Reblog with just TWO choices
I can see why
Flowers have a long history of symbolism that you can incorporate into your writing to give subtext.
Symbolism varies between cultures and customs, and these particular examples come from Victorian Era Britain. You'll find examples of this symbolism in many well-known novels of the era!
Amaryllis: Pride
Black-eyed Susan: Justice
Bluebell: Humility
Calla Lily: Beauty
Pink Camellia: Longing
Carnations: Female love
Yellow Carnation: Rejection
Clematis: Mental beauty
Columbine: Foolishness
Cyclamen: Resignation
Daffodil: Unrivalled love
Daisy: Innocence, loyalty
Forget-me-not: True love
Gardenia: Secret love
Geranium: Folly, stupidity
Gladiolus: Integrity, strength
Hibiscus: Delicate beauty
Honeysuckle: Bonds of love
Blue Hyacinth: Constancy
Hydrangea: Frigid, heartless
Iris: Faith, trust, wisdom
White Jasmine: Amiability
Lavender: Distrust
Lilac: Joy of youth
White Lily: Purity
Orange Lily: Hatred
Tiger Lily: Wealth, pride
Lily-of-the-valley: Sweetness, humility
Lotus: Enlightenment, rebirth
Magnolia: Nobility
Marigold: Grief, jealousy
Morning Glory: Affection
Nasturtium: Patriotism, conquest
Pansy: Thoughtfulness
Peony: Bashfulness, shame
Poppy: Consolation
Red Rose: Love
Yellow Rose: Jealously, infidelity
Snapdragon: Deception, grace
Sunflower: Adoration
Sweet Willian: Gallantry
Red Tulip: Passion
Violet: Watchfulness, modesty
Yarrow: Everlasting love
Zinnia: Absent, affection
once more, noted
I made these as a way to compile all the geographical vocabulary that I thought was useful and interesting for writers. Some descriptors share categories, and some are simplified, but for the most part everything is in its proper place. Not all the words are as useable as others, and some might take tricky wording to pull off, but I hope these prove useful to all you writers out there!
(save the images to zoom in on the pics)
The Underland Chronicles, and everything is the same except people refer to the Underland as "down under", and everyone from the Underland has really strong Australia accents.
Gregor: *Falls into the Underland*
Multiple 5ft cockroaches: G'day mate!
Gregor: *Terrified screaming*
Beginning of session:
Hand out these leaflets, we're doing some campaigning
End of session:
Our life and death are one, we two.
Another way to think of show don’t tell is to describe the symptoms rather than tell the affliction. You could say someone was close to fainting—or you could describe their symptoms and trust the readers to understand what they mean: the world swirled around her head, her ears beginning to hum lowly, then louder, increasing into a high-pitched ring. She took a deep breath, her stomach turning over itself. Etc.
Symptoms can also mean the lump in your throat as a “symptom” of being sad enough to cry, or the warmth of your face as a “symptom” of embarrassment.
That might sound a bit silly, but I find it really helpful when I’m reading over mine or others work and looking for those places where showing would be better than telling. Have you described the symptoms, or just told the affliction?
Here’s a short list of “afflictions” and their associated “symptoms” to get you started (but make sure to explore how different characters express different afflictions, even in more odd or unusual ways!)
Any symptoms I missed?
Internal conflict is a vital tool in storytelling, enriching characters and deepening narrative impact. Understanding and effectively using internal conflict can transform a good story into a compelling, unforgettable one.
Definition: Internal conflict refers to a psychological struggle within a character, often involving emotions, desires, or beliefs.
Purpose: It adds depth to characters, making them more relatable and complex.
Moral Dilemmas: Situations where a character must choose between right and wrong, often with no clear answer.
Emotional Struggles: Conflicts arising from feelings like love, guilt, fear, or jealousy.
Identity Crises: Moments when characters question who they are or what they believe in.
Conflicting Desires: When a character's wants or needs are at odds with each other.
Classic Literature: Hamlet's indecision about avenging his father's death.
Modern Fiction: Katniss Everdeen's struggle between her survival instincts and her growing sense of rebellion in "The Hunger Games".
Film: Frodo Baggins grappling with the burden of the One Ring and its corrupting influence in "The Lord of the Rings".
Character Development: Drives growth and transformation, showing how characters evolve.
Engagement: Keeps readers invested in the character’s journey by creating empathy and tension.
Theme Exploration: Allows writers to explore complex themes like morality, identity, and human nature.
Believability: Ensure the conflict is realistic and relatable to the audience.
Depth: Give characters more than one internal conflict to make them richer and more interesting.
Resolution: Show how characters resolve or cope with their internal struggles, even if it’s not a happy ending.
What is the character’s main internal struggle?
How does this conflict affect their decisions and actions?
In what ways does the internal conflict drive the story forward?
Do I dare?
Do I dare commission the first 18+ TUC Art?
I got a widdle infwux of money, I could 👉🏾👈🏾.
Maybe a little Hamareth? It's only 95 👉🏾👈🏾 👀
Like I could actually do it 👀.
Seriously though, the bat in that TikTok puts down one clawed foot after another pretty quickly. It might look weird and be very uncomfortable, but with Ares's wingspan, it has the potential to be Speed.
I’ve always in wondered what it must look like when the fliers try to traverse areas that they can’t fly in, like the tunnels in the Dead Land or the halls of the palace, and. Um.
I hope it looks like this.