Rashid, who has finally escaped from the Dubai madhouse, shares the location with other people:
He is traumatized, Talamasca should pay him moral compensation and give him a vacation! (the main cause of his psychological trauma was not even the crazy vampires he worked for, but Daniel MOLLOY💜)
Many people create lists of synonyms for the word 'said,' but what about the word 'look'? Here are some synonyms that I enjoy using in my writing, along with their meanings for your reference. While all these words relate to 'look,' they each carry distinct meanings and nuances, so I thought it would be helpful to provide meanings for each one.
Gaze - To look steadily and intently, especially in admiration or thought.
Glance - A brief or hurried look.
Peek - A quick and typically secretive look.
Peer - To look with difficulty or concentration.
Scan - To look over quickly but thoroughly.
Observe - To watch carefully and attentively.
Inspect - To look at closely in order to assess condition or quality.
Stare - To look fixedly or vacantly at someone or something.
Glimpse - To see or perceive briefly or partially.
Eye - To look or stare at intently.
Peruse - To read or examine something with great care.
Scrutinize - To examine or inspect closely and thoroughly.
Behold - To see or observe a thing or person, especially a remarkable one.
Witness - To see something happen, typically a significant event.
Spot - To see, notice, or recognize someone or something.
Contemplate - To look thoughtfully for a long time at.
Sight - To suddenly or unexpectedly see something or someone.
Ogle - To stare at in a lecherous manner.
Leer - To look or gaze in an unpleasant, malicious way.
Gawk - To stare openly and stupidly.
Gape - To stare with one's mouth open wide, in amazement.
Squint - To look with eyes partially closed.
Regard - To consider or think of in a specified way.
Admire - To regard with pleasure, wonder, and approval.
Skim - To look through quickly to gain superficial knowledge.
Reconnoiter - To make a military observation of a region.
Flick - To look or move the eyes quickly.
Rake - To look through something rapidly and unsystematically.
Glare - To look angrily or fiercely.
Peep - To look quickly and secretly through an opening.
Focus - To concentrate one's visual effort on.
Discover - To find or realize something not clear before.
Spot-check - To examine something briefly or at random.
Devour - To look over with eager enthusiasm.
Examine - To inspect in detail to determine condition.
Feast one's eyes - To look at something with great enjoyment.
Catch sight of - To suddenly or unexpectedly see.
Clap eyes on - To suddenly see someone or something.
Set eyes on - To look at, especially for the first time.
Take a dekko - Colloquial for taking a look.
Leer at - To look or gaze in a suggestive manner.
Rubberneck - To stare at something in a foolish way.
Make out - To manage to see or read with difficulty.
Lay eyes on - To see or look at.
Pore over - To look at or read something intently.
Ogle at - To look at in a lecherous or predatory way.
Pry - To look or inquire into something in a determined manner.
Dart - To look quickly or furtively.
Drink in - To look at with great enjoyment or fascination.
Bask in - To look at or enjoy something for a period of time.
mickey 17 is for the people who hate capitalism and also clicked YES on the ‘would u fuck ur clone’ poll
Thinking about how, whether he is conscious of it or not, Armand has already partially broken the cycle of abuse he was subjected to, simply by not turning Daniel when he was young.
The precise nature of Armand's very existence is a permanent reminder of what he was forced to live through, regardless of if he even has the ability to process the trauma in the first place. If he so much as catches his reflection out of the corner of his eye, he is reminded of the coveting and commodification of his youth and how the most innocent time of his life was weaponised against him. He is frozen there. His face looks so innocent because it creates a satisfying contrast with his actions narratively, but its also because he was. He was innocent. And that was stolen from him by selfish, greedy people who pretended their actions were out of love.
By letting Daniel go (assuming Devil's Minion era happened in the seventies), Armand protected him from this. Daniel experienced his entire youth and what it was like to age out of it without the fear of no longer having value like Armand did, and then came adulthood. He has lived to an age that Arun never could have dreamt of, that Amadeo was forced to realise, at one point, he would never experience, not in the human sense at least. He'll never have lines on his face like Daniel does. His worry lines and smile lines will never deepen. He won't develop crow's feet from squinting in the sun, which turned its back on him long ago anyway. His hair will never grey. Marius made certain of that.
But Daniel got to have all of that. His beloved got to live his life, fuck it up over and over and make a million mistakes. He had the freedom and the agency to do it. Armand will not see it, but he gave Daniel exactly what was taken from him so long ago. He is not just evil. He does not destroy everything. He gave Daniel the real gift, and now they get to move onto the next stage of Daniel's life together (after a couple seasons of slow burn I would imagine).
Just as he sees the tragedy of his past on his own face, he sees the potential he has to be different on Daniel's. He has immortalised true beauty in Daniel. The beauty of having lived a long life.
Something that kills me about rdr1 is John's apparent feelings towards the Javier, Bill, and Dutch.
Javier, he is 50/50 with. He can kill him or turn him in alive. It's clear that he's still very hurt from what happened between them, but it's also apparent how he still cares deeply for him. He talks highly of him. Fondly, even, as Reyes puts it. When choosing to kill Javier, he sheds a tear before bitterly spitting on his body.
When killing Bill, John shows little to no remorse. Sure, he tries to settle things civilly to begin with, but after realizing that he has no other choice, he doesn't make a big fuss about it. He doesn't think twice about shooting Bill in the dirt and handing his body over.
Then there's Dutch.
After handing over Bill's body, John demands his family be returned home safe and sound, only for Agent Ross to remind him that he still needs to find Dutch. John doesn't want to. He was trying to get out of it. He was hoping that Ross would just forget about Dutch now that he's gotten Javier and Bill.
John and Dutch play this cat and mouse game over and over, chasing after each other, tormenting each other, shooting at each other, but never killing one another.
Then there's the final stand off.
John had the full opportunity to shoot Dutch where he stood on the edge of that cliff, but he didn't. He couldn't. Before him, he didn't see a monster. He saw the man who raised him. He saw a father.
In his hesitation, Dutch also had every advantage to turn this around and kill John. But he doesn't. He watched Arthur die. Hell, he killed Arthur. He killed his other son, and he knows it. It haunts him. He can't kill the other one, too. So instead, he kills himself.
After his fall, Ross comments on the fact that even after all this time, John still didn't have the guts to kill Dutch. He then takes John's gun and shoots Dutch's lifeless body to make it appear as if John had killed him. "Looks better in the papers," he says.
It's such a heartbreaking detail. They couldn't hurt each other up on Mount Hagen. They couldn't hurt each other in the end.
He/him tired girl 🌟 Obsessed with IWTV (especially when it comes to Devil's Minion) 🌟 English isn't my first language
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