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Art Tutorial - Blog Posts

3 years ago

may i ask how do you come up with your characters designs and outfits??? i have such trouble thinking up functional costumes for my characters and i admire yours so much omg

ofc ofc!! I’ll try to keep this short n simple so there are pretty much just three steps in costume creation, compiling reference, sketching, and creating the final piece!!

Compiling reference is pretty self-explanatory! I recommend having a folder in your computer to save costume design to, or pinterest bcos pinterest is a fucking gem. Just. Hoard all the armor/clothing you can get your hands on. even if the only part of a design you like is the shape of some coat buttons. stash that shit away man. Here are some references I used while designing armor for Rato!!

May I Ask How Do You Come Up With Your Characters Designs And Outfits??? I Have Such Trouble Thinking

The next step (and also the lengthiest step, at least for me) is sketching!! This can be………intimidating to get into, but it’s not that bad once you dive in!! Just think of it as tossing all your reference pictures into a giant melting pot and then throwin a bunch a your own personal flavor in there too for good measure. 

I super duper recommend sketching outfits in a paper doll sort of way, with shapes instead of lines, and in greyscale! Good outfit design depends 90% on shapes imo, and blocking out clothing forms makes the entire process much much faster and easier to think about. The greyscale is so you don’t have to distract yourself by thinking about colors just yet B^) for example: 

image

when Im designing outfits I like to lay out a bunch of sketches of the character naked/in underwear/w/e and then just go down the line blocking different chunks of the armor out. Each different shade of grey is a different layer so I can easily add stuff on top of or underneath other clothing pieces. It really helps to have a bunch of sketches on one page so you can recycle pieces of different mock-ups you’ve done!! Im sure you can see that a lot of the Rato sketches up there have the same boots/coats/chestpieces :~) its honestly just throwing shit at a wall and seein what sticks

and then you just gotta finalize it!! think of colors and materials and all that good stuff. Im not sure what else to write without making this obnoxiously long, so hmu if you have any other questions!!


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3 months ago

I can't express how much I LOVE the way you draw hands! They are just absolutely amazing and so SO expressive. Do you have any advice on how to improve? (other than the obvious, "practice", lol)

THANK YOU!! Hands are my #1 favorite thing to draw and i love using them and touching to enhance the feeling of a drawing so that makes me so happy to hear!! lol not the dreaded 'just practice' - I tried to put together an impromptu example for you: I’ve always loved drawing hands and include them in my art a lot but I can say for certain that there was a huge boost in my abilities when i started tracing from real life images to better understand the way fingers curve and deform around objects, especially - I’ll take a reference picture or two, trace, figure out which looks better and then try to re-draw it:

You want to draw a character holding a bottle? Alright, find an object that’s about the size you want, get your camera (a shitty res phone camera will do in my case), and get to it!

I like to do some variations because sometimes things just look *goofy* when you have simpler lines depicting them, so here’s 4 different ones:

I Can't Express How Much I LOVE The Way You Draw Hands! They Are Just Absolutely Amazing And So SO Expressive.

Alright, next step - rough lines over to see how it translates to 2d:

I Can't Express How Much I LOVE The Way You Draw Hands! They Are Just Absolutely Amazing And So SO Expressive.
I Can't Express How Much I LOVE The Way You Draw Hands! They Are Just Absolutely Amazing And So SO Expressive.

#1 looks goofy so that one's out - I like #2 the best but the grip'll translate better if I close the grip of the two first fingers, so I'll do that (or retake the picture) and then re-do it on my own while eyeballing the reference i just made (I usually just draw the lines for hands directly but if i'm having trouble i break it down into rough shapes first) :

I Can't Express How Much I LOVE The Way You Draw Hands! They Are Just Absolutely Amazing And So SO Expressive.

Think of it kind of like building a neat little reference library in your own brain - next time I want to draw a hand holding a bottle I can think back on this and what I picked up :)

Thanks again, hope this helps!


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4 months ago
Pixel Art Tutorial! I Hope This Helps If Anyone Needs It :))

pixel art tutorial! I hope this helps if anyone needs it :))


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3 months ago

Useful

A Shading/lighting Tutorial By TamberElla Of DA~ The Supplement In The Original Has Been Added In Here
A Shading/lighting Tutorial By TamberElla Of DA~ The Supplement In The Original Has Been Added In Here
A Shading/lighting Tutorial By TamberElla Of DA~ The Supplement In The Original Has Been Added In Here
A Shading/lighting Tutorial By TamberElla Of DA~ The Supplement In The Original Has Been Added In Here
A Shading/lighting Tutorial By TamberElla Of DA~ The Supplement In The Original Has Been Added In Here
A Shading/lighting Tutorial By TamberElla Of DA~ The Supplement In The Original Has Been Added In Here
A Shading/lighting Tutorial By TamberElla Of DA~ The Supplement In The Original Has Been Added In Here
A Shading/lighting Tutorial By TamberElla Of DA~ The Supplement In The Original Has Been Added In Here
A Shading/lighting Tutorial By TamberElla Of DA~ The Supplement In The Original Has Been Added In Here

A shading/lighting tutorial by TamberElla of dA~ The supplement in the original has been added in here as well.


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6 months ago

tips for drawing with microsoft onenote and mousepad

microsoft onenote tips

highlighter colors layer to make a nice effect! but light colors don’t really show up over darker colors so I don’t recommend using highlighter on dark mode I haven't figured out how to get a white color that matches the background :/ there's an eye dropper under Ink Color -> More Colors… but even when I use it on the background white, the colors don't match. if someone has figured it out pls lmk highlighter brush makes it so that you get thick horizontal lines and thin vertical lines. use this to your advantage, especially when filling in a large area with color. it'll go much faster with horizontal strokes than vertical strokes there's a stroke eraser!! it's vv helpful (I wish the actual art programs I used had this)

mousepad tips

it's hard to get good lines by clicking and dragging your finger across the mousepad with the same finger (you have to press hard/continuously click with one finger and that makes it harder to control the flow of the line) instead I recommend moving the mouse to where you want a line to start and clicking the mousepad with one hand and moving a finger on other hand to make the line you want (no need to continuously press the mousepad hard, just keep in contact with the mousepad) -- it's much easier to control the flow of the line and there's less finger strain


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3 years ago
Some Tattoo Rough Concepts I’m Working On Do Not Steal Please I Am Willing To Design Tattoo Commissions
Some Tattoo Rough Concepts I’m Working On Do Not Steal Please I Am Willing To Design Tattoo Commissions
Some Tattoo Rough Concepts I’m Working On Do Not Steal Please I Am Willing To Design Tattoo Commissions
Some Tattoo Rough Concepts I’m Working On Do Not Steal Please I Am Willing To Design Tattoo Commissions

Some tattoo rough concepts I’m working on do not steal please I am willing to design tattoo commissions dm me on my Instagram bath.artistry


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1 year ago
Lil Tut I Did Cuz Someone Asked!

lil tut I did cuz someone asked!

(if you can't read it, open the image in a new tab ^^)

RELATED TUTORIAL (it's about how to know where to add shadow and light :>)

If you have any questions, ask! and if you have any suggestions for tutorials you want me to make in the future, lmk and i might get around to it! X3

✨reblogs greatly apricated✨

And i know! there's gonna be a massive amount of spelling mistakes TwT I'll try and fix them!


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1 year ago
A Few People On DeviantArt Asked For A Fur Shading Tutorial, And Even Though No One Here Asked For It,

A few people on DeviantArt asked for a fur shading tutorial, and even though no one here asked for it, you get it too! >:3c


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6 months ago
first slide, titled "how to draw some burn scars" with "some" being underlined. The text under reads "3rd/4th degree mostly, because most people on this website apparently never seen a burn survivor." below that is a red box with text reading "(all caps) all scars are different! (end caps) there is no one correct way to draw a scar. this is more of an overview than a step-by-step tutorial".
the right side of the slide has three drawings, each showing a person's forearm. The text above them reads "there's many types of scars, actually". The first one shows a hypertrophic scar, with the text "draw a darker patch of skin and shade underneath to show depth. notes: it sticks out a bit, it can be slightly discolored (darker), it's not really this bright red color that people draw burns with, it interacts with the rest of the skin - you can see it pull skin inward".
The second one shows a keloid scar, with the text "it sticks out a lot, much more discolored, it can be red, pink, purple, it doesn't with the rest of the skin as much - it has sharper, more defined edges". The third and last arm shows a severe contracture with the top of the hand resting on the forearm, with the text "burns make skin contract; scars affect range of motion (ROM) and can lock or limit movement, they afect all areas of the body vbut are most visible on the neck, joints, and hands". There's a fourth additional drawing showing a man's torso; he has a lighter burn scar on the far side of his ribcage, with his arm seemingly fused to it above the elbow. He has visible body hair but is lacking it on the scar itself. The several notes around it read "healed scars can also turn lighter; a burn scar has a tendency to pull surrounding structures* inward, here it makes a contracture. *-not only skin. scars affect cartilage (like in ears), nipples, etc. also notice the lack of hair on the scar".
second slide, titled "how do burns look like (for people who draw them but don't seem to know)". there's an arrow labeled "not like this (heart)" leading to a drawing of an anime girl with half of her skin being plain red and no other changes. text box below her reads "'don't worry man I watched ATLA when I was 14' type OC", with the following noted; "the Red, has fingernails despite 3rd degree burns, has eyebrows despite 3rd degree burns, has hair despite 3rd degree burns, eye is totally fine it's only fire LOL, nose and ears also fine, why is it red, more flexible than your average abled person, why is it red". below is a disclaimer reading "(one or two is fine, but why is it always all of it? burns do things, especially one as seveer as implied here)". the right side of the image shows pictures of body parts with burn scars on them, the first being a hand with a severe contraction in the fingers. the burn and contracted joints are labeled on the image. next to it is a drawn comparison between a non-burned hand with stretched out fingers, and a burnt hand with curled fingers. photo under that is of a pair of feet being held by a hand. the link below goes to "SurvivorNotVictim.com/Scar-Photos". my added text reads "not red! the scars mostly show through texture and tissue damage" and "no toenails". next to that is art of a scarred leg from the mid-calf down, it has visible skin pulling, no nails, and discolored patches of skin. text reads "some pinkness/redness can show, but it's A) not going to be a consistent color, B) other aspects of the scar still show up. Remember the body is 3D and skin pulls accordingly (more or less); scars form toward the ankle because it sticks out". at the bottom of the image is a portrait photo of Marzieh Ebrahimi, an Iranian woman with a chemical burn on one side of her face, smiling. Text next to her reads "a scar can be more defined in one place and less in another (forehead/chin); the skin is darker and less saturated, not red; Marzieh's scar is more visible because of her eye and nose than the discoloration". Next to that is a simplistic portrait drawing of her recreating the picture. Note reads "just some darkening of the skin, lighter and darker lines to imply skin pulling, and attention to some basic effects of burns (e.g., scar on eyebrow ridge = no eyebrow) looks more like an actual burn than the red paint thing".
Third slide, titled "skin grafts". On the right is a photo of a white woman posing with her scars visible to the camera, the source is linked as SurvivorNotVictim.com/Scar-Photo. Text reads "one of the most common visible kinds of skin grafts is the mesh one", with an arrow pointing to the woman's arm, where her skin has a mesh pattern. There is a drawn comparison of non-burnt skin and skin with the mesh graft for comparison. Text box reads "it leaves a specific kind of texture in the skin. Grafts sometimes have stronger highlights than other parts of the skin (you can see it on both photos)". Under that is a photo of Kenny Matthews (@IKenDawg), a Black man with burn scars. There is a text box on the right that reads "skin grafts will usually be thicker than the rest of the skin and thus can stick out; they can be discolored (both darker or lighter, more yellow or red, more/less saturation, etc.) and have a visible start and end. It applies to all skin colors BTW". Below that are two portrait drawings, one of a Black man with a large, darker skin graft on his cheek, and a white woman with yellowish grafts on her jaw and nose.
Fourth slide, titled "nose and eyes". The left side features various nose drawings, while right and bottom show different kinds of eyes. The text in the nose section reads "Usually if nose was visibly burned, it will be seen on the nostrils and septum". The first nose drawing shows someone with pale skin and nostrils pulling strongly downwards. Second one shows a person with darker skin and fourth degree burns; his eyes are covered by skin and the external parts of the nose are largely gone, leaving the red internal part visible. Text attached reads "With very severe burns, the external part of the nose can be removed. In this case the nose will be red because the insides of the nose are red". Third drawing shows a white man with burns below his eyes; his septum is completely gone, and the nostrils pull to the sides. Attached text reads "Nostrils can also pull to the sides, making the nose wider. Sometimes the septum will be absent if burns were severe enough. That generally causes some degree of asymmetry". Last nose drawing shows someone with a lot of keloid and hypertrophic scars on his face, with one of them formed around their nose. Text attached reads "Nose can also pull to one side. The constricted nostril can then be very flat". There's a simple sketch underneath that shows a nose with symmetric and asymmetric nostrils from below. Eye section. The first text box reads "Eyes are not affected as often as you'd probably assume (mostly because blinking and all) but eye damage is frequent in chemical burns (as opposed to thermal)". First drawing features a darkskin person with burns on their forehead and around their left eye. The skin pulls their eyelids upward and to the side at a 45-degree angle, resulting in the red of the eye showing on the sides. Attached text reads "Eye pulls out and up, so the red parts show accordingly. The eyelids themselves are stretched, eye is fine". Second drawing is of an Arab man with a chemical burn on the left side of his face. He's missing his eyebrow and eyelashes on that side. He has ptosis and his actual iris is blurrier while the white part is redder. Text reads "Here eyelids pull down so the eye looks like it's drifting up". Third drawing shows a person with tan skin and severe burns. They have no hair of any kind, and their nose bridge is significantly pushed to the side. Their right eye is wide open with a red shiny eyelid at the bottom, their iris pointing extremely outward, and blood vessels showing. Their left eye looks very small with swollen eyelids and partially opaque iris. Text reads "The redness you can sometimes see is a result of chronic conjunctivitis, it's not an open wound situation. Here the right lower eyelid is missing so it looks like it's red and shiny. The left lower one is turned outward and it causes corneal scarring, which results in parts of the eye looking white(r) and the eyelids to swell". The bottom section features four eye adjacent conditions and their characteristics. The first one shows a person with one of their eyes missing and an empty pale-red socket visible. It's titled "Enucleation". Text underneath reads "If the eye is as badly damaged as in 90% of OCs with burns then they will get it removed. Despite popular perception there is quite literally nothing 'gore' about an eye socket. The redness/whiteness is the same thing as on your eyelid when you pull it. The empty socket has a much smaller opening and is very flat in comparison to a full socket. If the character has a protruding brow ridge, the shadow will fall on the whole area". Second one features a dark-skinned person's eye, which is brown with a white spot on the lens. Text reads "Cataracts is a condition of the lens, so it affects the lens by making it to appear clouded. Causes blindness". Third one shows an eye of a pale person; it's slightly red with blood vessels visible and the irid is blurry with a large opaque spot in the middle. Text reads "Corneal scarring causes pain, red sclera, and the opaqueness that can happen over the whole eye, not just lens. Also causes blindness".
Continuation from the previous slide. Last one shows an eye with the upper eyelid fallen down. Text reads "Ptosis is caused by nerve damage more than anything else. It makes the eyelid fall down, but does not affect the eye itself. Can technically make someone unable to see if the eyelid doesn't open". Fifth slide description starts from here. It shows a three-step process of drawing the skin texture. First step shows a patch of light skin, titled "get a base". Second step puts various brown lines of different sizes on the skin, largely going from the upper left to bottom right, spreading out on the right. Text reads "Draw slightly darker lines of various lengths to imply contractures". There’s a second, smaller drawing, first with the lines going in similar direction and the other with the lines all pointing different ways and going over each other. Text above them is "try to keep them going in a direction that makes sense" and "not just random strokes" respectively. Third step adds some shadows and highlights on the scars. Text reads "add subtle shading to show texture changes, can also add highlights". Below that is a small drawing of a patch of skin with a red line going through it; one side is shaded and one isn't for comparison. The upper right has a drawing of a man shown from the back; he has burn scars on his left shoulder. That shoulder is less muscular than the right one, and he has keloids and grafts visible. Text underneath reads "You really don't have to draw 10000 lines to show the contractures. A few smaller and some bigger ones do it just fine. Remember that you can ad keloids, hypetrophic scars, and graft discoloration!".
sixth slide, titled "other things to think about". it features a few different burn survivor characters and the text "no two burn survivors are the same". first one is a Black woman with a burn just on her face and neck, empty eye socket, and no ear, wearing a very wide-brimmed sun hat. note next to her reads "sun protection". below her is a white man with scarring on the side of his head, including two large keloid scars. he's missing a lot of hair on his scalp. underneath him is a drawing of a Latino man with short black hair and contracture scars on his forearm, fusing it around the elbow; he's wearing a large compression glove on his hand. in the center of the image are two women; a South Asian young woman wearing a pastel hijab using crutches with a visible prosthetic leg, and a Black woman with short pink hair and all four limbs amputated using a powerchair. The first woman has no actual burns visible while the second one has her stumps covered in distinct discolored scars, but they're both smiling at each other. text between them reads "burns can result in amputation, either because of the initial damage or infection. sometimes burns are visible, sometimes not so much". under them is a portrait of a white woman scratching her neck with her remaining fingers. she's completely bald with scars on her head, face, and hand. her eye is slightly red with a discolored white part in the middle of the iris. text next to her reads "research actual symptoms of burn scars (like scratching) (like sun protection), etc."

Overview of some topics when it comes to drawing characters who are burn survivors.

DISCLAIMER. Please keep in mind that this is an introductory overview for drawing some burn scars and has a lot of generalizations in it, so not every “X is Z” statement will be true for Actual People. I'm calling this introductory because I hope to get people to actually do their own research before drawing disabled & visibly different characters rather than just making stuff up. Think of it as a starting point and take it with a grain of salt (especially if you have a very different art style from mine).

Talking about research and learning... don't make your burn survivor characters evil. Burn survivors are normal people and don't deserve to be constantly portrayed in such a way.

Screenshot that reads, "In a 2022 survey of the burn community, Phoenix Society for Burn Survivors found 59% ranked 'burn survivors & the media: changing the portrayal of the survivor' as a top need for support."

edit: apparently tum "queerest place on the internet" blr hates disabled people so much that this post got automatically filtered. cool!


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1 year ago
Here Is How I Draw Leg

here is how I draw leg

step 1: draw circle

step 2: add a rectangle at kinda forward angle

step 3: another rectangle but angled backwards

step 4: last rectangle this time forward again and longer than the last two

step 5: add lines to bulk up your leg where needed, this prevents it from being overly skinny compared to your characters body

step 6: add paws/talons and bulk up any extra areas as you see fit

step 7: use last step as a sketch, add any details like fur or scales as needed


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1 year ago
Here's How I Make Feathered Wings

Here's how I make feathered wings

step 1: Draw curved line

step 2: make a kinda curved shape

step 3: repeat that shape until wing is preferred size

step 4: use everything previous as a sketch and line over it


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1 year ago
Simple Wing Tutorial, I Made. I Love Simplifying Wings. But Sometimes If I Want A Realistic Approach

Simple wing tutorial, I made. I love simplifying wings. But sometimes if I want a realistic approach I get stuck, so I stared at a picture of a bat for reference and doodled this

step 1: draw curved line

step 2: draw several curved lines where the original peaks, these will be the wing fingers later

step 3: make archs between each line to create wing membrane

step 4: use previous step as a sketch and line over it on a separate layer


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10 months ago

your shading is AMAZING specially when its conveying organic forms..... do you have any tips for people who dont know wrf going on (with shading)

ok so HI. hi. my old tutorial pisses me off so i will make a new one

i made a guy whose sole purpose is to be shaded so dont worry he likes it. and his name. his name will be mr. Boob. mr boob does not have to be blue

Your Shading Is AMAZING Specially When Its Conveying Organic Forms..... Do You Have Any Tips For People

theres probably way better explanations of how to do it but unfortunately trying to "emulate" shading does ask you to somewhat understand ur character in a 3d way. like what would the 2d shape be if you "sliced" it? mr boob is made of so many circles. his tail also does a kind of weird perspective foreshortening thing because its pointing at you. is this being conveyed

Your Shading Is AMAZING Specially When Its Conveying Organic Forms..... Do You Have Any Tips For People

you obviuously dont have to draw a horrendous grid on your characters skin to do this . BUT it helps you put down (or at least envision) the lines of the form shading :

Your Shading Is AMAZING Specially When Its Conveying Organic Forms..... Do You Have Any Tips For People
Your Shading Is AMAZING Specially When Its Conveying Organic Forms..... Do You Have Any Tips For People
Your Shading Is AMAZING Specially When Its Conveying Organic Forms..... Do You Have Any Tips For People

dont worry about cast shadows or the shading color because this is FORM SHADOW time only. think about what surfaces of the character are obviously facing away from the light source and put down the "separation line" of the shading based on that. thr most important thing is that youre trying to separate light from dark

im going to pick the first one for cast shadows bc it will be the most obvious to me

Your Shading Is AMAZING Specially When Its Conveying Organic Forms..... Do You Have Any Tips For People

ok so. his ears and snout are blocking other surfaces of his body from the light, which means a shadow is cast!!!! bam. i saw someone describe cast shadows as what the light's pov "can't see." his entire body is putting down a cast shadow on the ground too

Your Shading Is AMAZING Specially When Its Conveying Organic Forms..... Do You Have Any Tips For People

im impatient so i blended the form shadows now. its usually the easiest to just NOT blend cast shadows as a way of conveying that they are still cast shadows. but you can still blend them if you want to show "distance" between the obstruction and the surface its blocking. but its just a way of saying form and cast shadows should not be treated the same even if their softness coincides

Your Shading Is AMAZING Specially When Its Conveying Organic Forms..... Do You Have Any Tips For People

im going to lump reflection and ambient light together because theyre like. similar. reflections dont just happen in mirrors

since the sky is blue, making the ambient lighting, i tinged mr. boobs existing shadow to be a bit blue. (*this is kind of important because it can help you decide a shading color, which should USUALLY be based on the environment) (unless your character is just in the transparent void then it doesnt matter)

since the ground is pink, i made pink light bounce off of him. pointed and labelled. i dont rlly know how to go more in depth than that

Your Shading Is AMAZING Specially When Its Conveying Organic Forms..... Do You Have Any Tips For People

contact shadows are literally shadows formed from direct-touching contact. very little light can reach in there, even from how reflections disperse, which means youre free to use the darkest color available (black). in this case mr. boob is making contact with the floor. because he is sitting on the floor.

Your Shading Is AMAZING Specially When Its Conveying Organic Forms..... Do You Have Any Tips For People

i touched him up a bit and wow!!!!!!!!!! look at mr. boob!!! he is so beautifully sculpted.

and one more thing

Your Shading Is AMAZING Specially When Its Conveying Organic Forms..... Do You Have Any Tips For People
Your Shading Is AMAZING Specially When Its Conveying Organic Forms..... Do You Have Any Tips For People

thats right. i made mr boob PINK. hes fucking ruined now. just kidding i would never say that to him

what im trying to convey here (its the easiest with really light colors) is a transitional color. this can also show subsurface scattering depending on how you use it which is fun to look at. the mistake i made on my last tutorial was "Just pick a warm saturated color!" which is really wrong in examples like Blue mr boob. because it would be weird to use a warm color to transition from blue to blue.

Your Shading Is AMAZING Specially When Its Conveying Organic Forms..... Do You Have Any Tips For People

if you have a character that isn't bright enough then obviously the shadows wont be as visible. its BEST to bring more attention to highlights and reflections to reveal the form a bit. they play the biggest role with darker colors

thats all i can think of. fun things to look up:

structuralization + contour lines + foreshortening etc. 3d lingo

form shadows

cast shadows

ambient light

contact shadows

subsurface scattering

im also just speaking out of my ass otherwise. i didnt look up any of these terms until the end now im inferring and hoping i got them right

and remember every time you shade mr boob will be rooting for you


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3 months ago

Really curious, but how do you do the coloring part in your artworks? It looks so juicy and nice. Especially interested in how you did it with the recent Enki sketch you made! (the one with blue, yellow, and many many more colors)

While I couldn't really explain the methods in a brief text post, I did make this vid to articulate my thought process!!

finished art :))

Really Curious, But How Do You Do The Coloring Part In Your Artworks? It Looks So Juicy And Nice. Especially

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7 months ago

Hey so artist to artist, share a secret, how do you achieve that effect? I'm obsessed with how raw it looks love to coloura love the impression and softness just *chefs kiss*

https://www.tumblr.com/corn-cardigan/760825147001339904/random-stuff-from-july-legarde-thing-i-probably?source=share

<- last art from this post

Thank you so much (´༎ຶོρ༎ຶོ`) !

The way I paint is honestly a hodgepodge of methods. I’m in no way a professional painter or visual development artist - I work like this because it’s a nice change of pace from my usual stuff. But here’s a look into my process!

Hey So Artist To Artist, Share A Secret, How Do You Achieve That Effect? I'm Obsessed With How Raw It
Hey So Artist To Artist, Share A Secret, How Do You Achieve That Effect? I'm Obsessed With How Raw It

I work in glazes, then I build up to full opacity when I render. This way, whatever subject I’m painting melds with the background color. I prefer my pieces having low contrast and details. I save the most contrast and details for focal points and areas in direct light.

Hey So Artist To Artist, Share A Secret, How Do You Achieve That Effect? I'm Obsessed With How Raw It

I’m also mindful of what direction my brush strokes are in as a way to sorta replicate traditional painting. It tends to do some heavy lifting in terms of indicating form. ((I love low effort things with big payoffs yippee!!))

Hey So Artist To Artist, Share A Secret, How Do You Achieve That Effect? I'm Obsessed With How Raw It

It’s really noticeable in my last painting but I add these borders when the subject’s colors contrast too much with the background. By adding that transition border, it makes the subject feel less like a sticker and more incorporated into the background.

Hey So Artist To Artist, Share A Secret, How Do You Achieve That Effect? I'm Obsessed With How Raw It

When painting portraits, my focal point will usually be the face and eyes. So I prioritize all the rendering and information into that area. Everything else outside that zone is kinda a mess of colors, shapes, and brushstrokes - but it’s ok because it’s not the priority. (Also the above pics are WIPS so if I finished them, it would be a bit more refined…)

Hey So Artist To Artist, Share A Secret, How Do You Achieve That Effect? I'm Obsessed With How Raw It
Hey So Artist To Artist, Share A Secret, How Do You Achieve That Effect? I'm Obsessed With How Raw It
Hey So Artist To Artist, Share A Secret, How Do You Achieve That Effect? I'm Obsessed With How Raw It

Somethings I did in 2022 that kinda exemplifies my points. Although if I did these again, maybe I’d bump down the contrast and make it more focused??

Again, painting is not my main thing!! I just do it for fun and it’s meditative and when you're a storyboard artist, you miss colors…

I always strongly recommend studying contemporary and classical painters who have a stronger, articulated grasp on this matter. I’m just noodling around most of the times.

Lengthy post but hope this helps!!! 💕


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1 year ago
I Have To Draw A Lot Of Gold And Metal For My Work, But Wasn't Happy With Any Of The Metal Tutorials
I Have To Draw A Lot Of Gold And Metal For My Work, But Wasn't Happy With Any Of The Metal Tutorials
I Have To Draw A Lot Of Gold And Metal For My Work, But Wasn't Happy With Any Of The Metal Tutorials
I Have To Draw A Lot Of Gold And Metal For My Work, But Wasn't Happy With Any Of The Metal Tutorials

I have to draw a lot of gold and metal for my work, but wasn't happy with any of the metal tutorials i could find around. I prefer really specific instruction, so after some research i put together what i think works as a generalist's guide/tutorial. Not perfectly accurate, but i hope it's helpful!


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2 years ago

I forgot I have to be active here so here’s my Twitter tutorial on how to draw folds I made a while back to help a friend!

A piece of cloth teaching you how to draw cloth folds of different material. Each picture depicts two arms in the same material - one thin arm and one fat arm.
THICK clothes only have a few folds! Sometimes a bump is all it takes to suggest a fold for THICK stuff. Examples are sweaters, hoodies, wool, fleece, and denim
THIN clothes have a lot of folds and bumps! Thin stuff usually has more lines that wrap around what's underneath. Examples are rayon, cotton, and crepe
SMOOTH stuff have "squiggly" folds. Smooth cloth folds tend to "loop" back to where they start. Examples are silk, velvet, Satin, Bamboo cotton, and most luxurious stuff
SOFT clothes have round folds. Unlike smooth stuff, soft stuff doesn't have many "squiggles" or solid lines in between. Examples are down jackets, fur, fleece, washed linen, and polyester
STIFF clothes have angular folds! Most folds tend to look triangular - assuming they even fold at all! Examples are raincoats, New denim, canvas, and suits
PS I have avoided talking about loose vs tight clothing since whatever is loose on one person (A shows a thin arm in a baggy yellow sleeve) might not be as loose on a different person (B depicts the same sleeve which comfortably fits around the fat arm). However it's still important to learn about these type of things.
Person asks, "So uh... what happens if the clothes are Smooth and Thin, or Thick and Soft?" The answer is DO BOTH! Top right shows a full woman in a dress that has a Smooth skirt and a Stiff top half. Even though it's one dress, one part is more Smooth while the other part is more Stiff. There are more examples but don't forget to study hard and have fun!

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1 year ago
5 Min Tutorial For Trcelyne, Hope It Helps! 
5 Min Tutorial For Trcelyne, Hope It Helps! 

5 min tutorial for trcelyne, hope it helps! 


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2 years ago
My First Anatomy Tutorial! How I Connect Arms To The Torso. Simplified The Muscles For Better Comprehension
My First Anatomy Tutorial! How I Connect Arms To The Torso. Simplified The Muscles For Better Comprehension
My First Anatomy Tutorial! How I Connect Arms To The Torso. Simplified The Muscles For Better Comprehension
My First Anatomy Tutorial! How I Connect Arms To The Torso. Simplified The Muscles For Better Comprehension

My first anatomy tutorial! How I connect arms to the torso. Simplified the muscles for better comprehension

PS. Pectoral is misspelled as “pectorial” in the picture! Don’t make that mistake haha


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3 months ago

🎨color study note

🎨color Study Note
🎨color Study Note
🎨color Study Note

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9 months ago

UMBURGRR!!!!!!!!!!!! PLEASE DRAW A DOODLE OF RIDDLE ROSEHEARTS AND MY LIFE, IS YOURS.

OKAY but fr though your art is so MAJESTIC!!!!???!! I swear it has this aura that makes it so compelling, the way you color and render makes all of your works so appealing to the eye and your style is genuinely just AMAZING!!!!!! (if you don’t mind, what art program and brushes do you use??) anyways sorry for talking so much THANK YOU SO MUCH AND HAVE A GREAT REST OF YOUR DAY!!!!!!

GIGGLING right now you're too kind 😭❤️ but honestly, thank you so much it means so much to me (i cry) and ofc! here's my brushes, program, and process 😎 (ft. mr riddle rosehearts)

For my art program I use procreate with a canvas of 300 dpi and for brushes I use kraymer's hard brushes on gumroad !!

Anndd here's how I apply them:

UMBURGRR!!!!!!!!!!!! PLEASE DRAW A DOODLE OF RIDDLE ROSEHEARTS AND MY LIFE, IS YOURS.
UMBURGRR!!!!!!!!!!!! PLEASE DRAW A DOODLE OF RIDDLE ROSEHEARTS AND MY LIFE, IS YOURS.
UMBURGRR!!!!!!!!!!!! PLEASE DRAW A DOODLE OF RIDDLE ROSEHEARTS AND MY LIFE, IS YOURS.
UMBURGRR!!!!!!!!!!!! PLEASE DRAW A DOODLE OF RIDDLE ROSEHEARTS AND MY LIFE, IS YOURS.
UMBURGRR!!!!!!!!!!!! PLEASE DRAW A DOODLE OF RIDDLE ROSEHEARTS AND MY LIFE, IS YOURS.

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2 years ago

Can I ask how you do rendering so well? I’ve been trying for a while and I’ve only been able to figure out basic shading.

firstly, Thank you!

Secondly, heres a fun behind the scenes of my art! I start with choosing a consistent environmental light. This is something to help the character seem more grounded in the scene. This can be as simple as making a new layer and flooding it a light colour to set everything in the same scene.

Next is figuring out where the lighting is coming from, and making the shadows and THEN where the light actually hits as a part of the shadow/multiply layer. I make an additional layer for overlay for the brightest highlights!

the rest is honestly just studying how light lands on different objects! like learning the planes of the face is super important and im still learning how it works!

This is a wonderful reference I use a lot, as well as honestly??? Just experimenting and practising! learning about things like different kinds of shadows and contouring is always good.

Hope this helps!

Can I Ask How You Do Rendering So Well? I’ve Been Trying For A While And I’ve Only Been Able To Figure
Can I Ask How You Do Rendering So Well? I’ve Been Trying For A While And I’ve Only Been Able To Figure
Can I Ask How You Do Rendering So Well? I’ve Been Trying For A While And I’ve Only Been Able To Figure

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6 months ago
More Art Tutorials By Disney Artists Griz And Norm Lemay
More Art Tutorials By Disney Artists Griz And Norm Lemay
More Art Tutorials By Disney Artists Griz And Norm Lemay
More Art Tutorials By Disney Artists Griz And Norm Lemay
More Art Tutorials By Disney Artists Griz And Norm Lemay
More Art Tutorials By Disney Artists Griz And Norm Lemay
More Art Tutorials By Disney Artists Griz And Norm Lemay

More art tutorials by Disney artists Griz and Norm Lemay


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HEYY My 2nd color Tips Pdf Is Now Available ! ^o^ Hope You Enjoy!
HEYY My 2nd color Tips Pdf Is Now Available ! ^o^ Hope You Enjoy!
HEYY My 2nd color Tips Pdf Is Now Available ! ^o^ Hope You Enjoy!
HEYY My 2nd color Tips Pdf Is Now Available ! ^o^ Hope You Enjoy!
HEYY My 2nd color Tips Pdf Is Now Available ! ^o^ Hope You Enjoy!

HEYY my 2nd color tips pdf is now available ! ^o^ hope you enjoy!

BUY HERE or HERE


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5 months ago

Can't afford art school?

After seeing post like this 👇

Can't Afford Art School?

And this gem 👇

Can't Afford Art School?

As well as countless of others from the AI generator community. Just talking about how "inaccessible art" is, I decided why not show how wrong these guys are while also helping anyone who actually wants to learn.

Here is the first one ART TEACHERS! There are plenty online and in places like youtube.

📺Here is my list:

Proko (Free, mostly teaches anatomy and how to draw people. But does have art talks and teaches the basics.)

Marc Brunet (Free but he does have other classes for a cheap price. Use to work for Blizzard and teaches you everything)

Aaron Rutten (free, tips about art, talks about art programs and the best products for digital art)

BoroCG (free, teaches a verity of art mediums from 3D modeling to digital painting. As well as some tips that can be used across styles)

Jesse J. Jones (free, talks about animating)

Jesus Conde (free, teaches digital painting and has classes in Spanish)

Mohammed Agbadi (free, he gives some advice in some videos and talks about art)

Ross Draws (free, he does have other classes for a good price. Mostly teaching character designs and simple backgrounds.)

SamDoesArts (free, gives good advice and critiques)

Drawfee Show (free, they do give some good advice and great inspiration)

The Art of Aaron Blaise ( useful tips for digital art and animation. Was an animator for Disney. Mostly nature art)

Bobby Chiu ( useful tips and interviews with artist who are in the industry or making a living as artist)

Sinix Design (has some tips on drawing people)

Winged canvas (art school for free on a verity of mediums)

Bob Ross (just a good time, learn how to paint, as well as how too relax when doing art. "there are no mistakes only happy accidents", this channel also provides tips from another artist)

Scott Christian Sava (Inspiration and provides tips and advice)

Pikat (art advice and critiques)

Drawbox (a suggested cheap online art school, made of a community of artist)

Skillshare (A cheap learning site that has art classes ranging from traditional to digital. As well as Animation and tutorials on art programs. All under one price, in the USA it's around $34 a month)

Human anatomy for artist (not a video or teacher but the site is full of awesome refs to practice and get better at anatomy)

Second part BOOKS, I have collected some books that have helped me and might help others.

📚Here is my list:

The "how to draw manga" series produced by Graphic-sha. These are for manga artist but they give great advice and information.

"Creating characters with personality" by Tom Bancroft. A great book that can help not just people who draw cartoons but also realistic ones. As it helps you with facial ques and how to make a character interesting.

"Albinus on anatomy" by Robert Beverly Hale and Terence Coyle. Great book to help someone learn basic anatomy.

"Artistic Anatomy" by Dr. Paul Richer and Robert Beverly Hale. A good book if you want to go further in-depth with anatomy.

"Directing the story" by Francis Glebas. A good book if you want to Story board or make comics.

"Animal Anatomy for Artists" by Eliot Goldfinger. A good book for if you want to draw animals or creatures.

"Constructive Anatomy: with almost 500 illustrations" by George B. Bridgman. A great book to help you block out shadows in your figures and see them in a more 3 diamantine way.

"Dynamic Anatomy: Revised and expand" by Burne Hogarth. A book that shows how to block out shapes and easily understand what you are looking out. When it comes to human subjects.

"An Atlas of animal anatomy for artist" by W. Ellenberger and H. Dittrich and H. Baum. This is another good one for people who want to draw animals or creatures.

Etherington Brothers, they make books and have a free blog with art tips.

📝As for Supplies, I recommend starting out cheap, buying Pencils and art paper at dollar tree or 5 below. If you want to go fancy Michaels is always a good place for traditional supplies. They also get in some good sales and discounts. For digital art, I recommend not starting with a screen art drawing tablet as they are usually more expensive.

For the Best art Tablet I recommend either Xp-pen, Bamboo or Huion. Some can range from about 40$ to the thousands.

💻As for art programs here is a list of Free to pay.

Clip Studio paint ( you can choose to pay once or sub and get updates. Galaxy, Windows, macOS, iPad, iPhone, Android, or Chromebook device. )

Procreate ( pay once for $9.99 usd, IPAD & IPHONE ONLY)

Blender (for 3D modules/sculpting, animation and more. Free)

PaintTool SAI (pay but has a 31 day free trail)

Krita (Free)

mypaint (free)

FireAlpaca (free)

Aseprite ($19.99 usd but has a free trail, for pixel art Windows & macOS)

Drawpile (free and for if you want to draw with others)

IbisPaint (free, phone app ONLY)

Medibang (free, IPAD, Android and PC)

NOTE: Some of these can work on almost any computer like Clip and Sai but others will require a bit stronger computer like Blender. Please check their sites for if your computer is compatible.

So do with this information as you will but as you can tell there are ways to learn how to become an artist, without breaking the bank. The only thing that might be stopping YOU from using any of these things, is YOU.

I have made time to learn to draw and many artist have too. Either in-between working two jobs or taking care of your family and a job or regular school and chores. YOU just have to take the time or use some time management, it really doesn't take long to practice for like an hour or less. YOU also don't have to do it every day, just once or three times a week is fine.

Hope this was helpful and have a great day.

"also apologies for any spelling or grammar errors, I have Dyslexia and it makes my brain go XP when it comes to speech or writing"


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1 year ago
Someone Wanted Some Facial Advice, So I Just collect Some Tips. Free To Ask For More Advice.
Someone Wanted Some Facial Advice, So I Just collect Some Tips. Free To Ask For More Advice.
Someone Wanted Some Facial Advice, So I Just collect Some Tips. Free To Ask For More Advice.
Someone Wanted Some Facial Advice, So I Just collect Some Tips. Free To Ask For More Advice.

Someone wanted some facial advice, so I just collect some tips. Free to ask for more advice.


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11 months ago
“Thinking About Compression From A Side View”
“Thinking About Compression From A Side View”

“Thinking about compression from a side view”

Source: Anime Private School on Twitter


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