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Words to use instead of “Very”!

👎🏼 Very simple             👍🏼 Basic 👎🏼 Very shy                  👍🏼 Timid 👎🏼 Very short                👍🏼 Brief  👎🏼 Very shiny                👍🏼 Gleaming  👎🏼 Very sharp               👍🏼 Keen 👎🏼 Very serious             👍🏼 Grave 👎🏼 Very scary                👍🏼 Chilling  👎🏼 Very scared              👍🏼 Petrified  👎🏼 Very sad                   👍🏼 Sorrowful 👎🏼 Very rich                   👍🏼 Wealthy  👎🏼 Very rainy                 👍🏼 Pouring  👎🏼 Very quiet                 👍🏼 Hushed 👎🏼 Very quick                👍🏼 Rapid 👎🏼 Very pretty                👍🏼 Beautiful  👎🏼 Very powerful           👍🏼 Compelling 👎🏼 Very poor                 👍🏼 Destitute  👎🏼 Very perfect             👍🏼 Flawless 👎🏼 Very pale                  👍🏼 Ashen  👎🏼 Very painful              👍🏼 Excruciating  👎🏼 Very open                 👍🏼 Transparent 👎🏼 Very old-fashioned   👍🏼 Archaic  👎🏼 Very old                    👍🏼 Ancient  👎🏼 Very often                 👍🏼 Frequently  👎🏼 Very noisy                👍🏼Deafening 

OKAY HAVE YOU HEARD OF THE NATURAL HISTORY OF DRAGONS BY MARIE BRENNAN

NO! WHAT IS IT?! I MUST KNOW!!

P.S. sorry for public answer, forgot my settings were like that.

The first rule of writing is hoard notebooks

Helpful and Preventative Stretches for Writers, Artists, and Gamers 💪🎨✍🎮

If you type, write, draw, game, or generally use your hands a lot (especially if you’re prone to RSI or Carpal Tunnel!) try these stretches as both a preventative measure, and on the spot relief. Take care of yourself and your body, friends!

Start with hands up, fingers stretched out.  Stretch your thumb as far as you can over your palm. Hold and repeat 4 times.

Touch each finger to your thumb. Hold each for 30 seconds. Repeat on each hand 4 times.

Start with a fist. Open half way, hold for 2 seconds. Stretch fingers out, hold for 2 seconds. Repeat 4 times.

Start with one arm out, palm up. Pull your fingers back with your other hand. Hold for 10 seconds. Do the same with your other hand. Repeat 4 times

Start with arms up, palms out. Bend wrists down until you feel the stretch, but keep your fingers loose. Hold 10 seconds. Bend wrist upwards, until you feel it in your wrist and arm. Hold 10 seconds. Repeat 4 times.

Common Phrases Correctly

Eight rules for writing fiction: 1) Use the time of a total stranger in such a way that he or she will not feel the time was wasted. 2) Give the reader at least one character he or she can root for. 3) Every character should want something, even if it is only a glass of water. 4) Every sentence must do one of two things — reveal character or advance the action. 5) Start as close to the end as possible. 6) Be a sadist. Now matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of. 7) Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia. 8) Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

– Kurt Vonnegut

What's the difference between 'enemies to friends to lovers' and 'rivalmance'?

First off, different writers will have different interpretations of certain tags/genres within fan fiction. This is my take on them:

Enemies to Friends to Lovers shows the progression of two people who start out hating each other, slowly grow closer and then fall in love. It’s a really common trope that you see in a lot of literature and film. One example: an assassin is sent to kill the protagonist, but the two of them get stuck having to work together towards a common goal, even though they don’t trust one another. Over time (usually through a couple “you saved my life when you could have run” encounters) the two of them become friends. They genuinely care for each other’s well-being and they have each other’s backs. Slowly, their feelings become romantic. The closer they become, the more their attraction grows. It may take them some time to admit to these feelings (usually held back by the fact that their circumstances should be pitting them against one another), but eventually they become lovers.

Rivalmance is a bit harder to pin down. A rivalmance could be something as tame as two people who are antagonistic and yet still love each other or something as extreme as two people who hate each other and yet have a sexual relationship. The fan fiction I’ve seen in this category more often than not sways toward the latter.

Rivalmance doesn’t usually have the same progression into kindness as Enemies to Friends to Lovers has. More often than not, the members of a rivalmance still genuinely dislike (and possibly hate) each other. Many times intimacy in a rivalmance is based upon mutual lust rather than love or tenderness. Hate sex is far more likely to show up here. 

If we took the same story as above, the assassin and the protagonist still hate and distrust each other, yet there is an undeniable sexual tension between them. They are forced to work together, yet they do not build mutual trust. They may grow to care for each other’s well-being (as in, they wouldn’t want to see the other killed), but it’s more motivated by their circumstances than any real love or empathy. Their intimacy couldn’t really be mistaken for “making love”. Oftentimes there is a power struggle between the two of them throughout all of their interactions and sex is often no different. They are not particularly kind to one another, nor are they very giving unless they expect to receive something in return. 

How to write: ethnicity & skin colour

requested by: anonymous request: How exactly can I describe a characters ethnicity/skin color casually, without it sounding like a specific scene that just exists to describe the skin color? I hope this makes sense lmao… I just want to write a scene where I casually mention someone’s ethnicity or skin color

description of appearance: No matter if skin colour or hairstyle or clothes, a text is more dynamic if you don't dedicate an entire scene/paragraph to it but rather sprinkle the necessary information in here and there. However, there can be instances where it's conducive to the plot to put that entire paragraph (e.g. introducing a new important character with backstory). Otherwise, I'd say try to keep it short and put it where it serves the plot.

ways to incorporate...

... a description of appearance:

when a character makes their first entrance (describe everyone's colouring - POCs' and white characters')

the impression their complexion makes together with their clothes: "the bright yellow of their shirt complemented their dark skin"

the way their colouring interacts with lighting: "the grey weather took away the rosy hue of their fair skin"

when appearances create a contrast: "I immediately noticed them because they were the only other black person"

... ethnicity:

let the characters mention it where it makes sense

regarding the narrator you've chosen for your story, it can also be blended into an inner monologue

include parts of their culture: traditions, terms, family, etc. (this also allows to bring up their ethnicity repeatedly over the story and not only at the beginning)

show their struggles: are they affected by social struggles? then show it!

words to use to describe skin colour:

... basic colour descriptions:

brown

black

beige

white

pink

... more specific colours (try sticking to familiar/common words that can be easily visualised):

amber

bronze

copper

gold

ochre

terracotta

sepia

sienna

porcelain

tan

... prefixes or modifiers (can be easily combined with basic colours):

dark

rich

warm

deep

fair

faint

light

cool

pale

... undertones (pre-dominant colours underneath the skin - often warm or cool, sometimes also neutral and olive):

yellow

orange

coral

golden

silver

rose

pink

red

blue

... avoid food analogies as it's often received as offending, fetishising, and/or objectifying.

That's all I can provide as of now but I'm sure you guys have aspects to contribute. I'm very interested to hear your thoughts, so please feel free to add to this post whatever you like to/can share <3

And for more information, maybe also check out @writingwithcolor for more specialised posts on the topic <3

Emergency Commissions!

I am facing financial difficulties and opening commissions to help pay for my plethora of medicines, medical bills, and general bills along with trying to keep clothes on my ever-growing beanstalk of a child.

Here is my Google Doc to look at my pricing list and disclaimers.

Message me if you are interested!

Don't have room or want art but wish to help? You can send money to my Paypal. If not, just sharing this would do wonders.

Above characters used on this comm sheet is Sadira, who belongs to @sinedra. Vida, who belongs to me. Fluorite belongs to @fyurama.

I couldn't agree more.

PSA

// You’re allowed to change your OC’s.

Seriously, they’re YOUR OC’s. It doesn’t matter if you made them 3 weeks ago or 3 YEARS ago. You’re allowed to change them however you like. If you feel a certain headcanon suits them better, even if it’s been 5 years down the track from when you started writing them, then change them! 

Your OC’s belong to you and no one else. You’re allowed to change them as many times as you like–both physically and mentally. 

Characters grow over time, just like people. Certain parts of their story might not come to light until months after writing them. And just when you think you know who your OC is, something else springs up and might explain why they are a certain way. Embrace that change and growth. Understand and accept who your OCs are, even if they are a villain muse. Let yourself know that they’re allowed to grow as we, the writers, do. They will shape and form with us.

You’re allowed to change your OC’s, and no one has the right to tell you that you can’t. <3