Lautski Week: Day 2 (Party)
Pete, Ruth, and Richie throw Steph a Birthday Party. It’s a small event but Steph loves it. It’s more sincere than anything Solomon has thrown for her and more intimate than what she does with the popular cliche. Steph and Pete *might* have some alone time later in the party. (Follow by 101 questions about it from Ruth.)
(I do not own anything.)
Sources: 1 2 3 4 5 6 7 8 9
Spoilers for later in the week:
This won’t be the only that Steph’s birthday is worked into the theme.
Omg ok, just saw the show and it was amazing!!! The songs were magnificent and the acting was top notch. I loved how electric the audience was, they were so responsive and it made every reaction I had feel justified. I have so many thoughts but mostly I’m just glad to be able to unblock all of the spoiler tags.
The wait is almost over! Cinderella's Castle Digital Tickets Available 9am PST / 12pm EST on Friday August 16th
Please please please 🙏
I need to know what Henry Hidgens was like before the lightning incident. I need to know what he was like immediately after the incident. I need to know when he finally lost his fucking marbles and how long did it take for him to snap. I need to know what it felt like when he first killed someone. I need to know how he got to the point where killing someone is just another Tuesday for him, how he dealt with it so easily and casually. I need to see all the grief and emotional turmoil he went through. I just need to.
mariah pete bryce steph send tweet
Lautski Week Day Three: Camp
@lautski-week
day 3- camp
this took me so long you would not believe
Ella and Tadius from Cinderella's Castle give very similar energy to Curt and Tatiana from Spies Are Forever. Both not interested in each other romantically but are absolutely best friends and probably kiss each other on the cheek when they meet up and everyone sorta thinks they're together and they never deny it but they know they're not together and never will be
This but it’s Ruth, Richie, Steph, and Pete.
The question is, who would each one be
Au where all of the characters played by Kim Whalen in the Hatchetfield Series are all supernatural and connected.
Like, Holloway we know is a witch and yeah some of them already have some supernatural connection, but like, I want more.
Becky Barnes is absolutely some kind of guardian Angel given she’s a warrior of light. She, along with Holloway, is the person who the others go to for help relating to supernatural stuff and injuries.
Girl Jeri gave birth to a hairy creature that lives in the woods, she’s a werewolf. The lumber-axe man has just lost his mind fully into the wolf, even when in human form, and now Jeri goes wolf to try to protect the kids at camp.
Stacy is that one friend who has like a sixth sense for people but it’s literally a sixth sense. She somehow hasn’t realized she’s psychic despite multiple other people directly telling her.
Karen Chasity is Also a werewolf and is related to Girl Jeri (And has a bad track record with controlling herself on the full moon, thus the cannibalism claim in hatchet town).
Miss Mullberry is theater teacher who goes “caw-caw” at some point. Make her into a half bird. Like a crow person, but nighthawk. She’s been banned from running the lost and found because she keeps on just taking the shiny stuff in it.
Liz Cunnigham we don’t know too much about other than helping charities and that she was once from clivesdale. So, since she was once a chemist, let’s make her into an actual Chemist who sells her products as a small company and that’s why they’re big enough to help charities and be in the honey festival.
Now I just need to figure out Sylvia, Jenny, Reese, and Miss Tessburger.
Here’s a sad thought about Princess Jasmine in Twisted: The Untold Story of a Royal Vizier, courtesy of listening to the soundtrack again and feeling the feelings about her and Ja’far: this version of the Sultan must be a really bad father.
We never see him interact with his stepdaughter. He already seems rather senile when he steals Scheherazade, and that’s sixteen years before the present day. His sanity may well have completely gone in that time. Even if it didn’t, he makes it clear in his one appearance that he considers everyone in his power to be objects defined entirely by how they can benefit him and remorselessly will torture, enslave and murder them on a whim. I doubt that he’d be sensitive or nurturing toward his child. Now, I think Scheherazade would be a great mother - but she never got to try.
The Sultan has evidently been very neglectful and distant, failing in his duties to teach the Princess how to be both a good person and a good member of royalty. Despite her being his only heir and old enough to marry and rule the kingdom, which apparently has no problem with a female sovereign, he’s let her grow up to be extremely sheltered and not at all adequately prepared for responsibility and politics. It doesn’t even occur to her that having her tiger assault a neighbouring country’s visiting prince might have consequences. The Sultan, and on his behalf the Captain of the Guard, don’t let her know important news and royal decrees: neither what a menace Aladdin is, leaving her vulnerable to him, nor the Sultan’s mass execution of the 2D Department, since for as insensitively egocentric as she is at the beginning, she’s still deeply sentimental and quick to empathize with the homeless peasant Aladdin, so I can’t believe that she wouldn’t be at least a little upset with the Sultan (or more likely Ja’far) over so many lost human lives.
More than that, her immaturity speaks to bad parenting on the most basic level. She hasn’t internalized the Sultan’s cruelty, but has learned his selfishness, entitlement, impulsiveness and poor emotional regulation. Her social skills are notably clumsy and underdeveloped (not picking up on Aladdin’s numerous red flags, “No high five”, “At least Abdul had a family who loved him!”, even cringing herself at the last one). The Sultan’s passed down absolutely zero wisdom of any kind.
Instead it’s Ja’far with whom she has a familiar father-daughter dynamic (“What’s up, are you mad at me?” “Where are you going?” “There she is!”). It’s him who shows concern when she runs away and gives the order to find her before all else, notices that she’s upset and talks her through her feelings, warns her about sexual predators, appreciates her idealism and effort. It’s him who provides the gentle but firm, healthy guidance and challenge that she needs to grow. Who sees her potential, respects and believes in her. Who loves her. However, he is ultimately in her service. Between the imbalanced power dynamic making him wary of treason (after all, the last time he had a stronger relationship than the Sultan with a woman the Sultan called his, it didn’t end well) and his other responsibilities taking away from their time together, he can’t be as influential a presence in his life as he’d like.
Maybe this why she’s initially so resentful of him. Subconsciously she does see him as a father all along, but he hurts her and lets her down sometimes. Like the Sultan, her only official parent, always has. That stings. The differences are that the Sultan hurts her much more, more consistently and without her best interests at heart… but Ja’far is the one she can lash out at and complain to and be a messy adolescent around, because firstly, he’s her subject instead of her ruler, and secondly, he’s actually involved in her life. He cares, and therefore yelling or halfheartedly trying to poison his wine will make an impact. The Sultan is untouchable. We know that she conflates the two in her head as unjust authority figures keeping her trapped and crushing her aspirations (“All the people who say I’m just dreaming, like Father and Ja’far”, one of the only times she mentions the Sultan). It’s easier to blame your problems on an employee everybody else hates than accept that your parent is a bad one.
Maybe this is the root of her discontentment as well, her yearning that she can’t articulate for something more than what the life she’s been given. The joke of “Everything and More” is that she doesn’t need anything besides what she has… but she does. She needs a competent, reliable parent. One who she can trusts loves her the person as her parent, not a servant of her bloodline, and she knows to love as such in turn.
No wonder she falls for “Orphaned at Thirty-Three” hook, line and sinker. She’s never known her mother. Her relationships with her paternal figures range from terrible to complicated. Having unconditionally loving, supportive parents and then suddenly losing them must be the worst thing she can imagine.
But in the end, the Sultan dies and her dad has to leave her. Although he found a way to live forever, it wasn’t enough to save her from the pain of being orphaned at sixteen.
The question is whether this nobler in the mind to be well liked but ineffectual or moral but malignedShe/herThis is just gonna be a musical blog at this point
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