This But It’s Ruth, Richie, Steph, And Pete.

A reminder that Glinda having either dyslexia/dysgraphia or a learning disability is canon in the Movieverse.

This is the same paper that we see her get back in this scene, in which we can see this was a large essay too.

There's nothing rushed to her handwriting, this was not an essay done at the last minute, and still, it shows several signs of a learning disability and/or dysgraphia.

Misspells her name in the second line

Wrong and inconsistent pronoun usage

Her margin spacing is consistent with someone who can't do proper syllable division

Immature transcription (see: writes her "um"s)

Limited vocabulary

Shows signs of: difficulty expressing ideas in writing, having a limited vocabulary, mispronouncing words or using a wrong word that sounds similar, and having trouble organizing what she wants to say. Those are all symptoms of a learning disability.

Less of a checklist sign, but her handwriting is very round and careful, while still not being consistently sized (see unfashionable). This and the margin sizes are very common in kids with bad dysgraphia who are made to take rigorous calligraphy courses to "fix the problem". Courses that work on the visual without remedying its underlying issues and causes. Form over content if you will.

Looking at this very blatant sign that she has a learning disability and immediately defaulting to calling her names (yes calling her stupid and saying Elphaba is a moronsexual for this counts), asking how she got into Shiz, or defending Dillamond in doing the very first thing teachers are told NOT to do with disabled students (re: calling attention to it in front of the entire class) is ableist!

Here’s a sad thought about Princess Jasmine in Twisted: The Untold Story of a Royal Vizier, courtesy of listening to the soundtrack again and feeling the feelings about her and Ja’far: this version of the Sultan must be a really bad father.

We never see him interact with his stepdaughter. He already seems rather senile when he steals Scheherazade, and that’s sixteen years before the present day. His sanity may well have completely gone in that time. Even if it didn’t, he makes it clear in his one appearance that he considers everyone in his power to be objects defined entirely by how they can benefit him and remorselessly will torture, enslave and murder them on a whim. I doubt that he’d be sensitive or nurturing toward his child. Now, I think Scheherazade would be a great mother - but she never got to try.

The Sultan has evidently been very neglectful and distant, failing in his duties to teach the Princess how to be both a good person and a good member of royalty. Despite her being his only heir and old enough to marry and rule the kingdom, which apparently has no problem with a female sovereign, he’s let her grow up to be extremely sheltered and not at all adequately prepared for responsibility and politics. It doesn’t even occur to her that having her tiger assault a neighbouring country’s visiting prince might have consequences. The Sultan, and on his behalf the Captain of the Guard, don’t let her know important news and royal decrees: neither what a menace Aladdin is, leaving her vulnerable to him, nor the Sultan’s mass execution of the 2D Department, since for as insensitively egocentric as she is at the beginning, she’s still deeply sentimental and quick to empathize with the homeless peasant Aladdin, so I can’t believe that she wouldn’t be at least a little upset with the Sultan (or more likely Ja’far) over so many lost human lives.

More than that, her immaturity speaks to bad parenting on the most basic level. She hasn’t internalized the Sultan’s cruelty, but has learned his selfishness, entitlement, impulsiveness and poor emotional regulation. Her social skills are notably clumsy and underdeveloped (not picking up on Aladdin’s numerous red flags, “No high five”, “At least Abdul had a family who loved him!”, even cringing herself at the last one). The Sultan’s passed down absolutely zero wisdom of any kind.

Instead it’s Ja’far with whom she has a familiar father-daughter dynamic (“What’s up, are you mad at me?” “Where are you going?” “There she is!”). It’s him who shows concern when she runs away and gives the order to find her before all else, notices that she’s upset and talks her through her feelings, warns her about sexual predators, appreciates her idealism and effort. It’s him who provides the gentle but firm, healthy guidance and challenge that she needs to grow. Who sees her potential, respects and believes in her. Who loves her. However, he is ultimately in her service. Between the imbalanced power dynamic making him wary of treason (after all, the last time he had a stronger relationship than the Sultan with a woman the Sultan called his, it didn’t end well) and his other responsibilities taking away from their time together, he can’t be as influential a presence in his life as he’d like.

Maybe this why she’s initially so resentful of him. Subconsciously she does see him as a father all along, but he hurts her and lets her down sometimes. Like the Sultan, her only official parent, always has. That stings. The differences are that the Sultan hurts her much more, more consistently and without her best interests at heart… but Ja’far is the one she can lash out at and complain to and be a messy adolescent around, because firstly, he’s her subject instead of her ruler, and secondly, he’s actually involved in her life. He cares, and therefore yelling or halfheartedly trying to poison his wine will make an impact. The Sultan is untouchable. We know that she conflates the two in her head as unjust authority figures keeping her trapped and crushing her aspirations (“All the people who say I’m just dreaming, like Father and Ja’far”, one of the only times she mentions the Sultan). It’s easier to blame your problems on an employee everybody else hates than accept that your parent is a bad one.

Maybe this is the root of her discontentment as well, her yearning that she can’t articulate for something more than what the life she’s been given. The joke of “Everything and More” is that she doesn’t need anything besides what she has… but she does. She needs a competent, reliable parent. One who she can trusts loves her the person as her parent, not a servant of her bloodline, and she knows to love as such in turn.

No wonder she falls for “Orphaned at Thirty-Three” hook, line and sinker. She’s never known her mother. Her relationships with her paternal figures range from terrible to complicated. Having unconditionally loving, supportive parents and then suddenly losing them must be the worst thing she can imagine.

But in the end, the Sultan dies and her dad has to leave her. Although he found a way to live forever, it wasn’t enough to save her from the pain of being orphaned at sixteen.

Aww why can’t we share? How about this, I’ll buy every doll in the shop. On weekdays they’ll be mine, and on weekends you can look at one for five seconds through the front window of my house! Seems like an fair trade off!

Happy Black Friday everyone! Just a quick reminder that if you see a little green doll that resembles an under water creature from out of this world, to leave it on shelves! For me. Because that doll will be FUCKING MINE.

Lautski day 7: morning <3

@lautski-week

I had a lot of fun! Can’t wait to do it all again next time!

Lautski day 6: storm ⛈️ ☔️🌩️

@lautski-week

Lautski Day 2: party 💃🕺👩‍❤️‍💋‍👨

@lautski-week

this is so sad, alexa play going through changes by eminem

for @lautski-week day 5: change

Tinky! Honestly, I love how he turned out maaaaybe more than Wiggly? If I make him again, there’s some changes I’d make, maybe make him in fur and change his muzzle shape a bit? But I’m so happy with how he turned out.

Might make him some goggles eventually? I love the fan art where the plushies get to keep one aspect of their NPMD appearances.

I think I’ll make Pokey next! Hopefully soonish

day 6: storm

i don't like this one as much but oh well lol

@lautski-week

Cinderella ella ella ella ella

All Cinderella adaptations can be enhanced/improved by the addition of Bryce Charles spread the word

Each dress reference in order from left to right: Cinderella (2015), Into The Woods (1987 cast), Cinderella (1950), Rodger and Hammerstein's Cinderella (1997), Ever After (1998), A Cinderella Story (2004)