Shouta Couldn’t Help Himself, He Blinked. And In That One, Crucial Moment, A Demon Tore Its Way Into

Have some Death Note & Persona 5 sketches based on What Happens when a Detective, a Mass Murderer, an Assassin and a Thief Time Travel? Amazing fic go read it y'all

Close ups + words in case my handwriting is unreadable

This is their dynamic to me

Light: "This is my friend Goro, he's very cute and sad. Pity him."

Adult: "awww, widdle guy"

Light: "I fucking hate you"

Goro: "never call me Goro again"

Dead boyfriend club

L: "I miss my mass-murderer husband"

Akira: "same"

Tortured by their boyfriends' naturally perfect hair

Ok but imagine if Akira wasn't sent back in time

L: "I'm going to Japan to find a child I doxxed"

Watari: 'ah yes, he's making friends'

I just want to finish writing Hero of Storms but nooooo, I need to write a fic that's a gang meets LITERALLY ANYONE BUT WILD.

Y'all ever just be bumming around your preferred fanfiction website, realizing that no one's written this one thing you really want to see, and going "fine! I'll write it myself!" And then staring guilty at the works in progress you really want to finish as you open a 15th Google doc?

Y'all my brother snatched my phone out of my hand earlier during the SINGLE, SOLITARY TIME I was writing a Ryomina kiss- not even anything spicy, just a kiss, and he was like "nope" and gave me my phone back. I was both mortified and annoyed because he said Ryoji's name was a typo because apparently he doesn't know anything about persona 3. I made this to cope.

Y'all it was literally the first time I ever wrote two characters just kissing, how was that when he decided to read my work for the first time????

I need more people to write Aigis and Ryoji as friends, post-game or in some canon divergence au. They are made to be opposing forces, to clash for the fate of the world, but the purpose designated for them by their creators is not the purpose they chose to follow. They become friends in both because and in spite of what they are, because who would better understand their struggles? Neither is truly human, but they are both people. People who doubt their own humanity. They validate each other's struggles in a way no one else could, before affirming that yes, you are a person, you worked so very hard to be a person and I recognize that struggle and say that it is ok if you don't understand all the nuances of humanity right away, I won't judge you, because I am the exact same way.

Yes, Aigis initially saw Ryoji as dangerous, and he was, but I want them to grow past that. I want them to be able to look back at their first clash and think about how much they've grown since then. I want them to tell each other that the fact that they feel remorse for the lives lost is a clear sign of their newfound empathy for others, and that yes it's difficult, grappling with those feelings, but they should face them head on for the sake of those lost lives. I want them to come to see the other as one of their closest friends, the one they can turn to whenever they need.

Aigis and Ryoji should be friends, because they chose to be more than the enemies they were when they first met.

Extra notes on TOTK about things I don't quite like and I need to fix because that game has wonderful ideas and mechanics but the story just needed an extra pass or 2.

The sages, WHO WERE THEY? Like, I genuinely cannot understand what each one was supposed to be going for. They have 0 character, at all. And every time we see their cutscene it's just Zelda saying the same thing four times. We know Zelda, Rauru, & Mineru (though Mineru is kinda bland, like we see more of them but what we see is all just plot moving forward. Mineru feels a bit more like a prop than a character is what I'm saying.) The 4 sages for each region? I can guess nothing about them.

So, I want to make one small change. Instead of each cutscene being when Zelda asks for help, it's a moment of Zelda and the Sage, like, bonding. Doing something together as Sages. Maybe Zelda would put together something of a paraglider and go scouting with the rito sage. Maybe she would mess with Zonai tech and blow stuff up with the goron sage. And if seeing Zelda directly ask for help is so important, they could show it at the end. Otherwise the message at the end would be, "I wanted to help save her time, but now I cannot do that. So please accept my secret stone and save Hyrule in my stead."

Just a little, tiny mention of why Sheikah tech isn't around (and perhaps a junkyard of it) would be very nice. I would say the shrines and towers probably sunk back into the ground once the champion beat calamity Ganon, since they no longer served a purpose. The guardians were all demolished, too many painful memories for Hyrule to move forward with them still around. The Sheikah slate was reconfigured into the purah pad. Basically, don't remove a core piece of the world you established in the last game without some explanation.

Fix up the weird scrambled timeline of the fake puppet Zelda. Like, we know from the dragon's tears that this isn't Zelda, so just edit NPC dialogue after the last dragon tear. They're still chasing after this puppet Zelda cause guess what, it's actively hurting people! So they gotta stop it.

Lastly, bring back gerudo vai set I will not REST until that set has RETURNED sure we have frostbite armor but COME ON it was in the previous game it would not be that hard.

I wrote a fic about the fierce deity! I enjoy his character in a lot of other fics, so I figured it'd be fun to try writing him myself. I'm not all that experienced a writer, at least not with fiction, so constructive criticism is very appreciated! Just like,, don't be mean I'm still learning.

It's not plagiarism if I give blanket permission to everyone to write this if they want to! I would write it myself but I have... 16 WIPs including several longfics and I refuse to start another wip until I get a couple of em finished.

Ryoji Mochizuki palace where it's not Tartarus but actually a Cathedral.

Everywhere you look, it's dedicated to the Great Seal. Stained glass windows made in their image line the walls, statues carved into a familiar teenager hung by chains. Their story is depicted like a religious text, with Ryoji himself as the devil. There to trick the seal into pursuing the full moon shadows, to lie his way into being the seal's friend, to tempt the Great Seal away from delivering salvation to the world. It does not matter that Ryoji was missing his memories, that he was doing whatever he could to help his dearest friend, he was always a monster. One that was unworthy of the Seal's forgiveness, of their mercy.

Ryoji's shadow can always be found crying in front of a depiction of the Great Seal. He begs for someone to please take their revenge, to punish him for what he's done, it's all his fault, he killed the Great Seal, they would still be alive if not for him. He cannot let you take his treasure, he cannot let you take away his guilt. When you fight Ryoji, he appears as a grotesque replica of the Nyx Avatar. There is no more elegance, no more ethereal beauty to be found in Nyx's Appraiser, he is simply a monster.

Ryoji's treasure is the protagonist's evoker. A representation of how they fought to save the world, and how they accepted death to do so. Ryoji could not accept that death, so he clung to it. He clung to their memory instead of facing them himself, because he felt too much guilt.

Name: Ryoji Mochizuki

Location: Gekkoukan High School's rooftop

Distortion: Cathedral of Grief

I've been thinking about ToTK lately, and one thing consistently bothers me.

Why was Zelda the one to get the time powers? Link is clearly the one who's magic involves time. His past incarnations have traveled through time a whole heck of a lot, plus bullet time and flurry rush. It would fit perfectly in the story as well.

Link, in a fit of desperation to save Zelda, reaches to send her somewhere where Ganon isn't an issue, tapping into his own innate time power to send her all the way back to before Ganon got his secret stone. Zelda cannot simply travel back because she has no power over time. So, she remains in the past, does all the same things, because she does need to fix the master sword.

Meanwhile, Link gets recall not from any outside source, but from himself, with some coaching from Rauru on how to channel his magic through the arm. He sends the master sword back to let Zelda know he hasn't forgotten about her, but he can't send anything more. The story then proceeds as usual. Legit just the tiniest change but I feel like it would make so much more sense.

There are many things I would edit about tears of the kingdom, such as the fact that no one can seem to decide if they want the games to be within one universe or not, (like girlypop the Zonai are cool and all but they do NOT belong on the Zelda timeline,) and that the weird ancient sages being nobodies compared to the champions. But for some reason, this one thing is what sticks out in my mind as something I must fix.