Bnha 431 - Blog Posts

People: arguing if the izch handhold was romantic or platonic in 431

Me: fools

@lily-claw do you remember our joke now

"I like food"

I saw many posts people saying how random Shouto's line is about praying at Touya's altar and realizing that he likes food - and I wanted to point to how it helps wrapping up his arc.

Shouto is saying: "When I was praying at Touya's butsudan (Buddhist altar), I suddenly realized something, I liked eating food. I realized there's more to me than just the person I want to become."

Food was a "negative space in the Todoroki family, so liking food was not evident to Shoto growing up.

In Shouto's flashbacks with his family, we never see him eat food. His only memory tied to the kitchen is the kettle incident. We know from Natsuo that Shouto ate alone, a diet prescribed by Endeavor, no doubt all geared towards maximum performance, rather than enjoyment. Not even knowing your siblings favorite food is the ultimate symbol of how dysfunctional the household was.

2. Food was a positive space in Class A - tied to comfort, bonding, friendship

In class A, Shouto starts eating with Iida and Midoriya after the Stain incident. Food becomes comfort, connection, sharing, caring, teamwork, etc. He experiences things like using his fire to prepare food together, eating together, cleaning up.

Many memorable Shouto-scenes are tied to Class A eating together (e.g. heroes cry too) and he connects to Inasa over a discussion about favorite foods (udon vs soba) which is a theme that carries over to his endgame with Touya

3. As the Todoroki family tries to reconnect, food plays a central role

As the family changes, they attempt to reconnect around the family dinner table (the famous sluuurp scenes). But Todoroki dinners end in a disaster - still they are useful bringing to the surface important conflicts and trying to communicate about them (another important theme discussed in Shoto Rising).

There is more in the light novels: Shoto's and Rei's decade late reconnection as Rei offers him a little kid strawberry milk that she remembers he liked when he was 5, and their attempt to connect with Natsuo ending up in a mush of ruined soba - it's all out of sync.

4. Food as a symbol of lost time and broken futures

Food is also very central for the hopes of a happier future: Enji's dream of his family at the dinner table, Natsuo's regret about years of missed meals, Shoto wanting to share noodles with Toya, all culminating in the heartbreaking realization that they have the same favorite food they'll never get to share.

5. Food as a symbol of processing grief and healing

Praying at the butsudan (the Buddhist altar at home set up for a deceased loved one) involves the preparation of offerings of food and drinks, which then the family eats afterwards. We see this practice referenced in Ch 249 when Enji prays at Toya's altar.

So Shouto making a reference to it is a shorthand for telling us that Touya died at some point, Shouto is still grieving him and just like Deku and Ochako, he's trying to make sense for himself out of their short encounter. So wanting to learn how to make chopsticks and bowls (a traditional Japanese craft of woodwork and applying lacquer, often involving intricate patterns) implies that he wants to bring Touya the perfect offering, but also that he's finally stepping outside fully of the framework Endeavor created for the family, where children are cast into roles of heroes, villains and by-standers, masterpieces and failures but never human beings. He's thinking about what connects him and Touya together and who they would have been in a different story.

6. Shouto's personal arc

Shouto's character was always about balance. Balance between past and future, ice and fire, duty and family, etc. So crafting chopsticks and bowls to elevate good food connects the grief and survival guilt with healing and growth. It is both a tribute to Touya's memory and a new possible hobby to express still undiscovered sides of himself.

It fits the theme of the chapter "More" - as it focuses on what lies beyond being a hero, reaching a goal, working hard and how Izuku, Ochako and Shouto have been transformed by their experiences of trying to save their villains.

But it also fits Shouto's personal arc that was about discovering who Shouto really is. Earlier in the chapter, Shouto refers to being constrained into the framework of a bigger story, where his choices are bound to happen. As a hero of the sidestory of that manga, Shouto has no choice but decide what kind of a hero he wants to be (not-Endeavor, like All Might, reassuring, family hero). Encounters with his family helped crystallized this image of himself.

But now that he's being released from this story, he can look outside of the framework of a hero manga and discover those "more sides than just a hero". And Touya was the last encounter - the last piece of that puzzle. I think there is a parallel in how Tomura destroyed much of hero society - Touya also destroyed the foundations of the Todoroki family, so something different can maybe built.

Without Touya, I think the family would have kept at trying to piece themselves together in a tense, fake kind of peace to keep up appearances. If nothing else, Touya's actions tore through that need of saving face - leaving them all exposed and grappling with the harsh realities of their actions. But I think it also allowed the younger siblings to step outside the cage their parents created for them and build things better from scratch. It allows them to find more sides to themselves outside of the logic of the Todoroki household.

Bnha 431 The Friend Separator

I just know… I don't want to see them animate 431, I hope they stick to 430, my desire to see the end of Bnha animated has completely faded (⁠ب⁠_⁠ب⁠)

Some people I know told me that 431 is the perfect ending just because (SUPPOSEDLY) Izuku ended up staying with Ochako, they don't understand that Izuku practically threw away his character growth by turning his back on Katsuki.

I said to them: "What happened to Izuku's dreams then? What happened to the Izuku who told his Kacchan: ‘’All Might was my hero, but you were the one actually in my life!’’ Then Izuku saying 'No' to Katsuki when he asked him to join his agency makes no sense! It's a setback of EPIC proportions!…

That's without forgetting the problems with the drawings themselves, there are several mistakes that we know Horikoshi would never make, like the characteristic face in All Might's signature, Kirishima's hand, the differences in the drawings of the new mecha suit between 430 and 431, and many more things, thinking deeply about it I think Horikoshi only drew one frame of that chapter, one page I would say maybe if I want to be magnanimous enough, but I don't think so!" (⁠눈⁠‸⁠눈⁠)•••

anyway continue: "if people like you are going to say that an ending is good just because of the SUPPOSED pairing, then they don't really know how to appreciate what a good work is or the story behind it and they just like it because it's what they expected to see… people like that shouldn't wave their opinion like it was a flag as if they had won the war because of a simple TINY detail, if you are going to give your opinion, do it yes, but put something behind it to back it up!, as they say in exams: "Put your answer and JUSTIFY IT!". Don't just talk for the sake of talking!, 431 is far from being the perfect ending, 431 doesn't even end with a true declaration of love for the Izuocha, wake up!, if it were then by shaking hands like that I would already be dating you, the PRESUMPTIVE chapter 431 is just the failed attempt to please simple people like you!"

That's what I told them and now those people don't even talk to me anymore ಠ⁠﹏⁠ಠ

If people are going to go crazy over 431 while it's still manga, then I don't want to see how they'll go when they anime that chapter! ತ⁠_⁠ತ

That being said, I definitely don't want to see when they anime the end of Bnha! Because of 431 I realized I'm friendless! (⁠ノ⁠T⁠＿⁠T⁠)⁠ノ⁠ ⁠＾⁠┻⁠━⁠┻

My man my man (๑˃ᴗ˂)ﻭ(๑˃ᴗ˂)ﻭ(๑˃ᴗ˂)ﻭ(๑˃ᴗ˂)ﻭ(๑˃ᴗ˂)ﻭ(๑˃ᴗ˂)ﻭ

sero hanta, my beloved...

They made me mad for this chapter, so I had to do the same thing for the others-

next

WHY CHAPTER 431 OF MY HERO ACADEMIA SCREAMS CENSORSHIP

First let's start by the "afterword", the note Horikoshi left after 430 and before the extras, chapter 431.

Original japanese for those who understand.

The best traslation I found and most people are agreeing with.

Key sentences are:

1.The real final chapter is 429, 430 is more like a curtain call.

2. PS: For chapter 431, I turn off the cameras and free the characters from their dramas.

This note being left after 430 and before the extras is so important. . The clarification of "the real final chapter is 429" and 430 is the curtain call is screaming: the show has ended here. This is further stated by "i turn the cameras off" by the man who use to refer himself as the camera man, I leave you with an example.

(They're talking about Vol 37 cover)

And back to point number 2: "and free the characters from their dramas", which could perfectly be understood as "the characters are no longer tied to their previous plots and drama" no longer connected to the main story.

It may seem like a reach until here, we're just trying to convince ourselves that's not canon, right? They´re delusions, right?

The problem is how far away everything about 431 antagonizes the whole story, the characters doesn't feel like themselves, they even regress back all their development, the drawing style looks totally different and there are many irregularities that call for our attention.

Dabi, 431 and by Horikoshi

Toga and Ochaco in 431:

Toga and Ochaco by Horikoshi:

All Might's signature for Katsuki (Horikoshi would never mess this up):

Kirishima with 6 fingers lol, Horikoshi loves drawing hands, he would never.

Katsuki's odd teeth what the fuck. (His hand looks good to me)

Ochaco and Shoto just look, weird. It's clearly not Horikoshi's art style.

And this awful background (center) was the main giveaway.

Horikoshi's backgrounds are so professional:

At this point I'm getting tired since the difference is astounding, don't believe me, just check the manga.

I don't think Horikoshi would've allowed those mistakes had he have a role in the making, maybe he did, there's no saying about that, but clearly if he did his involvement was very low.

Character's development wise now.

Seriously? "Deku"? And Katsuki complaining for picking him up. He cried his eyes out when Izuku lost his quirk and now he's back at season 1?

Izuku would never in a million years turn down that offer. And if he did, it would never be like this, so devoid of emotion and empathy.

430 showed us an Izuku aiming for his dreams again and at 431 this Izuku ¿? It's okay with being a teacher? Ok. And if that's not the problem, why he outright rejects Katsuki out of nowhere? When their rivalry was one of the main points of the plots for 430 chapters and now just um over? Without justification? Ok.

Ok.

Now specifically about that ship canonization and bkdk.

Horikoshi has been doing this for 10 years. The choices he took the whole manga were incredibly intentional, all those romantic tropes given to bkdk, his interviews, all stand in direct opposition to what happened in this last chapter.

I, myself, don't know much about Jump but what I've heard is they end lot of shonens with the same heterosexual formula. I don't think all of this is a coincidence.

Something really important that needs to be adressed to is what happened back in June (I think), when suddenly MHA announced it was ending in 5 chapters could've something to do with this. The manga was suddenly rushed to its ends with unsatisfying resolutions and as if that was not enough, one month later (at most) the same happened to JJK and all of this came accompanied by a switch of one of the heads of Jump.

About 431 again though.

I was just thinking what would I do if I was pressured to write something that ruins the biggest project of my life and goes against everything I was hoping for? Refuse. Tell them to write it themselves. If I can't do anything to stop it and it'll be there, alright, but I WON'T DO IT.

And I think this could be Horikoshi's case.

I've never seen a shonen manga come so close to implying his male protagonist and his male deuteragonist are in love before. Yes, it was not EXPLICIT but it was so fucking clear if you knew how to read, all the way up to 430. All those cliches tropes he gave them, he knew, we know.

I thought I'll die trying to explaineverything that seems wrong with this with nothing to back me up but the fact that he added that note is clear for me. I'm surprised they allowed him to publish it, I thought we wouldn't even have that.

PS:

It's interesting this being posted the same day 431 comes out. Also "heroaca is pretty dark, huh?"

I'll not go into this anyways because it's kind of a reach but the conclusion is: I think it's a "soft" censorship and Horikoshi did his best to relay his message given what he had.

Thanks for reading!

shonen jump if I ever catch you...

Hii thank you for sharing that with us! 💛 Even if that wasnt a finger I thought the drawings looks kinda odd but then, I heard 431s drawn by horikoshi's assistants mostly so I guess this is normal🤔

Hi chat, how are u all feeling

My man just knows... Lmao

honestly, I wanna know too...

Hi chat, how are u all feeling

Im smooching your analyses rn, there is somethings I didn't notice in yours sooo thank youuu🧡

Chapter 431 analysis. why everyone drew the wrong conclusions.

When the first spoiler frames from the volume came out, hell on earth began, some shippers rejoiced at the canonization, others cursed Horikoshi. I was initially going to say that all these wishes of dirty things towards the author are very ugly: at first, when 430 came out, the Katsudeku shippers rejoiced, and the Izuochi shippers wrote Horikoshi curses, and now it's the opposite, and I would like to ask him to behave decently. I was also upset by the leaks, not only because I liked the other ships, but also because I never saw Deku's romantic chemistry with Ochako, and I hate the trope "a good girl is in love with the main character, he doesn't think about her, but in the end they get married" BUT then the whole chapter came out. And no. In the finale, there is no Izuocha as a canonization at all. At all. And it’s not about the ships, but about the fact that many people didn’t understand what the author wanted to say. It's just that some have already gotten wound up and drunk from the "canonization", while others have started to wind themselves up with their disappointment and savor it, pulling things onto it that don't actually confirm their disappointment", that is, we have a crowd effect.

At first, without context, only by spoilers (it has already been confirmed that some of them are false), it seemed romantic in itself. That is, out of context, you can see how the hero notices a girl at a party after the timeskip, and can't take his eyes off her

But in the whole chapter, this page followed this.

And Deku doesn't look in love here, he looks... scared.

What moments before this does this page refer to and parallelize? And these? Deku, Tsuyu notice that Ochako is very ill and she hides her pain, and forces herself to smile.

And this is what parallels this image, which is confirmed by the context of the whole chapter from the very beginning: Ochako is in pain.

8 years of pain and abscess and this is referenced in her conversation with Tsuyu before the party Next: Deku runs to Ochako as he ran after the war: to save her, he saw that his friend needed saving and urgently.

Ochako herself. You might think that this frame is a confirmation that she still loves Deku.

But the whole chapter had a completely different context.

She remembers this moment as if out of a desire to remember it and feel it again, as if wanting to deceive herself that it is still like that. Just pay attention to the frames: Ochako is shown alone in the crowd, her gait is unsteady, she remembers things that happened 8 years ago out of nostalgia and most likely her wishes will be deceived, that she still has this feeling, because she feels empty. That's why she remembers her conversation with Izuku in chapter 428: Ochako longs for salvation again.

In some form, she gets this salvation when in her head she pushes herself on behalf of Toga to live on. In some way, there is a romantic subtext here, Uraraka on behalf of Toga tells herself that she should let her go and try to experience something else, she herself feels a romantic subtext here, remembering her feelings, but are they in love with each other at the moment?

VERY, very unlikely And, so as not to accuse me, I'm not even a Togarako shipper, because I don't like Toga.

Then the fandom carried on and everyone was charged by each other: Izuku left Bakugo and did not go with him to the agency. But A) it goes without saying that he always wanted to be on equal terms with Kacchan, and compete on equal terms, so he wants to quickly become an independent hero. B) and this is the most important thing. The car and their conversation in the car, which was not in the Friday spoilers, and most importantly the context of this conversation.

During the discussion between Kirishima, Katsuki and Izuku that Deku did not agree to work with Katsuki in the same agency, Deku looks at the signed card with All Might and smiles softly and thoughtfully. It would seem: Deku is happy for his friend

But the Context. This is the same card that was next to Katsuki when he died, and Izuku saw him dead. And Izuku considered himself guilty of his death, that he was not there to protect him, he did not manage to arrive in time to save him, he allowed Toga to drag him into the portal, he was distracted, he did not save.

Deku considers himself - guilty. And this is exactly what goes in the context of the conversation about Izuku not agreeing to be with him in the same agency, although he himself once wanted it. Izuku still thinks that he is too Guilty to be near Katsuki. Hence his running away from him, which Katsuki reads as if he is no longer needed.

But who is Deku? The one who was told to keep his heart under lock and key in order to be the heir of One for All. The one who suppressed his emotions since childhood, and made others always believe that he was okay.

And no, this doesn't mean that Deku doesn't care about Kacchan and doesn't love him (in what sense it doesn't matter), Deku thinks that Katsuki would be better off without him and doesn't understand at all how much he hurts Katsuki. Deku - hides his pain after all the traumas of the war still behind a smile on his face, and this is exactly what Uraraka does in the same chapter. That is why Izuku immediately notices that something is wrong with her at the party, because he feels the same way. The very context of how he looks at Uraraka, the guys discuss couples and a happy life, but what Deku remembers before turningon Ochaka? Shigaraki and his injury.

About Deku's blushing: when they clash, he probably blushes because of the sexual context, but during the promise to spend more time with Ochako, this is most likely not the case: it's a promise to save her and shame for himself for not noticing that she needed help earlier, as well as some kind of "self-conviction", when a person tries to convince himself of something that he can handle or deceive himself, his face often heats up: after all, Deku can't "save" himself.

That's why he is the one who reads Uraraka's feelings, their traumas are similar. And as a hero who can't stand aside when someone is in trouble, he runs to give her what she needs: help and salvation. This is not a chapter about the canonization of ships, these are the traumas that haunt them already in adulthood and the story about them.

If leaks aee real, I will just feel disappointed and move on. There is nothing we can do about it so lets fuckn go to make some fckn art brother...

Hi chat, how are u all feeling

Hi chat, how are u all feeling

This doesn't need translating though. It's adorable and perfect.

Katsuki gets his card signed

All I'm gonna say, is shush until it's officially translated.