I want to write a letter of resignation,
a letter in which I apologize for not being able to fulfill my duties to others and to myself. To be said that he/she was here, but they left and never came back.
I want everyone to wait for me, without ever returning.
Painting by - Martin Brado
Why is Kafka so important when it comes to European loneliness?
How are his writings still so relevant today? And does his literature really reflect the loneliness we see in European societies?
Who is Franz Kafka?
First, let’s start by getting to know Franz Kafka. Kafka was a Czech Jewish writer who lived in the early 20th century. His writings were marked by strangeness and ambiguity, often tackling themes like isolation, alienation, and the dehumanizing effects of bureaucracy. His most famous works, such as *The Metamorphosis* and *The Trial*, convey a deep sense of psychological oppression and the feeling of being trapped in a cold and incomprehensible world.
European Loneliness – How Did It Become a Reality?
Now, let’s move to the key question: Why is Kafka considered important in the context of European loneliness? To understand this, we need to first look at life in modern European societies. Despite the economic and technological advancements in Europe, loneliness has become a significant part of many people's lives. These societies tend to emphasize individualism and self-reliance, which can often lead to feelings of isolation and existential emptiness. A large portion of people in Europe live alone, and due to highly structured social and political systems, individuals often feel like they are just small cogs in a vast machine. This is where Kafka comes in. His writings reflect this very feeling – the sense that one has no control over their life and is trapped in a cold, impersonal system.
How Does Kafka’s Literature Reflect Loneliness?
Kafka’s works deeply capture feelings of loneliness and alienation. In *The Metamorphosis*, the protagonist transforms into an insect and feels rejected by both his family and society. Here, we see a clear picture of loneliness, the feeling of being unaccepted and misunderstood. Kafka was expressing a profound fear of being disconnected from others and not being able to communicate. In *The Trial*, the protagonist is subjected to a senseless trial by a mysterious and oppressive system. This mirrors the experience of individuals in modern Europe who feel like mere numbers in a vast, soulless bureaucratic machine. Loneliness is not just about the absence of personal connections; it’s also about feeling powerless and disconnected from one’s own life. That’s what makes Kafka’s work so relevant to understanding modern European loneliness.
The Existential Dimension in Kafka’s Works
Kafka isn’t just a writer who critiques systems and bureaucracy. He is also a deeply existential writer. Many people in Europe today feel lost in a world that seems to lack meaning, and Kafka’s writings reflect this reality. The existential themes in his works raise questions about the purpose of life and the meaning behind everything that happens, questions that continue to resonate with individuals navigating a chaotic and alienating world.
- Feda'a Yahya
"I love you the most." I say, but maybe that's not true love.
If i say, "You are the knife I turn inside myself", maybe I would be explaining true love.
And Milena, I can bear anything with you in my heart.
| Franz Kafka
that’s worth a thousand stars, a treasure, and that I am the most beautiful painting you had ever seen.
You build me a palace of illusion, in which I can only live in for a few moments.
Then, I return back to reality all alone with nothing but a few words.
Painting by - Edward Povey
Refers to a mysterious broadcast interruption that occurred on November 26, 1977, in southern England. At around 5:10 PM, during a news program on Southern Television, a strange voice—metallic and echoing—took over the airwaves for nearly six minutes. The entity identified itself as "Vrillon, a representative of the Ashtar Galactic Command"—an alleged extraterrestrial being.
The message was solemn and haunting, warning humanity to abandon its weapons and live in peace, lest we "destroy your world" before entering the "Age of Aquarius."
"This is the voice of Vrillon, a representative of the Ashtar Galactic Command, speaking to you. For many years you have seen us as lights in the skies. We speak to you now in peace and wisdom as we have done to your brothers and sisters all over this, your planet Earth. We come to warn you of the destiny of your race and your world so that you may communicate to your fellow beings the course you must take to avoid the disaster which threatens your world, and the beings on our worlds around you. This is in order that you may share in the great awakening, as the planet passes into the New Age of Aquarius. The New Age can be a time of great peace and evolution for your race, but only if your rulers are made aware of the evil forces that can overshadow their judgments. Be still now and listen, for your chance may not come again. All your weapons of evil must be removed. The time for conflict is now past and the race of which you are a part may proceed to the higher stages of its evolution if you show yourselves worthy to do this. You have but a short time to learn to live together in peace and goodwill. Small groups all over the planet are learning this, and exist to pass on the light of the dawning New Age to you all. You are free to accept or reject their teachings, but only those who learn to live in peace will pass to the higher realms of spiritual evolution. Hear now the voice of Vrillon, a representative of the Ashtar Galactic Command, speaking to you. Be aware also that there are many false prophets and guides operating in your world. They will suck your energy from you—the energy you call money—and will put it to evil ends and give you worthless dross in return. Your inner divine self will protect you from this. You must learn to be sensitive to the voice within that can tell you what is truth, and what is confusion, chaos and untruth. Learn to listen to the voice of truth which is within you and you will lead yourselves onto the path of evolution. This is our message to our dear friends. We have watched you growing for many years as you too have watched our lights in your skies. You know now that we are here, and that there are more beings on and around your Earth than your scientists admit. We are deeply concerned about you and your path towards the light and will do all we can to help you. Have no fear, seek only to know yourselves, and live in harmony with the ways of your planet Earth. We of the Ashtar Galactic Command thank you for your attention. We are now leaving the plane of your existence. May you be blessed by the supreme love and truth of the cosmos."
—Vrillon, November 26, 1977
The most common depictions of Ashtar Sheran, often said to be Vrillon’s superior or perhaps his other name, show him as a being of radiant, almost angelic presence:
Tall and Regal – Usually standing around 7 feet tall.
Humanoid Form – He appears very human, sometimes almost indistinguishable from us.
Golden Hair – Flowing and shining like solar rays, often shoulder-length.
Blue or Violet Eyes – Piercing and serene, as if holding the gaze of galaxies.
Glowing Aura – Described as bathed in a soft white or bluish light, often dressed in silvery or white robes with golden insignias.
Uniformed Appearance – At times, he's shown in a form-fitting "space uniform" with insignias denoting his command over the Ashtar Galactic Fleet.
"Onu ölesiye seviyor musun?" diye sordular.
"Mezarımda ondan bahset ve beni nasıl hayata döndürdüğünü izle" dedim.
- Mahmoud Darwish
In order for me to write poetry that isn’t political I must listen to the birds And in order to hear the birds The warplanes must be silent - Marwan Makhoul
🎨 : Nuri Lyem
لكي أكتب شعراً غير سياسي يجب أن أصغي الى العصافير ولكي أسمع العصافير يجب أن تصمت الطائرات - مروان مخول
Deniz sen ol, ve ilk boğulan ben olacağım.
sen varış noktasısın, ve ilk gelen benim.
ev ol, ve ilk yaşayan ben olacağım.
şiir ol, ve ilk dinleyen benim.
Ne olursan ol,
ve sahip olduğum her şeyle senin olacağım.
Kabil şimdi şistten yapılmış bir kuşla atıyor Yeryüzüne iner ve onu muazzam ateş yağmurlarıyla yağdırır. Onun ıssızlığından önce kuleler ve evler çöküyor Ölüler toprağın kucağından yukarılara kaçar Cain şimdi tankında dolaşıyor Koyunlar dehşete kapıldı Kabil ahırının duvarını yıkıyor Köyde gece sabaha döndüğü için ahırı uyumaya uygun değil Aşağıya inen ışığın yaydığı Bir ejderhanın dili gibi Kasırga dünyanın yüzünü harap etti
What was mine: my yesterday. What will be mine: the distant tomorrow, and the return of the wandering soul as if nothing had happened. A slight cut in the arm of the absurd present, History mocks its victims and its heroes, It glances at them in passing and goes on. So i tell you ; This sea is mine. The fresh air is mine. And my name, though i mispronounce it over the grave, is mine. As for me, filled with every reason to departure, I am not mine. I am not mine. I am not mine.
| Mahmoud Darwish