People: Arguing If The Izch Handhold Was Romantic Or Platonic In 431

They are alive and still talking about their feelings.

(I couldn't decide which one to post so im gonna post both of them qwe)

also without the lineart, they were just like this ⬇️

Someone pls teach me how to use markers-

thoughts on Ochako's hero costume design

her character was clearly intended to be heavily astronaut-inspired. she loves astronomy, her quirk resembles open space, but the only thing that gives me vibes from her hero suit is the HELMET which wasn't even shown very often before they got rid of it entirely

and just imagine if her suit was really after an astronaut's, it'd give so much to her shape language, even more bubbly and round and more Uraraka, we deserve it guys!

but Hori decided that giving her a sexy look (gross, can we talk about sexualizing minors again?) was more important than making the design work better

I'm rewatching Hannibal and an AU came to me… unexpectedly.

(Togachako) Hero x Serial killer!AU (feat. pro hero!Deku and Dynamight) ~☆

tw: bad English, lots of rambling, toxic relationship, we're not romanticizing tgck so proceed with caution (and after reading the disclaimer, please), any tw you can associate with Himiko Toga is here (nothing graphic though), overanalysing stuff, amateur psychology and all, dark content in general

Ochako has been unsure what she wants to do after finally starting her hero career, so she basically tries anything she can reach.

Working in the sea with Tsu, galas and interviews with Yaomomo, traveling with Deku (I feel he'd want to spend the rest of his power to see the world and his lots and lots of friends overseas). This time she finds herself getting into the world of quirk-related investigations under the tutelage of Katsuki whose solved criminal case count rapidly approaches the one of Endeavor (his character arc calls to me to be continued after Endeavor's path, please don't pay attention haha).

And with all that, she still tries to save face, knowing that she could've stopped this particular deranged story with just a word.

Why? Well, maybe she knows that no person in the world can leave DNA of people long dead and flaunt bloody confessions on the walls at the same time. No person who's not Himiko Toga.

The traps are set, the cycle starts its turn…

The very start:

° Himiko has genuine fun taunting Ochako with killing civilians while wearing her face

° She thinks she'll give Ochako the "freedom of expressing love" in a way she assumes Ochako wants but can't afford

° Himiko doesn't hide the fact she kills for Ochako and with Ochako's name on her lips

° Himiko torments her victims being transformed into whoever strikes her fancy, but the final strike is always performed so the last thing the poor prey sees is soulful, most gorgeous brown eyes in the world

° Himiko steals blood from the organization Ochako donors for (it's her way of coping with the trauma left by the Final Battle)

° Knowing the traces of her DNA are left at the crime scene even if she certainly didn't leave them there slowly corrodes Ochako's mental defenses

° She starts dreaming and hallucinating about killing those people herself until she can't tell reality from these images

° At one point she sees herself killing people wearing Himiko's face

° Himiko certainly uses it to her advantage. Who'd know when she gets into Ochako's apartment to whisper about all the ways she torments people from the shadowed corners?

° Guilt-tripping Ochako into justifying her actions too

As the madness progresses:

° Ochako can't draw the line between herself and Himiko anymore

° They complete each other in no way that is socially acceptable, but it feels right

° Ochako still tries to convince herself she's a good person and now this applies to Himiko as well because Himiko is "her" now too

° It's like they're drowning and melting into each other, minds a mingled mess of issues and fears, clinging, warping, breaking...

° Ochako's hands are bloody and Himiko hugs her from behind, cooing sweet nothings into her ear as they stare down at the newest "masterpiece" together

° Clay, warm hands and shaking fingers

° Ochako feels phantom touches on her skin all the time

° Himiko is being all giddy and "affectionate" with her victims, calling them "cute little presents" which she leaves for Ochako

The final stages:

° Ochako has a dream of killing Izuku. She fantasizes about it a lot later. There are tons of guilt and self-loathing, but she feels it would be the right thing to do. Become a way to "thank" Himiko by showing her effort isn't one-sided. She somehow knows it'd end the vicious cycle, but she just can't

° The Devil and Stockholm Syndrome (it's kinda questionable, I know, so we're taking it with a grain of salt)

° Dissociation

° Devil's advocate

° Cases named after astronomical phenomena

° Christmas, and Ochaco finds a bunch of vials filled with blood, all wrapped in a pretty thick red ribbon with a pompous bow on top. It's the legacy they've created together

Note:

I don't see the two as a healthy romantic relationship (I don't say you can't, it's just my opinion), so this scenario is relatively close to what I'd call realistic. Ochako who sees herself as a good person in any case (even if she's just too selfish to confront herself deep inside) and Himiko who takes the role of the bad part where Ochako can't.

Psychobabble (I'm no professional, it's more about how I feel than anything):

I based this whole AU on the traits I found in original manga and just extrapolated/exaggerated them into whatever this is now

Ochako loses feeling of what differs saving others and saving oneself and chooses to save "herself" (aka Himiko) in the end

Ochako is outright childish. She can't let the mask of a "hero" slip only because it's her shield against the world. She's torn apart by the ideas society put in her head, she can't imagine the concepts of "protect the weak" and "everyone is valid" existing together

In the end, she just resorts to the Friend or Foe (mine/anyone else) worldview so it's easier to process. Of course, what is "hers" is always considered as right and justified

Her empathy for Himiko has gotten to the point where it starts to consume her. She projects herself, her fears and motivations on Himiko, and it only makes things worse

Although, her empathy is quite selective. She can't empathize with the families of those who are killed by Toga. She thinks she can, but it comes from the guilt brewing inside her (it's still focused on self), not actual ability to put herself in others' place

Ochako feels she can be "like Deku", that she can save and forgive "bad people" like him. She finds comfort in such thoughts and hides behind them so she doesn't need to acknowledge the drastic differences in the situations

About the character archetypes:

For Ochako I can't figure out just one, but if I name the type it'd be "Not Bad But Confused" probably. Issues come from the fact her personality is too adaptive, and her worldview has shifted severely and continues to do so. In this situation, her way of coping happened to be finding an anchor in the wrong person, it happens to people all the time in real life too after all

Himiko shows as a symbolic "Devil", her presence is more phantom/ephemeral. Yes, she poisons Ochako's thoughts greatly, but the most work is done by Ochako and her own insecurities

Deku is similar to her, more of a symbol than a character. He's needed more as a deity-like/almost religious presence. Kinda ironic that his original character is heavily under the Hero Myth's (not sure how it's called in English, sorry) influence which is connected to the Bible in some ways

Katsuki stands out a bit as he's clearly the "workaholic cop" (workaholic hero in our case), no more than that as per his role. He's here so Ochako can value herself as "above his way of thinking". Side by side she clearly comes out as more "understanding" and sympathetic (NOT EMPATHETIC, don't confuse the terms!). Well, he's the person to bring her back to earth. A stoic one without a prominent character arc (it's often considered bad, but a flat arc can also be fine when handled properly)

Dividers are created by me.

If you're willing to take this AU under your wing or do something inspired by it, please credit me (you can tag me too)

my lovelies @dailytogachako @bigclownshoes @luxkycharmz you asked me to tag you, I hope I didn't forget anyone...

I know it's rare when I post oc content but look at the collab I did with @miowess (the second part is in her blog so check it asap-)

I suppose I can help you nino :3 (TYSM for tagging me!)

@lily-claw hey there 😘😘😘

and @cincincinnanom you tag me sometimes so 👋👋👋

positivity train!

if you see this or are tagged in it, tag a couple of your favorite mutuals/blogs and let them know you appreciate seeing them on your dash!

@h0neysugarfree @blueberrylovv @bequiteanddriveeeeeee @cherri-bomb-bomb @eg0mechan1c @fatrexicisback

Just listen to me I'm not crazy-

Hanahaki AU Himiko would be ecstatic to have hanahaki

It's practically the embodiment of how she sees love – blood and flowers are so. fucking. cute.

Just imagine her over a dirty sink in an abandoned house which league currently occupies, lead here by a persistent itch in her throat, doubling over in a violent coughing fit. But then she opens her eyes – before her a single pink camellia in precious splatters of red, sharply contrasting the the pristine white of the tiles.

She lifts her head to look at her muddy reflection in the cracked mirror. She smiles. No, it's the crazed, manic, awed grin.

Himiko Toga, no doubt, is happy.

this songs stuck in my head (ft. the 1A girls)

Vampire dark magic Himiko cuz I wanted to render this for 10 hours

They like to kiss each other while floating in the sky, just like the first time they kissed (*cough* cough* that tgchk fight *cough* cough*)

The inspiration came from this and @marronje 🤭

@dailytogachako :3

HEHEHEHEHEHE LMAO

I hope my art is tasty enough for you guys then ✌

The first himiko + snake drawing of the year yay!