of abstract and dehumanizing. Credibility is more like ‘I’ve done this before, so I know I can do it, and more importantly I trust myself to do it’. you set an assignment goal for the day and you meet it, and then you feel stronger setting one the next day. You establish a relationship with yourself that’s built on confidence and trust. That in turn starts to erode the barrier of insecurity and perfectionism and makes it easier to start and finish tasks. reframing the narrative as a process of building credibility makes it easier to celebrate each step and recognize how strong your relationship with yourself can become

A war I didn't sign up for.

We're teenage girls, me and my friends. In every sense of the word.

We've got one who loves k-dramas, Tom Holland and makes great almond cake, we've got a tiny one who's sarcasm mutes me every time (to her great delight) and loves anime, we've got one who's the light and laughter of any party, who's soft safety and recently was diagnosed with depression, and we've got a childish and dreaming one who's beautiful, stunning. Everyone tells her. It frightens her.

I haven't seen my friends in a while.

No one's fault, just life. School, tests, a pandemic. So imagine my happiness! Our excitement! When a friend's friend invited us to a party, and we found time to meet up beforehand, to talk! Laugh! Eat pizza!

My friends came. And we laughed. I told them I've never been to a party, that I was pretty nervous. Soft And Safe grinned at me, told me it was fine, the boys that invited us were nice. And guess what? She had kissed one of them!! A drunken make-out, wasn't that cool??!

Then she stopped. Her smile slipped a little

Well, not that cool. She started, sitting there beside my bed.

Not all of it.

And sentence for sentence, Soft And Safe, who I grew up with, who I'd known like the other girls since I was ten, new in town and was adopted into their little group, hesitantly told me a story I'll never forget. Because it taught me life.

Because the boy she made out with was nice.

Until he asked her to kiss him on the cheek for a picture and she felt too uncomfortable and drunk to say no.

Until, when they were kissing alone in a room, he kept trying to put his hand under her shirt, even when she pushed it away.

Until he pulled her onto his lap, crotch pushed uncomfortably against her jeans, and held her waist down.

Until he barked at the girl checking up on Soft And Safe to get out.

Until he put his hand into her pants, and answered "everything is fine, relax", when she told him she didn't like that.

Until he pushed her over the sink.

Until, when she said she didn't want that and that they should go back downstairs, he got back claps and fist bumps from the other boys.

She got her best friend, whom she had rejected a week earlier, call her a slut. He said he could never see her the same way again.

We thought it wouldn't happen to us. But as we sat there in my room, staring at her forced smile, eyes frantic, we realised how she had done everything right.

And it had still happened.

It had happened to me three weeks earlier, at my gym.

And we realised

It wouldn't stop. We wouldn't grow out of it.

Being a woman would be a war we hadn't signed up for.

We went to the party. I saw him. I didn't deck him like I had planned. Because everyone would think I'm the one out of line.

truly some people have no genre savviness whatsoever. A girl came back from the dead the other day and fresh out of the grave she laughed and laughed and lay down on the grass nearby to watch the sky, dirt still under her nails. I asked her if she’s sad about anything and she asked me why she should be. I asked her if she’s perhaps worried she’s a shadow of who she used to be and she said that if she is a shadow she is a joyous one, and anyway whoever she was she is her, now, and that’s enough. I inquired about revenge, about unfinished business, about what had filled her with the incessant need to claw her way out from beneath but she just said she’s here to live. I told her about ghosts, about zombies, tried to explain to her how her options lie between horror and tragedy but she just said if those are the stories meant for her then she’ll make another one. I said “isn’t it terribly lonely how in your triumph over death nobody was here to greet you?” and she just looked at me funny and said “what do you mean? The whole world was here, waiting”. Some people, I tell you.

loré pemberton

Andrea Gibson, Lord of the Butterflies

Ocean Vuong, The Weight of Our Living: On Hope, Fire Escapes, and Visible Desperation

American redstart (Setophaga ruticilla)