Poor Chuuya When He Met Him In The Dungeon Had To Bring His Face Down Because Stupid Mackerel Grew Even

It's objectively hysterical that it took Kunikida so long to figure out Dazai was in the Mafia.

For starters, the entire Entrance Exam light novel, he and the president were commenting on how suspicious it was that this man just seemingly had no past at all. and stated numerous times that he thought he was some sort of criminal.

And then there's this scene:

Dazai *randomly gives a detailed run down of the organ trafficking business*

Kunikida: how do you know that??

Dazai: Oh i heard two people talking about it once.

Kunikida:

Kunikida: yes that makes sense.

Or that time when he ran into Akutagawa and electrocuted him:

Aku: yes you are worthy of being Dazai's partner.

Kunikida: "worthy of...?" Do I know you?? Does Dazai know you??

Aku:

Aku: goodbye now.

Like all the clues were there but Kunikida just thought this man was too lazy to have ever really been a professional criminal.

War is bad. And we all know this. But I think that no matter what side of a war you're on, we can all agree on one thing.

All wars would cease to exist if both sides were sat down and given a bowl of hot soup.

Natsuko Hirose & Luke Braveheart Dynamic Analysis

Few episodes ago, Luke Braveheart monologued about how despair had him all cornered to the point he lost sight of his purpose and dare I say his will to live all along. He was born and instantly got bestowed with the title of a "Hero" a weight that no child should bear. He spent 18 years of his life mastering the arts of the sword, discarding everything that made him /him/ His aspirations, his hobbies, his interests, the things he hates, the things he loves and his dreams. None of it mattered. He had to be a hero for everyone. He is a Hero and he'll be nothing but a Hero. For 18 years, all he did and kept doing was slashing and shedding blood. He had to think of nothing but the safety of his people. After all, he is a beacon of Hope to them and not by choice.

But no matter how many foes he executed, there was no end to them. It was a cycle of killing and having to kill some more, with no light at the end of the tunnel in sight. A perpetual vicious cycle of hopelessness and helplessness is what all of this was. But Luke held onto Hope that eventually all things come to an end, good and bad. Surely, there will come a day where these foes will cease to be and that the world will finally know respite and peace. Surely, he'll be able to step down from this daunting title that has been forced on him. That he'll be able to live the rest of his life as plain Luke. Just Luke.

But none of that happened. He kept slitting and slashing and killing endlessly. With each wave, an ally, a dear friend, a family member dies. Luke had to be the witness of so many tragedies. Friends that once used to brim with so much life and vigor reduced into lifeless chunks of meat. He had to bear witness to all of that. In a way, the universe was mocking him and the title that he had to bear.

Deep down, he was aware of the cruel harsh cold reality he was in but decided against admitting it. Until he reached a wall. A realization that all of this isn't worth it anymore. This whole Hero act led them nowhere. The monsters kept coming in tremendous waves. People kept getting annihilated. Friends kept leaving him. He was on his own like he's always been. There was absolutely no hope in sight. What was he fighting for? Who was he protecting exactly? Why even bother when everything's been in a continuous state of stagnation? With each wave, his sanity slowly but steadily slipping away until he was met with nothing but dread. Dread of living and state of existentialism.

What was he there for? What was his purpose? Why was he brought upon this world? To bring it salvation when there was none to begin with? When the world was doomed from the get go, clearly mocking him? Everything is pointless. Protecting the Soul Crystal is pointless. In fact, it is the very thing that brought tragedy and agony upon them. Once represented Hope for the nation, now turned into a symbol of Despair. It is the cause of their woes. His woes. It is the reason he was stripped away from living his youth, from being a normal person. Forcefully put on a pedestal with humongous expectations only to fail them. Luke Braveheart found solace in the act of bringing an end to the source of his suffering, The Soul Crystal, pronouncing the end of the world. Its "salvation". He almost committed the deed. He was impossibly close to achieving it. But the unexpected happened. Natsuko happened, popped up out of nowhere, from nowhere, no amount of fortune telling or prophetic visions could possibly foretell the coming of Natsuko.

She came and brought the "reason" and the "purpose" but more importantly, the "person" of Luke. The phrase may sound awkward but it's intentionally written that way. Luke solely dedicated his entire life defeating abominable beings leaving no room to know anything about himself. His own person.

Through Natsuko, he learned and realized that he has a talent for cooking. He enjoys baking myriad of dishes, traditional meals and even those beyond the scope of his own world. He learned that he has knack for making hairdos and coming up with creative hairstyles for Natsuko. He learned that he enjoys seeing his friends all happy and merry when they taste his food. He learned that he enjoys gardening and looking after all the plants and flowers that color his palace. He learned that he has it in himself to have fun even on the battlefield. He learned that he could slow down and take a deep breather. He realized that he could appreciate the little things that bring him joy and mirth. He realized that he could step down from being a Hero even if it's temporary. That he could finally be himself for a while. That he could learn about who Luke Braveheart is.

But the biggest realization akin to an epiphany hit him so hard and it was that he has learned what being in love is and experienced it. He, who was stripped away from the most basic things an average person could experience, finally was able to learn what First Love was. For he fell in love with the very "reason", the very "purpose" and the very "person" who showed up in front of him seemingly out of nowhere. As if she's a miracle. A blessing. A star illuminating the dark bleak night sky but ultimately fated to fade away.

What was his purpose? Why was the title of "Hero" conferred upon him? What did he fight those atrocious and hideous-looking beings for? What did he live for?

Natsuko. Natsuko is the answer. Natsuko is his "reason" and his "purpose" and thanks to her, he shedded away the blood-stained title and became his own "person". He lives for Natsuko. He fights day in and day out to protect the world that Natsuko lives in. And he will fight till the bitter end just to ensure that Natsuko lives the rest of her life in comfort and serenity. That's what he is here for. That's why he's alive.

The massive burden on him made it so that even in his love declaration, he is self-sacrificial enough to keep the very reason of his being alive at the cost of his very own life. Within that poignant juxtaposition lies the purest form of love. Love. A word that seems to encapsulate Luke and Natsuko's dynamic.

Natsuko, hailing from a foreign land, was thrown into the universe of her favorite childhood movie. A flop of a movie that no one could've fathomed except for Natsuko who was inexplicably drawn to it. Natsuko dedicated her entire life finessing art. That tragic story ignited something in her. A fire to craft her own story. A passion to breathe life into her creations. To breathe life into characters very dear to her heart. She worked, grinded and hyper focused on that goal. Not batting an eye on her surroundings, on those she affected with her contagious zealousness. Unbeknownst to her, several people had experienced their first love because of her but she hadn't. She didn't have the time for that, after all, she had a goal that she was working so hard towards. To no one's surprise, her efforts have paid off and she reached the very pinnacle of her career as an artist and as an animator.

But heavy is the head that wears the crown. With her newfound position as a renowned animation director came taxing expectations and responsibilities. She knows she mustn't disappoint anyone, not her superiors, not the industry she works in and definitely not the fans who are waiting for her next project with bated breath. She mustn't let anyone down cuz she's a prodigy, a virtuoso. And one wrong move could spell the end of her entire career. The pressure weighed on her for years until the crackling sound of fire started to evanish.

What was once unadulterated passion, now morphed into dreadful duty. Natsuko's passion turned into her biggest fear. She couldn't live with herself if that outcome came to be. In fact, she preferred escapism and death over dealing with any of it. She found solace in putting an end to her own life if it meant that she'd run away from the scrutiny of the masses. That's how much of a coward she was.

Art, once a passion, turned into the source of her woes and suffering much like the Soul Crystal was to Luke. Natsuko took it upon herself not to rely on anyone and not to seek any form of help. She was completely submerged in the depths of darkness and despair, especially after being hit with the realization that her creations, her drawings and her art have been the cause of all the chaos and mayhem that befell the nation. Her art became a weapon of destruction rather than a tool of happiness and creativity. That was her state until a certain light has emerged.

Luke Braveheart, a fictional character of a tragic story, was a Hero who had to battle hundreds and thousands of enemies to protect his nation. He lost people who were dear to him but kept persevering until he was met with a fate worse than death. Becoming the Ultimate Void. The very thing he was fighting so hard to prevent from occurring.

Natsuko, back then, was enamored by the tragedy of Luke Braveheart. So much that he pushed her to pursue art. So much that she scribbled his figure million times on her notebook. So much that she could draw him with her eyes closed. So much that all of her allowances and the hard-earned money was spent on buying his merch. So much that her room was filled with nothing but his posters and figurines. So much that she couldn't bat an eye on her surroundings and on the people that she's affected with her passion cuz she was that fixated on Luke Braveheart. So much that she spent all-nighters learning the process of animation just so she could breathe life into Luke, running, walking, fighting and screaming. So much that he is the very "reason", the very "purpose" of which she's an artist. She became the "person" that she is, she reached the pinnacle of her career, she achieved the unthinkable thanks to Luke Braveheart.

Luke Braveheart was her passion, the fire that never ceased to crackle, the very essence of her being. Luke was her first love. Luke was the light that emerged from where she was completely overwhelmed by her own sorrows and woes. Luke Braveheart saved her by giving her a purpose in life. Just like how Natsuko saved Luke by giving him a purpose back.

There's beauty in knowing that Luke and Natsuko share a dynamic where they're both in a perpetual cycle of saving and protecting each other. Granted, Luke is a fictional character and he exists whether Natsuko interferes or not. But indulge me with this when I say that we're talking about Luke Braveheart who is not a fictional character.We're talking about the humble down-to-earth guy who likes cooking and coming up with unique hairdos. The very guy who fell in love with Natsuko. Natsuko saved that guy. But it all circles back to how HE gave her a purpose from the very start, from when she was but a 9-year-old kid. And she treated him in kind by blessing him with one too, without even being aware.

He sought to protect the world she's in yet ended up losing her. So in protest, he cursed the world itself because he lost his very reason of being and living. However, Natsuko is alive, was only temporarily engulfed by the bleak space of her doom and gloom, but she was saved by none other than the reminder that Luke Braveheart is the reason she's alive, the reason she pursued art at all and the source of her passion and joy. So now, it's her turn to emerge like the light he was to her and save him from the brink of self-destruction.

The intricate layer of their bond, the duality of despair and salvation, of burdens and purpose, and how they became each other's reason for being. It is poetry itself. Love as salvation, not just in the romantic sense, but as something deeply transformative and reciprocal. Their dynamic isn’t just about affection; it’s about identity, about rediscovering oneself through another. The way it was framed and told, Luke giving Natsuko a purpose long before she even realized it, and her returning the favor in a way that changed the very fabric of his existence—it is next-level storytelling.

It’s the kind of love that goes beyond the surface, beyond attraction or fleeting emotions. It’s like they were always meant to find each other, even across the barriers of fiction and reality. It is the very definition of soulmatism. Natsuko and Luke's story transcends that of the typical confines of what makes love /love/ and I find that ethereally beautiful and powerful.

Okay so you know your post about chuuya getting turned into a dog and the agency finding him and dazai turning him back???? Look at this

https://www.tumblr.com/sensitiveheartless/673471841118142464/this-is-more-of-a-rough-sketchdump-than-a-proper?source=share

Oooooh that's actually really funny. I imagine it going similarly, just it would take a lot longer for Chuuya to get near Dazai and for him to turn him back, because even though Dazai obviously would have figured it out right away, he'd wait so that Chuuya could get a break. Not that he'd ever admit that though. But yeah this is basically what it would look like.

I saw a video once that tried to claim that Chuuya accidentally became popular, and I actually laughed. Like no. Nobody gives a character a hat, gloves, red hair, and a choker without at least expecting they'd be popular. No one makes a character short, a wine lover, loud, and a Mafia executive if they didn't suspect they'd be popular. you don't make a character the ex partner to the other most popular character and have them bicker like children if you thought, "eh, no one cares about this guy." No one gives a character the power of gravity manipulation and the power to create black holes when they go feral if they thought, "yeah, pretty mid-tier character" NO ONE MAKES A CHARACTER JUMP OFF A PLANE AND FIGHT A DRAGON—

Chuuya's backstory is so insane because like, any one event from 15-Stormbringer would be enough to constitute a lesser man's entire tragic backstory. Heck, that one scene from Dead Apple where you learn six of his friends died would be enough to be a tragic backstory. Grew up on the streets, forced to become the leader of a group of children who only saw you as a weapon, struggling with your own humanity, betrayal, five friends being brutally murdered because of you, even the detective who wanted to bring him out of the Mafia dying could be enough of a backstory, and I haven't even gotten to the torture yet. But Chuuya's just special like that.

I see you your Dazai and Chuuya and raise you Beast Dazai to Beast Odasaku if he chose to stay.

Would You Fall in Love With Me Again from Epic the Musical but instead of Odysseus and Penelope, it's Dazai and Chuuya

okay I'm out

A Mysterious Thing Called "The Heart": Akutagawa’s Evolution in Bungo Stray Dogs and again not too detailed but a lot of THOUGHTS

In the latest chapters of Bungo Stray Dogs, Akutagawa Ryuunosuke’s character arc has reached a profound turning point (well it usually does, he has a slow and gradual and good development.) After losing his memories or so it seems, he only regains them in the wake of Atsushi’s self-sacrifice, an event that carries immense weight given their history. This development not only ties back to recurring themes in Akutagawa’s story but also resonates with Asagiri’s earlier work on him, particularly the short story The Heartless Cur. The significance of this title alone—"cur" referring to a stray dog, an outcast—echoes his core struggle with identity, worth, and the pursuit of strength. Now, with the latest manga title, A Mysterious Thing Called "The Heart", we see the final steps of this journey: the realization of what it means to protect, to be selfless, and to truly understand one’s own heart.

The Struggle for Worth: From The Heartless Cur to not quite understanding The Mysterious Heart

Akutagawa has long been plagued by the idea that only the strong have value. His harsh upbringing in the slums and Dazai’s ruthless mentorship reinforced this belief, leading him to adopt a mindset where power dictated one’s worth. The Heartless Cur explores this concept deeply, portraying Akutagawa as someone whose existence is defined by violence and survival. The title itself suggests a being without purpose beyond its primal instincts—an apt metaphor for the way Akutagawa saw himself.

Yet, in the present timeline, something shifts. Akutagawa’s repeated confrontations with Atsushi force him to acknowledge a different kind of strength—one rooted not in destruction and not just in protection, but from within oneself. This realization is crucial, as it reframes his view on what it means to live and fight, and importantly get rid of the Dazai obsession to which I am glad he lost that coat, which to me in a way is like the "watch" in beast for Atsushi. The title of the newest chapter, A Mysterious Thing Called "The Heart", directly contrasts his previous mindset. Where once he believed himself heartless, unworthy, and merely a weapon, he now finds himself understanding the weight of sacrifice, the worth of another’s life, and, ultimately, the meaning of his own (hopefully asagiri doesn't mess this up, but I believe in him so I'm sure all will turn out great just with a lot of lore dump and excessive plot armor with no deaths until wayyy later on. Ahem, but anyways.)

From Selfishness to Selflessness: The Parallel Between Akutagawa and Atsushi

One of the most striking aspects of Akutagawa’s sacrifice is how it mirrors Atsushi’s own. Both characters have operated on deeply ingrained selfish desires—Akutagawa seeking validation through strength, Atsushi yearning for affirmation that he deserves to live through saving. Now I know I mentioned this before, and I keep mentioning it, because to me its important to add. Their growth has always been intertwined, clashing and evolving through their battles. However, the defining moment of Akutagawa’s return to consciousness—when Atsushi sacrifices himself and repeats Akutagawa’s words—highlights a crucial transformation: their shift from selfishness to selflessness. In both of them in a way, even if Atsushi has put his life on the line to save others before it was not quite like he did here, without activating his ability (we're not sure if he really could or couldn't in the moment but lets add that here anyways.) to save Akutagawa at the expense of his own life and survival just as Akutagawa did for him, sacrificing his own life, his own selfish need for survival even if he stated he does not mind death for the knowing the value of anothers' life. I know I said this before too but just let me write.

It’s a moment of complete reversal and similarity as these Yin-Yang boys have always shown, proving that the rival enemies have truly come to understand each other. Akutagawa regaining his memories at this precise moment reinforces the idea that it was just that big of a deal and how impactful his own sacrifice and development was and it shows the same for Atsushi.

The Role of Rashomon: A Shield and a Blade

Rashomon has always been more than just an offensive ability. While it is known for its terrifying destructive power, its defensive capabilities reveal another side of Akutagawa’s character. This duality—destruction and protection—mirrors his own self. Initially, he wielded Rashomon purely as a weapon of aggression, but as he evolved, so too did his ability’s purpose. When he shields not just Rashomon shielding himself but when he raises his blade for others, this is a huge change - though I believe Knight Aku has much to explain especially I hope asagiri tells us if this is a singularity of bram and akutagawa or not. Which may take months. 

This theme of protection is not new. In 55 Minutes, after dying in flames, Akutagawa retained memories that should have been erased—a testament to how deeply certain experiences impact him. Likewise, in his vampire state, he still exhibited a sense of control, sparing Aya and ultimately keeping his promise despite being under mind control. Now I know when it said the heartless dog/emotionless child felt emotion for the first time it was hatred before going on that killing spree. But after all this it does show. These moments underscore a crucial truth: Akutagawa has always had a heart, even when he believed himself heartless or is shown to be.  (I will write more on this in another post, I know I keep saying that too, but it will happen and it will have to do with an interesting thing of Akutagawa's character being written and possibly shown in the "Rashomon Effect" you can research it if you don't know it already.)

The Weight of Words: From the Trembling Dark World

Akutagawa’s theme song, From the Trembling Dark World, captures the essence of his character’s struggles at least what they used to be. The lyrics paint a picture of someone who has always been fighting—against the world, against himself, against the fear of being weak:

"A longing as strong as 

A reason to live even when I’m unable to breathe

From the trembling dark world, always." It may not specifically be his reason to live but this says its "a longing as strong as a reason to live." This reflects the pain and determination that have defined his journey. The idea of pressing forward despite suffering is central to his story, but not just that but it shows just how important again that longing for approval and to be told he is strong and worthy to live is, which we all know funnily enough is what he mocked atsushi for before. Though they are so the same and different and I could go on forever about every little detail of their sentences to each other but not now, unfortunately. Another significant line is:

"Unreachable no matter how much I writhe."

Dazai’s influence is evident here (when is it not when it comes to Akutagawa?). Akutagawa was shaped by the expectation that he had to be strong to matter, that to stop moving forward was to be left behind. Yet, the lyrics also suggest a yearning for something beyond this endless struggle.

The song’s repetitive line is particularly poignant:

"Weak, weak and it's not enough."

This shows us a lot, or well kind of, within the last chapter in the manga and besides his endless yearning for strength and Dazais acknowledgement which is meant by this line in the song back probably around 8 or more years ago... His willingness to die not for power or recognition but for someone else’s survival is the ultimate proof that he has changed. The once "heartless cur" has found his heart—not in words, but in action. Funnily enough before he died he had a nice conversation with Fukuchi on what his last words would be, and he said he prefers actions, but what do we get... "Away with you...you fool." 

Lets also not forget how important this cycles and webs are of connection, manipulation, abuse etc. But considering that, remember how Akutagawa threatened Kyouka with getting thrown into a dark world/slums? How he described it... Well I need to re-read and get a better perspective or coherent thoughts on it but I'm sure it was said that Dazai threatened him with the same thing, to be sent back if he didn't do good. Which would of course make Akutagawa all the more "grateful" for being taken in and trained to be "strong" because like he's seen all his life only the strong survive, and the worthy get to live at the "top" of the world. Its funny how this kind of even gets added into his likes as the things he likes are very refined so to say, to show he is no longer down there. But I see how Dazai probably saw a piece of himself in Akutagawa, killing, empty eyes, looking for a reason to live - and decided to try and give him one in the way he knew too. At that time Dazai was in the Port Mafia he was a very different Dazai from the ADA one, his methods and his ideas...all quite different that its obvious what happened there with him and Akutagawa. And how Akutagawa saw himself in Kyoula (interesting she was 11 or around there when she joined wasn't it or was it 12-13? similarly to when dazai found Akutagawa) he said he saw the same eyes he knows, because he too had the same eyes. But now she has found the light, and a reason for living besides killing, a place to belong that doesn't hurt her constantly. (While he got that yes, but the place he belonged was void of the person he was waiting for approval from, and it definitely did not help in his mental state and health or help him much in any ways as the ADA did for Kyouka as we see his eyes are still the same, dark but now with determination.

Also a random mention to later chapters just because Akutagawas eyes are important to me (as everything in his character is important to me.) 

And perhaps, in the end, he was never truly heartless—he just needed someone to remind him that his heart was always there, waiting to be acknowledged. Kind of like Yosano who was used for her ability, but never had her kindness acknowledged until Ranpo invited her to the Agency. 

(Also random thing to add but I enjoy canon way too much to consume too much fanon content so I prefer keeping away most of the time so I can keep my thoughts and theories/analysis of things clear and to do with canon so things don't get blurred or messed up or have mischaracterization or information errors. But if you do find any or have anything to say about it please do.)

I wrote before about his eyes in another post probably twice or more times as I always like mentioning it... But just to add:

On a side note I feel like Harukawa was talking about Tanizaki who we know will soon probably have more relevance with Naomi or something.

His eyes always turn completely dark. And he was said to be good enough to be in the mafia before. Not to mention when Yosano said she wouldn't go back he offered to go. And reading back Harukawa said that mostly those in the PM are like this. But anyways. Hope the rambling ended up alright, I'll end the series of thoughts and analyzing for now.

~ Hope your brain isn't as fried as mine, end of The Akutagawa Fan, Charkoala, Caldera posting until the next few hours.

Genuinely don't know how this will turn out, but—

Literally. The second the finale aired, the whole arc suddenly turned from tragedy to comedy. And suddenly, Chuuya was very justified for shooting Dazai an extra few times.

EXTREMELY funny Chuuya frame in retrospect