Latest Posts by the-strangest-thing-happened - Page 2

I see people everywhere all the time raving about how flawless and satisfying MP100’s ending episode is, and I agree. But sometimes it kinda takes me aback exactly how well-planned the entire story is, especially because it began as a webcomic.

The individual relationships Mob has with the “Big Three” (Reigen, Teru, Ritsu) each follow their respective themes from start to finish, with the application of each theme to the story changing as it progresses but the major idea remaining the same—until the final arc, which is broadly split into three episodes, each featuring the culmination of the respective relationship.

Teru’s theme is strength, Ritsu’s theme is communication, and Reigen’s is acceptance.

More under the cut bc this got a little long.

Keep reading

In the Separation Arc, we see Reigen tell a young Mob that is doesn't matter whether or not he has powers, all that matters is that he's a good person. This is immediately followed by our slightly older Mob returning that exact gift: telling Reigen it doesn't matter whether or not he has powers, all that matters is that he's a good person.

And they both desperately needed these assurances from each other. They saved each other from drowning in guilt and self-loathing. And they weren't wrong.

But they weren't exactly right either.

The Confession Arc exists because they both need to grow beyond that point. Confronting the fact that these things do matter—that they can't just ignore Mob's powers, or Reigen's lies. "Being a good person" does not unmake the part of yourself you wish wasn't there. Those parts of you still don't define you—that was right—but they still matter, and they still have to be faced.

Going to that next level is just... gah. This writing is so good.

out of the 90 or so panels that ONE devotes to the mental fight between shigeo and mob in mob psycho 100's confession arc -- from mob's conscious awareness of shigeo's presence to shigeo's eventual dissolution and assimilation of mob -- just seven show us that the child can actually be heard arguing with himself from the outside.

since the anime concluded its run last year, i've had those panels on my mind. studio bones only animated the largest one and relegated shigeo's speech on it to internal dialogue (much more on that decision here). they're so compelling that i decided to redraw them in my own style.

this is the seventh and last of them. it occurs just before shigeo smacks reigen in the head with a chunk of fallen city in hopes of scaring him off (it doesn't work).

its text reads:

｢他人が”僕”を飼い慣らすことはできない。モブの本当の姿を知ればあの人は僕を開放するよ。」 tanin ga boku wo kainarasu koto wa dekinai. mobu no hontou no sugata wo shireba ano hito wa boku wo kaihou suru yo. 'no one else will be able to tame me. now that he knows mob's true form, that man will set me free.'

[image ID: amidst swirling teal winds, hair wild and eyes aglow, a teenaged japanese boy wearing a gakuran and an eerily neutral expression muses 'tanin ga boku wo kainarasu koto wa dekinai. mobu no hontou no sugata wo shireba ano hito wa boku wo kaihou suru yo.' storm clouds are gathering around his eyes as he speaks, partially obscuring his face.]

ONE's original panel:

この一連の他の絵 kono ichiren no hoka no e other drawings in this series panel 2｜panel 3｜panel 5｜panel 6

so like basically in the REIGEN manga tome tries so desperately to throw herself into the center of this literal Superhuman world she sees and play the role of the eager young protagonist and its so endearing but in the end reigen has to come clean and she can’t keep using the spiritual premise as a crutch. not because she was wrong to have her whimsical interests, but because the fantasy of specialness can often be an escape from the isolation a person feels due to being unable to live up to societal ideals of normalcy, and yet in the end the fantasy can itself end up feeding directly into the isolation by obscuring your view of the other people in your life. you cannot prioritize the idea of being unique or special alone and that is the reason that the power structures in the story (as represented by roshuuto in REIGEN) so frequently fail short; because actually EVERYONE is a Pathetic Freak Weirdo Nerd Loser, from the handsome, popular rich boy, to the pretentious Dark!Reigen foil who takes himself too seriously, to all of the mundane teenage girls who the audience is initially tricked into dismissing as shallow, but also by the same token EVERYONE deserves to be loved and feel supported. 

because actually bonds with other people are the most important thing, and centrally this is also why REIGEN relies so heavily on bonds with others as something to create horror. the evil spirit mimics the voices of the ones you love and lures you in and when you’re at your most lost and scared and in need, that’s when you turn around and the face of the person you trust betrays you. tome only contracts the fatal curse in the first place because she cared about reigen and went back to make amends with him. because that’s the most horrifying, most terrifying thing, the thing that renders you absolutely helpless, isn’t it? it’s letting yourself rely on others and trust them to the point that it leaves you vulnerable, isn’t it? but you have to do it, if you want to achieve true connection then you can’t continue keeping up a veneer of Specialness and posturing as someone you’re not no matter how afraid you are of being seen as your true self. that’s the idea that really connects tome and reigen above all else. you have to be who you really are and you have to trust that you’ll be loved for it. and that’s horrifying! that’s an unimaginable, Forbidden terror! but it’s necessary. 

and also I think it’s so clever how REIGEN conveys this by only bringing in shigeo kageyama, the protagonist and most recognizable character who the reader has so many preconceived notions of, in at the last moment as a terrifying ghost who is impersonating him. I mean also it’s partially because shigeo can easily be made to look scary lol, because let’s be real, he can be pretty goddamn scary /hj BUT MOSTLY it’s to have him in his uniform, in his most recognizable and iconic form that the reader will cling to, and then have it be blown away by the post-canon shigeo, the real shigeo, the shigeo who has grown and changed and is no longer stuck in the role he once was. because to be vulnerable with others you have to grow and change and do away with old pretenses and dynamics that you’ve become dependent on. it can be scary to stop playing roles after you’ve grown use to them for so long, but you don’t need them - your most honest self will be the most loved. and also I love how just like tome could tell that it was the real reigen bcause he immediately ran into a spiderweb and yelled, you can tell that it’s the real shigeo because he’s immediately rude as fuck and he and reigen literally instantly go into their mean pithy little affectionate banter lol ok sorry anyway.

and also because you cannot really be any more or less special than anyone else and you need bonds with others, it’s true both that you have to rely on other people, but also that you owe it to them to be kind. reigen is literally a normal person working in the spirit business, so he has to rely on other people with the necessary abilities, such as dimple the spirit and serizawa the psychic, yes, but he also does his part to take care of the people who matter to him. roshuuto is so focused on appearances and power - as shown by how he goes on and on about connections - but when it comes down to it, he was not willing to save others (leaving hoshido in Reliance), and so nobody bothered trying to save him in turn. he only abandoned, and was abandoned. this is shown most acutely in the end by how roshuuto “has no other option” but to pass his curse on to someone else to save himself, while reigen “has no other option” to take on a curse to save someone else. reigen and serizawa accepting their responsibility as adults to protect the children around them is an extension of the idea that you are equal to everyone and are obligated to be kind to your loved ones and recieve kindness in turn. anyway mutual trust and communication is all that matters and tome kurata is The protagonist of all time Sorry,

Okay to elaborate on that last tag rant:

When Reigen tells Serizawa to get him as close to Mob as possible, he doesn’t know what he’s going to do when he gets there. This isn’t surprising. Reigen very seldom knows what he’s going to do until he’s actually doing it. He thrives under pressure. He’ll dance at the edge of a precipice and come out unscathed. He doesn’t need a plan! He’s been thrown into wilder situations before!

He doesn’t crucially, really understand what’s going on. He doesn’t know what the problem is. He knows that Mob’s involved, but he thinks he can fix it the same way he’s fixed things before: with some quick thinking and off-the-cuff advice and half-truths papered over with offers of ramen.

And then he sees Mob. (Check out the last post by @exilepurify for a fantastic analysis of this moment!) That’s when he realizes what Mob’s been dealing with and the scale of his struggles and the harm he’s capable of causing. And it’s also when Reigen realizes how much harm his lies have caused, because he promised to help but he didn’t, he couldn’t, he has no freaking idea how any of this works, but he let Mob believe him.

And after the moment of shocked, horrified realization, he knows what he has to say. And it says so much about Reigen that he’s right! He’s able to figure out what Mob needs! He’s able to pinpoint the thing that will undo this giant knot of insecurities at the center of Mob’s heart! He sees what looks like a monster inside his kid and he immediately understands!

(It’s because he sees a monster inside of himself, too.)

The thing that Reigen gets wrong is in thinking that once he makes his confession, that will be the end of his and Mob’s relationship. It makes sense that he’d assume that! He hurt this kid, and it would be totally justified for Mob to cut him off. But this isn’t that kind of story.

But while he’s running through the tornado, while he’s screaming for Mob to please listen to him, while he’s looking up at the sky and trembling, he’s steeling himself for this to be their final conversation. I’ve seen all the posts about the shoes, and while I’m not disputing a more literal interpretation, to me it feels much more like an acknowledgment of “There’s no coming back from this.” He can’t talk his way out. He can’t cover it up. He’s laying bare the worst parts of himself and ready to suffer the consequences. Whether Mob kills him or decides never to speak to him again almost doesn’t matter; they feel equally final and equally painful. But he doesn’t care, because his confession is what Mob needs.

every once in a while i remember my “???% only appears when mob sustains fatal injuries that otherwise would have killed him because it’s the only time his will supersedes his desire to repress it” theory/headcanon and make myself sad

what if the muscle bros only look and sound like grown men because that's how shigeo sees them? as so much more mature -- more of a MAN -- than he is?

check in the mirror to see how i look, i look different in different ways. ah, you do the math, ah, who's looking back, ah? shananananana that's not me!!

ritsu and shou take everything they do seriously to a comedic extent they wouldn’t just write a grocery list they would map out where every product is in the grocery store and optimize the route so their grocery trips can be as efficient as possible

[Image ID: A page from the Reigen manga. Panel 1: Reigen stands in a forest looking exhausted. He says, “At least I bought bug spray this time …” Panel 2: He sprays himself down. Panel 3: A closeup of his face. He’s dripping with sweat and his eyes are sunken. He says, “Preparations complete.” Panel 4: Reigen loosens his tie as he staggers towards the viewer. His face is sweaty and he has a haggard expression. He says, “All right then …” End ID.]

Okay listen it’s been a month since i read this and i CANNOT stop thinking about “At least I bought bug spray this time…” It’s just. It’s so Reigen.

This man is dying. He is being eaten alive by a curse that will kill him in less than 3 hours–probably closer to 2 by this point because this place is pretty far outside of Seasoning City. Since Serizawa couldn’t destroy the curse, he knows that Mob is the only person who could get rid of it–and he doesn’t think that he’ll get there in time, if he comes at all. Reigen’s last-ditch plan is to try to trudge into the most haunted forbidden evil woods he knows about in the hope that he can make the curse that’s killing him fight a different, worse curse, and if that doesn’t work at least he’ll die in a place far away from other people and the curse will be prevented from victimizing anyone else.

And what does he say when he arrives at the Evil Death Woods? “At least I brought bug spray.”

One of the things that makes Reigen’s character work is that he is Just Some Guy. A deeply bewildering, paradoxical guy who lies for a living, but still just a guy. Different characters in MP100 are trying to exist in slightly different genres, and for all his absurdity Reigen is the character who is the most grounded in the real world. He worries about his fire insurance during a psychic terrorist attack. He’s the one who goes “Hey, this is illegal?” and “Kids should not be dealing with this” and “You’re supposed to be adults, what is your PROBLEM?” when he’s introduced to the shonen-anime-villain Scars.

And he’s the sort of person who thinks, yeah, dying of a horrible curse in the woods would be bad, but you know what would be worse? That and bug bites. And he’s not … wrong, but it’s not something that anyone else in the series is going to think of. It’s such a normal worry in such an abnormal situation. It’s so grounded.

And it’s also … weirdly hopeful? I feel like a lot of people talk about this part of the manga like Reigen’s given up and is just marching to his death, but he really isn’t. Yes, he was willing to take on the curse to save Tome, and he’s well aware that he might die, but he’s still trying to get out of it with everything he’s got. He doesn’t have powers, but he’s really clever! He goes into a place with a time distortion effect in the hope that it will buy him more time! He manipulates the curse into turning around so that it gets attacked by the Mimic spirit but he doesn’t! If it had been a more even match between them like he’d hoped, he might have been able to get out of the woods even without Mob coming to save him.

He’s aware of the danger and how much the odds are stacked against him, but he hasn’t given up! And the bug spray feels indicative of this. He thinks he might succeed in getting rid of the curse. He thinks he might need to get out of the woods on his own. And if that happens, he’s going to be so happy about not getting covered in bug bites this time.

reigen: i want to be famous and powerful and respected but not for who i am as a person, only so my talents are recognized and make people happy along the way. but i dont actually believe in my own talents even if they prove successful and i have zero self esteem because ive literally just been winging it my whole life to the point where i dont know who the real me is anymore and all thats left is the persona ive accidentally let take my place. and im so scared that all of this could come crumbling down at any moment so i just have to keep pretending like i know what im doing

dimple, immortal fart ghost who might as well not exist, who tried so hard to build a network of positive human connections so he wouldnt be lonely anymore but failed because the only way he knows how to do anything is through spooky ghost possession, looking at this super loud n charismatic dude winning at life by doing nothing: i fucking hate you

anyway, some reigen observations

The thing about Reigen is. He’s Reigen. Sometimes he’s Reigen Arataka, and on very rare occasions he might be Arataka Reigen, but there’s no scenario in which he’s just Arataka. I don’t know him like that. You don’t know him like that. He doesn’t even know himself like that. He’s on a last name basis with his own mother.

Ramblings about Separate Ways Arc

I am rewatching Mob Psycho 100 with my fiancée right now and wow, Separate Ways Arc was tough before but rewatching it was way harder.

I didn't really like Reigen much on the first watch through haha Until the end of season 2 that is. I was 100% with Ritsu. I thought "This guy is an asshole, how can he use someone like Mob like that?? Fuck him, I don't like him." I hate seeing a character get used by another—it reminds me too much of myself. So I had a weird satisfaction with Reigen digging his hole the first time I watched, like a character getting what was coming to them.

I was happy to see Reigen get dragged through the mud.

But then, I got to know Reigen's character more as the series went on. And after rewatching the start of the season and getting to this point, I was picking up so much more of Reigen's unsaid feelings, about himself, about Mob. I was seeing the little insecurities more, in different ways he was animated (even when over the top), in his dialogue, in just the framing of shots. God damn this show and all the little things it sprinkles in to add clarity and color to a character.

What I didn't expect on this rewatch, was feeling so sad watching these two episodes. All of his over the top antics, everything just made me...

really really sad.

Knowing that we're going to go from here...

to here...

God I just, I really get why people like him so much haha The separation arc rings so much more beautifully after I know where we end up. Reigen fucked up. Reigen said some bad shit. Reigen hurt the people he cares about, but in the end, Reigen cares so much, and his failure is like beautiful little vignette.

Shigeo is still my favorite character, and I love his arc above all else. But I am falling in love with Reigen's growth this second time around.

Even the monster of the week episode at the start of season 2, where he starts to really think about Mob and what his needs are, I felt myself being pulled into his character more than ever before. He had to be thinking about all that stuff when he says those awful things to Mob. Deep down he knew that Mob was struggling and trying to change, and he both wanted to embrace that because he knows it's right but also fears it because he is lonely.

God damnit Reigen. You and your...Reigen-ness. Making me feel shit.

ALSO I have been meaning to do little posts/thoughts as I rewatch with my partner. The Mogami Arc needs it's own post too, same with season 1 haha But maybe I can just start here, I dunno.

(I actually gave my partner a trigger warning before going into Mogami arc which I am glad I did that one was hard for him to watch)

This is not a fully formed thought but. Considering the ways in which one of the big tensions of Mob Psycho is "Do you see other people as people or do you see them as tools?" and how in World Domination it's revealed that despite building this huge organization Toichiro views everyone around him as literal power sources (and how the ground troops think he's doing everything for them and the Scars think 'Well *those* people are useless but he's doing it for *us*' and Shimazaki tells the Scars 'Well *you're* useless but the Super Five are *actually* important' and then manga Toichiro says that he only keeps the Super Five around as spare batteries), and conversely how in Divine Tree Dimple realizes that even though he's been using all these people as power sources it's not accomplishing what he wants because he's actually desperate for someone to see him as a person. And considering how Psycho Helmet is the purest and most terrifying incarnation of "people are only worth what power I can extract from them" because it was created from those predatory impulses and nothing else.

Hi! I love all your MP100 metas. Truly amazing! Here is a popular take on mob which I noticed quite common in eastern fandom but not brought up much in western: shigeo actually has very strong ego, in a way that he only allows himself to be affected by words he wants to follow, sticks to his wants without giving in to others' wishes, and sometimes breaking others' worldview (teru) or challenging (ritsu, dimple, reigen) simply by following his own will, which relates to ??? . What do you think?

*blushes* THANK YOU AAAAAHHHHHH

i agree with you! shigeo himself is not even aware of his own strength in that regard for much of the story; watching him become more comfortable with his own iconoclasm is one of the things i enjoy most about mob psycho 100. i think shigeo's strong will and (mostly) unshakeable principles are maybe not mentioned as much in western fandom because shigeo is pretty far from the western--i'm just gonna say american here, because it's the perspective i'm best acquainted with--ideal for a young male protagonist.

we tend to prefer at least some degree of blustery, extroverted self-confidence in our heroes; soft-spoken, sad, traumatized kids who seem unsure of themselves don't fly here unless their character development involves 'outgrowing' this. shigeo is understated, and quiet, and downbeat, and kind of sickly even after gaining stamina. he also doesn't trust himself or his own perceptions for quite a while, and i've read more than a few reviews of MP100 in which these qualities made it easy for the authors to discount him as a whole. if a viewer finds him 'boring' or can't relate to him at all, they won't bother to stick around for his steely tenacity or his surprising resistance to groupthink.

despite his apparent 'weakness', he doesn't give in easily, doesn't bend even if his life is at stake, and even manages to persuade others or change their hearts in his own quiet way, simply by being himself. and his strong ego, as you put it (i would actually say his id, if we're going freudian with this) actually SAVES HIS LIFE. repeatedly. that and ???% are one and the same.

i live in a country where quiet people are routinely overlooked because they're not boldly proclaiming their greatness to everyone they meet; to me, shigeo is a reminder that i don't have to compromise who i am to have a successful life. and that is a powerful message to hear at any age.

Mob Psycho 100 - Chapter 1 / REIGEN - Chapter 7 : Reigen Arataka, first and last panel 

I have the bad habit of leaving my computer on sometimes, so my dad always shuts it down because it drives him nuts. but he knows not to close photoshop without saving my drawings and this is the shit he saves them as. 

am i just supposed to accept someone’s hatred?

I MADE AN OLD WEB STYLE MP100 FORUM!!!!

I've been in this fanbase 5 years and in my time indulging in it, i never saw a dedicated online space for it, and upon seeing a post asking for dedicated places to discuss it, i started the psycho helmet forums!!

The psycho helmet forums are a place to talk about EVERYTHING mob psycho, character fun, meta analysis, roleplaying, arts and crafts, just the stuff people normally do BUT! In one place!

We're actively against bigots, bootlickers, and incestuous/pedophilic shipping!

It's small now, but with time we hope that it'll become the holy land for mobheads.

Sign up here :3

a broadly applicable extended metaphor for the kageyama brothers: 

mob is round and ritsu is sharp. 

this applies to LOTS of things about both of them– least of all, but most noticeably, their hair.

mob is round. he’s blunt, socially dull, tangential to the lives of his peers. he’s like a firm ball of clay rolled between two hands. when he learns new things, it’s like, first he has to make them stick, then he has to re-roll himself back into shape without them falling out. ideally, the things he learns become a part of him. overall, it’s a clumsy process, so he’s not the best learner, but neither is he the worst. and he’s good when it comes to learning about (and improving) himself, because he can reshape himself, being clay. he is also relatively easily influenced by others, who may try to shape him to their own liking. still, roundness is the most comfortable shape for him, so he always returns to it. 

ritsu is sharp. sharp-tongued, sharp-eyed, sharp-witted. he’s like a mass of thorns or shards of glass. when he learns new things, they stick easily, becoming impaled on his jagged surface, and he understands them intimately, though they remain separate from his self. ritsu is a very good learner. but he’s not very good at learning about himself, because when he tries to delve deeper, he gets poked by his own spikes. he is also more brittle than mob, so it’s harder to improve himself; things need to break before they can change shape. likewise, ritsu is less easily influenced, being more solid and thus less permeable. he wishes he was a more organic shape, like his brother, despite the many clear advantages afforded to him by his sharpness.

mob’s psychic power is also based on roundness– his aura in the anime consists of overlapping circles. his power, tied directly to his emotions, is round like a coiled spring. as his explosion meter slowly ticks up, the spring is compressed bit by bit. when he hits 100%, it releases all that potential energy at once, then slowly collapses back to normal. 

ritsu’s psychic power is also based on sharpness– his aura in the anime looks like jagged shreds. where mob’s aura flows like ripples in a pond, ritsu’s cracks and crinkles along fault lines, like paper or tin foil that’s been folded before. the uneven structure means he can’t store emotions as psychic energy in the same way as his brother; emotions just create more faults and fissures, making it harder to direct his power anywhere else.

ritsu is certainly sharp by nature, but much of his jaggedness is a result of having parts of him shattered by trauma. i can’t help but wonder how different he would be had he never met ???%.

about suzuki shou and his parents

most of the parents in mp100 seem to be competent, if somewhat distant. the suzuki family is an exception to that trend. when considering shou’s relationship with his parents, the first question to arise was this: why didn’t shou’s mom take her son with her when she left touichirou? this question is fundamental to the suzuki family dynamic.

i mean, we know why she left touichirou, and her decision to dump him was perfectly justified, but she seems to have had a good relationship with shou, so why would she leave him behind? at first, i thought that maybe she was so desperate to get away that she prioritized “disappearing from touichirou’s life” over “raising her son” and viewed the abandonment of shou as an unavoidable consequence of her departure. but from what we’ve seen of shou’s mom, she seemed to be a compassionate person with a strong sense of morality, so it wouldn’t make sense for her to decide to fully remove herself from her son’s life.

could it be that young shou just admired his dad so much that he refused to go with his mother when she left? it’s true that it would be pretty easy to get a little kid to admire you if you showed off some telekinetic tricks, so young shou probably did admire his father, at least for his psychic powers. well, shou’s custody probably wasn’t determined by his own preference, but i do think psychic powers are at the heart of the matter.

we know from that one omake that shou had already awakened his psychic powers before his mom left. i suspect she was crying at that time because she knew how psychic power could corrupt a person and was worried that shou might end up like his father. as a (presumed) non-esper, maybe she had hoped that shou would be like her; after all, he was a kind boy, and you don’t need psychic power to be kind.

so maybe… she left shou with touichirou because she knew that she alone wouldn’t be able to teach shou how to control his psychic powers. only his father, an esper, could do that. but she kept in contact with shou and retained an influence on him in order to teach him good morals and make sure that touichirou wouldn’t be able to manipulate shou to suit his own selfish needs. shou’s mom is the reason shou decided to revolt against his father in the first place.

i also have a hypothesis as to the relationship between shou and his father after his mother moved away. before shou confronted his dad at the top of the tower in chapter 88.1, touichirou had been planning to let shou inherit the world from him (after world domination, of course). that means he felt that shou was more or less on his side, or at least, he thought that shou still had the potential to become a worthy heir. and before that confrontation, shou was not afraid of his father. his behavior makes this clear; for example, he talked cheeky to his dad on the phone after the 7th branch incident. if you’re afraid of someone, you don’t sass them like that. plus, his reaction to his dad’s “i’m taking over the world” TV broadcast was embarrassment rather than dread. shou didn’t see his father as a truly threatening figure.

thus, i hypothesize that before their big confrontation, shou thought of his dad as “a dumb idiot dad who doesn’t understand that taking over the world is impossible and pointless and needs to be taught a lesson (by me),” and touichirou thought of shou as “a teen son who is causing some mischief since he’s in a rebellious phase but can ultimately still be molded to my liking.” their relationship was tense, but not abusive, and touichirou probably gave shou anything he asked for (e.g. underlings) because he didn’t see shou as a threat.

i’m not saying that they had a healthy relationship by any means. there was probably plenty of neglect, but like, a Rich Dad type of neglect, like “i’m not coming home tonight (for the 8th night in a row) so here’s 5000 yen, have your subordinates order takeout or something.” he was almost certainly not being a good dad, but i don’t think touichirou was openly hostile or directly emotionally/physically abusive to shou. touichirou was trying to raise a respectable heir; he was just much more focused on the task at hand, so much so that he failed to take heed of how seriously his son opposed him. the two of them probably didn’t communicate much at all, other than perhaps the father talking At the son and the son responding with impudence. 

that’s why things really came to a head when they met in the tower: because each thought he understood the other perfectly when, in fact, they didn’t understand each other at all. touichirou had underestimated shou’s desire to oppose him, but that misunderstanding didn’t afford shou any kind of advantage. actually, shou already had a huge disadvantage as a result of his own misunderstanding: he had greatly underestimated the true extent of his father’s power, selfishness, and cruelty. 

touichirou physically and emotionally abused shou. the abuse was severe, almost sickening. it’s just that he didn’t start inflicting it until shou directly challenged him that day, at which point all the trauma happened at once. that was when shou was forced to realize how frightening and merciless his father really was. it must have been a painful shock. no wonder shou was prepared to let him go without a word.

Saw a tweet about an interview article of the anime, apparently Ritsu asking Mob if he's Ok isn't only because Ritsu is afraid/overprotective, but Ritsu himself has a problem and (unconsciously) wanted Mob to ask back. But Mob can't take any hints & solves stuff by other means, isolating him. Which is why, after he tells Mob his real feelings in edgy mode, he immediately becomes normal. ONE said he was unable to express this completely in the manga. Thoughts? (tryin to find the tweet again :/)

i have had the feeling in the past (though i don’t think i’ve said so anywhere public) that ritsu wants mob to ask him how HE’S doing for once ;m; dear ritsu… i mean, it’s a normal polite sorta thing to return a “let me know if you ever wanna talk” sentiment to the person who offers it, but i totally understand how that failed to occur to mob. 

i’d really like to see that tweet/interview if you can find it? i don’t think tumblr lets you put links in an ask, but you can reply to this post or maybe submit it or just message me on here with the link.

im not sure if youve answered this before (ive been scrolling back in your blog but cant find anything?) but do you have any tips on how to write mob?

hmm i have not answered this before, so let me think… writing mob…

keep in mind that i have not written mob, but i have read a lot of mob… in canon.

don’t use verbs that imply very drastic action/expression (e.g. rather than “beamed,” use “smiled,” since mob almost never smiles with enough enthusiasm to qualify as beaming). keep mob’s actions and expressions low-key unless shit is really getting serious. (and actually, re: smiling in particular, remember that he rarely doles out smiles to anyone other than ritsu.)

remember that mob is quite passive– like, he usually isn’t actively engaged in his surroundings. he’s prone to zoning out, deep in thought or just deep in the absence of thought. even when things are relatively intense, he still may feel out of place and hesitate. basically, mob’s default state when things start happening is “not knowing what he should be doing.” when things aren’t happening, he tends to be content with idleness or inactivity.

about mob’s speech: his catchphrase, according to his profile, is “i don’t really get it.” from this, we can tell that he’s not afraid to acknowledge his own ignorance or inability. (iirc he is also wont to drop this line at inopportune times, like after someone gives him a detailed explanation or emotional speech.) he’s not stupid, but he’s not especially quick-witted either. he’s a good listener. if he doesn’t know what to say and isn’t forced to answer, he won’t say anything. he doesn’t crack wise or offer witty comebacks or snark; his words may have that kind of effect at times (e.g. “shut up and eat”), but only as the result of a mistake or failure to read the atmosphere. generally, he isn’t sarcastic. he will carry on a conversation, but generally, he isn’t very talkative unless there’s something on his mind.

when something is on his mind, he usually starts by dwelling on it while zoning out (possibly while doing other things, like eating dinner). 

when he does feel strongly about something, he doesn’t hide it, and he has been known to lecture people about their wrongdoings if he gets really riled up. despite that, don’t forget that he trusts in the goodness of people in general and has plenty of faith in his fellow humans. he strongly feels the importance of things he has learned, and as a result, he wants to make sure others understand what he understands. so like… when it comes to communication, his true strength is his benevolent sincerity.

he and ritsu are on better terms than ever lately, and they may come to each other for advice, but i think they both still prefer to think things over on their own if they can. so mob wouldn’t necessarily go directly to ritsu or reigen for help with something that’s bothering him. he’ll probably have a good long think about it first. pensive boy

he has no fashion sense. i would go ahead and credit any/all of his stylish outfits to ritsu or his parents.

he is Not sassy

he is not dramatic (except unintentionally)

he’s not good at reading other people’s emotional reactions if they don’t come right out and say how they’re feeling. or at least, it takes him a while to catch on if he doesn’t know them well

he calls ritsu “ritsu.” he calls tome “tome-san.” he calls mezato “mezato-san.” he calls reigen “master” or “master reigen.” he calls teru “hanazawa-kun.” he calls tsubomi “tsubomi-chan.” generally, everyone is a -san, -kun, or -senpai according to the typical rules. so don’t have him call anyone any weird nicknames or anything overly familiar unless they ask him to call them that (e.g. he calls tome by her first name because she introduced herself as tome-chan, and even then he changed it to -san). and for the record, i don’t think mob has directly spoken to or about shou, but seeing as how ritsu calls shou “suzuki,” mob would almost certainly call him “suzuki-kun.” 

remember that mob’s default neutral facial expression usually comes off as bored, cold, or distant. it’s hard to even tell when/whether he’s deep in thought or slightly upset. even ritsu, reigen, and teru can’t decipher him especially well. (so instead of reading mob’s face… ritsu asks if anything’s bothering him, teru asks what he’s thinking about, and reigen tries to decipher his face anyway and doesn’t ask anything unless/until it becomes Very clear that mob is having problems.)

note that these points apply specifically to non-100% mob

Translation: “Ah, that reminds me, Shishou. Happy birthday.”

I was reading through my copy of the mp100 manga with the separation arc, and I saw that this was included on the very last page of the book, after all of the omake pages.

The version I read online never included this (this was probably added for the print version, there’s some other slight differences from what I read online). It always made me sad thinking that even though everything was resolved, Mob never wished Reigen happy birthday, but he did!

I figured I would also upload this too, but here’s the inside covers and all the bonus pages from the final volume of Mob Psycho 100!

The last image says “Because of you, I was able to change.”

Hello! You have drawn Reigen before with his "manga colours" and I just wondered, where are they coming from? manga's black&white, but is there some colored cover or..? I'd like to have the original source because I'm planning to maybe cosplay that. thanks!

here u go !

you got some options to work with ^^

mobdonalds (more below the cut)

Can it be considered fanart if it involves the collective effort of 4 almost-uni-students spending 1.5h at a local mcdonalds cutting up nori, arranging fries and artfully using ketchup packets to recreate the faces of mp100 characters?

Further info on our reasoning behind the type of food used for each character:

(All in good fun, we were just goofing around with our food)

Mob is a double cheeseburger while Ritsu is a normal cheeseburger - this is due to Ritsu's feelings of inferiority

Haystack Teru gets some nice fries for his hair for that golden crispy look

Reigen is the plumpest juiciest burger with the nicest bun because. You know.

Shou... I'm so sorry Shou you deserved better (ignore how it looks like a crime scene)

This is hell to upload

mob’s hobbies include

being kind to all of god’s creatures on planet earth

lying to his brother