Story Structures For Your Next WIP

Story Structures for your Next WIP

hello, hello. this post will be mostly for my notes. this is something I need in to be reminded of for my business, but it can also be very useful and beneficial for you guys as well.

everything in life has structure and storytelling is no different, so let’s dive right in :)

First off let’s just review what a story structure is :

a story is the backbone of the story, the skeleton if you will. It hold the entire story together.

the structure in which you choose your story will effectively determine how you create drama and depending on the structure you choose it should help you align your story and sequence it with the conflict, climax, and resolution.

1. Freytag's Pyramid

this first story structure i will be talking about was named after 19th century German novelist and playwright.

it is a five point structure that is based off classical Greek tragedies such as Sophocles, Aeschylus and Euripedes.

Freytag's Pyramid structure consists of:

Introduction: the status quo has been established and an inciting incident occurs.

Rise or rising action: the protagonist will search and try to achieve their goal, heightening the stakes,

Climax: the protagonist can no longer go back, the point of no return if you will.

Return or fall: after the climax of the story, tension builds and the story inevitably heads towards...

Catastrophe: the main character has reached their lowest point and their greatest fears have come into fruition.

this structure is used less and less nowadays in modern storytelling mainly due to readers lack of appetite for tragic narratives.

2. The Hero's Journey

the hero's journey is a very well known and popular form of storytelling.

it is very popular in modern stories such as Star Wars, and movies in the MCU.

although the hero's journey was inspired by Joseph Campbell's concept, a Disney executive Christopher Vogler has created a simplified version:

The Ordinary World: The hero's everyday routine and life is established.

The Call of Adventure: the inciting incident.

Refusal of the Call: the hero / protagonist is hesitant or reluctant to take on the challenges.

Meeting the Mentor: the hero meets someone who will help them and prepare them for the dangers ahead.

Crossing the First Threshold: first steps out of the comfort zone are taken.

Tests, Allie, Enemies: new challenges occur, and maybe new friends or enemies.

Approach to the Inmost Cave: hero approaches goal.

The Ordeal: the hero faces their biggest challenge.

Reward (Seizing the Sword): the hero manages to get ahold of what they were after.

The Road Back: they realize that their goal was not the final hurdle, but may have actually caused a bigger problem than before.

Resurrection: a final challenge, testing them on everything they've learned.

Return with the Elixir: after succeeding they return to their old life.

the hero's journey can be applied to any genre of fiction.

3. Three Act Structure:

this structure splits the story into the 'beginning, middle and end' but with in-depth components for each act.

Act 1: Setup:

exposition: the status quo or the ordinary life is established.

inciting incident: an event sets the whole story into motion.

plot point one: the main character decided to take on the challenge head on and she crosses the threshold and the story is now progressing forward.

Act 2: Confrontation:

rising action: the stakes are clearer and the hero has started to become familiar with the new world and begins to encounter enemies, allies and tests.

midpoint: an event that derails the protagonists mission.

plot point two: the hero is tested and fails, and begins to doubt themselves.

Act 3: Resolution:

pre-climax: the hero must chose between acting or failing.

climax: they fights against the antagonist or danger one last time, but will they succeed?

Denouement: loose ends are tied up and the reader discovers the consequences of the climax, and return to ordinary life.

4. Dan Harmon's Story Circle

it surprised me to know the creator of Rick and Morty had their own variation of Campbell's hero's journey.

the benefit of Harmon's approach is that is focuses on the main character's arc.

it makes sense that he has such a successful structure, after all the show has multiple seasons, five or six seasons? i don't know not a fan of the show.

the character is in their comfort zone: also known as the status quo or ordinary life.

they want something: this is a longing and it can be brought forth by an inciting incident.

the character enters and unfamiliar situation: they must take action and do something new to pursue what they want.

adapt to it: of course there are challenges, there is struggle and begin to succeed.

they get what they want: often a false victory.

a heavy price is paid: a realization of what they wanted isn't what they needed.

back to the good old ways: they return to their familiar situation yet with a new truth.

having changed: was it for the better or worse?

i might actually make a operate post going more in depth about dan harmon's story circle.

5. Fichtean Curve:

the fichtean curve places the main character in a series of obstacles in order to achieve their goal.

this structure encourages writers to write a story packed with tension and mini-crises to keep the reader engaged.

The Rising Action

the story must start with an inciting indecent.

then a series of crisis arise.

there are often four crises.

2. The Climax:

3. Falling Action

this type of story telling structure goes very well with flash-back structured story as well as in theatre.

6. Save the Cat Beat Sheet:

this is another variation of a three act structure created by screenwriter Blake Snyder, and is praised widely by champion storytellers.

Structure for Save the Cat is as follows: (the numbers in the brackets are for the number of pages required, assuming you're writing a 110 page screenplay)

Opening Image [1]: The first shot of the film. If you’re starting a novel, this would be an opening paragraph or scene that sucks readers into the world of your story.

Set-up [1-10]. Establishing the ‘ordinary world’ of your protagonist. What does he want? What is he missing out on?

Theme Stated [5]. During the setup, hint at what your story is really about — the truth that your protagonist will discover by the end.

Catalyst [12]. The inciting incident!

Debate [12-25]. The hero refuses the call to adventure. He tries to avoid the conflict before they are forced into action.

Break into Two [25]. The protagonist makes an active choice and the journey begins in earnest.

B Story [30]. A subplot kicks in. Often romantic in nature, the protagonist’s subplot should serve to highlight the theme.

The Promise of the Premise [30-55]. Often called the ‘fun and games’ stage, this is usually a highly entertaining section where the writer delivers the goods. If you promised an exciting detective story, we’d see the detective in action. If you promised a goofy story of people falling in love, let’s go on some charmingly awkward dates.

Midpoint [55]. A plot twist occurs that ups the stakes and makes the hero’s goal harder to achieve — or makes them focus on a new, more important goal.

Bad Guys Close In [55-75]. The tension ratchets up. The hero’s obstacles become greater, his plan falls apart, and he is on the back foot.

All is Lost [75]. The hero hits rock bottom. He loses everything he’s gained so far, and things are looking bleak. The hero is overpowered by the villain; a mentor dies; our lovebirds have an argument and break up.

Dark Night of the Soul [75-85-ish]. Having just lost everything, the hero shambles around the city in a minor-key musical montage before discovering some “new information” that reveals exactly what he needs to do if he wants to take another crack at success. (This new information is often delivered through the B-Story)

Break into Three [85]. Armed with this new information, our protagonist decides to try once more!

Finale [85-110]. The hero confronts the antagonist or whatever the source of the primary conflict is. The truth that eluded him at the start of the story (established in step three and accentuated by the B Story) is now clear, allowing him to resolve their story.

Final Image [110]. A final moment or scene that crystallizes how the character has changed. It’s a reflection, in some way, of the opening image.

(all information regarding the save the cat beat sheet was copy and pasted directly from reedsy!)

7. Seven Point Story Structure:

this structure encourages writers to start with the at the end, with the resolution, and work their way back to the starting point.

this structure is about dramatic changes from beginning to end

The Hook. Draw readers in by explaining the protagonist’s current situation. Their state of being at the beginning of the novel should be in direct contrast to what it will be at the end of the novel.

Plot Point 1. Whether it’s a person, an idea, an inciting incident, or something else — there should be a "Call to Adventure" of sorts that sets the narrative and character development in motion.

Pinch Point 1. Things can’t be all sunshine and roses for your protagonist. Something should go wrong here that applies pressure to the main character, forcing them to step up and solve the problem.

Midpoint. A “Turning Point” wherein the main character changes from a passive force to an active force in the story. Whatever the narrative’s main conflict is, the protagonist decides to start meeting it head-on.

Pinch Point 2. The second pinch point involves another blow to the protagonist — things go even more awry than they did during the first pinch point. This might involve the passing of a mentor, the failure of a plan, the reveal of a traitor, etc.

Plot Point 2. After the calamity of Pinch Point 2, the protagonist learns that they’ve actually had the key to solving the conflict the whole time.

Resolution. The story’s primary conflict is resolved — and the character goes through the final bit of development necessary to transform them from who they were at the start of the novel.

(all information regarding the seven point story structure was copy and pasted directly from reedsy!)

i decided to fit all of them in one post instead of making it a two part post.

i hope you all enjoy this post and feel free to comment or reblog which structure you use the most, or if you have your own you prefer to use! please share with me!

if you find this useful feel free to reblog on instagram and tag me at perpetualstories

Follow my tumblr and instagram for more writing and grammar tips and more!

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The Soo Trio & Earth Abilities

Let's talk about Earth Abilities for a moment, shall we?

It's been a long-standing debate in the fandom whether Cale has more Abilities than just 2. Of course now it’s at least 3, since he got Embrace from Lee Soo Hyuk. However, just like how the area where Cale and the others live was never called “the whole world”, merely “the two Continents” implies that there might be more continents in that world, Kim Rok Soo had never been stated to have “2 abilities”. Instead, he was called a “Multiple Ability User”.

It was especially worth noticing when OG Cale!Kim Rok Soo was talking with Choi Jung Soo about it. He said he was getting hang of his new Abilities, but Choi Jung Soo warned him that Kim Rok Soo was a “multiple Ability User” and that his Abilities were hard to master.

Furthermore, it appears that Abilities evolve over time, as in the beginning of the cataclysm, most people seemed to have only 1 Ability per person – Park Jin Tae was an unusual case, and thus kept it a secret.

What form Abilities take highly depends on the person’s personality and interest. For example, there was person at Kim Rok Soo’s shelter who used to be a music major, and her ability allowed her to project her voice for others to hear from far away.

Kim Rok Soo’s first Ability was Record. Which fits his personality of someone who has excellent memory and is able to process all information to his advantage. His second Ability, gained after years of working for the Company, was Instant. Yet again, it fits with how desperately he wished to rush in and save his team. He’s also someone who breaks the rules to achieve his goals no matter what it takes, so no wonder his Ability allowed him to transcend time itself.

Unlike Lee Soo Hyuk and Choi Jung Soo, who tragically died quite young, Kim Rok Soo lived to his late 30’s. He had time to develop more Abilities afterwards. I don’t have valid theories about what his third Ability could potentially be. I suspect it was probably something passive, such as “Perseverance” or something. Perhaps it’s an Ability that allows him to stay conscious for as long as he needs to in order to accomplish something. It’s a wild shot, but it’s as good of a guess as any. There haven’t been any clear hints about that yet. Perhaps I’m wrong, and it’s all just red herring – maybe Kim Rok Soo just had 2 Abilities all along and that was it.

Let’s talk about Lee Soo Hyuk and Choi Jung Soo for a moment, shall we?

Lee Soo Hyuk is a fascinating case. He’s clearly someone special. He doesn’t seem to be a Single-Lifer – because he naturally reincarnated after his death. And yet, even Monsters recognize he is someone unusual. He is a natural-born hero: he has the charisma, the skills, and the ideals of one. And his first unnamed Ability was incredibly strong – it allowed him to cut through anything. The power was described to be eerily silent, cutting through the air itself.

...And that Ability previously belonged to Choi Jung Gun, aka. Nelan Barrow, the first Dragon Slayer.

Why the heck Choi Jung Gun decided to hand this ability to Lee Soo Hyuk is a mystery. He doesn't exactly strike me as a generous type. I’m very curious to learn about that story in the future. For now, I just assume Choi Jung Gun saw potential in Lee Soo Hyuk (there was implication that he’s able to see some ‘Threads of Fate’ during his meeting with Cale in the Sloth Test) and decided he should have it due some circumstances.

After getting that Ability, Lee Soo Hyuk developed Embrace. We know Embrace came second, because he did not use it in the Sealed God’s Test, despite going against an Unranked Monster and giving his all. It was also a very peculiar and unusual Ability – it was even able to seal a God!! That is no small issue, Lee Soo Hyuk’s Abilities are all busted!!! No wonder he was such a big deal in Korea.

And finally, we get to Choi Jung Soo. He’s the one I really wanted to talk about from the start.

You see, we all forget that Kim Rok Soo was not expected to be the successor of Lee Soo Hyuk. In fact, everyone in the Company expected it to be Choi Jung Soo. Considering how incredibly skilled Kim Rok Soo was, that’s quite a big deal.

Choi Jung Soo gave Choi Han his Miru Ability – his own variation of it being the White Miru – but looking at Lee Soo Hyuk and Kim Rok Soo, it becomes obvious that he must have had another Ability.

And that’s where chapters 580 & 581 come in.

Cale meets Choi Jung Soo and is incredibly happy to see him. Choi Jung Soo is naturally wary of the person who has Rank 1 Monsters such as the Dark Tiger following him. Cale then thinks this:

“‘He’s wary of me again.’ He could tell that Choi Jung Soo was quite wary of him. That was why Choi Jung Soo was focusing his gaze on him instead of the monster Alberu or Choi Han who had a sword on his side. Cale could tell that Choi Jung Soo's ‘intuition’ was still there after seeing Choi Jung Soo be wary when he was trying to speak as warmly as possible.”

Choi Jung Soo, on the other hand, thinks this:

“The fact that such a person had recognized him through foresight was shocking, and it was weird that he was being so friendly. He also found something weird about himself as well. ‘...I don’t feel any wariness toward him.’ Choi Jung Soo had been quite tense since the world became like this. It was because he was weak. This world was now one where the weak could be preyed upon by the strong at any moment. But for some odd reason, he didn't feel any wariness toward this man named Kim Rok Soo even after hearing how strong he is. Choi Jung Soo found that the current situation was even more chaotic as he had never felt this way before.”

Choi Jung Soo feels wary NOT because he’s distrustful towards Cale. In fact, it’s exactly the opposite. He’s wary BECAUSE he’s not feeling distrustful, and finds that very strange!

Don’t you see what this is??

This is, yet again, foreshadowing, my friends! Choi Jung Soo has an ‘Intuition’ Ability!!

It makes a lot of sense! His first Ability wasn’t the White Miru – because when Choi Han starts training him, he doesn’t have that yet. Choi Jung Soo recognizes Choi Han’s style as familiar, but not the Ability itself. It should have been a dead giveaway if Choi Jung Soo used the same-looking dragon power.

Park Jin Tae had a similar Ability, which allowed him to recognize individual’s strength based on the pressure they gave off. I think Choi Jung Soo’s Ability has less to do with strength, and more with intent. Especially because he thinks this regarding Choi Han:

“Choi Jung Soo realized something at that moment. They had said that Choi Han was the strongest person in the group. ‘But why-’ For some very weird reason... ‘Do I have even less wariness toward this person than even Kim Rok Soo?’ Choi Han was standing there with a stoic expression, but it did not seem threatening at all to Choi Jung Soo. It didn't seem to be because Choi Han was younger than Choi Jung Soo. ‘What is going on?’ Cale continued to speak as Choi Jung Soo became even more confused while looking at Cale and Choi Han.”

Choi Jung Soo feels completely safe with Cale and Choi Han, which confuses him extremely. Those individuals are the strongest, and yet, he feels absolutely no ill intent from them.

That is no mystical connection, or Choi Jung Soo recognizing Choi Han as his family... That is not at all what is going on here. Choi Jung Soo’s logic dictates that he should feel wariness towards the two strongest individuals, and yet his Ability is telling him: “Those two are Completely Safe. You can Trust Them.” Because both Cale and Choi Han love him already as family, even though he doesn’t know them. That must have been very confusing.

I am very looking forward to Choi Jung Soo reuniting with Cale and Choi Han in the Murim world later. I am very sure we will learn more about his Intuition Ability there. I’m convinced such an Ability would be very useful for recognizing allies and forming a rebel group to fight against the Hunters.

Do not underestimate the subtle powers. After all, Cale’s Record was able to change the fate of multiple worlds so far.

So, there you have it! All known Abilities of the Soos:

Lee Soo Hyuk: “Slashing” Ability (received from CJG), Embrace (given to Cale)

Kim Rok Soo: Record, Instant, possible third Ability

Choi Jung Soo: “Intuition” Ability, White Miru

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redibanni

2 years ago

If your plot feels flat, STUDY it! Your story might be lacking...

Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?

Thematic relevance - Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?

Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?

Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?

Yield - Is there foreshadowing? Do the protagonist's choices have unforeseen consequences down the road? Do they use knowledge or clues from the beginning, to help them in the end? Do they learn things about the other characters that weren't immediately obvious?

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writing advice for the soul

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redibanni

3 months ago

Writing Description Notes:

Updated 9th September 2024 More writing tips, review tips & writing description notes

Facial Expressions

Masking Emotions

Smiles/Smirks/Grins

Eye Contact/Eye Movements

Blushing

Voice/Tone

Body Language/Idle Movement

Thoughts/Thinking/Focusing/Distracted

Silence

Memories

Happy/Content/Comforted

Love/Romance

Sadness/Crying/Hurt

Confidence/Determination/Hopeful

Surprised/Shocked

Guilt/Regret

Disgusted/Jealous

Uncertain/Doubtful/Worried

Anger/Rage

Laughter

Confused

Speechless/Tongue Tied

Fear/Terrified

Mental Pain

Physical Pain

Tired/Drowsy/Exhausted

Eating

Drinking

Warm/Hot

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redibanni

2 years ago

Some doodles as well!!

I was reading abralhugres ' "one last death" and "I'll save you when you're weak"

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trash of the count's family tcf lcf tcf fic

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redibanni

2 years ago

The fight of the century

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trash of the count's family tcf lcf lout of the count’s family god of death

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redibanni

2 years ago

There Will BE No Friendship. (And Yes I'm Still Not Dead And Still Have Intents On Coming Back Here)

There will BE no friendship. (And yes I'm still not dead and still have intents on coming back here)

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deltarune kris ralsei susie jevil spamton's trashbin kris being kris oof... that gotta hurt

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redibanni

2 years ago

Let's be honest in this whole transmigrating situation, the one who got the shortest end of the deal isn't krs! Cale. Like, sure, he was forced into a series of sucky things, but he still gets something out of it.

You know who's the one that doesn't benefit whatsoever from Kim Rok Soo's deal?

The original, unknowing, 18-year-old, Cale Henituse.

Did the now Kim Rok Soo realize he had killed an innocent 18-year-old boy the moment he regressed?

I'm writing a reaction fic with an alive tboah!Cale, but tboah!Cale is not the original Cale, and sometimes I can't help but think about the truest victim that everybody has forgotten: Cale Henituse, the boy whose entire existence was erased the moment 40-year-old Cale regressed.

Can you imagine? One day, you went to bed like normal, and then your body suddenly ceased to be yours.

Apparently, your depressed "older self" - who had already lived his life but was now stealing yours - not only decided to kill you in the name of the "Greater Good", he was also too much of a coward to stay.

Your "older self" (and your murderer) had made a deal with a God and would be fucking off to another world very soon.

You were left to come to terms with 3 things:

A stranger will be taking over your body in your stead (and you know they don't have a choice in this either, but still, you hate-)

You will die. No, more like you will get deleted (and no one will even remember that you had once lived)

You do not get any say in any of this. (You never did, and now, you never will.)

(And to think that in another world, you would have grown up to become him.)

(In the end, Cale Henituse dies hating himself.)

It keeps me up at night sometimes.

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trash of the count's family tcf lcf

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redibanni

2 years ago

Cale: *makes a cruel plan on how to completely obliterated the enemy and/or learn new information about their opponents*

Everyone: *agrees with the plan and follows it step by step just as Cale had instructed them*

Cale: Wow vicious people…

Readers:

Cale: *makes A Cruel Plan On How To Completely Obliterated The Enemy And/or Learn New Information About

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redibanni

3 months ago

Catch me crying in a dark ally way, I guess. A confession that is far more heavy than a climactic romantic one at this point. An admission to fear, although the cause of the fear unknown, out in the open and laid bare to tend to. Kanna's talk with Yuder before this about her own fears and the move Enon made to reveal himself to Kishiar couldn't have been utilized more beautifully.

Kishiar had suspected it for so long, and even after hearing it out loud himself he doesn't move in any way that Yuder doesn't approve of first. That embrace, though. He wants to reassure him so badly.

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yuder aile turning novel Turning kishiar la orr kishiyu

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