Love Resurfacing To Ask A Stupid, Inconsequential Question But

I know that every chapter does tend to feel a little bit like "OMG WHAT IN THE ACTUAL HECK IS GOING ON" and that especially this month, it does feel a little like a contradiction from last chapter, but I don't think it's Asagiri being inconsistent. Nothing he's ever done so far in the past suggests that he doesn't know what he's doing and that he doesn't have a plan, and especially that he would forget what he wrote ONE CHAPTER AGO. I think there's something going on here that's going to make sense when this arc is finished.

Until then, we freak out.

i think this is the only series that could manage to fit all these tags and then some. like where's "detectives" and "time travel"?

That's his trend

#Chuuya

Ok so I just read chapter 119 and aside from the fact that I will need extensive therapy after this, why is no one talking about the parallels from when Akutagawa showed up in this chapter and his first appearance???

When he is first introduced, it's as a murderer, a villain. He's come to kill, and he doesn't have any qualms about it. He doesn't care about life, not that of others or his own.

But-

Now, he's a savoir. He's essentially saying the same thing (translation differences, I'm pretty sure it's meant to be the same thing), but now he's not a heartless murderer. He's a hero, a protector. He's telling his enemies to fear death, because he will fight for the innocent souls. Honestly, the parallels are so genius (and quite frankly, one of the only parts of this chapter that doesn't make me want to sob in a corner). He's GROWN. He's not the same Akutagawa he used to be. Here's to fight for life and to protect it.

Appreciation post for the anniversary of Odasaku's death.

RIP man. Hope you're having a good time in heaven with those orphans.

Dead apple really fits in perfectly with bsd, because we know and love this movie, but ask anyone who watched it and they couldn't tell you what the hyuck it was about.

I wanna talk about Odasaku for a second, and his character arc in Dark Era

I love Odasaku, and one of the things I love about him is that he's not just there to be the friend Dazai loved and lost, he's a really deep character who grows over the course of the Dark Era novel, and he learns how to speak up.

I feel like his arc is mitigated in the anime, and I'm not going to be blaming it necessarily, it's just that a book written in first person POV is able to achieve a lot more depth to the MC over the anime , which is forced in nature to take a more third person, observational take to the character.

Dark Era spoilers, obviously.

The first thing I would like to bring up is Oda's personality, and for that, I'm actually going to start this analysis off with using a quote from Beast, of all things, because this was honestly the best description of Odasaku ever.

The best way to describe Odasaku's personality is obliviously perceptive. He's really smart, and somehow a complete airhead at the same time. When you read either Dark Era or The Day I Picked Up Dazai, you can sense this in an instant. How this pertains to his relationship to Dazai in particular is that he sees things. He knows that Dazai is hurting deeply, he's one of the only people who sees past the dark exterior and the child deep within, but at the beginning of the book, he won't say anything. He puts Dazai on this pedestal in a sense, and doesn't believe that his input is warranted, and he says nothing, even when Dazai is a walking cry for help. After listening to Dazai casually admit to a suicide attempt via banging his head against a hard tofu block without batting an eye, that's when Ango arrives and tells him off.

However, the conversation quickly shifts, and the matter isn't brought up again.

The next time someone tells Odasaku to speak up when he's summoned to Mori's office, and is greeted with a rather...bizarre scene. Still, he's a low-grunt of the Mafia, and Mori is the boss, so he lets whatever stuff is going on fly, until he eventually interrupts, ignores whatever was going on, and announces his presence. Which prompts the following conversation:

Still, it's apparent he doesn't take these words to heart, and continues to perceive almost everything, but never comments. However, something soon happens which brings to the surface just how deeply ingrained Oda's reticence truly is.

After Oda was chased by the enemy snipers, most of them had enough holes in them never to rise again. Until one picks up a gun and aims it at Dazai, the enemy executive, all other backup too far away to offer any aid. Instead of trying to avoid it or stop it, Dazai walks right up to the enemy and says , paraphrased "shoot me, please shoot me." The whole time, Odasaku's desperation is palpable, and unlike the anime, he attempts to stop Dazai from this blatant self-destruction by calling his name and then screaming it, thinking that he felt they were a million miles apart. After the ordeal, when Dazai faces his friend again, he offers all his excuses, how he knew the sniper would miss, but Odasaku wasn't satisfied. And this is where we get the first hint at how Oda really feels about this:

He wants to say something. He wants to punch him for the stunt Dazai just pulled, because he sees the truth. He sees the child inside of him. But once again, he's restrained by the apparent gap between them in rank and mind. Another important thing to note is that throughout the novel, Odasaku considers their difference in rank a bigger barrier than Dazai does. He makes comments about Dazai helping him, the low runt in the Mafia, but the executive doesn't care. Here once again, Oda is inhibited by this apparent gap between them, but this scene is also growth for him in the sense that he understands that there's a problem here. Earlier, he passively listened to Dazai speak of suicide, but faced with a barely disguised attempt, with the true demons inside of Dazai's mind, he wants to stop him, to reach out, to tell him that it's not ok. But he can't. Not yet at least.

After a later incident, we're given a flat-out description of Odasaku's philosophy, and why he chooses to remain silent. When the two of them are at the restaurant, discussing the enemy, and when Dazai realizes they might actually be a formidable opponent, he laughs, elated with the notion that perhaps he might be beaten. And that's when we get perhaps the clearest look into Odasaku's mindset:

There's a lot to unpack in this interaction: first, we see how much Odasaku truly cares for Dazai, how much he wishes he could rid his heart of the darkness buried deep inside. But the problem is, he believes he can't. He doesn't think he could do anything, at first, he's not sure what to say to him because what could he say? He doesn't think he can reach him. And then the all important line "What we see is everything, and everything we see, we ignore. All we can do is stand before the deep ditch between us and others and keep silent." The thing is, not everyone sees everything. He doesn't realize this. He's so oblivious, he can't even comprehend that he's more perceptive than others, almost like Ranpo when he was younger. He doesn't know what to do with the information he receives but to ignore it, as he says, to see the distance and remain silent through it. But still, he makes a halfhearted attempt to reach out, but is interrupted when Dazai's phone rings, and doesn't bring it up again.

The biggest turning point is the kids and Gide. Gide, who drags Odasaku, a character who seemed to have the healthiest will to live, into the darkness. By removing all his hope, his proof that he could one day write a novel and give up killing forever, he brings Oda down into the pit of despair that he lives in, the pit that Dazai lives in. Where the sun won't shine again, and all that's left is revenge and then death. This is where the tables turn, and now Dazai is trying to save Odasaku from that darkness that he knows all too well. He tells him useless platitudes, cliches that must have been uttered to him over and over that he knows won't work, but Dazai is desperate to save the one he's on the verge of losing. But Odasaku won't let himself be consoled, and he goes on the suicide mission to fight Gide. And only now, now that he's about to die, now that he's in this place of solitude and despair, that he reflects on Dazai and their relationship.

It's only at the end does Odasaku wish he would have said something. When he understands the darkness, he sees Dazai for what he truly is - a lonely, sobbing child. And it's only after this realization that he should have invaded the solitude does he speak up when Dazai arrives, and tells him to be a good man. Because he realizes that the darkness is going to overwhelm him unless something changes, and with his dying breaths, Odasaku gives over the advice that changed his life, not a way out of the darkness, but a way to brighten it just a little, and make living a little more beautiful. Something only he could understand, having tried to walk that path for himself. It can't be that it never occurred to him earlier that Dazai's mental health may have benefited from a...change in vocation, but he never thought it was his business to say anything before. But now that the darkness has consumed him, that's the final push for him to finally say something and reach out to his friend at the last moment before it was too late.

And though I don't think the anime did all of this justice, the parallels between these moments will always kill me.

The first time I heard that Asagiri said Dazai and Chuuya were the same soul in two bodies, I was a little confused. I mean, I love them too, but they're so different.

But now...

They both were forced to grow up too fast. They're both geniuses who can't relate to the world around them, yet at the same time, they both desire human connection. Both need to fight of nihilism, that feeling that life isn't worth it--even Chuuya, in Stormbringer, really struggled with the purpose of his own life. They both live for others and desire their connection, but the world doesn't let them have it.

And the loneliness.

The feeling of being a monster, a god of destruction. That they're bad, evil, inhuman. That they will never get they want, are forced to struggle for eternity, that there is no place in this world for two lonely demons like them who want nothing more than to be human...

Except for the arcade, where the two of them can just be teenaged boys for a moment. The same soul in two bodies reaching out for each other so they can be alone together.

Concept: After the Guild arc, the news wants to do a live interview with the people directly responsible for stopping the Moby Dick from crashing and saving the city.

AKA. Atsushi and Akutagawa

It takes a bit of deliberation on both parts, but the Agency and Mafia eventually agree, because they feel it will be good PR.

They both get trained, as well as doing some join practices, for how to speak on live tv and not sound like they want to kill each other.

On the actual day of the interview, Atsushi and Akutagawa are there on screen, Dazai and Chuuya are behind the camera to guide their respective orphan's and get them to smile more (or in Akutagawa's case, look a little bit less like he wants to murder the camera), and Mori and Fukuzawa are there as the leaders of the organizations.

So. Three generations of skk under roof while the tv is live? What could possibly go wrong?

(hint the answer is everything)

Dazai really does just like to recruit people into organizations, doesn't he.

Like, what's that? A fifteen year old with a toxic relationship to the group that's supposed to be his friends? Have his friends betray him so he joins the Mafia!

What is it, you say? People are after you because you used to be an assassin? Have him join the Mafia!

You're a depressed orphan living in the slums who wants a reason to live? Why don't you join the freaking Mafia.

And this pattern only continues in the ADA, like:

An orphaned dangerous Weretiger sought after by the government? Join the detective agency!

Said Weretiger finds his own orphan girl who is kind of wanted for manslaughter at the age of fourteen? Help her join the detective agency!

He seriously has a savior complex, and this needs to be acknowledged. Don't even get me started on Sigma-