(TGCF chapter 207) just like newlyweds~
when i first heard about tgcf i thought it would be a cliche romance between like moral xl who sees the good in hc even though hc has done evil things and like it would be like a bad boy/good girl dynamic. but then xl nearly wiped out an entire country out of anger and the worst thing that hc has done has been like. challenging gods to a fair duel x.x
Imagine your 800 years old crush suddenly visiting your ghost city and you need to act cool and mysterious but actually you’re just screaming internally at high volume
Only like ... 60% of them were actually legible lbh
Light: [moves his pawn]
L: [also moving his pawn] Ah, the bulgarian somersault. A classic move.
Light: ... [takes L's bishop with his knight]
L: Oh, that is too bad, Light. I see you've played the Frenchman's cumsock, and in approximately 37 moves I’ll have—
Light: May we please play one game of chess where you do not reference popular blog posts and/or memes about chess?
L: [mouth full of chess pieces] Hm?
Thank you for your patience!
This month on Hanako-kun, we get a little bit of romance. ♡ We hope you enjoy it!
NOTE: As usual, click on images to view them in higher quality!
(Now also available to read on our Mangadex!)
Continuar lendo
just something dumb. big huge fan of cool sweet awesome toh characters and their stinky skrunkly boyfriends (this is about gus/matholomule and willow/hunter. i will not be accepting constructive criticism)
also you cannot tell me that mat-“i do it for the drama”-holomule is not a theater kid. he would love hamilton
just answer bro
toh is back im going to be sooo annoying
[Description: Tiktok compilation of two dancers in sweats or other gym clothes interpreting various iPhone alert sounds as dance moves synchronized with and vaguely mimicking the sound effects.]
What’s great about Luffy’s brand of Chaos is that his decisions usually do make sense coming from his perspective and values. But the downside is that sometimes long-term viewers become so ingrained in that viewpoint that they lose sight of how bizarre Luffy’s thinking really is from the outside.
Like this dude really just said “I’m gonna catch a bunch of wild animals and make them look like me and release them all at once on a fancy tea party.”
Now a part of me does feel pity and grief for the Nowhere King/Elk/General, but on the other hand I see the Mysterious Woman kill him and I’m like;
This lady didn’t ask for this. She was only ever kind to the Elktaur and his components, but then had to deal with the fallout of them fighting over her without much, if any, regards to what the Woman wanted. A part of me is sad for the Elk, but a part of me notes that it’s kind of possessive how he mostly throws a pity party for himself and doesn’t seem to care that his beloved is happy. And the General... Well? He speaks for himself.
The Mysterious Woman saw two worlds get ravaged, countless people died, because these two men couldn’t agree over her. And she no doubt blamed herself, shouldered the burden for their immaturity, hence why her final song evokes the ‘poison’ they’d fed her. She had little to no agency in this mess, yet was the centerpiece of it as a trophy the Nowhere King and General were fighting over; Civilizations were ravaged by the Nowhere King, while the General let people die so he could be with the Woman when she clearly didn’t want to prioritize their relationship over lives.
So to see the Mysterious Woman acknowledge her pain so she can absolve herself of that unfair guilt placed upon her... Realize it’s not her fault, the Elktaur and his halves made their decision? Genuinely cathartic. The Mysterious Woman can finally be free of the burden of their possessive love that killed and destroyed, and not treat this tragedy as her responsibility, but simply a problem to be dealt with. She would’ve loved him regardless, it really is just HIS fault.
From a meta standpoint, I have to wonder if this is Megan Nicole Dong’s discussion of how women are treated in media. How in stories like these, the women’s feelings and agency in these back and forth conflict between their potential lovers is often overlooked, swept aside, because the pain and angst of the men is more important. What about the woman, what does she think and feel and want?
Not to mention the sexist tendency of writers and web fandom to put the onus on the woman for the man’s mistakes- To act like she’s responsible for him/them, she’s supposed to take care of and do everything in her power to make him okay, to ‘fix’ him. It’s her fault for not taking care of this grown man and her fault that the man caused this damage, and not... The man’s fault for choosing to do all this because she doesn’t owe him anything. If anything he owes HER, we see how the Mysterious Woman went out of her way to be kind to this dude and give him recognition!
So the Woman mourns the Elktaur, the love they could’ve had... But ultimately, she finally absolves herself and recognizes that this is his fault. She’s not beholden to him, she doesn’t owe him love. And while she wishes he hadn’t been like this... In the end, HE was, and she and so many others had to deal with the fallout of it. And the Mysterious Woman blamed herself, because if only she’d done more or been kinder...!
So yeah, I think this whole arc was a bit of a meta commentary on sexism and how women are tossed around as trophies to be won with no agency, while simultaneously given the onus of being responsible for the feelings and thus actions of the men who yearn for them. This backstory is possibly a discussion on how these messages in media can harm and damage women watching them, who feel like it’s up to them to ‘fix’ toxic people, because who else will?
And then that applies to just about any toxic and possessive relationship... Like there’s something rather victim-blaming and gaslighting when the Nowhere King tells the Woman that he forgives her, as if she caused this! Maybe it was in reference to sealing him away, but she only did that because HE tried to kill everyone; “I did this for you,” he claims. But did she ask for it? Is it her fault that he chose to do this when she never asked, and is it her fault for choosing to reject it, when such humble gifts are meant to be unconditional and prepared for rejection?
It almost implies as if it’s the Woman’s fault for making things more difficult and bloody than they need to be, by not accepting this ‘gift’, and rendering the Nowhere King’s efforts and sacrifices ‘meaningless’. As if this violence only became senseless because the Woman didn’t justify it by accepting the gift. As if these deaths that could’ve been a necessary loss by accomplishing something were instead wasted by her, because the Woman didn’t want to go through with it and take the final step.
All in all, she did the right thing. The Mysterious Woman practiced some self-care by smashing Elktaur’s head in, taking a moment to mourn and pity but also take out some much-deserved anger; I’d argue it’s a very progressive, feminist storyline and victory for her! And honestly, I look forward to her friendship with the Beartaur, of all people- Yeah they sass one another but they’re actually relatively honest and open with each other. There’s more communication with these two over their issues than there’s ever been between the Woman and Elktaur, and I think about that a lot.
It’s funny, because I was wondering what their relationship was like, if the Beartaur moved into the Woman’s cave and she had to sneak back in to make additions to the mural, but no! It’s a totally open and relatively mutual arrangement between these two, and I love that weird yet human dynamic where these two bicker as roommates in Season 2.
Weird take incoming, but the Beartaur is already proving himself to be a better romantic candidate than the Elktaur, and if the Mysterious Woman ever makes room for romance in her heart again, he’s arguably the best and maybe only option she has! And yet the Beartaur would never act entitled to her love, all he asks is for the Mysterious Woman to be a cleaner roommate which is... A totally fair demand let’s be real. This might be just HIS cave and he lets her live there in exchange for lore.
And it’s kind of ironic but really fitting that this shlubby nerd of a dude who is a borderline basement dweller is like. A better companion to the Mysterious Woman, romantically or platonically. Simply because he never acts entitled to her love and just talks and communicates with her on the same level, while the Elktaur doesn’t.
Yeah the Beartaur is willing to glue live people but it’s because he knows what he wants and isn’t indecisive about it. He’s not a Nice Guy like Elktaur who is swimming in self-doubt, dude chooses to glue people because they make the best figurines, what about it? It’s not like this is because of some self-loathing or personal pity party, he is who he is, and that self-acceptance and communication is kind of why ‘jerks’ like him are preferred by women. The Beartaur owns who he is and will actually talk to the Mysterious Woman, and complain not over love he’s owed but just hygiene.
TL;DR There’s something very feminist, both in a meta and in-universe standpoint, about the Mysterious Woman reclaiming her agency and absolving herself to kill the Elktaur, and finally be rid of his possessive and destructive love that she blamed herself for. She’s finally free now, to live and breathe and love -herself and others- without guilt. And while it’s so tragic and unfair that it’s up to her to finish this and kill the Elktaur, even if it’s not her fault, at least the Woman finally got over if.
(And ftr I don’t hate Elktaur or his components. Well except maybe the General. I’m very emo over him/them too.)
It’s so messed up realizing the Elktaur is just as much the General as he is the Nowhere King; And that the General is just as much the Elktaur as the Nowhere King is. So when he’s singing that last lullaby before his death, keep in mind that’s also the General who is crying and accepting his fate, arguably, as much as it is the Nowhere King. And so I guess it’s easier to pity the Nowhere King and JUST him, while hating the General… But the Elktaur truly is both and thus the most mixed.
He suffered, but only because he himself was willing to inflict that suffering upon another, specifically himself; A poetically literal form of self hatred and cruelty. Karmic but also very much not. The Nowhere King’s tragedy came as a result of the Elktaur’s willingness to be cruel to another to get what he wants, and I am haunted over that. It’s easy to divorce the General from the Elktaur, but I really think one shouldn’t; And likewise, it probably isn’t a matter of the Elktaur being split into different halves, but ones purely identical in all but body.
The General did not take more conceit while the Nowhere King took more self-loathing, they were both equal and identical ratios of the Elktaur’s traits, the difference really is circumstance. And that’s gonna keep me awake at night, because it essentially is two AU versions of a character at war with one another; Like if there were two timelines where the Elktaur turned into just a human, or just an elk- And then they met!
Continuar lendo
I love the Elktaur’s expressions because he just constantly looks like this
Rip to the Elktaur for not being able to recognize a monster fucker when he see’s one.
Centaurworld was a lot of fun, so decided to draw my favs 👀👀👀
also Hunter’s daddy issues are so dramatic they extend past his own actual uncle/father figure to anyone who could give approval but withholds it
Darius could have said, “Nope, I am sorry Eberwolf, but I have do what’s best for the many,” and kept attacking despite what Belos would do. But he didn’t. He stopped instantly and fell right back into line. Really reminds me a great deal of him not wanting to help Eda pull Luz out of Belos’s mind until he found out Hunter was in there as well. Darius really says, “We follow the plan until someone I love is in danger, and then the plan means shit.”
Hunter, climbing through Darius' window at 3am: Is four followers a lot?
Darius, locking the window and shutting his blinds: Depends on the context. On penstagram? No. In a dark alley? Kind of.
God I love it when Hunter does the little thing
Y’know, the thing?