Curate, connect, and discover
Starscream taking off his heels after work because the idea came into my brain and wouldn’t leave
do u guys collect stuff (irl)? tell me what u collect
if i had a nickel for every ship between rivals where one of them dies on a boat by sacrificing himself while saying "hurry up and go" i would have two nickels
which isnt a lot but it's weird that it happened twice
Hello! I'm curious to hear your thoughts on Shanks's morality, especially with regards to Chapter 1126 (also Chapters 1079 and 1) where his crew attacked the Barto Club (also the Kid pirates and the mountain bandits). One observation is that Shanks didn't make the killing blow himself and neither did he give an explicit order to kill. But I think that if Shanks really wanted to, he could have stopped his crew from going too far. So, what do you think goes on in his head during those scenes? Did he mean for his crew to kill those people? And how does he feel about killing people to save his friends?
Thanks in advance for your answer!!!
This is such a great question! Part of what makes Shanks so interesting is how he handles conflict; he has a very even temperament, and his priorities during any dispute are always A.) the safety of those he cares about, and B.) de-escalation. A takes precedence over B, of course, which we see firsthand in the mountain bandits incident.
When Higuma breaks a bottle over his head, Shanks' initial reaction is to be concerned on Makino's behalf, and to take the burden of the conflict off her shoulders by keeping her uninvolved. It's just plain ol' good character writing, because it shows exactly the type of person he is through the subtlety of his actions. Hell, he doesn't even let her touch the broken glass, instead choosing to pick it up himself -- a great visual to sum up Shanks, who is constantly the first to clean up the mess and take responsibility, so long as no one else gets hurt. (Note that Oda draws attention to the very same hand that Shanks ends up losing when he saves Luffy... nice foreshadowing.)
Then of course we get this gem of a one-liner from Shanks, which is just so effortlessly cool. As a pirate, Shanks knows conflict better than anyone, which is why he explicitly tells Luffy not to resort to violence in situations where it is unnecessary. I really like this too, because it shows how Shanks is always walking the middle ground; he's not "above" violence, but he's not going to go around punching every guy he sees, because that proves nothing but incompetence. In a battle of egos, Shanks is the man with the level head; he knows exactly how powerful he is and refuses to stoop any lower for the sake of pride. It's not vanity -- it's just the truth.
However, when the mountain bandits target Luffy, Shanks' crew does not hesitate to use violence in order to protect him, as well as the village. Something I also find interesting is that Shanks does not lift a finger up until the brush with the sea king; his crew is always willing to step in on his behalf when needed, and this is because of who he is as a person and a leader.
Shanks is not hot-headed, but he's certainly no pushover. As an emperor, he knows what he must do when someone invades his territory and burns his flag -- otherwise, he wouldn't have territory to begin with. Note here how he mentions who specifically it would impact if he let Bartolomeo's actions slide: friends and allies. Again, in any conflict, the safety of those he cares about takes precedence. So, naturally, he has no choice but to teach them all a lesson.
As you mentioned, he did not give explicit orders to sink Bartolomeo's ship, but given the nature of Shanks' relationship with his crew, I highly doubt they would ever do something that Shanks actively disagreed with. It's really just a matter of lightening the load by handling certain matters for him. (Which is really thoughtful, actually, when you consider how bogged down by responsibility Shanks is. Gives him one less thing to worry about.)
We should also remember that this is One Piece. If Oda makes it unclear whether or not a character has survived, there's a very good chance they're alive and well. So I don't think that Yasopp was shooting to kill, and I don't think we've seen the last of Kidd or Barto either. But, hypothetically, I do think Shanks would kill to save someone he cared about if he knew there was no other way out of the conflict. While Shanks mostly aims to de-escalate, he does not hesitate to retaliate against anyone who harms friends or allies. But for Shanks, figuratively speaking, I think it's less about the act of killing and more about putting himself in the line of fire. Violence (with the intent to kill) reads as an extension of his self-sacrificial tendencies to me, because Shanks does not enjoy it.
The first time we witness any serious, violent action from Shanks, it is directly triggered by the stress/anxiety from seeing a sudden vision of his allies and crew getting blown to bits. I would say he panics, even, but others might disagree. (Check out chapter one again, though -- Shanks totally freaks out when he loses sight of Luffy, too. He loses his cool when the people he cares about are unexpectedly put in danger.)
So, if Shanks were to kill, I would imagine it would be in a very dire situation where the threat is imminent and the consequence of not acting fast enough would be many, many deaths -- or perhaps just the death of a friend/ally. Then it is likely that he would put himself in harm's way instead, either to deliver the killing blow or die trying.
For the Mel defenders:
“Many question my motives. But their whispers do not define me” - I so love that they included this line in League.
While it’s tiring seeing Mel be constantly mischaracterized, that doesn’t erase the compelling and layered character that the writers crafted with her.
day 21
guys you can't be doing anything wrong because there isn't a right way to shift.
don’t make me mcdust your ass
pls reblog for sample size etc
follow for more occasional useless polls :)
“once and for all we won’t carry no banners that don’t spell freedom” might be the craziest lyric i’ve ever heard are you kidding me
Have you gotten sooo attached to a mutual or are you normal
Reblog and put in the tags additional content you'd give to an otherwise finished franchise
the trans masc urge to be in the opening scene of 92sies
do you think a genderfluid Davey fic would be cool?
i think a genderfluid davey fic is (if you'll permit me) inevitable. do you know why its inevitable.
because hes too hot to be gender solid.
worst relationship status to have w someone is “objectively they’re a fine person who is nice but i don’t enjoy their company as much as they enjoy mine”
I’m actually working on a corruption michael design (inspired by a bit with a friend involving jane prentiss and worm on a string) because jane and michael are really quite similar when you think about it. Im genuinely tempted to do a set of designs for him based on each fear now, seeing how each fear could overtake the same character is so fascinating. And this interpretation of the dark, going from the more traditional literal darkness and the unknown within it, to an intentional ignorance (whether intentional on your own part or another’s)… it seems obvious in retrospect but it never really crossed my mind, somehow!
Aaah! Lovely thoughts!!
If he hadn’t been sacrificed, I feel like Michael would have been more a victim and/or avatar of The Web.
I highly doubt Michael was stupid. To be honest, he strikes me as neurodivergent of the “if I just go with what they say, they won’t hate me” variety. He trusted gertrude to not… y’know. Kill him. I feel like that’s a pretty low level of trust, all things considered. He probably knew she was planning *something*, though he grossly underestimated the scale. Consider also that Gertrude was trying to intentionally deceive pretty much everyone so that she could go around obliterating Rituals and being a general pain in the ass to Jonah. It’s not a mark against someone to have been tricked by Gertrude. Hell, he was in an echo chamber designed to keep him ignorant!
Point is, Michael wasn’t stupid. He was scared. He was scared of being hated and left behind and not being enough for others. He was scared of failing people. He’d fall into anyone’s schemes, take any number of hits, whatever it would take to have people stick around and hopefully, maybe, protect him in return.
If it hadn’t been Gertrude and her assistants specifically, if it hadn’t been Fears and supernatural entities and attempts to end the world, he would have been manipulated, rather than lied-to-and-manipulated. He could break the Great Twisting because he *had* been lied to, not because it was the core of his fear. (Ignore for now that the Twisting wouldn’t have worked anyway, if 160 is to be believed.)
And every fear has a bit of manipulation in it, Gerry’s colour analogy rant and all. But The Web relishes in manipulation, in telling you true things that will lead you to the wrong conclusions to do what it wants. Michael was told he could stop a great evil. True! Sort of!
Anyways, Web!Michael when
still, still, still.
lance version here
i love the concept of divorce lawyers. the only things in the world that have the power to undo your marriage are death itself or a special little boy with a law degree.
havin a shift rn OURGH i wanna have a tail
havin a shift rn OURGH i wanna have a tail
world hard and cold, stiddies soft and warm
[Foaming at the mouth while gripping you by the shoulders] You don't understand. Chani leaving at the end was about so much more than the romance. It outlined the entire point of the story. Chani in the film STANDS for the POINT Herbert was trying to make. About how wrong Pauls actions really were, about how religion was being utilised as a tool of political power, about how her own people were turned into tools of invaders. Chani is the voice of reason in this film and she leaves. She just leaves. She wants nothing to do with what Paul has become. Do you understand.