My little siblings decided these these Booflys are cows because they have booo in the name just like cows go mooo. Furthermore, they are so big and peaceful that they don't realize you're there so they run over or into you. Exactly like cows.
Therefore, I am commanded by my little siblings to beat the game so we can save the Booflys cows because the Evil Radiance won't let them eat. How dare she.
Best response to this meme. 🤣
I want this to be my car someday!
I have been looking for pictures like this. Someone needs mama cuddles.
Yearning for the mother's embrace
You can say that again Buddy! Humans are so crazy unique that it's not even funny!
I want to tell a story to the artists and would-be artists out there.
When I was 19, I made a large oil painting of the nerd I would eventually marry. I poured all my attention and care into this painting. It's the only art I have from back then that still holds up as a work I'm proud of today.
I entered it into a judged show at the local art center. It got an honorable mention. I went to see the show with my beloved model. One of the judges came up to talk to me, and highlighted that all the judges really liked the painting. It would have placed, except, you see, the feet were incorrect. They were too wide and short, and if I just studied a bit more anatomy-
I called over my future wife, and asked her to take off her shoe. Being already very used to humoring me, she did. The judge looked at her very short, very wide little foot. Exactly as I'd lovingly rendered it. I would never edit her appearance in any way.
The judge looked me in the eye, and to his credit, he really looked like he meant it when he said "Oh I'm so sorry."
Anyways the moral of the story is that all of those anatomy books that teach you proportions are either showing you averages, or a very specific idea of an idealized body. Actual bodies are much more varied than that.
So don't forget to draw from observation, and remember that humans aren't mass produced mannequins. Delight in our variation. Because it's supposed to be there.
BLURB:
Instead of Deepnest, the Knight went up through the City of Tears to escape. What would happen but being found and adopted by none other than the Watcher himself. But after the terrible discovery that the adopted has a twin in the White Palace, Lurien has only one desire-get HOME NOW.
SCRIPT: I have no clue how I left the Palace free, when I was shaking in my knees.
I hurried home, silently begging that my worst fears were not true. Certain members of our household would have preferred I was not so silent.
There, in all your imperfections and bedhair, you were perfectly fine. But Nothing was Perfectly Fine.
COVER:
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Thank you all for reading and making it this far. Any form of support would be greatly appreciated.
Very well done analysis of Adaman.
 p(An Analysis on the character design of Adaman from Pokemon Legends of Arceus and it’s relation to time and art history.)
A lot of the characters form PLA are similar in terms of design. The characters that do not follow the standard hoodies, tunics, guild jumpsuits ,and kimonos have a lot of interesting art history associated with them. I love Adaman’s design in particular since he is literally a symbol of time.Â
Well…isn’t this obvious since he is the Diamond Clan leader and associated with Dialga? Yes, but there is a lot more subtle aspects to his design that link him with a specific form or Japanese Art. But let’s first look at the obvious references to Dialga .
In Adaman’s design they use a lot of blues and and silver that you can see shared with Dialga. They also use the Diamond clan symbol that is shaped to look like Dialga’s chest gem repeatedly in the coat and accessories. Adaman’s coat/jacket is most likely a nod to the Japanese Haori. It is even tied with a fancy beaded Himo chord to keep it closed. If you look at the shoes you can see in the concept art that even the bottom of them are supposed to look like Dialga’s feet in their regular form and on the top of the shoe like the legendary Pokemon’s face. All this information is very interesting and nice seeing how the character and the Pokemon are related even thematically. Â
However, it’s crossed your mind (even briefly) that Adaman’s design is not directly one to one with Dialga. He isn’t a Dialga gijinka. There are elements and colors that Adaman uses that the legendary Pokemon does not. We can brush it off as Adaman having a flair and his importance as a Diamond Clan leader to set him apart. But this is where it gets interesting. His outfit is generally just fashionable and we can choose to look at it like that on a surface level. But if you look deeper you see a more symbolic meaning.
Adaman is Kintsugi . What is that? Kintsugi is a Japanese art technique that repairs pottery using lacquer and gold dust. Adaman also has similar gold veins running through his clothing. For someone who is so “put together” looking, why would you intentionally create jagged and uneven elements other than for aesthetic? This is because for my understanding, this is yet another way the character designer chose to express Adaman’s connection to time.
Kintsugi is a beautiful form of art and philosophy. The idea is not to hide the cracks and flaws, but to turn it into something more beautiful and strong. It represents the passage of time and a documentation of the harsh conditions in which we pass through. But ultimately it is a celebration of survival and growth. It is also a metaphor for embracing your flaws and imperfections.
One translation defines the word kintsugi as golden “golden seams”. So, Adaman is kind of a symbol of kintsugi pottery and philosophy. The part about this design that confused me the most was his hair since it’s also not standard colored and is quite unique. But I realized that if we are equating him to pottery, the hair might be colored that way to imitate pottery glazes (the stuff they put on ceramics to give it color.)
On another interesting note, Adaman has lots of signs of past injury. We see this with the bandages on his arms and hands, the cut brow which is a remnant of injury and survival, and then the very intentional jagged gold claw marks on his back. The back gold lines are sharp looking and contrast with the rest of the designs which is fluid and rounded. It’s bringing attention to the marks.
Image sources: 1 / 2 / 3 / 4Â / 5Â / 6
We can interpret a lot from this design. It also raises many questions. The jagged golden marks and Adaman’s bandaged arms implies that he has been “damaged” or “broken” in some sense. This could be taken literally or symbolically. We don’t know what happened to him. Maybe he was attacked by an alpha Pokemon and survived a severe injury that he now incorporates into this aesthetic as a way to show that he was able to come back from that. Or maybe it’s referring to his leadership as a young Diamond Clan leader and the mistakes he made and had to learn from.Â
So in conclusion. From what I can understand , if we were to wrap up all the motifs, Adaman’s design ultimately seems to just represent a passage of time. Breakage and repair are just proof of time passing and represent history and life. And I think that is really cool. Â
These are all my speculations and none of it is canon you can disagree if you want. These are just things I have observed and made note of that I believe makes the character far more interesting and fleshed out. There is a lot of deep and meaningful things you can pull from this if you want to expound further through fanart and fanfic. Â
EDITS/NOTES:
So a lot of people asked if the arm and hand wraps are for fighting. They aren’t. In every form of fighting and martial arts that involves wrapping(taping) your knuckles, you wrap between each finger and around your knuckles several times to cushion them. You do their for wrist stability, prevent injury, and joint restriction. Failing to wrap your hands correctly will result in fractures, broken fingers and knuckles, and metal carpet boss. Not only are Adaman’s knuckles exposed when he clenches his fists, there is no wrapping supporting his wrists on the left hand. If he is wrapping them to fight, he is doing a very bad job at it.
I did research on this before writing the initial post and came to this conclusion, but I guess I’ll add it now for those that had questions.
Another interesting note is that the Diamond Clan symbol also looks like a stylized version of the characters for gold. This same character also does appear in the work kintsugi.
Adaman’s name is interesting too since it’s not really a common name. In fact, it seems to be a play on word “adamant” which usually refers to someone who is not willing to change their mind or opinion. HOWEVER , Adamant is an archaic diamond found in Greek/Roman mythology. It is a bit of a legendary diamond of sorts. The name is derived from the Greek word for diamond. “adámas”.
If you remember, in the Diamond and Pearl games you can use the “Adamant Orb” to increase the dragon/steel type moves of Dialga by 20% if they hold it. In Pokemon Legends Arceus you can get the “Adament Crystal from Adaman. This can be used to switch Dialga between Origin and normal form. Â
Also random interesting thought. The diamond clan settlement is located in the crimson mirelands. Out of the different areas, this one has the most ideal conditions to create pottery clay next to bodies of water (Lake valor) , the scarlet bog, and the mountainous areas surrounding the settlement. Very similar to the Mashiko and Hagi pottery villages in japan.
Okay, I wrote a fanfic of what if Crystal of all protagonists fell into the Distortion World and became best buds with Giratina by baking the dragon poffuns, but I never thought of would have happen AFTER Crystal went home.
This is the perfect image. Giratina missed the poffens so much that the dragon had to learn to bake poffens.
Multi tasking.
Excuse me while I save this for a reference...
How To Write A Chase Scene
Before anyone takes off running, the reader needs to know why this matters. The chase can’t just be about two people running, it’s gotta have a reason. Is your hero sprinting for their life because the villain has a knife? Or maybe they’re chasing someone who just stole something valuable, and if they don’t catch them, it’s game over for everyone. Whatever the reason, make it clear early on. The higher the stakes, the more the reader will care about how this chase plays out. They’ll feel that surge of panic, knowing what’s on the line.
Sure, a chase scene is fast, people are running, dodging, maybe even falling. But not every second needs to be at full speed. If it’s too frantic from start to finish, the reader might get numb to the action. Instead, throw in some rhythm. Use quick, sharp sentences when things get intense, like someone stumbling or almost getting caught. But then slow it down for a second. Maybe they hit a dead end or pause to look around. Those brief moments of slow-down add suspense because they feel like the calm before the storm kicks up again.
Don’t let the setting just be a backdrop. The world around them should become a part of the chase. Maybe they’re tearing through a marketplace, dodging carts and knocking over tables, or sprinting down alleyways with trash cans crashing behind them. If they’re running through the woods, you’ve got low-hanging branches, roots, slippery mud, and the constant threat of tripping. Describing the environment makes the scene more vivid, but it also adds layers of tension. It’s not just two people running in a straight line, it’s two people trying to navigate through chaos.
Running isn’t easy, especially when you’re running for your life. This isn’t some smooth, graceful sprint where they look cool the whole time. Your character’s lungs should be burning, their legs aching, maybe their side starts to cramp. They’re gasping for air, barely holding it together. These details will remind the reader that this chase is taking a real toll. And the harder it gets for your character to keep going, the more the tension ramps up because the reader will wonder if they’ll actually make it.
Don’t make it too easy. The villain should almost catch your hero or the hero should almost grab the villain. But something happens last second to change the outcome. Maybe the villain’s fingers brush the hero’s coat as they sprint around a corner, but they manage to slip out of reach just in time. Or maybe your hero almost gets close enough to tackle the villain, but slips on some gravel, losing precious seconds.
And Don’t let the chase end in a way that feels too predictable. Whether your character gets away or is caught, it should be because of something clever. Maybe they spot a hiding place that’s almost impossible to notice, or they use their surroundings to mislead their pursuer. Or, the person chasing them pulls a fast one, Laying a trap, cutting off their escape route, or sending the hero down the wrong path. You want the end to feel earned, like it took quick thinking and ingenuity, not just dumb luck or fate.
if you have any questions or feedback on writing materials, please send me an email at Luna-azzurra@outlook.com ✍🏻