They Lived And Laughed And Loved And Left.

They Lived And Laughed And Loved And Left.
They Lived And Laughed And Loved And Left.
They Lived And Laughed And Loved And Left.
They Lived And Laughed And Loved And Left.
They Lived And Laughed And Loved And Left.
They Lived And Laughed And Loved And Left.
They Lived And Laughed And Loved And Left.
They Lived And Laughed And Loved And Left.
They Lived And Laughed And Loved And Left.

They lived and laughed and loved and left.

Joanne Harris // Cecelia Ahern // Illustration by Cecile Richard // Rupi Kaur // Margarita Karapanou // Miranda July // Taylor Swift // T. R. Hummer // Richard Siken // James Joyce

More Posts from Purposefullylackadaisical and Others

“call me medusa for my monstrosity is not mine to bear, but yours to fear.”

— a.c  (via onceuponapenis)

oh how the horror of existence eats away at my heart but look how i cling on to the simplest acts of compassion, kind gestures, easy natural connections. bitter as i am i can't help looking at the world as if it's handmade just for me. i love loving, i love loving people. i love a soft love. no drama. no loudness. no doors being slammed. a silent love. steeped into the heart like a strong tea. jasmine scented. a love nurtured and moulded delicately with sturdy hands on a potter's wheel. a love made with love. a love to live for. a love that makes you want to stay alive, for tiny birds and the sky, for the ocean and the charcoal night. dying is no feat, we die all the time. if you are a lover, you must do the unthinkable, you must live. for you will be remembered and you will be immortalized in every bit of beauty that ever graces this earth.

— Mimi Evangeline, From Girlhood Is Godhood

— mimi evangeline, from girlhood is godhood

Notes On Medusa 

notes on medusa 

The woman who eschews femininity, who is content with her natural shape and size and smell, who is impatient with the lengthy rituals of femininity, is condemned by both sexes. To women, she is an uncomfortable reminder of the extent to which they have abandoned themselves to the demands of men. To men, she is a threatening warning that their domination is not total and that women still have the power to regain themselves. 

- Anne Summers, Damned Whores and God’s Police

A Short Collection On Catering To Men. Gone Girl By Gillian Flynn (2012) A Doll’s House By Henrik Ibsen
A Short Collection On Catering To Men. Gone Girl By Gillian Flynn (2012) A Doll’s House By Henrik Ibsen
A Short Collection On Catering To Men. Gone Girl By Gillian Flynn (2012) A Doll’s House By Henrik Ibsen

a short collection on catering to men. Gone Girl by Gillian Flynn (2012) A Doll’s House by Henrik Ibsen (1879) The Robber Bride by Margaret Atwood (1993)

“This new focus on the more real, intimate side of girlhood has been largely rewarded by viewers and corporate partners alike. But what makes young women in particular so poised to take up this conversation, and ultimately profit from the interest of their (largely female) audience? For one, demonstrating high levels of personal and emotional intelligence is a prerequisite for being an idealized vision of a successful young woman. Many of these emerging trends in pop culture — yes, even in niche YouTube videos — indicate society’s intense interest in women developing a heightened awareness of the self. Feminist theory has long held that women practice self-surveillance (and therefore self-discipline) because of the immense pressures they face. From the expectation that girls know their specific body “type” (curvy on top! petite! pear-shaped!) to find the ideal jeans fit, to the myriad wellness and self-help circuits that focus on turning inward to find healing, to the health and diet fads that are rooted in self-diagnosis and self-treatment, girls and women are believed to find success through knowing and monitoring themselves intensely. The question is, if more and more gurus are turning inward, seemingly more interested in taking care of the self, then how do they continue to encourage other people to buy products that are largely focused on outward appearance? That’s where their established position as beauty experts comes into play. Buying products is one thing — but buying the right products signifies self-knowledge and the ability to care for oneself. Retail spending is blended with political and social freedom, something girls’ studies scholar Anita Harris calls a “linking of neoliberal ideologies about individual choice with a distorted kind of feminism.” Girls’ ability to make purchases is often seen as empowering, in its display of personal wealth amassed and its demonstration of knowing oneself best. The young women on YouTube have deftly manipulated this ethic to their advantage. There are only so many videos one can make about eyeshadow palettes or bubble bath before finding a new narrative through which to talk about them.”

— How YouTubers Like Zoella Capitalize On The Self-Care Movement (via thecrownedgoddess)

No two women have the same experience. All feminism is founded not on actual essential unity, but on political coalition and affirmation of shared political needs and goals.

Race, culture, class, birth assignment, religion, and countless other factors mean all women experience womanhood differently. Excluding trans women because we have a different life experience misses the point that all women have different life experiences. This idea isn’t even new, its not even specific to trans women, its literally the point Crenshaw and Collins and Mohanty and countless other woc and third world feminists have been making for decades now.

“How do we forgive our fathers? Maybe in a dream. Do we forgive our fathers for leaving us too often, or forever, when we were little? Maybe for scaring us with unexpected rage, or making us nervous because there never seemed to be any rage there at all? Do we forgive our fathers for marrying, or not marrying, our mothers? Or divorcing, or not divorcing, our mothers? And shall we forgive them for their excesses of warmth or coldness? Shall we forgive them for pushing, or leaning? For shutting doors or speaking through walls? For never speaking, or never being silent? Do we forgive our fathers in our age, or in theirs? Or in their deaths, saying it to them or not saying it. If we forgive our fathers, what is left?”

— Thomas Builds-the-Fire, Smoke Signals (Sherman Alexie)

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