Realtalk The Least Realistic Thing About Endgame Is How Clint Shows Up With A Highly Detailed Full Arm

I got lazy drawing hands😴

THE FEAR IS SO REAL

he’s so skittish, oh my god, she’s literally unconscious and he’s pointing a gun from a distance like any second she’s going to spring up and wipe the floor with his ass again. i’ve been internally screaming about this for the past 14 hours, i’m so delighted at this.

whatever you may say about thompson (and you should keep saying those things because he’s a jackass and no one should forget that) he’s a goddamn quick study. before the russia mission he was all like ‘we can’t waste time babysitting her’ and post russia he’s telling agents from washington dc that they won’t be able to handle agent peggy carter, so he sets himself up behind the automat with a gun, prepared. except he’s still underestimating her, he thinks he’s got her cornered when it’s really the other way around, and he even STEPS TOWARD HER and tries to puppydog eyes her into coming in. and, of course, she knocks him out in three seconds. 

he doesn’t waste time making excuses or licking his male ego wounds. she’s gotten the drop on his understanding of just how capable she is twice now, and he is not about to underestimate her again. he’s the first to step into the hall but he lingers behind sousa until sousa confirms she’s knocked out/she doesn’t jump up and punch him out. 

to be honest, i think he’s still underestimating her. peggy WANTS to come clean and explain at the end of the episode, and says that the handcuffs are unnecessary because she’s going to tell them everything. in my opinion, peggy could still escape with those handcuffs at any part of this situation, especially in the interrogation room, where only ONE hand is cuffed (what is this, amateur hour?) 

tl;dr i love thompson’s learning curve. i love that this guy was giving her papers to file in episode 1 and by episode 6 he’s terrified of her. this is beautiful and i appreciate this.

A lil soft bucky whump.

Been a really long time since I've watched Daredevil but I do remember coming away from it feeling like it presented a pretty compelling internally-consistent moral justification for the vigilante thing. You're not planet-crackingly powerful, it's just that you can hear, in detail, every awful thing your neighbors are doing to each other, every night that they're doing it. You can't not know and you can't pretend not to know and when the kid tells you the next day that he just fell down the stairs you can't fall back on the provided ambiguity to absolve yourself of your responsibility to act. Semi-relatedly, you're really really good at martial arts. Start the clock

are all animals dangerous?

every animal has the potential to be dangerous under certain circumstances. for instance, a dog could bite you, a moth could distract a UPS driver into plowing through your living room window, you could inhale and choke on an earthworm.

Nat <3

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many will tell you that the dog motif is passé and cliché and overdone . don't listen to them. keep chaining that fictional man to a fence

honest to god can't stop thinking about this song about jeff bezos by philip labes (link takes you to his spotify). it's such a good example of politically driven folk music.

objectively hilarious that they chose the dynamic of agatha and rio to have agatha holding the power AND wanting rio to leave her the fuck alone because it couldve so easily been a "i am killing all these people to forcefully get the attention of the cold distant force of death that i am in love with" but it is instead "killing is my most favorite hobby ever, only downside is that it constantly reveals my location to my bitch ex wife who keeps begging me to get back together"