Latest Posts by mishkiq - Page 3

Nathan Miller

FINALKRU CHARACTERS

flirty bellamy makes me feel things…

Bellamy Blake + snark and sarcasm

Part 2: shape, style, and length with femme styles!

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Post by @donutsbagels · 10 images

💬 7  🔁 779  ❤️ 1177 · Part 3: Combining shapes, braids, and textures! And utilizing parts and fros!

Okay I JUST realized I never posted these on here—- BUT BASICALLY, about a year and a half ago I started doing these experimental black hairstyle posts that were threads long on Twitter, to give artists a source of inspo for their black ocs whose hair they wanted to try something new with! There’s more to black hair than just the selected styles portrayed in media, and I thought it would be fun to show people how much texture, shape, fades, length, and style can be combined when drawing black hair—-cause it’s a kind of manipulation our hair can do irl! The OG thread from when I made these a year ago were lost with the hacking of my original Twitter account (@/bagels_donuts) but I’ve since reuploaded the whole thread to my new Twitter (@/ItsDonutsFR)! I hope artists on tumblr find these useful, sorry it took me so long to post them here😭🙏🏾 I’ll upload them all in parts!

Part 1: Long masc hairstyles + playing with fades

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Post by @donutsbagels · 7 images

💬 2  🔁 715  ❤️ 1008 · Part 2: shape, style, and length with femme styles!

Shepard/Garrus

In their under-armor-suit(that I made up because I have no idea what they look like)

the two of them would have made a better arkdadia

"Didn't know they were dating" is slowly but surely becoming one of my favorite tropes. What do you mean, these two characters who are soulmates haven't actually been in a long-term relationship like everyone thought? What do you mean they didn't know? Everyone knows!

i hc the "one breeding request for shepard" was from wrex bc he wanted to screw with them but ended up getting screwed, and nobody can change my mind

krogan anatomy is very made up

BELLAMY BLAKE WEEK 2023 ⇢ DAY 2: Favorite Trait Protective!Bellamy (Clarke Edition)

Here’s something I’ve been working cuz I played the original Mass Effect trilogy again and I’m coping (I’m not 😭😭😭) also I’ve been listening to this song by Linkin Park and it fits so well iykyk 😪

This isn’t officially finished, but I thought I’d share it half done cuz I slapped some random colors on there and I thought it was cool lmao ✌️😏

✨✨✨✨✨

Ko-fi | twitter

That’s his girl

40,000 years ago, early humans painted hands on the wall of a cave. This morning, my baby cousin began finger painting. All of recorded history happened between these two paintings of human hands. The Nazca Lines and the Mona Lisa. The first TransAtlantic flight and the first voyage to the Moon. Humanity invented the wheel, the telescope, and the nuclear bomb. We eradicated wild poliovirus types 2 and 3. We discovered radio waves, dinosaurs, and the laws of thermodynamics. Freedom Riders crossed the South. Hippies burned their draft cards. Countless genocides, scientific advancements, migrations, and rebellions. More than a hundred billion humans lived and died between these two paintings—one on a sheet of paper, and one on the inside of a cave. At the dawn of time, ancient humans stretched out their hands. And this morning, a child reached back. 

bro i LOVE indigenous fusion music i love it when indigenous people take traditional practices and language and apply them in new cool ways i love the slow decay and decolonisation of the modern music industry

Save a horse?

Shepard v Kai leng wip hehe

Author sign-ups are now open for the Shakarian Mini-Bang!

In order to sign up as an author, fill out the form below.

Authors will be required to write a Shakarian fanfic of at least 5,000 words between now and May 9th. There is no maximum word count, but your fic needs to be a standalone story (i.e. can't require the artist to have read any of your other works and can't end on a cliffhanger).

Author sign-ups will remain open until March 28th. Meet us at the bar the sign-up form!

Google Docs

Author Sign-up Form

Welcome! This is the author sign-up form for the Shakarian Mini-Bang 2025. If you have any questions about how to fill out this form, please

Pale skin + blue eyes. Omg he’s my type｡ﾟ(ﾟ´Д｀ﾟ)ﾟ｡

dead man walking

[ -> prints 💙 ]

I don't even know what to say.

My brain connected Shepard and Garrus to that one post and I was simply possessed to draw it.

he's just being silly

Exes to Lovers Masterpost

Dialogue Prompts

"I'm sorry for how it ended." "I'm sorry that it ended at all."

"Do you still have place for me in your life?"

"Three years was not enough to get over you."

"We'll always find our ways back to each other."

"I couldn't stop loving you, even if I tried. And I did try for some time. But it didn't work."

"Seeing you again brought everything back."

"It was a mistake to just go away. We should've fought more for what we wanted." "We are doing it now."

"Being back in your arms is everything I wished for since we broke up."

"I can't believe you would actually take me back."

"Do you have any idea how much I wished to take it back? To just go to your house and apologize?" "I would have waited for you. I did wait for you. Even if it took some time, you are here now."

"I shouldn't have ever let you go away. I need you by my side."

"The fight we had was so stupid and breaking up was irrational."

"We work much better as a team."

"I don't ever want to lose you again."

"It was the right thing at the time. We weren't ready for it." "Do you think we are now?" "Yes, absolutely."

"People called me crazy for letting you get away. And they were right."

"I will never let you go again."

"We were both so hurt that we didn't see how much the other one was hurting. I hope that we're now able to look past that and be able to heal together."

"Honestly? I never stopped loving you."

"Let's never break up again. Ok?"

Text Prompts

Having broken up, but still living in the same area they keep running into each other. At the park, the grocery store, the laundromat, … everywhere.

They are still in the same friend group and they want to make it work as friends. But hanging out all the time makes it hard to get over each other.

Person A moves to another apartment and finds some of Person B’s, their exes’ stuff while moving and the former lovers meet up for the first time since the break-up to exchange the goods.

While not having adopted it together, Person A’s pet becomes miserable after Person B stops being over, so finally they have to arrange for a meeting in a park, like two divorced parents.

They are still each other's emergency contact. Which becomes apparent when one of them ends up in the hospital.

Having their car breaking down by the side of the road is bad enough. Their ex being the one to come save them is even worse.

They had already booked everything for their friends' destination wedding before they broke up. To celebrate them and not lose their deposits they decide to still share the hotel room.

Person A’s family still invites Person B to all of their family events. And Person B actually goes.

They bought tickets for their favourite band’s concert one year in advance. It’s been a few months since their break-up and they believe the emotions have calmed down a bit, so they decide to still go together when the time comes. But maybe they don’t have calmed down that much, when their song comes on.

They know each other best. Even after their break-up their ex is still the first person they want to call when something good or bad happens.

If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰

Can you do some more body language descriptions? For different emotions like Worry, sadness, love, etc!! Ty🩷🩷

Body Language Descriptions

-> feel free to edit and adjust pronouns as you see fit.

Worry

She wrung her hands together, her fingers twisting nervously as she struggled to keep her thoughts in check.

He glanced over his shoulder, his gaze darting anxiously around the room.

She pulled at her sleeve, the movement repetitive and absentminded as her mind raced.

He bit the inside of his cheek, a habit that betrayed his inner turmoil.

They hugged their arms tightly across their chest, as if trying to hold themselves together.

She paced the room, her steps quick and uneven as she tried to shake off the nagging sense of dread.

Sadness

She wiped at her eyes, even though no tears had fallen yet.

He let his shoulders sag, his whole body slumping as if the weight of the world rested on him.

She clutched her scarf tightly, her fingers gripping the fabric like it was the only thing grounding her.

He kept his head low, staring at the ground as if afraid to meet anyone’s eyes.

They let out a shaky exhale, the sound heavy with unspoken grief.

She blinked rapidly, trying to hold back the tears threatening to spill.

Love

She tucked a strand of hair behind her ear, her smile soft and shy as she met his gaze.

He brushed her hand lightly, the touch lingering just a moment longer than necessary.

They leaned closer, their knees nearly touching, as if drawn together by an invisible force.

She tilted her head slightly, her expression tender and full of quiet affection.

He laughed easily, the sound warm and unguarded, his gaze never leaving her face.

She reached out to fix his collar, her fingers lingering as she adjusted it carefully.

Guilt

He avoided her eyes, his gaze fixed firmly on the floor.

She rubbed her temples, her hands trembling.

He shifted his weight from foot to foot, unable to stay still.

She clasped her hands tightly behind her back, her knuckles white as she fought to remain composed.

They bit their lower lip, their jaw tightening.

He fidgeted with the edge of his sleeve, his movements jerky and hesitant.

Fear

She took a step back, her breath quickening as her eyes darted to the nearest exit.

He clenched the fabric of his shirt over his chest, as if trying to steady his pounding heart.

She froze in place, her body stiff and her movements tentative, like a deer caught in headlights.

He swallowed hard, his throat bobbing visibly as he fought to calm himself.

They pressed their back against the wall, their hands splayed out.

She whispered under her breath, her words shaky and barely audible.

Jealousy

He crossed his arms over his chest, his jaw tightening as his gaze followed her every move.

She tapped her foot impatiently, the rhythm sharp and irritated as she forced a smile.

He clenched his fists at his sides, the tension in his knuckles betraying his calm demeanor.

She cast a sideways glance, her lips pressed into a thin line.

They shifted in their seat, their shoulders stiff.

He ran his fingers through his hair, his movements brisk and frustrated as he fought to contain his thoughts.

Relief

She exhaled deeply, her shoulders dropping as the tension melted away.

He ran a hand down his face, his smile faint but unmistakably genuine.

She laughed shakily, her hand pressed to her chest as if trying to steady her racing heart.

He slumped against the nearest chair, his legs suddenly too weak to hold him up.

They let their head fall back, their eyes closing as a soft, contented sigh escaped their lips.

She smiled faintly, her fingers tracing idle patterns on the surface of the table as the weight lifted from her mind.

Embarrassment

She tugged at the collar of her shirt, her cheeks flushing as she avoided everyone’s gaze.

He rubbed the back of his neck, his lips twitching into an awkward, forced smile.

She bit her lip, her hands fluttering nervously.

He let out a strained laugh, scratching the side of his head.

They hid their face in their hands, peeking out between their fingers with a sheepish grin.

She stumbled over her words, her fingers twisting the hem of her shirt as her cheeks burned bright red.

Symbolism

I thought I might not be the only writer out there who likes to put symbolism in their stories so I found some things and what they represent!!

Animals

Alligator - stealth, survival

Ant - diligence, industry, community, remarkable strength, hard working, success, patience

Antelope - action

Armadillo - boundaries, self protection

Badger - aggressiveness, passion and drive

Bat - rebirth, longevity, joy, good luck

Bear - gentle strength, dreaming, introspection, power, protection

Beaver - builder, accomplishing goals

Bee - divine messenger, love, service, gathering, community

Bird - enlightenment, perspective, swiftness, vision, prophetic knowledge

Boar - nature-based wealth, prosperity, success, protection, courage

Buffalo - prayer, abundance, survival needs met, good fortune, healing

Bulls’ horns - a good symbol in meditation for motivation

Butterfly - rebirth, the soul, transformation, the three phases of life

Cat - feminine energy, mystical power, used to keep the wearer safe in travel, wholeness

Chameleons - ever-changing future, inconsistency

Cheetah - speed, focus

Cougar - power, swiftness, balance

Cows - red cows are a symbol of hope, inspiring symbol for nurturing efforts

Coyote - trickster

Crane - longevity. A pair of cranes symbolizes “Long Marriage”

Cricket - good luck charm, singing, Spring, fertility

Crow - sacred law, gateway to supernatural, shape shifting, illusion

Deer - graceful gentleness, sensitivity, compassion, kindness

Dog - companionship, health, service, loyalty, protection, future prosperity

Dolphin - manna, joy, childlike play, helpfulness, breath of life, harmony, intelligence, self connection

Donkey - fertility, easy childbirth, efficiency, health, well-being, and luck

Dove - peace, innocence, fidelity, love, gentleness, kindnes

Dragonfly - good fortune, magic, vision, dreams, luck, and ancient knowledge, illusion

Dragon - wisdom due to long lives and potent magic, royalty, Emperor, eternity, courage, strength, rain, Spring

Eagle - courage, spirit, bravery, strength

Elephant - commitment, strength, astuteness

Elk - stamina, pride, power, majesty

Fish - miracles, providence, sea/water magic, good luck and prosperity, foresight, fortune, salmon in particular, are associated with knowledge

Fox - camouflage, adaptability, integration, tricksters, shape shifters, and possessors of great magic

Frog - healing, cleansing, messages, health, honesty, fluidity, purification

Gazelle - awareness

Giraffe - grounded vision

Goat - tenacity, diligence, can help to achieve goals, endure criticism, and stay safe. Goat’s fur or foot - an anti-evil talisman.

Goose - safe return, love of home

Grasshopper - nobility, prosperity

Hawk - nessenger, strength, foresight, truth

Hippopotamus - emotional depths

Horses - power, stamina, speed, transportation and communication - A black horse with a white marking on its forehead is lucky

Hummingbird - joy, pure love, celebration of life

Ladybug - delight, trust

Lamb - filial piety (dutiful respect or regard for parents).

Lion (baby) cubs - inspire mercy and gentleness.

Lion (grown) - inspire strength, courage

Lions - pride, nobility, cunning, courage, just laws, fairness, the sun, images can protect sacred ground.

Lizard - dreaming, foresight, ancient secrets

Lynx - secrets

Monkey - benevolence, drives away evil

Moose - self-esteem, assertiveness

Mountain Lion - wisdom, leadership

Mouse - frugality, rebirth, scrutiny

Opossum - strategy, diversion

Otter - medicine (woman), balanced feminine energy

Owl - deception, wisdom, clairvoyance, magic

Ox - evil spirits that disturb lakes, rivers, and seas

Peacock - wholeness, dignity, beauty, recognition, self assurance, pride

Pig - rebirth and rejuvenation

Porcupine - innocence

Rabbit - fear, fertility, moon magic, speed, swiftness, longevity, courage, strength

Raccoon - dexterity, disguise

Raven - magic

Robin - growth, renewal

Rooster - courageous, warlike disposition, warmth and life of the Universe

Scorpion - the “fire within” that often needs careful tending

Seal - inner voice

Sheep - sacrifice

Snake - cunning, evil, supernatural power

Spider - destiny, fate, weaving

Squirrel - gathering

Swan - grace

Tiger - courage, bravery, fierceness, strength, being in the now

Turtle - mother earth

Weasel - stealth

Whale - record keeper

Wolf - teacher, A Guide to the Sacred

Zebra - Individuality

PLANTS

Aloe- Healing, protection, affection

Amaryllis- Pride

Anemone- Forsaken

Angelica- Inspiration

Apple blossom- Preference

Arborvitae- Unchanging friendship

Aster- Symbol of Love, Daintiness

Basil- Good wishes

Bay- Glory

Begonia- Beware

Bittersweet- Truth

Black-eyed Susan- Justice

Bluebell- Humility, kindness

Candytuft- Indifference

Red carnation- My Heart Aches, admiration

- White carnation- Innocence, pure love, women’s good luck gift

- Pink carnation- I’ll never forget you

- Yellow carnation- Disdain, disappointment, rejection

Chamomile- Patience

Chives- Usefulness

Chrysanthemum- Cheerfulness

Clover, white- Think of me

Coreopsis- Always cheerful

Coriander- Hidden worth

Crocus- spring, Youthful gladness

Cumin- Fidelity

Cyclamen- Resignation and good-bye

Daffodil- Regard

Daisy- Innocence, hope

Dill- Powerful against evil

Edelweiss- Courage, devotion

Fennel- Flattery

Fern- Sincerity

Forget-me-not- True love memories

Gardenia- Secret love

Geranium- oak-leavedTrue friendship

Gladiolus- Remembrance

Goldenrod- Encouragement, good fortune

Heliotrope- Eternal love

Holly- Hope

Hollyhock- Ambition

Honeysuckle- Bonds of love

Horehound- Health

Hyacinth- Games and sport, playfulness, rashness

– Blue Hyacinth- Constancy of love

– Purple Hyacinth- Sorrow, forgiveness, regret

– Yellow Hyacinth- Jealousy

– White Hyacinth- Loveliness, prayers for someone

Hydrangea- Gratitude for being understood; frigidity and heartlessness

Hyssop- Sacrifice, cleanliness

Iris- A message

Ivy- Friendship, continuity

Jasmine- white- Sweet love

Lady’s-mantle- Comforting

Lavender- Devotion, virtue

Lemon balm- Sympathy

Lilac- Joy of youth

Lily, calla- Beauty

Lily, day- Chinese emblem for mother

Lily-of-the-valley- Sweetness, purity

Lotus Flower- Purity, enlightenment, self-regeneration, and rebirth

Magnolia- Love of nature

Marjoram- Joy and happiness

Mint- Virtue

Morning glory- Affection

Myrtle- Good luck and love in a marriage

Nasturtium- Patriotism

Oak- Strength

Oregano- Substance

Pansy- Thoughts

Parsley- Festivity

Peony- Bashful, happy life

Pine- Humility

Poppy, red- Consolation

Rhododendron- Danger, flee

Rose, red- Love, I love you.

Rose, dark crimson- Mourning

Rose, pink- Happiness

Rose, white- Purity, heavenly, I’m worthy of you

Rose, yellow- Jealousy, decrease of love

Rosemary- Remembrance

Rue- Grace, clear vision

Sage- Wisdom, immortality

Salvia, blue- I think of you

Salvia, red- Forever mine

Savory Spice-  interest

Sorrel- Affection

Southernwood- Constancy, jest

Sunflower- Adoration

Sweet pea- Pleasures

Sweet William- Gallantry

Sweet woodruff- Humility

Tansy- Hostile thoughts

Tarragon- Lasting interest

Thyme- Courage, strength

Tulip, red- Passion, declaration of love

Tulip, yellow- Sunshine in your smile

Valerian- Readiness

Violet- Loyalty, devotion, faithfulness, modesty

Wallflower- Faithfulness in adversity

Willow- Sadness

Yarrow- Everlasting love

Zinnia- Thoughts of absent friends

Color

Red: Excitement, energy, passion, love, desire, speed, strength, power, heat, aggression, danger, fire, blood, war, violence, all things intense and passionate, sincerity, happiness (Only in Japan)

Pink: love and romance, caring, tenderness, acceptance and calm.

Beige and ivory: symbolize unification. 

Ivory: symbolizes quiet and pleasantness. 

Beige: calm and simplicity.

Yellow: signifies joy, happiness, betrayal, optimism, idealism, imagination, hope, sunshine, summer, gold, philosophy, dishonesty, cowardice, jealousy, covetousness, deceit, illness, hazard and friendship.

Dark Blue: Symbolizes integrity, knowledge, power, and seriousness.

Blue: Peace, tranquility, cold, calm, stability, harmony, unity, trust, truth, confidence, conservatism, security, cleanliness, order, loyalty, sky, water, technology, depression, appetite suppressant.

Turquoise: calm. 

Teal: sophistication. 

Aquamarine: symbolizes water. 

Lighter turquoise: a feminine appeal.

Purple: Royalty, nobility, spirituality, ceremony, mysterious, transformation, wisdom, enlightenment, cruelty, honor, arrogance, mourning, temperance.

Lavender: femininity, grace and elegance.

Orange: Energy, balance, enthusiasm, warmth, vibrant, expansive, flamboyant, demanding of attention.

Green: Nature, environment, healthy, good luck, renewal, youth, spring, generosity, fertility, jealousy, service, inexperience, envy, misfortune, vigor.

Brown: Earth, stability, hearth, home, outdoors, reliability, comfort, endurance, simplicity, and comfort.

Gray: Security, reliability, intelligence, staid, modesty, dignity, maturity, solid, conservative, practical, old age, sadness, boring. Silver symbolizes calm.

White: Reverence, purity, birth, simplicity, cleanliness, peace, humility, precision, innocence, youth, winter, snow, good, sterility, marriage (Western cultures), death (Eastern cultures), cold, clinical.

Black: Power, sexuality, sophistication, formality, elegance, wealth, mystery, fear, evil, unhappiness, depth, style, sadness, remorse, anger, anonymity, underground, good technical color, mourning, death (Western cultures), austerity, detachment.

Essential Beat Sheet for Writers

ACT ONE: SETUP

1. Opening Image: A snapshot of your story’s world and tone. Who are we following? What’s at stake?

2. Theme Stated: A subtle hint about the story’s deeper meaning or lesson, often posed as a question or challenge.

3. Setup: Introduce your protagonist, their ordinary world, supporting characters, and the status quo. Show us what needs to change.

4. Catalyst: The inciting incident that flips the protagonist’s world upside down. This is the point of no return.

5. Debate: Your protagonist hesitates. Should they step forward into the unknown or retreat? This beat builds anticipation.

ACT TWO: CONFRONTATION

6. Break Into Two: The protagonist makes a decision and steps into a new world (literal or figurative). The adventure begins.

7. B Story: The subplot kicks in—often a relationship or secondary goal that supports the main story’s theme.

8. Fun and Games: The “heart” of the story. Deliver on the premise and explore the stakes through action, conflict, and character growth.

9. Midpoint: A major turning point where everything changes. Stakes are raised. Success feels closer—or failure looms larger.

10. Bad Guys Close In: External and internal pressures mount. Allies falter. Enemies strike. Doubts creep in.

11. All Is Lost: The darkest moment. The protagonist experiences a significant loss or setback.

12. Dark Night of the Soul: A pause for reflection. Your protagonist processes their failure and digs deep to find the courage to move forward.

ACT THREE: RESOLUTION

13. Break Into Three: Armed with new insight or strength, the protagonist takes decisive action to face the story’s central conflict.

14. Finale: The climax. Everything comes to a head in a final showdown or resolution. Your protagonist proves they’ve changed—or failed to.

15. Closing Image: A mirror of the opening image, showing how the world—and your protagonist—has transformed.

Could we have some dark angsty prompts, mostly in the form of dialogue? :3

Dark Angsty Dialogue

-> feel free to edit as you see fit.

"You can’t save someone who doesn’t want to be saved." "Then I’ll drag you out of the darkness kicking and screaming if I have to."

"Every time you leave, it feels like you’re tearing pieces out of me." "Maybe if you felt the emptiness I do, you’d finally understand."

"I lied to protect you." "No, you lied because it was easier than telling me the truth."

"Do you even love me anymore?" "Does it matter? You’ll leave either way."

"You told me it would get better, but it hasn’t. It’s just gotten quieter." "Sometimes quiet is all we get."

"You never should’ve trusted me. I destroy everything I touch." "Maybe I’m okay with being destroyed if it means staying with you."

"Do you ever wonder what it’d feel like to just disappear?" "Every day. But then I think about who would miss me… and that’s the problem. It’s never you."

"If I had known what loving you would cost me, I wouldn’t have done it." "Liar. You’d do it all over again because it’s the only part of you that feels alive."

"I keep trying to hate you. It’d be so much easier if I did." "Don’t worry. I hate myself enough for both of us."

"Sometimes I think you hurt me just to see if I’ll still stay." "Do you blame me? You’re the only thing I’ve ever been afraid of losing."

"Tell me the truth. Do you regret it?" "Every single moment. And yet, I’d do it all again if it meant one more second with you."

"You make it sound so easy. Like walking away is just something you can do." "It is. You just take one step. And then another. Until you can’t feel me anymore."

Things Real People Do in Dialogue (For Your Next Story)

Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):

1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.

2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.

3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.

4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.

5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.

6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”

7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.

8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.

9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.

10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.

11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!

12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.

13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.

14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.

Important note: Please don’t use all of these tips in one dialogue at once.

Hello again!! :D i was wondering, what makes a story feel lifeless? i mean, not the plot but the text itself. My writing feels like a bunch of facts one after the other: the sky was blue, it smelled like cinnamon; This happened and then That happened, now they're doing This etc. Despite including sensory details and the protagonist's thoughts, it still feels monochromatic and devoid of personality :( and like? too quick?? in a bad way (not sure why). How can i change this?

Great question! I love this one! Here are three things that come to mind for me.

Based on what you've written, it seems like what you might be missing is emotionality--without the right emotion beats, it's no wonder its feeling lifeless to you. You've got the senses nailed -- the sky is blue (what they see), it smells like cinnamon (scent, evocative! curious: why does it smell like that, i wonder as the reader, that's good!). And you've got plot points coming one after the other, also good.

So maybe your paragraph looks like this (obviously I'm just making this up):

Jane followed Maura into the farmer's market. It was a hot day. The sky was bright blue and the air smelled like cinnamon. Maura took a long time looking at all of the vegetables. Jane bought a Red Sox onesie for Frankie's baby. Maura spent a lot of money, and Jane was ready to go long before Maura was.

Here are three things I'd do to make this seem more alive, more emotional, and take longer (if you want it to):

1. Vary the sentence length. This is a great an easy fix to writing that sounds wooden. Read it out loud. Notice the steady tempo of the sentences above; they're all relatively similar in length. Breaking that up can give a more unpredictable rhythm that makes the reader's breath catch in their chest. After you read the above paragraph out loud, read this one. Notice that none of the words have changed, only the punctuation (and things like "and"):

Jane followed Maura into the farmer's market on a hot day. The sky was bright blue, the air smelled like cinnamon. Maura took a long time looking at all of the vegetables, and Jane bought a Red Sox onesie for Frankie's baby. Maura spent a lot of money. Jane was ready to go long before Maura was.

That's a little more lively, a little more of an emphasis comes into "Maura spent a lot of money," and there's a bit of a dance to "the sky was bright blue, the air smelled like cinnamon" in a way there wasn't to the first version.

Okay, simple fix done. Now to the more complex ones.

2. Tie specific emotion and memory to each sensation. So it smells like cinnamon, so what? So the sky is blue, so what? What do those things mean for Jane? Why are we calling those out? What can we learn from/about Jane and the scene from her reactions to those things? Maybe now it looks like this (new/modified stuff in blue):

Jane followed Maura into the farmer's market. It wasn't until they were approaching the first fruit stand that Jane realized how long it had been since she'd been here. Jane was surprised to find that she missed it, missed watching Maura touch every single damn zucchini and then buy none of them. It was nice, actually. It was the hottest day of the summer so far; the sky was bright blue, and the air smelled like cinnamon. Maura took a long time looking at all of the vegetables, as always, and Jane wandered away in a fit of boredom, returning with a cheap Red Sox onesie for Frankie's baby that made Maura mutter something under her breath about synthetic fabrics and infant skin. Jane didn't bother not to smile. It felt like old times. Maura finally found some berries up to her standards and spent more money than even Jane expected her to, and Jane eventually had to drag her back to the car.

Okay, so that's very different, right? Thinking about each detail, each action, as something that's specific and makes Jane think of specific things, to compare and contrast to how it might have gone before. That's going to give you lots of life and emotionality. We learn, without you having to tell us, that Jane expected it to be boring, stilted, long, and not very hot outside. That tells us a lot about Jane. Plus, we learn that not only was nice and kind of emotional and hot and Maura spent so much money, but also how Jane feels about those things, those expectations she had gotten wrong. That tells us even more about Jane!

And then the final thing that comes to my mind right now is:

3. Connect what's happening to the broader plot or tension of this scene. Why are they at the farmer's market? What is Jane needing to happen, or hoping doesn't happen? Let's say Maura has dragged Jane out because Jane has been stuck inside the precinct for a week trying to find a clue that's evaded her on a tough case. The unsolved case is weighing on Jane, and Maura is a firm believer that fresh air and exercise will give Jane's brain the breath it needs to find the clue. Jane is very grumpy about it. So that's tension: Jane wants to be at work saving lives, and Maura has dragged her here, using Jane's love for Maura to manipulate her into coming to the market. So maybe now it looks like this (new/modified stuff in purple):

Jane reluctantly followed Maura into the farmer's market. It wasn't until they were approaching the first fruit stand that Jane realized how long it had been since she'd been here; Maura used to drag her here almost every weekend, but that was before Casey. Before everything with Maura's dad. Before their relationship was stretched taut like a rubber band and then very nearly snapped in two. Jane was surprised to find that she missed it, missed watching Maura touch every single damn zucchini and then buy none of them. It was nice, actually. It was the hottest day of the summer so far; the sky was bright blue, and the air smelled like cinnamon. Inside the precinct, at her desk, it was always dark and smelled like a gym locker. Maybe Maura was right, not that Jane would ever admit it to her. Seeing the sky, smelling the pastries and coffee and ripe peaches--maybe this was what Jane needed to crack the case. Maura took forever looking at all of the vegetables, as always, and Jane wandered away in a fit of boredom, returning with a cheap Red Sox onesie for Frankie's baby that made Maura mutter something under her breath about synthetic fabrics and infant skin. Jane didn't bother not to smile. It felt like old times, like maybe one day they'd get back to the banter and easy affection they'd used to have. Maura finally found some berries up to her standards and spent more money than even Jane expected her to, and Jane eventually had to drag her back to the car, because murder can only wait so long, after all. The sunshine and stone fruit and the hot, humid breezes of summer would all still be waiting for her once she'd solved this damn case.

So by (1) varying sentence length, (2) making things tied to specific memories and details, and comparing/contrasting with past experiences or current expectations, and (3) tying the entire situation into the broad tension of the scene/chapter/fic, we've been able to add a lot of liveliness, character depth, emotionality, and slow down the pace so that we're not rushing from one thing to the next.

What do you think? What do you all do to add life to your scenes?