I Know I Already Made A Post About This, But I Wanted To Expound On It A Bit, Because I'm Still Obsessed

Say you break your ankle. You could know everything there is to know intellectually about the injury. Even with this vast knowledge, you will still experience physical pain.

Now take this logic and apply it to things like ADHD, autism, clinical depression, and other less visible/divergent disabilities. You cannot think your way out of feeling.

That is to say: you are not a bad, lazy, or selfish person for struggling, even if you know why you are struggling.

Just curious

I know that every chapter does tend to feel a little bit like "OMG WHAT IN THE ACTUAL HECK IS GOING ON" and that especially this month, it does feel a little like a contradiction from last chapter, but I don't think it's Asagiri being inconsistent. Nothing he's ever done so far in the past suggests that he doesn't know what he's doing and that he doesn't have a plan, and especially that he would forget what he wrote ONE CHAPTER AGO. I think there's something going on here that's going to make sense when this arc is finished.

Until then, we freak out.

While I'm grateful bsd doesn't do the "As you know..." type of exposition, it's crazy how much worldbuilding there is like. in the shadows of everything. Like, what's up with the Great War? This isn't even so evident if you don't read the light novels, but there was literally a world war that ended less than fifteen years before the start of the main timeline. It's because of the war that there are so many orphans in the universe. It's because of the war that ability users have faded into a myth, and why they have to get special permits to work and usually gravitate towards underground organizations. It's because of the war why world relations are so shaky, why the government strictly monitors all ability users, and yet all of this is sort of like...in the background? Season four is the first time we ever even get a real flashback and actual exposition about it in the anime, even though it's been vaguely referenced as early as season two with Mimic. They literally did experiments on children, hence Chuuya. So much of the world and the violence and the tripartite framework all came into existence because of the war. And until the most recent arc, where it's being brought to the forefront with both Fukuchi and Fyodor's plan to eradicate ability users, it's sort of just in the background.

And don't even get me started on the lore behind the Dragon Head Conflict because like-

the main four [& knuckles voice] and hyuse

I'm trying to prove a point.

I think having the Agency members being accused as terrorists really adds a lot to their character and just how far they're willing to go in that type of situation.

Like Kunikida stealing a car (that had auto-theft insurance)

Like Fukuzawa making a deal with Mori, even willing to trade a member to the Mafia if it meant their safety.

Like Atsushi willing to make a deal with Fitzgerald if it was to get back his friends and save the Agecy.

And then there's Ranpo...

"We're terrorists now? Cool, that means I get to blow stuff up!"

I think we should take more time to appreciate the cruel irony in so many of the bsd backstories, because Asagiri has this way of writing that's not just "oh sad things happened to this character." They're twisted, each in their own special way.

Atsushi: His whole life, he was treated awfully because he had the tiger. And yet, that tiger is what helped him survive that treatment, it's a manifestation of that will to live he grew because of his abuse. It's the source of all his strength and all his pain. The director told him to only hate him, never to hate himself, and yet, all his life, he blamed only himself for his misfortune. The one lesson the director wasn't trying to teach him is what he learned.

Dazai: At the beginning of dark era, Odasaku has one of the healthiest wills to live. And he reaches out to save Dazai from his own darkness, but he can't. But at the end of dark era...it's flipped. Dazai is begging Odasaku to stay, he's reaching out to stop him, he's telling him to find some meaning in life, that things will get better. Mr. "life is meaningless" himself is trying to tell his friend that life has value because he doesn't want him to go. It's right after he told Odasaku how he knows he's destined to lose everything he desires, and then Oda leaves him because he's lost his will to live. And when he dies, he sees himself as a man who failed to become good, to give up killing, yet Dazai sees him as a success story that people can change.

Chuuya: Chuuya's friends betrayed him because they thought he was betraying them by joining the Mafia. And then Chuuya joined the Mafia in order to protect the friends who just betrayed him.

Yosano: She only wanted to save lives. All she wanted was to help people, to heal them, and yet it was that kindness that ended up turning against her. Because by helping them, she also became the source of all their problems and all their pain. She saved their lives so much that all they wanted was to die.

I could go on for longer, but then this post would be very, very long. There's just something about the cruel irony in each of the backstories that make them all feel so tragic.

Since there won't be a season six anytime soon, I decided that they should make a season 5.5 where they animate both Stormbringer and 55 Minutes and title it Bungou Stray Dogs: Nobody Likes French People.