UGH I MISS THEM SO MUCH-
(Image if from one of the omakes, taking place when Atsushi was going up with Lucy and Kyouka to the sky casino)
I really like how the unwritten message of Beast is that anyone could become anyone given the circumstances they were put into. Atsushi could become a murderer, Akutagawa could learn to tame the beast inside of him when surrounded by good people. It questions the idea that people are innately good or innately evil. Because while yes, Atsushi is a murderer burdened by guilt and fear, and Akutagawa is a detective who lacks a drive for helping people and has no qualms resorting to...unsavory methods to get results, at the end, we see that despite Akutagawa being told he's meant to be evil, he STILL wants to try to learn. To learn how to live a good life, learn how to tame the beast. And at the end of the day, while Atsushi still wants to protect people, he learns to kill them without a moment's hesitation. The only person he can protect is Kyouka, and he is almost TOO protective of her. I just think it's really cool that you can take these characters, one who is "innately good" and one that's "innately evil" and switch their circumstances, and you can see how they'd really end up. How a good person can become a murderer when surrounded by evil, how a bad person can quench the thirst for vengeance inside of him when surrounded by good people.
tbh i think that scene is less about atsushi “learning the truth abt dazai” and much more about him finally being able to acknowledge how much of himself he sees in akutagawa without the mental block of his warped perception of dazai. and even then i don’t see this seriously impacting atsushi’s relationship with dazai like this is about his relationship with aku
Chuuya's backstory is so insane because like, any one event from 15-Stormbringer would be enough to constitute a lesser man's entire tragic backstory. Heck, that one scene from Dead Apple where you learn six of his friends died would be enough to be a tragic backstory. Grew up on the streets, forced to become the leader of a group of children who only saw you as a weapon, struggling with your own humanity, betrayal, five friends being brutally murdered because of you, even the detective who wanted to bring him out of the Mafia dying could be enough of a backstory, and I haven't even gotten to the torture yet. But Chuuya's just special like that.
Sometimes, I wonder if Atsushi ever thinks about what might have happened had he saved a McDonald's employee from drowning instead.
Happy birthday best hat man (ver2025) 🎩✨🥳🥳
A cute detail I love about the Agency's office is that everyone else's desks have files and laptops on it while Ranpo's just has a singular phone because it's the only thing he needs to do his job; get calls and go detective. And then come home and snack
(Ranpo's desk is the one in the center)
EPIC THE THUNDER SAGA IS COMING OUT ON JULY FOURTH!!!
Also, I love the Troy Saga came out on xmas 2022, Ocean Saga xmas 2023, Circe Saga on Valentines, and now the Thunder Saga on July fourth.
Meanwhile, the Cyclops and Underworld Saga be released on the randomest dates to ever date, Jan 27th and April 26th:
ArE wE NoT sPeCiAL
Skk genuinely make me crazy because the more you think into them, the more sad it becomes. Dazai is a bad person who is getting pulled more and more into the light while Chuuya is a good person who gets dragged deeper and deeper into the darkness. Dazai gets to be redeemed when Chuuya lost the one opportunity he had, and by now, he's way too loyal to ever leave; they're his family. And yet, despite Dazai being the "evil" one, he couldn't make the Port Mafia his home, not in the same way the Agency is. Even though Chuuya is by all accounts the better person in this dynamic, he's still the one who was forced to take what he was given and make it his, while Dazai kept searching for something more, even though at their cores, they're the opposite. A demon in the light and an angel in the dark. And that's one of the reasons why 22 skk is really interesting - they both live in that area of gray, they just got there differently. One came from white and came closer to black while one came from black and approached white. And it's over this middleground that they connect more than anyone else - Chuuya, a person who at his core wants to do good, but he's been forced into becoming a murderer and to live in the darkness while Dazai, who at his core is more selfish and doesn't value human life, is brought into the light for a chance at redemption the other will never get to have. It's something I don't see much in skk angst but my god does it hurt.
Stuck on your WIP? Unsure of how a scene should go? Feel as though your story is lacking substance? Enduring with the frustrations of writer’s block?
Why not try throwing in a plot twist?
A messenger brings bad news
Something important is stolen
Someone vanishes without a trace
An important item is damaged
Protagonist recognizes a face in the crowd
Someone seems to intentionally fail
Protagonist finds an item thought lost
A charitable act has a harmful result
A cruel act has a beneficial outcome
Someone unexpectedly returns the favour
A raging storm moves across town
A gift makes a character the target of a murderer
A fallen enemy makes one last attack
Only one character in danger can be saved
An enemy saves the life of Protagonist’s friend
A will from a long-lost relative appears
A secret rival seeks to replace Protagonist
A thief makes Protagonist their next target
An obscure law suddenly becomes important
Strangers mistake Protagonist for a fugitive
A tool breaks when needed most