Idrawtooslow - I Can Draw, But Not Very Fast.

"Stolas isn't wrong for choosing his own happiness for once after years of abuse and depression"

and

"Octavia isn't wrong for feeling betrayed by her father and fearing she's been only an obligation to him"

are two concepts that can and should coexist.

There are books now that are specifically used as status symbols: people use them to appear to be the person they want others to see them as.

Consumer culture has the distressing effect of enhancing the human tendency to convince oneself that one liked something, for the sake of conformity and peace of mind. People tell themselves that they liked what they were told they should like.

Reviewers often wind up with extreme biases for and against certain types of works, for similar reasons to the above. It's also not too crazy to consider there may be some corruption in the literary review community.

Marketing is now a powerful discipline with cutting-edge psychology behind it. When used by trained professionals instead of incompetent corporate outcasts, it can essentially function as mind control, even for the well-informed.

Also, "Nobody ever went broke underestimating the taste of the American public."

TL; DR: Don't feel bad about hating something everyone else seemed to love. There are many reasons why terrible books can get good reviews. And your own opinion is still a valid opinion, even if it's contradictory.

the sense of horror when you finish a book that was Ass Bad and you go to see what fellow haters are saying but all the reviews say it is the best thing they've ever read. feel like i just saw my reflection in the mirror move all by itself or something

Dark eyes open in what the adventurers thought was a tree. Now fully alert, they can easily make out the massive, spreading colossus staring down at them. It speaks to them in a deep groan that echoes through the misty forest.

"LEAVE THIS PLACE..."

The Mercenary stammers as he steps forward. "We... we didn't mean--"

"THE WAY YOU FOUND IT."

"Oh."

This has been a major frustration of mine since I noticed it a few months back. I'm so glad OSP Red @comicaurora found such a clear and concise way to express it.

Every time I watch a Miniminuteman video, the comments are full of people just dunking on some random conspiracy theorist or fringe believer, just to make themselves feel better. I don't even think most of them are genuinely concerned, they just want to feel superior.

And I'm also noticing, more and more, that people who clearly consider themselves progressive seem to have forgotten that calling something "stupid" or "crazy," or calling the person saying it those things, doesn't refute or disprove it. All too often I see someone set out to "debunk" something, and wind up descending into a rant about how foolish or demented they think it is, or how mentally ill they think the person saying it is.

Not a good look if you're trying to be an advocate of science, logic, and tolerance.

Red's way is far better. Just focus on the truth, detail it out, and don't even bring up the post-consensus hypotheses, or the conspiracy theories which people build around them.

Y'all can make Bee as hot as you want, the real reason I thirst for her is how she treated Loona at the party.

Now, THAT is what I call hawt.

I loved her outfit in Mastermind, she’s just so cool.

A Christmas Pop Song Rant

You see, the thing I hate isn't Christmas music as a whole. I adore carols and Christmas hymns. It's the Christmas-themed popular music I can't stand.

Maybe I should explain the difference, although I expect a lot of folks already know: while we all use the terms indiscriminately, a "Christmas carol" is technically a song that's worded and structured as either a lullaby for the newborn Jesus, or a joyous announcement of His arrival. Most carols are very old traditional songs, or started out that way, but there are a few notable modern compositions that achieve a similar feel to the traditional carols, notably "Silent Night."

A "Christmas hymn" is generally addressed to God the Father instead of Jesus, but deals with Christmas themes. It's a hymn for the Christmas season. This does overlap quite a bit with the definition of "carol," especially if you want to bring Holy Trinity semantics into it, but I think calling "O Holy Night" a Christmas hymn is a fairly uncontroversial choice. The fact that it's a great song to sing while caroling doesn't disqualify it.

Christmas popular music, on the other hand… is popular music with a secular-Christmas theme. By "popular music," though, I mean any commercial music product that was originally produced to make money, whether it's "Jingle Bells" or a modern pop megastar's latest charity-fundraiser Christmas album. These songs almost exclusively shy away from older religious elements of Christmas in favor of celebrating secularized versions like Santa Claus and Christmas trees, or generic winter traditions like snowmen, coziness, and winter sports. And, yes, there are a few weird, cursed things like "Deck the Halls" (a traditional Welsh tune repurposed in the 19th century as a Christmas pop song), and there's probably some contemporary-praise artist who tried creating a new, contemporary-praise, Christmas song instead of making pepped-up versions of old Christmas carols and hymns… almost certainly equally cursed.

I should probably clarify that I'm not denouncing the secularization of Christmas. Midwinter celebrations are far, far older than Christianity, and the modern Christmas shopping season is not only a crucial element of late-stage Capitalist society, but also a highly visible example of consumers acting neither rationally nor in their own "enlightened" self-interest, and as such, I'm not going to knock it.

What I object to is the nature of most Christmas pop music. Almost without exception, there's a strong "I heard you like Christmas, so I made you some Christmas with a Christmas, so you can Christmas your Christmas with Christmas while you Christmas the Christmas this Christmas" vibe to this music, and worse, a sense of forced cheerfulness and jollity. It reaches deep down to my hindbrain and makes all my social anxieties say, "Oh, crap, here we go again." Much of it also is obvously just thrown together with minimal effort, expense, or artistic expression, simply as shovelware for a jingle-bell-addled consumer market.

The most heinous Christmas pop songs are formulated specifically to target children. Little children, Mandrake! And despite this, we are all subjected to these songs for up to four months prior to Christmas. Can you imagine what would happen to a sporting-goods store if they habitually played "Baby Shark" and the Barney theme on their Muzak?

While I can say that most of it "just isn't very good," that's a personal opinion and I refuse to claim it's relevant. But I theorize that one more reason I find so much Christmas pop music tedious and irritating is because the concept of a safely non-religious, uncontroversial "holiday season," based almost entirely on subjective feelings and concepts, is too vague, confused, and artificial to truly inspire either artist or audience.

By contrast, most Christmas carols and Christmas hymns were products of the old Christendom society, and the creators and intended audience were shaped their whole lives by European Christendom, whether they believed or not. The subject matter and relevance were powerful to them in a way that it's hard for us to understand today.

There are some anti-Christmas songs I enjoy, but anti-Christmas songs occupy a very precarious niche in the popular music ecology. A song can only be "anti-Christmas" until the Monolithic Secular Christmas Music Juggernaut adopts and assimilates it. We need to learn from what happened to "Fairytale of New York."

Yesterday I deleted most of the reblogs in my queue. I need to either commit to this being a shitpost blog or GTFO. If I can't leave a compliment or comment on something, it's just not getting one. Anyone who cares can browse my likes.

I didn't notice who reblogged this and I was WONDERING where the heck it was going...

Which made it all the sweeter to find out it's an Emberlynn joke!

Their plan is to make up Woke reasons to fire all of us incompetent straight White guys who've skated by on privilege all our lives, and then they're gonna round us all up and imprison us in FEMA camps, while black helicopters circle around overhead, scanning our DNA with their special radars, so the Grey aliens can make perfect clones of us with the machines hidden in the bunkers underneath Denver International Airport, except the clones will all be Trans and brainwashed to do whatever the Female-Liberal-Gay Alliance tells them to do. And that's how Freedom will die.

Also, my two cents, it's amazing what happens when I go and do a little light manual labor. Raking leaves, washing dishes, weeding the garden... and suddenly the ideas and solutions start moving again.

Hey, sorry if you’ve been asked this before, but I have ADHD and I’ve been following your comic for years and just now have started to write my own comic (partially because you really inspired me). But I’m really struggling with staying on the project even when it’s boring and getting myself to work on it in the first place. Do you have any tips on how to keep your brain invested or just to make yourself do the work at all?

I have excellent news, I literally just figured out something really important about this.

So when you're an ADHD kiddo or otherwise have difficulty staying on task in a structured environment where Task is the Priority, the main way people try to MAKE you stay on task is by removing your access to anything that is not The Task. No phone, no TV, no doodling, no going outside, etc. In practice, this just makes us miserable because it takes the boredom that's always simmering around a 2 or 3 and cranks it all the way up to 11. In the same way that you would have difficulty staying on task if you were in physical pain, this crushing existential monotony makes it very difficult to work. The work might get done simply because you have no other options, but it will not be done quickly or well, and it will take a while to recover from how much it hurt.

What I realized earlier this week is I caught myself doing this to myself. I had 42 pages of background colors to do, and I thought to myself "this sounds really tedious, but I suppose I have nothing better I can do." And I realized what I'd just thought, and got very alarmed.

Because back when I was an ADHD kiddo imprisoned by school scheduling and a million little factors that keep children immobile and restrained, I couldn't stop thinking about how big and exciting the world was, and how much I wanted to be anywhere but here. When I was feeling really crushed in I'd pick a random spot on the maps on my wall and just imagine being there instead of my bedroom. This was the impetus behind almost all of my creative energy. I've said it before - anything is a prison if you can't leave, and being in a prison makes it easy to imagine how amazing things could be outside of it. Aurora's initial worldbuilding was forged in the crucible of fifth grade misery. My enthusiasm for art and my creative drive are inextricable from my sense of wonder and yearning for excitement in the real world. Not escapism, but appreciation. Wonders unimaginable are out there, and I gain just as much joy seeking them out as I do conjuring them up in my head and sharing them with all of you.

So now that I'm a grown-up with actual freedom in every way I've been able to get, the idea that I was staying on task by making myself believe the world was small and not worth seeing was extremely alarming. It could keep me on task for an afternoon, but at the cost of slowly extinguishing the thing that made me want to make art in the first place - the hunger to experience and draw inspiration from all the myriad complexities in the world.

So what I've been doing is I've been purposefully and intentionally taking excursions whenever I catch myself thinking "I could take a break but it wouldn't be worth it, it's the same outdoors as always, I'll be uncomfy and unproductive and tired." Because that is never true. Every time I've put down the stylus and gone out, I've been renewed in one way or another, and when I come back to comfort fully recharged I get a lot of shit done. Because it is easier to work on anything if you remember why you wanted to make it in the first place, and it is self-defeating misery to just lock yourself in with it and tell yourself you're a bad person if you can't get it done.

I honestly don't know how widely applicable this is. I have worse wanderlust than anyone I know, so for me this has always been modeled as imprisonment vs freedom. I've also been extremely lucky to find myself in a profession that lets me set my own pace on literally everything I do. But I genuinely believe that when it comes to making art with ADHD, you need to give yourself freedom to move laterally, not just in the direction of obvious forward progress. We don't think linearly in any other part of our lives - art is no different.