Silhouettes For That Nightwing WIP Works Fairly Universally As References. I’m Hoping You Can See The

Comphet? Personal growth? Writers being scared of gay conflict? Ig we'll never know

every time i read a scene w/ ariana and tim in it im like dang ariana you deserve a way better boyfriend

Bruce saves people because a long time ago on the worst night of his life, no one was there to save him. Cassandra stops killers because a long time ago on the worst night of her life, no one was there to stop her.

Saw this comment on a post about Superman. Felt the need to share the pain.

people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.

he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."

the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.

and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -

and i will say this: so why don't things get better?

because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.

reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.

and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.

and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.

and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.

this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.

(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)

so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.

batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.

and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.

the joker kills thousands and it doesn't matter because they were written to be killed.

batman beats up thousands and it doesn't matter because they were written to be criminals.

and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)

and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -

thousands. ten of thousands. hundreds of thousands. written to be killed.

but one of them gets to come back.

and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)

here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -

but because of what he calls into question. why is the joker alive?

because he sells books.

and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)

so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.

batman can't kill the joker because the joker sells comic books.

and jason can't kill the joker because the joker sells comic books.

so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.

he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?

why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?

and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -

nothing jason can ever change.

which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.

I often forget that a majority of the characters in my favorite stories are actually rich white kids. And then I'll get one of those tiktok slideshows about their aesthetic and I'm reeling a little because of all the rich white 16yo tiktoker energy in them. And yk what they're technically not wrong sometimes. It's just that I forgot and now I have the ick for my favorite character because irl I would avoid their vibes with a 10 foot pole.

Bruce and Tim’s autistic asses have never made eye contact with each other in their lives

Like an interviewer comments lightly on his habit of adopting kids with black hair and blue eyes and he says, absent-mindedly, “Tim doesn’t have blue eyes,” to which the interviewer answers, with great confusion, that he most certainly does, and Bruce suddenly realizes he has never once looked at Tim’s eyes without the domino on and had just sort of assumed they were brown, statistically

impel down summary

I wish I knew how to draw or make edits because I have this very specific edit of Damian Wayne to the song God Must Hate Me by Catie Turner

The lyrics go

Do you ever see someone and think "Wow, God must hate me" 'Cause He spent so much time on them and for me, He got lazy Got ample mental illness personality flaws While their only flaw seems to be is that they have none at all Do you ever see someone and think "Wow, God must hate me" I'll let 'em take accountability For everything that's wrong with me Can't hold myself responsible So I blame the metaphysical If Jesus died for all our sins He left one behind, the body I'm in Same hands that made the moon and the stars Got carpal tunnel and forgot some parts

And creative liberty with the lyrics here but I imagine it being about how being 'good' comes so easily to the others and yet he struggles so much. Especially in the point after bruce's 'death' he's questioning if he has any place in the family as robin when batman is no longer his father.

It's in my head and it plays on repeat when I'm listening to the song and I wish I could extract it from my head.

Since we all agree that people of the Alley of Crime adore Red Hood and believe in him, I think it is time to imagine Jason in a scene similar to the one from OG Spiderman, where his identity is accidentally outted in front of crowd of people, and they all are just choose to protect him and help him out.

So maybe Gotham is facing especially nasty trouble, and vigilantes are on the receiving end this time. So maybe Jason is thrown at the dirty Alley in his part of town, wounded, with helmet flying off, and there is just a crowd of people staring as bleeds out, astonished. And Jason thinks, oh, that's the end — he can go and shoot himself, honestly, because he just failed the man rule every vigilante have: never show your face, never reveal your identity.

But people are... helping him? His eyes are half-open, breath laboured and pained, but all he hears is gentle murmuring:

'God, he is just a kid...'

'He must be younger than my son.'

'Poor child...'

He feels soft elderly hand against his cheek as someone from the crowd, an ex nurse, comes closer to bandage his injuries, while a kid, barely with the size of his helmet, brings it back, sticking out their tongue as they try to place it back on his head, to hide his face.

'It is okay,' the old woman reassures him. 'You are safe with us, son. We hadn't seen anything.'

Jason's eyes sting, because, oh.

It is his people. He loves them. He will die for them.

And they love him just as much.

He still waits for someone to out him, though. But the week ends, the villain is out of the picture, and no one says a thing. The only proof that it ever happened is civilians, who keep waving at Jason — not Red Hood, just Jason — when their paths cross somewhere in the shops or streets.

And that's how he knows that it is them; it is them, and they keep him safe as much as he keeps safe them.

they should do an inter batfamily conflict where cass catches damian making luigi mangione fancams and voices her opposition to him supporting a murderer and damian accuses her of being an insurance industry bootlicker and cass is like. what’s insurance. and the fallout results in a new reboot