An antihero is neither a hero not a villain, but a character who lacks the qualities necessary to be a hero. Because an antihero hinges on knowing what a hero is, you can check out my article on How to Write a Hero.
Most characters have flaws and virtues. However, the flaws of an antihero are more balanced compared to those of a hero. Of course, an antihero must not be so flawed as to stray into villainy. They are simply too flawed and not virtuous enough to be called a hero.
The motives behind antiheros are what separates them from villains. They will likely want a noble outcome, such as saving the kingdom, but might go about it the wrong way. For example, if a character holds a princess hostage in hopes of negotiating with the king, the reasons and methods are what divide the categories. The point between an antihero and villain is what he wants from the king and how he treats the captured princess.
As I demonstrated, an antihero is contingent on how the audience understands their actions, motives, and values. A way to achieve this balance is by manipulating the audience’s sympathy. Read my article about writing sympathetic characters to learn more.
"Toujours Couture " Barbie Fashion Model Gold Label Barbie Collector (2007)
Hey Polar, I have an art-related question if you don't mind? On your Roxas picture, between the highlight on his arm and the shading on the other side there's a reddish stripe to separate the two. (I hope a described that well) I was wondering-- how exactly do you start to find the right color for that? Is it based more on lighting? Skintone? I've seen it used by a few artists and I'm trying to figure it out but cannot find references. Thank you!
That’s a core shadow~ In theory it should be the darkest part of the shadow, it’s the edge where the form is no longer touching direct light, so it’s placement can really add volume. Why is the core shadow the darkest point? Bc of reflect light, colors are effected by other colors/light around them.So past the core shadow (to the dark side) things are picking up reflect light/colors because there is such a bright light source.This short vid I found below is a good visual rep of how a shadow can change drastically based on what it’s reflecting: https://www.youtube.com/watch?v=t9dPvi0JVasThe red color between the core shadow going to the light side is apparently called the “terminator” I’ve never heard a name for it, but I’m assuming it’s a transition color to show a smoother roundness? (lmk if i’m wrong) In my case I made my terminator very saturated/warm to match with my warm lighting.
(In most cased the reflect light would be a cooler color, but I wanted this painting to be very warm)When you squint the shadow should still look like the darkest area, don’t go too ham on the lightness of the reflect light or it’ll look like a second light source instead of a subtle reflection. However you can amp up the lightness of your reflect light on anything you want to look glossy or wet since those things are much more reflective than dry skin/clothes.
THIS
Animation World Network
Animation Backgrounds
Animation Magazine
Animation & CGI
Animator Island
Anime News Network
Cartoon Brew
Character Design References
On Animation
Reference! Reference! (free database for animation)
11 Second Club (monthly character animation competition)
animationart
animationforce
animationtidbits
aspiretoanimate
calartscharacteranimation
disney-moments-sketches (Allen Ostergar’s blog, animator at Walt Disney)
drawingforsuckas
fuckyeahconceptart
storyboardresources
theanimationarchive
theartofanimation
wannabeanimator
Animation schools: 1 / 2 (Top 50 USA) / 3 (Top 100 international)
Which animation school is right for you? (Ringling vs. CalArts)
Don’t want to/ can’t afford art school? you’ve got other options.
Animation Mentor: The online animation school
Art school exercises!!
51 Great Animation exercises
20 things you can expect as a traditional (2D) animation student that they never tell you
A Survivor’s Guide to Life Inside an Animation Studio
Animation basics: The art of timing and spacing
Animation Notes From Ollie Johnston
Animated chart of the basic principles of animation
10 Second tip: Always Anticipate
book: Animation: Learn How to Draw Animated Cartoons by Preston Blair
book: A System for Planning and Timing Animation by Glen Keane
book: Timing for animation by Harold Whitaker and John Halas
book: Gesture Drawing for animation by Walt Stanchfield
Basic 3D Animation Terminology
Digital pencil test!!
Keys to Emotion in Animation
Lessons from Disney’s Zootopia
Model Sheets central
The importance of Acting in Animation by Segio Pablos
Printable exposure/dope sheet
Phoneme Chart
Recommended reading for animation students and enthusiasts
The 5 Types of Animation
The Know-How of Cartooning
The Unofficial Truth about The Animation Industry
Why Disney Sends Its Animators To Life Drawing Classes
Walk/Run Cycles reference
What is Pixar looking for in Animators? (scroll down)
Portfolio Advice for The Disney Animation Internship
What is Rigging?
3D Rigging Terminology
3D Modeling Terminology
Animation for Beginners: Where do I start
Animation Physics (Video tutorials on physics for animation artists)
Animation tutorial part. 1 AKA “the secret of animation”
Appealing Poses in Animation
Background & Movement in TV
Blinking tips
Breakdown tutorial (middle frame between to keys)
Drawing & Composition for visual storytelling
Drawing for Animation
Drawing a Likeness
Animation fundamentals + tutorials
Filmmaking: Composition and Framing
Getting Shape Change
How to animate using photoshop
How to animate Characters in Perspective
How to Animate Head Turns
How to Draw Gesture
OpeenToonz tutorials masterpost
Overlapping Action and Drag
Portfolio tips / Making A Successful Portfolio
Lyp Sync tutorial
Line of action
Basics of good cartooning 1-12 by Sherm Cohen
Squash & Stretch tutorial
Squash and Stretch 2
Storyboarding tutorials by Sherm Cohen
The Illusion of Life: 12 Principles of Animation
Tilt, Flow & Rhythm
Underlying Structure When Animating Expressions
TVPaint tutorial: Uploading and Coloring Scanned Animation
10 Essential Art Supplies for the Traditional Animator
How to Use a Light Table for Animation
Making a Simple Animation Lightbox
Peg bars, Animation Disk & Desk
free
Blender (3D creation suite. It supports the entirety of the 3D pipeline: modeling, rigging, animation,etc)
Emofuri (animate using .psd files)
Google Sketchup (
Live2D ( animation/drawing software
OpenToonz (Studio Ghibli’s open source animation software)
Pencil2D (create traditional hand-drawn animation (cartoon) using both bitmap and vector graphics)
Renderman (Pixar’s free 3D rendering software)
Sculptris (Free digital sculpting tool by the makers of Zbrush
SculptGL (Online modelling program)
Synfig (2d animation using a vector and bitmap artwork)
paid
Zbrush (digital sculpting sw by Pixologic)
Mudbox (digital sculpting sw by Autodesk)
Cinema 4D (digital sculpting sw by Maxon)
TVPaint (2d animation)
Aardman (Bristol, UK)
Blue Sky Studios (Greenwich, USA)
Dreamworks (Glendale, USA)
Fox Animation (USA)
Imagination Studios/CN (Burbank, USA)
Industrial Light & Magic (San Francisco, USA)
Laika (Hillsboro, USA)
Luma Pictures (USA / Melbourne, Australia)
Nickelodeon Animation (Burbank, USA)
Pixar (Emeryville, CA)
Rise FX (Berlin, Germany)
Studio Ghibli (Tokyo, Japan)
Sony Picture Imageworks (Vancouver, Canada)
Sony Pictures Animation (Culver City, CA)
Walt Disney Animation (Burbank, CA)
Weta Digital (Wellington, New Zealand)
Coda by and maps and plans
Contre Temps by the Contre Temps Team
Duet by Glen Keane
DOG ENVY by Olivia Huynh
Fallin Floyd by il Luster
French Roast
Gravity by Ailin Liu
In Between by Gobelins
Jinxy Jenkins and Lucky Lou by Michael Bidinger and Michelle Kwon
My Big Brother by Jason Rayner
Night Light by Qing Han
Nephtali by Glen Keane
Nocturne by Kari Casady
Historia de un Oso by Gabriel Osorio
Home Sweet Home by home sweet home the film
One Bright Dot by Clément Morin
Stickboy by Giant Ant
SOAR by Alyce Tzue
Tsunami by The Animation Workshop
Thought of You by Ryan Woodward
Vagabond by The Animation Workshop
5 Gobelins Shorts That Pay Tribute To Women Animation Pioneers
Here’s the first half of slides from my comic class on Lettering!
Rest of the slides: https://gingersnappish.tumblr.com/post/616487287636803584/the-rest-of-the-comic-lettering-slides-first
If your idea of “social justice” can actually be boiled down to “which group is an acceptable target”, you forgot about the “justice” part.
life has been so hard for me, i don't know how im going to survive. i have no hobbies, no friends and i spend most of my days looking at a screen
sometimes i just want to drop dead
Amy’s level complete animations from Sonic Advance 3. [Sonic The Hedgeblog] [Support us on Patreon]
Want LOADS MORE like this? Today I’m posting TONS of EXTRA tutorials, tips and references on OUR MASSIVE INSTAGRAM HERE and OUR GIANT TWITTER HERE! PLUS! THREE HUNDRED EXTRA FREE TUTORIALS RIGHT HERE! Lorenzo!
spam + ramble accmainly for rambling and scrolling, lover of all things silly
123 posts