Bsd Odasaku - Blog Posts

"Don't call me Odasaku"

Here are some Odango, Fukufuku and ranpoe comics/drawings I've made. I just love the "two gay dads" trope.

Translation for the first one:

Dazai: I'd like to introduce you to my parents

Ango: We are not your parents-

Oda: Hi

Atsushi: So you're our grandparents?

I did a fem odasaku lmao

heh...if your taking requests....

Yk Oda is a really cool character you could draw >:3

(I tooooottaaalllyyy didn't get scared requesting smth so I turned on anon 🧍‍♂️ you also don't know who I am, and if you do SHHH u dont🫵)

i’m so sorry it took me forever to respond to this 😭😭 but uhhhh here you go, and hmmmmm, who could this be?/sarcasm.

hmmmmm

i feel like animating the bar lupin trio. do you guys have any song recs? some of my ideas include you’re one of them aren’t you? by the pAper chAse. and yeah. that’s about it cuz that song is chewing on my frontal lobe rn.

coughs these up in your soup

here you go @localmentallyillwriter!! errr yeah i drew these while listening to the paper chase and that was definitely off the vibe of the doodles. 😭

An Analysis of Dazai's Reactions to Death

Disclaimer: I haven't actually finished reading the manga yet so all information in this post is taken solely from the light novel and anime.

Spoiler alert: This post contains spoilers from 15, Storm Bringer, Dark Era and the anime of BSD

Warning: This post is about Dazai so naturally it contains mentions of su*cide and death.

This is my first analysis of BSD, so please be kind. That said, any constructive feedback is welcome. If you have any further questions about my perspective, please feel free to ask!

Then without further ado...

Bungo Stray Dogs written by Kafka Asagiri and illustrated by Sango Harukawa is a multimedia series which explores the complex nature of the human mind through its characters. One such character, Dazai Osamu, inspired by the 20th century Japanese novelist of the same name and his well-known work No Longer Human, is a character known for his eccentric behaviour and fascination with suicide. Often times his behaviour may come off as bizarre on first sight and one might think it is purely for comic relief. This essay aims to explain the reason behind his strange reaction to the sight of the murdered woman in episode five season one of the anime, or this scene.

This screenshot was taken from timestamp 6:27 of Season one episode 5 of Bungo Stray Dogs.

This will be done by exploring first Dazai’s reaction to death between the ages of 15 and 18 or during Dazai, Chuuya, Age Fifteen and Osamu Dazai and the Dark Era, second by exploring the fact that Dazai is aware that he is different to other people, and finally by exploring the way he deals with this difference and with strong emotions during the present of Bungo Stray Dogs or at the age of 22.

Dazai’s reaction to death was unusual to say the least when he was the age of 15 and it continue to be so at the age of 18. There are three main instances where the audience watches Dazai react to death at these ages. In consecutive order from Dazai’s perspective—rather than the order they were published—is first, during the seventh light novel, Dazai, Chuuya, Age Fifteen just after the fight before Dazai and Chuuya go to meet Randou. This scene takes place from page 53 to 54 of the English version of the light novel. There are several unusual points during this scene. But first it should be made clear that the audience has no real way of knowing what kind of experiences Dazai had been exposed to in his early life which could have a bearing on why he behaves this way at this age. There are plenty of theories but at the time of writing this Asagiri had not revealed what Dazai’s early life was like. Now, back to the point at hand. First it is unusual that a boy of 15 when faced with a dying man would ask him if he would like him to ‘end your suffering with this gun,’ (p. 53) however this may be disregarded considering that Dazai although not a part of the mafia seems to have been with Mori for some time at this point. What is more strange however is what Dazai says next ‘…But you’re showing me something extremely valuable—your death—so I want to pay you back,’ (p. 53). He then proceeds to repeatedly shoot the dead body while laughing. This could be chalked back to some sort of love for seeing others in pain if it wasn’t for what Dazai said before. He states that he sees the man’s death as valuable. There is no way of knowing how often Dazai had been exposed to death before but the fact that he views it as valuable suggests that at this point perhaps he had not been desensitized to it. Viewing death as valuable though is, decidedly, an unusual perspective for a 15-year-old boy to take.

The second time Dazai experiences death is also in the same light novel when Randou passes away. Those who have read Storm Bringer will know that’s not precisely what happens but at this point there is no evidence to show that Dazai has any idea Randou isn’t really dead and so it will be treated as another experience of death. There is a marked difference in Dazai’s behaviour in this instance compared to the one highlighted above. This scene takes place in Dazai, Chuuya, Age Fifteen on pages 118 and 119 of the English version. Whether this difference in behaviour is to be attributed to the fact that Dazai probably knew Randou to some degree or to the fact that Chuuya had earlier highlighted to him the fact that his behaviour in the earlier scene was abnormal is up to interpretation. However, while his behaviour is more normal than before it is still rather unusual. During this scene Dazai seems more aware of the sensitive nature of what is happening because he asks Randou if he has any last words and continues by saying, ‘…If you have any final wishes, we’ll see what we can do to—’ (p. 118). This shows that he is sensitive to what’s happening and that it requires a certain type of behaviour, but it is still rather unusual given that this man is dying because of Dazai’s doing and the fact that Randou was trying to kill the former and Chuuya a few moments ago. Additionally, after Randou explains about what happened between himself and Verlaine before Verlaine betrayed him Dazai goes off on a tangent about the ‘inevitable destruction’ caused by ‘a fight between two skilled spies’ (p. 118). While Asagiri may have chosen to have Dazai say this in order to make it more clear to the reader why Randou tried to absorb Arahabaki, it is still a strange thing to do at somebody’s death bed. This being said, it is clear that Dazai is a lot more respectful at Randou’s death than he was at the G.S.S. officer’s death in the scene highlighted before as Asagiri states, ‘Both Chuuya and Dazai quietly listened as if there was something in what Randou was saying that they couldn’t allow themselves to miss,’ (p. 119). While it is possible Dazai is simply imitating Chuuya’s behaviour here in order to seem more normal it seems more likely that Dazai knows how to react better to the death of a person he knows and this idea is reinforced by his reaction to Odasaku’s death in Osamu Dazai and the Dark Era, which will be explored shortly. It is clear, however that Dazai is affected by Randou’s death in some way when the novel states ‘Some things, however, would not return to normal: the body of a man who no longer felt cold, and the hearts of the two boys who stood rooted to the spot, staring at him,’ (p. 119). This shows that Dazai is affected by death, but he seems to interpret it and deal with it in unusual ways.

The final example of when Dazai experiences death takes place three years later during the second light novel, Osamu Dazai and the Dark Era, when Dazai is 18 years old. At this point he has been in the mafia for three years, so he has probably experienced death quite a bit between now and when he was 15, however this is the death of the person who is probably the only one who ever understood Dazai—with the exception perhaps of Chuuya—and who cared for him in a way which was arguably like a father. This scene takes place from page 159 to 161 of the English version of the light novel. This scene is arguably the most interesting in terms of Dazai experiencing death for several reasons. One of those reasons is that while the scene deals with Dazai’s emotions, it does not deal with his reaction to Odasaku’s death but rather with his reaction to what Odasaku says, which causes a dramatic shift in his world view and which, as any reader will know, ultimately causes Dazai to leave the mafia and strive to become a better person. While the scene does start by dealing with Dazai’s reaction to Odasaku’s death the majority of the middle of the scene is spent on Dazai’s reaction to what Odasaku says to him before returning to his reaction to his death. The scene begins with Dazai rushing into the room, calling Odasaku’s name. This is pretty normal behaviour for anime and manga characters on seeing someone close to them dying. But Dazai then proceeds to say, ‘You’re such an idiot, Odasaku. The biggest idiot I know,’ (p. 160). That is arguably an unusual thing to tell your friend on his death bed, but compared to other things Dazai has done it’s not that abnormal. The scene continues with Dazai saying that Odasaku didn’t have to die. Which is standard behaviour. Then Odasaku says he wants to tell Dazai something. He proceeds with his statement about Dazai stating that he’s looking for his reason to live in the mafia and telling him that he won’t find it. The scene then proceeds to explore the idea that Dazai has finally realised how well Odasaku knows him. The rest of this scene is spent exploring this idea as well as Odasaku’s advice to Dazai. It only actually returns to Dazai’s reaction to Odasaku’s death at the end. By stating ‘Dropping to his knees by Odasaku’s side, Dazai looked up to the ceiling and closed his eyes. His tightly shut lips faintly trembled. The smoke from the cigarette rose straight up to the top. Nobody said a word,’ (p. 161).  The strangest thing about this scene is arguably, that Dazai doesn’t cry. It’s possible that he was holding back tears, based on this description but the fact that it is only implied and left up to the readers interpretation suggests that Asagiri didn’t want to explicitly state that Dazai was crying. In the anime version of this scene as can below there is no hint of Dazai’s eyes being shinier than they usually are when he has lights in his eyes.

This screen shot was taken from time stamp 21:33 of episode 4 of season 2 of Bungo Stray Dogs.

After that the scene zooms out so that Dazai doesn’t have a face as can be seen here.

This screen shot was taken from time stamp 21:38 of episode four of season two of the anime.

This suggests that the decision to not show if Dazai was crying was deliberate. Given how much Odasaku means to Dazai, and that he had just realised how well Odasaku understood him it seems unusual that he would not cry.

The combined evidence of these three scenes suggests that Dazai behaves rather unusually in regard to death but that he seems to process it more normally when the person is closer to him than when it’s a stranger, where his behaviour is decidedly strange. Regardless of his closeness to the person however, evidence would suggest that the way Dazai deals with death is different to other people to a greater or lesser degree.

Now, how does all this have a baring on Dazai’s behaviour many years later in episode 5 season 1 of Bungo Stray Dogs? It has a baring on it if one accepts the fact that Dazai is aware that his behaviour towards death is rather strange to other people. It is never explicitly stated that Dazai is aware of this, however based on his behaviour it is clear that Dazai knows he is different to other people. This is highlighted in a particular instance in the seventh light novel. This scene takes place in Dazai, Chuuya, Age Fifteen on pages 53 to 54 of the English version. In this scene Chuuya stops Dazai from repeatedly shooting the dead body of the G.S.S. soldier. The scene commences with, “‘Quit that, you idiot […]  He’s already dead,’ said Chuuya, ‘Quit shooting his corpse,’” (pp. 53-54). However, it is Dazai’s response to Chuuya’s statement which shows that he knows his reaction is unusual. Dazai responds with ‘You’re right. When you’re right, you’re right. That’s the most normal reaction to have,’ (p. 54). Then as he walks away from the body after dropping the pistol he laughs. This is the scene as it’s written, “‘Ha-ha. ‘Normal.’ Ha-ha-ha.’ Dazai’s hollow laughter filled the cluster of trees, vanishing into thin air,” (p. 54). The fact that Dazai reacts by stating that what Chuuya says is normal and the way he laughs about it shows that he knows that he is not normal. If the idea that Dazai knows he is not normal is extrapolated, then it is implied that he also knows that his behaviour towards death is abnormal. If it is taken into account that Dazai realises his behaviour, particularly around death is odd it makes sense that as an adult he would want to hide that.

All of the above scenes took place when Dazai was still a teenager. However, it seems that even as a young adult he doesn’t know how to behave around emotionally charged situations. This is shown in episode one of Bungo Stray Dogs where Atsushi and Dazai are in the warehouse waiting for the tiger to show up. During this scene Atsushi is amazed by Dazai’s confidence and he states ‘You’re really confident, I’m kind of jealous. They called me a good-for-nothing at the orphanage. And now I don’t know where I’ll sleep tonight or whether I’ll be able to earn my keep tomorrow. […] No one’d care if someone like me were to die in a ditch somewhere. Yeah, I may be better off eaten by a tiger…’ this happens at 13:30-13:57 of episode 1 of season 1 of Bungo Stray Dogs. To Atsushi’s statement Dazai does not reply. He is silent for a beat with a neutral expression as shown here.

This screenshot is taken from timestamp 13:58 of episode 1 season 1 of Bungo Stray Dogs.

He then proceeds to state that he thinks the tiger will come soon. This is an unusual reaction given what Atsushi just said, and it would make more sense for him to comfort the boy. But he doesn’t. This is arguably because Dazai doesn’t know how to react in what would be considered a normal way in an emotional situation like this. If he doesn’t know how to react normally here it is unlikely he knows how to react normally to death. Now, it has been made clear above that he recognises his behaviour as abnormal, and it is likely that since his instinctive reaction is abnormal, he is unable to fake a normal reaction as he doesn’t know what this would be. Hence his unusual reaction in episode five season one. He reacts with such melodrama because he knows that his instinctive reaction isn’t normal, but he doesn’t know what a normal reaction would be, and he can’t just not react either thus he opts for this melodramatic reaction which, although isn’t normal still shows a rather dramatised version of sadness at the woman’s death which is perhaps more normal than what his instinctive reaction would be. And although the others at the scene who don’t know him are rather confused at his reaction it attracts less attention than if he were to react in a similar vein to his reaction to the G.S.S. officer’s death.

To conclude Dazai’s melodramatic reaction to the murdered woman in episode 5 season 1 of Bungo Stray Dogs it not just comic relief, there is a deeper meaning behind his eccentricities. He reacts this way because he is self-aware enough to know that his instinctive reaction to death is unusual and in order to not shock other people at his behaviour, he opts for the melodramatic response he gives since while still unusual it is more similar to the way a normal person might react being a rather melodramatic version of it.

I had no motivation to draw people, so here's oda's grave!

I got all Beast parts yesterday!

And I'm definitely going to start reading them soon.

Someone: you can't hear the pictures

Pictures:

Ango: *filming*

Dazai:

Oda:

the day i picked up catzai

Dark era vs Beast

"This story is a tragedy because it didn't have to end this way."

vs

"This story is a tragedy because it was always going to end this way."

^Description of Oda from Beast.

Odasuku’s somehow the most unserious serious person.

He takes everything literally and it doesn’t matter what the topic of conversation it. He will handle it with the same amount of important and seriousness.

Without changing his tone or facial expression.

Like that man probably talks about getting milk from the shop in the same way he’d talk about killing a person.

There’s simultaneously no thoughts in his head and too many.

Appreciation post for the anniversary of Odasaku's death.

RIP man. Hope you're having a good time in heaven with those orphans.

I see you your Dazai and Chuuya and raise you Beast Dazai to Beast Odasaku if he chose to stay.

Would You Fall in Love With Me Again from Epic the Musical but instead of Odysseus and Penelope, it's Dazai and Chuuya

okay I'm out

We talk a lot about the cycle of abuse, but we need to discuss the savior chain more because, aside from being one of the most wholesome concepts in the entire series, it's also way more direct than the cycle of abuse and it's what breaks it.

Odasaku begins to save orphans because a man told him to write fanfiction and that led to him to stop killing. He told Dazai to become a good man because he knew for himself that yes, this is a more beautiful path, this makes life just a little bit more worth living.

Dazai saves Atsushi because he sees what Odasaku told him: a traumatized, helpless orphan. He saves him (at first) because of the promise he made to Odasaku, and the opportunity given to him on a silver platter to help out an orphan and give him a home (properly this time).

And on Atsushi's end, that means everything to him. The fact that for the first time in his life, he has someone who didn't give him up on him. That he now has a home, a place where he belongs.

And it's for that reason that he chooses to save Kyouka. He doesn't give up on her because Dazai never gave up on him. Because he feels empathy for her, and wants to bring her over to this new light he's discovered because someone was kind enough to show it him.

Dazai helps Atsushi because Odasaku helped show him the light.

And Odasaku told him to become good because a man once showed him the beauty of saving lives instead of taking them.

And it's this cycle that ends up breaking the cycle of abuse, this generation mistreatment of orphans because they see their own darkness inside of them. Instead, this cycle sees the light inside of others and it brings others to save another.

Sometimes, I think about the fact that Odasaku and Atsushi were the only two people Dazai really cared about to ever ask why he wanted to die. (Oda in The Day I Picked Up Dazai and Atsushi in 55 minutes). Kunikida and Chuuya just acknowledged it and believed it to be a part of him. But Odasaku and now Atsushi wanted to know why. They wanted to understand him because they truly care about him and see his goodness more than anyone else and alifodishfsdlfd

I wanna talk about Odasaku for a second, and his character arc in Dark Era

I love Odasaku, and one of the things I love about him is that he's not just there to be the friend Dazai loved and lost, he's a really deep character who grows over the course of the Dark Era novel, and he learns how to speak up.

I feel like his arc is mitigated in the anime, and I'm not going to be blaming it necessarily, it's just that a book written in first person POV is able to achieve a lot more depth to the MC over the anime , which is forced in nature to take a more third person, observational take to the character.

Dark Era spoilers, obviously.

The first thing I would like to bring up is Oda's personality, and for that, I'm actually going to start this analysis off with using a quote from Beast, of all things, because this was honestly the best description of Odasaku ever.

The best way to describe Odasaku's personality is obliviously perceptive. He's really smart, and somehow a complete airhead at the same time. When you read either Dark Era or The Day I Picked Up Dazai, you can sense this in an instant. How this pertains to his relationship to Dazai in particular is that he sees things. He knows that Dazai is hurting deeply, he's one of the only people who sees past the dark exterior and the child deep within, but at the beginning of the book, he won't say anything. He puts Dazai on this pedestal in a sense, and doesn't believe that his input is warranted, and he says nothing, even when Dazai is a walking cry for help. After listening to Dazai casually admit to a suicide attempt via banging his head against a hard tofu block without batting an eye, that's when Ango arrives and tells him off.

However, the conversation quickly shifts, and the matter isn't brought up again.

The next time someone tells Odasaku to speak up when he's summoned to Mori's office, and is greeted with a rather...bizarre scene. Still, he's a low-grunt of the Mafia, and Mori is the boss, so he lets whatever stuff is going on fly, until he eventually interrupts, ignores whatever was going on, and announces his presence. Which prompts the following conversation:

Still, it's apparent he doesn't take these words to heart, and continues to perceive almost everything, but never comments. However, something soon happens which brings to the surface just how deeply ingrained Oda's reticence truly is.

After Oda was chased by the enemy snipers, most of them had enough holes in them never to rise again. Until one picks up a gun and aims it at Dazai, the enemy executive, all other backup too far away to offer any aid. Instead of trying to avoid it or stop it, Dazai walks right up to the enemy and says , paraphrased "shoot me, please shoot me." The whole time, Odasaku's desperation is palpable, and unlike the anime, he attempts to stop Dazai from this blatant self-destruction by calling his name and then screaming it, thinking that he felt they were a million miles apart. After the ordeal, when Dazai faces his friend again, he offers all his excuses, how he knew the sniper would miss, but Odasaku wasn't satisfied. And this is where we get the first hint at how Oda really feels about this:

He wants to say something. He wants to punch him for the stunt Dazai just pulled, because he sees the truth. He sees the child inside of him. But once again, he's restrained by the apparent gap between them in rank and mind. Another important thing to note is that throughout the novel, Odasaku considers their difference in rank a bigger barrier than Dazai does. He makes comments about Dazai helping him, the low runt in the Mafia, but the executive doesn't care. Here once again, Oda is inhibited by this apparent gap between them, but this scene is also growth for him in the sense that he understands that there's a problem here. Earlier, he passively listened to Dazai speak of suicide, but faced with a barely disguised attempt, with the true demons inside of Dazai's mind, he wants to stop him, to reach out, to tell him that it's not ok. But he can't. Not yet at least.

After a later incident, we're given a flat-out description of Odasaku's philosophy, and why he chooses to remain silent. When the two of them are at the restaurant, discussing the enemy, and when Dazai realizes they might actually be a formidable opponent, he laughs, elated with the notion that perhaps he might be beaten. And that's when we get perhaps the clearest look into Odasaku's mindset:

There's a lot to unpack in this interaction: first, we see how much Odasaku truly cares for Dazai, how much he wishes he could rid his heart of the darkness buried deep inside. But the problem is, he believes he can't. He doesn't think he could do anything, at first, he's not sure what to say to him because what could he say? He doesn't think he can reach him. And then the all important line "What we see is everything, and everything we see, we ignore. All we can do is stand before the deep ditch between us and others and keep silent." The thing is, not everyone sees everything. He doesn't realize this. He's so oblivious, he can't even comprehend that he's more perceptive than others, almost like Ranpo when he was younger. He doesn't know what to do with the information he receives but to ignore it, as he says, to see the distance and remain silent through it. But still, he makes a halfhearted attempt to reach out, but is interrupted when Dazai's phone rings, and doesn't bring it up again.

The biggest turning point is the kids and Gide. Gide, who drags Odasaku, a character who seemed to have the healthiest will to live, into the darkness. By removing all his hope, his proof that he could one day write a novel and give up killing forever, he brings Oda down into the pit of despair that he lives in, the pit that Dazai lives in. Where the sun won't shine again, and all that's left is revenge and then death. This is where the tables turn, and now Dazai is trying to save Odasaku from that darkness that he knows all too well. He tells him useless platitudes, cliches that must have been uttered to him over and over that he knows won't work, but Dazai is desperate to save the one he's on the verge of losing. But Odasaku won't let himself be consoled, and he goes on the suicide mission to fight Gide. And only now, now that he's about to die, now that he's in this place of solitude and despair, that he reflects on Dazai and their relationship.

It's only at the end does Odasaku wish he would have said something. When he understands the darkness, he sees Dazai for what he truly is - a lonely, sobbing child. And it's only after this realization that he should have invaded the solitude does he speak up when Dazai arrives, and tells him to be a good man. Because he realizes that the darkness is going to overwhelm him unless something changes, and with his dying breaths, Odasaku gives over the advice that changed his life, not a way out of the darkness, but a way to brighten it just a little, and make living a little more beautiful. Something only he could understand, having tried to walk that path for himself. It can't be that it never occurred to him earlier that Dazai's mental health may have benefited from a...change in vocation, but he never thought it was his business to say anything before. But now that the darkness has consumed him, that's the final push for him to finally say something and reach out to his friend at the last moment before it was too late.

And though I don't think the anime did all of this justice, the parallels between these moments will always kill me.

A ramble/analysis about the significance of the bar in The Day I Picked Up Dazai

Ok, so I just reread the day I picked up Dazai, and read side b for the first time, and man do I have many, many thoughts, but one thing in particular struck me, and that is the bar. More specifically, the reason why they go in the first place and why it is significant. (spoilers for the day i picked up dazai side a, obviously)

The first time the bar is mentioned is when Odasaku and Dazai are having a discussion about death and why Dazai desires it. Oda says that "he is a fool for wanting to die" and that anyone is fool for dying before going to "that place." He doesn't specify what it is though, and Dazai thinks he's making it up at first. The way Odasaku speaks about it, it's as if it's some magic place, a place that only some can see the true value of. This intrigues Dazai, because one important thing about him is the fact that he's always searching. Always looking for something interesting, some reason to keep living, some proof that life isn't the boring place he believes it to be.

The second time this place is brought up is when Odasaku and Dazai are in the cell, and Oda is trying to convince Dazai that he should escape with him. He mentions that the place is nearby, and that they should escape and go. Now, Dazai is truly curious about it, and it works. He says, "how long has it been, I wonder? To have somewhere I want to go...I have a feeling that even if there is nothing at that place, it will be fine as it is." He's excited, and looking forward to the place that Odasaku has been, for lack of a better term, hyping up the entire light novel. Even if it may not be so interesting after all, like Oda said it might not be.

Still, when they arrive at the bar, Dazai acts a little disappointed at first. The place Oda took him to was really just a bar after all. Odasaku even admits that he lied, that where could he take him to that he wouldn't already know, and that he was merely teasing him. Dazai is taken aback at first, but in the end, he finds value in the place. They sit for ages, talking about everything and nothing, playing poker, and drinking. And despite being disappointed in the beginning, it ends up being enough for Dazai.

And now, for the actual point of this ted talk, the reason why this is so significant is because to me, the bar represents Dazai's search. He is always looking for something interesting to keep him alive, but the fact of the matter is, there is nothing. Oda says as much to him when he dies; nothing in this world is going to fill the void of loneliness inside of Dazai. But the fact that he took Dazai to something as simple as a bar, a place he said he was a fool for not going, the place that intrigued Dazai so much signifies that Dazai would only find something in a place as simple as a bar. That for all his searching, the answer might just be playing a game of cards and talking to a friend while having a few drinks. Dazai feels so far removed from human connection, but in truth, that is the one thing that could even attempt to fill the void, even if just a little. He will keep searching, keep looking for some external factor that may allow life to interest him, the thing that he would be foolish for dying before seeing, but the answer might just lie in spending the night in a simple bar with a friend.

The inconsistent artstyle ✨️

HERE'S THE HALLOWEEN ART

See how happy Oda's birthday is?

Let me add something: Gin don't want to leave Verlaine so she inform him, and he join them with Q.

Hirotsu follow them because Higuci took half of the black lizard's forces and he carries with him a very confused Tachihara.

And then they find Kyoka

Mori is so desperate that he promotes Kaji as a executive (thing don't end up well)

The best thing is that all in the group are considered Fukuzawa's subordinated and they're under the ADA protection, but only Dazai, Chuuya, Aku, Kyoka and Verlaine actually work in the agency.

Kouyou open a flower shop and she go to visit Chuuya and Kyoka every day.

Tachihara convince himself is still following the Hunting Dogs orders, but he started to enjoy is job at the Uzumaki café with Higuci.

Q they're living in Verlaine place and they're going to school like a normal kid.

Hirotsu is enjoying is pension.

And when Mori try to have them back Fukuzawa is like: Nope, they're all adopted now.

Oda watching them from heaven: Wtf I've created

I just imagined a very funny BSD scenario where Dazai tells Chuuya that he’s gonna leave the mafia instead of just leaving him and Chuuya is like ‘Fuck it I’m coming’ but he wants to inform Kouyou so they do and she’s like ‘I’m coming too, not letting my baby brother alone’ and somewhere in they tell Aku and Gin and they also want to come-

Anyway, this just ends up with Mori going to bed with a perfectly functional mafia and wakes up with screams and chaos cause he just lost three executives, an assassin and the Dog of the Mafia. And probably a big chunk of armed forces cause you can’t tell me Higuchi wouldn’t go with Aku.

And like, two years later, the ADA has a very pellicular (and big) visit.

I'm thinking about a Alive! flags AU, and I'll add this trio in my list of headcanon. I already have a lot of ideas.

You know what's actually insane?

That for a very short time the Port Mafia had Iceman, Kouyou and Oda in it's ranks. Imagine what a trio they would have made if we had ever got to see them interact.

Forget Soukoku, Mori should have attempted to make this team up happen. He should have ushered in an age of deadly assassins instead of arranging play-dates for his problem children.

I know Oda has his no killing rule, but, shhhhhhh, he wouldn't have to kill on their missions, Iceman and Kouyou can take care of that part.

EDIT: Okay, I've been informed that they weren't all in the mafia at the same time, instead, Head canon! Wouldn't it be insane if they all were in the mafia at the same time

Anything even remotely father shaped in this series must die apparently.

Mori : I need you to do that.

Dazai : Odasaku said I shouldn't.

Mori : If he told you to jump off a cliff, would?

Dazai : Bold of you to assume I need someone to tell me to kill myself

💦

I'm back again

Little Dark Age