What About The Idea Of Lady Gotham Adopting Danny? Like Clearly (king Or Not) This Is A Baby Ghost. He's

I like that mcu peter's canonically a huge bitch but only over text. like flash talks to him in real life and he's like 😕 but over text he does this:

Writing Notes: Magic Systems

Magic - change wrought through unnatural means

Most fantasy can be placed along a spectrum where there are 3 main points: soft magic at one end, hard magic at the other, and a middle ground between the two.

Soft Magic

Magic that is not well-defined for the reader.

Generally, we don’t understand where the magic comes from, who can use it, or what its limitations are.

Readers can see this type of magic being used.

But they can never anticipate when magic will be used in the plot because they can’t begin to guess how it works.

You can’t break a rule if the rules don’t exist!

Most stories that feature this system will have the magic users be secondary characters, allowing them to avoid explaining exactly how the magic works.

It’s also argued that without knowing everything about the magic, it tends to hold more wonder and excitement for readers.

Hard Magic

Has very rigid boundaries.

Readers know where the magic comes from, how it’s used, who uses it, and what its boundaries and limitations are.

We know the limitations of the characters and can understand why they can’t simply magic themselves out of any particular challenge.

Stories with hard magic systems do not need to avoid the main character being a magic-wielder, as they have the capacity to explain to the reader what is going on.

A lot of writers this system because it gives them very explicit guidelines to follow in their plot and creates some more satisfying pay-offs for readers.

The Middle Ground

The meeting point between the soft and hard systems.

We might understand a bit about the way the magic works, but not all our questions are answered.

While most of the content adheres to rules, these rules aren’t fully explored.

This system relies on the reader’s suspension of disbelief.

The main character can be a magic-wielder or not, and it’s up to the writer to determine when magic will be used in terms of plot.

How to Choose a System

You can and should use these guiding principles to build your magic system. Remember that you don’t have to choose one or the other. Your system can draw from aspects of both. Just stay aware of the weaknesses of the path you choose, and ensure you utilize its strengths.

Use a hard magic system if:

You are going to use magic to solve problems

Your audience is accustomed to the tropes of hard magic

You are okay with jumping through hoops to expand your system

Your magic doesn’t convey a theme

Use a soft magic system if:

You want to convey a theme through magic

You want to create a sense of wonder

You want the ability to expand easily

You want to be accessible to a broader audience

Your magic won’t regularly be used to solve problems

Branches of Magic

Like most writing processes, there isn’t really a correct place to begin designing a magic system. A common, and efficient, place to start, however, is by choosing what type of magic system(s) you wish to employ, such as:

Nature-based magic: water, earth, fire, air, and everything in between

Divination magic: see beyond sight and peer through time and space

Conjuring magic: move objects through space over any distance

Psychic magic: master the world of the mind

Life and death magic: tap into the very forces of life, death, and un-death with this surprisingly versatile collection

Animal- or creature-exclusive magic: some creatures just do it better

Magitech systems: the blurring lines of sorcery and science give magic a next-gen, high-tech flair

Eclectic magic: it doesn’t have to be “real” magic to have a real effect

Uncommon magic systems: the unsung heroes of fantasy magic

AALC Method

How to create your own magic system using the AALC (Appearance, Abilities, Limits & Cost) Method

Appearance

What the magic looks like

Makes the world feel more exotic

Can cause problems for characters but cannot solve them

Usually tied to a character arc

Abilities

What the magic does

Points calculated based on magical effect, range, number of people affected, and duration

Characters have a finite amount of fuel (mana) to use abilities

More powerful abilities require more fuel

The fuel does not have to be overt for the audience to understand

If points not overt, cannot solve conflicts unless a cost system is added

Limits

Unlimited uses of magical abilities

Abilities stratified in codified levels defined by their limits

The more the levels' abilities and limits are known by the audience, the more they can be used to solve conflicts

Focused on clever uses of abilities against stronger foes

Cost system can be added to enhance dramatic moments

Cost

Costs must be greater than or equal to abilities to make them dramatically satisfying

Costs can include time, exhaustion, materials, sanity, morality, etc.

Adds dilemma to magic by forcing characters to make choices

The greater the character's sacrifice, the more audience satisfaction at conflict resolution

Each system builds on the previous ones, so that Cost Systems use all four, while Point Systems only care about Abilities and Appearance.

Multiple systems can exist within the same story, and systems can harden over the course of the story.

The Force, for instance, has been a Soft, Point, Level, and Cost System depending on who wrote it at the time.

SOFT SYSTEMS (Appearance Only)

Window Dressing - magic for secondary characters; can instigate conflict but cannot solve it; e.g., Gandalf

Soft Villain - No explanation or upper limits needed; makes villains more powerful to make heroes greater underdogs; e.g., The Emperor

Chosen One - Unknown power keeps hero safe throughout story; can be considered plot armor unless earned through character arc

Sort Hero Incomplete - Curse or positive ability the character cannot control; hero still learning limits of ability at story's end; powers and arc continued in next adventure

Soft Hero Complete - Hero embraces ability to complete arc and solve main conflict; magic must become harder in subsequent adventures

POINT SYSTEMS (Appearance + Abilities)

Points Opaque - Non-explicit reservoir of energy fuels powers; cannot solve main problems without cost option because characters finding hidden energy reserve feels like deus ex machina

Points Hard - Both abiliites and points system must be explicit like in video games; becomes about resource management; easy to understand but takes sense of wonder out of magic

LEVEL SYSTEMS (Appearance + Abilities + Limits)

Soft Level Static - Unchanging power without upper limits; cannot solve conflicts because feels repetitive; power must be used cleverly; e.g., Wolverine's healing factor

Soft Level Advancing - Increased powers or new powers with unknown limits; cannot solve conflicts unless tied to a character arc like Soft Hero Complete, at which point "unlocks" new abilities

Hard Level Static - Unchanging abilities with clear-cut limits; can solve conflicts so long as setup is properly seeded, usually resulting in sacrifice; e.g., Genie

Hard Level Advancing - Well-established abilities with limits; can solve conflicts based upon clever uses of abilities, usually against stronger foes; e.g., Airbender

COST SYSTEMS (Appearance + Abilities + Limits + Cost)

Static Cost - Well-established cost remains consistent for each use of ability; can solve conflicts since based on personal sacrifice

Cost Fluctuating - Costs change based upon dramatic need; costs must be greater than or equal to ability; possible costs include lost time, money, sanity, health, memory, life, morality, etc.

Sources: 1 2 3 4 5 6 Writing Notes: Magic System ⚜ Fictional Items; Poisons ⚜ Fantasy

post game smooch ♥️

I wanna post my fic… but the time zones THE FUCKING TIME ZONES

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DP X DC PROMPT

Ok, so you know how there are sooo many adaptations of what’s happened in history? First thing that comes to mind is “Horrible Histories” that aired on CBBC (side note:: if you loved HH, you are literally my best friend, it was my favourite show), and how they take things that happened all the way back, and add a little whimsy to it.

A little laughter. A little silliness. You get the point.

I!! I headcannon that in the DC universe all of DP happened thousands of years ago. And then there is a show. It’s called “Danny Phantom” and it takes what happened thousands of years ago, with a freak lightning accident that “created” the first hero. (Scientists wonder if this was how MetaHumans came about. They’re— not wrong, exactly)

Except. This is the DC Universe. Where people do stupid stuff on a daily, and mad scientists can be found at a school lab.

So, one of the people high up (a producer? A director? Someone who’s VERY tired and is just looking for some authenticity in this project because it’s literally what they did their dissertation on—) decides to do something that seems reasonable at the time.

They summon the very person (being?) that they are basing this on.

And—

It works.

Whoops?

Ok, that’s alI I have for now! Tagging others to continue this (only if you want!!) @dcxdpdabbles @nerdpoe @starry-bi-sky @ailithnight @hecate-hollow @hello-eden @dp-sidebloggg @dclovesdanny @charlietheepicwriter7 @evilminji @enigmaris @glow-in-the-dark-death @kizzer55555 @luxaofhesperides @noxcheshire @puppetmaster13u @violent138 @virgamsysxvolumes @zylev-blog

MULTI-PARTS

[Phantom & Fent—wait, that's a Wayne!]

PART 1, PART 2, PART 3, PART 4

[Kingmaker]

PART 1, PART 2

[CURIOUS MINDS]

PART 1, PART 2 AO3 WATTPAD

It’s so good I swear…!

erin,,, I’m craving a jacket potato with the fluffiest insides, with butter and baked beans and cheese that goes melty…. mmmmmmmmmm (yes I am british how did you know)

i had to google what a jacket potato is and it's just a loaded baked potato- however this is the first time i don't immediately hate the term british people use for smth so congratulations, that's kind of a cute thing to call it

now i want a baked potato so bad...

i do, unfortunately, have to send you to prison for putting beans on your baked potato. i'm so sorry mae mae but that is a criminal offense. you need to be stopped before you hurt any other foods with beans

culinary offense so bad you're getting life in prison, no chance of parole!! in fact, you're getting put in isolation. quarantined for the rest of your life

HOLIDAY COMISSIONS:

Payment will be made via PayPal.

I’m up to anything and everything—DM me if you’re not sure.

It’s a nice day. That’s what Alex focuses on, and it’s something to hold onto.

It’s a nice day. Blue skies, no clouds, the sun high in the sky—but with a bit of a breeze, so that it’s not too hot.

It’s a nice day. Which is why it really is a shame that his day is ruined already. It’s 11AM—hasn’t even reached noon—and this is turning out to be a shitshow.

“Fire now! It will not be able to reform as quickly as the other!” Someone shouts in his comm. Agent W, probably. She was always one to see the little inconsistencies. To see how quickly one could heal in comparison to another.

He shoots. He does not miss. It falls from the sky, with its clear sky and cloudless expanse, and lays crumpled on the ground.

He does not approach. That will be someone else’s job; his is to aim, to shoot, and to not miss.

He never does.

A marksman is what he is, no dressing it up. He might wear the white clothes, have the same honorific, but at the end of the day, he is paid to shoot.

He looks at it with curiosity. Even from this far away, he can see the little twitches it makes, as though it’s being electrocuted in small, sharp increments. Death twitches, he’s heard them call.

He smirks to himself at the name; what an ironic phrase, to be a dead thing and to relive your final moments.

He cannot deny that he is curious about it; but really who wouldn’t be?

What a curious thing in that it was a monster masquerading as human. Acting like a human, moving as a human.

He turns away as someone starts to inch closer to it. There’s no need to listen to the pleading, not when it’s mimicry meant to lure.

It’s a nice day. A beautiful day, even. He should take Julia to the park—she’d be turning 8 soon, and he didn’t know when he might have to leave for a mission.

He turns away from the pleading-turned-screaming, and hums under his breath as he checks his rifle.

What a beautiful day.

Gods, it’d be impossible to properly pull off like how I’m picturing, but imagine a story entirely from the perspective of a GIW agent.

Like, put aside all your existing knowledge of what ghosts are really like and imagine entering the story with only their knowledge. As far as you are aware, the main character is correct about their beliefs. You have no reason to doubt them (yet).

You are part of a government branch tasked with fighting monsters. Every single one of them is immune to conventional weaponry and can have a wide array of superpowers.

And they’re intelligent, too. Not like how a person is intelligent though; they’re not sentient. Sure, they can mimic it, but it’s all an illusion. Under the surface, they’re still just mindless monsters. You can’t reason with them.

Oh and also, they could be anywhere. They can theoretically spring up from any time anyone dies, or can emerge from entirely unpredictable natural portals.

And regardless of if any actual ghosts are present, the very material that makes them up can contaminate humans too. Not just making them sick, that’d be one thing, but making them monstrous in similar ways. Even if you’ve gotten rid of the ghosts, the entire town might be too far gone already.

And then, of course, the actual plot progresses. The character actually interacts with the world, and all the little inconsistencies start to add up. Maybe the character eventually notices, or maybe it’s left as fridge horror as only the reader can realize the truth of the protagonist’s ongoing evil actions.

Though of course that concept does rely on the idea that the reader doesn’t know the truth going in, which is impossible for a fanfic since readers would already be familiar with canon. So in reality, it’d have to be dramatic irony instead of a creeping realization (which could still work but feels a bit less evocative IMO). Or maybe calling it an AU would work to distract people enough, but idk.