Curate, connect, and discover
Okay so I drew this one.(Also Ty for the tag) Tags-(no pressure as always)@kulisu @nellysview (this is infact my pookie,Fox Szn)
Rules - In a new post, show the last line you wrote (or drew) and tag as many people as there are words (or however many as you like.)
Tagged by- @octtinkk
Last line- “The chains. Do they hurt?” The Lamb stared up at their god, with a curious gaze.
Tags - @uniteight @mustangs-flames @jaroftears @apple-rose301 @minightrose andddd I ran out of ideas…uhm
A character arc is a measure of how a character changes over time. These arcs are linear, which means they have a start and a conclusion. Character arcs are a significant aspect of any novel as they help clearly translate your character’s struggles and personal developments to your readers.
Unsure how to write a compelling character arc for your protagonist or other characters? Here are some tips to help you get started!
In order to create a compelling and successful character arc, you first need to recognise which type of arc is your character going to experience. Over the years people have developed various character arc types, however, there are three significant types every writer needs to be aware of when plotting their character’s story.
Positive character arcs are simply that—a character arc that results in a positive journey or development.
A majority of books and movies or other cinematic pieces feature positive character arcs. This is because everyone enjoys a happy ending. An ending that makes you feel fulfilled and excited for the protagonist’s journey, or brings tears to your waterline as you reminisce on how far they’ve come, and how much they deserve this positive ending.
A positive character arc doesn’t necessarily have to have a ‘’happily ever after’ however it needs to have a happy ending. If a character’s family was assassinated and at the end they get revenge on the antagonist who murdered their loved ones while developing themselves mentally, then that counts as a positive character arc.
When writing a positive character arc it’s important to keep a few things in mind, such as:
You need to end on a positive note. Things can be as chaotic as you want it to be, but you need to have a positive ending. Otherwise, you cannot define your character arc as positive.
Your protagonist needs to develop as a character. Whether that be mentally, emotionally, financially, etc.
Your protagonist cannot end up where they started. A character arc that ends in a full circle is more of a flat character arc than a positive one.
Just like a positive character arc, a negative one is very easy to explain. This is a character arc that is typically used when writing antagonists in the entertainment industry due to the negativity it brings. When writing a negative character arc for a protagonist you run the risk of making your readers feel unsatisfied or creating a ‘bad ending’.
Some examples of a negative character arc for a protagonist would be if the protagonist dies at the end of the book, or if the protagonists almost achieve their final goal but fail by a small shortcoming. Negative character arcs for a protagonist are usually implemented for the first few books of a series, especially in fantasy books.
Using a negative character for your antagonist is simple—they fail. The protagonist wins and the villain dies or gets locked up until their final moments.
When employing a negative character arc for a protagonist, here are some things to keep in mind:
They shouldn’t end up as a person similar to what they started off as. The point is to corrupt them, ruin them and turn them to the bad side. Perhaps even make them fall victim to the antagonists.
They can’t or will never achieve their long-term goal. Remember that goal you established at the start of your book? Your protagonist cannot achieve that. Or at least, they will never achieve it due to certain plot developments.
They lose someone or thing important to them. Negative character arcs for a protagonist are generally triggered due to the loss of someone or thing important to the protagonist. Maybe their mentor is murdered by the government, or their failure to achieve their goals makes them turn evil.
Flat character arcs are arcs that essentially lack any sort of arc. They are flat and begin and end with the character as the same type of person.
These arcs are generally used for side characters, but they can also be used for a protagonist. Think of characters like Sherlock Holmes, James Bond, etc. They go through several trials and tribulations, but even after it all their personality remains the same.
When writing a flat character arc it’s important to remember that your character cannot undergo any significant personality changes. Your protagonist can undergo such changes during the story, but they need to have a full circle by the end.
Once you’ve decided where you want your character to end up at the end, you now need to know how they will get there. You can achieve this by referring to your long-term goal and then breaking them down into short-term goals.
The protagonist is supposed to find a hidden jewel at the end of the book and discovers how corrupt their government is. Alright, now break that down into short-term goals that will help your protagonist get to their end goal.
Group these goals and they will become stages for your book, break them down and you now have chapter outlines to work with.
Playing with the details of your character arcs can help you easily plan out your book’s plot and set a steady pace. You can also use this as a reference sheet when working on your WIP.
Once you know the type of character arc you want and how you’re going to write it, it’s important to consider how this arc will impact your world. This includes your side characters as well as the general plot and layout of your world.
It isn’t necessary to have a character arc for every single character, but it is almost impossible for only two characters to have an arc within hundreds of pages.
Whether it be your protagonist’s mentor or your antagonist’s assistant, it’s important to take their stories and personal development into consideration. How does the story’s plot impact their outlook on the world or their personality? Do any of the minor antagonists turn out to be morally grey? Does one of the smaller protagonists end up betraying the protagonist out of jealousy?
Remember, your smaller characters are also human. It’s important to take their stories and arcs into consideration so you can create a detailed and comprehensive world.
A great example of this could be anime characters. Most animes tend to have separate backstories and endings for every character. These backstories and endings don’t have to all be necessarily revealed to your readers, however, as an author you need to know where you’re going with each of your characters.
One easy way to implement character arcs for your side characters is by using reaction arcs. I don’t know if this term has already been established, but I personally coined the term to refer to a character arc that is a direct reaction to another character’s arc.
Maybe your protagonist has a positive character arc and ends up becoming the most successful person in their field of work, but this results in a reaction arc for their best friend who turns bitter and has a negative character arc due to the way the protagonist’s story played out.
Reaction arcs differ from other arcs due to the fact that they cannot be achieved without establishing another character’s arc first. Following the above example, the best friend cannot become jealous and bitter until your protagonist’s character arc is established.
I hope this blog on how to write a compelling character arc will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.
Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and marketing tools for authors every Monday and Thursday.
Want to learn more about me and my writing journey? Visit my social media pages under the handle @hayatheauthor where I post content about my WIP The Traitor’s Throne and life as a teenage author.
Copyright © 2022 Haya Sameer, you are not allowed to repost, translate, recreate or redistribute my blog posts or content without prior permission
“how’s the writing going?” i’m glad you asked! my room has never been cleaner and i’ve decided to take up baking
*struggles while writing* i suck and writing is hard
*remembers some ppl use ai* i am a creative force. i am uncorrupted by theft and indolence. i am on a journey to excellence. it is my duty to keep taking joy in creating.
Pai do Mato, or Wild Father in a rough translation, is a giant entity that protects The nature around The center of Brazil. He has The size of a Hill and a body made of Dirt and Woods, with a blue nose. He is so big that He has a forest around its body. To make friends with him, you must give him Cachaça, or Beer. His piss smells like Vinegar.
Also called M'boitatá or just Boitatá, this is a Giant Snake made of fire, with eyes covering its body, who is also a guardian of nature, being against Wildfires in the Woods. Boitatá eyes can shoot fire beams, and looking directly at his eyes can either blind or kill you.
Cramunhão, or The Devil in the bottle, is the name given to a demon who made a powerful deal with a human.
The Deal is simple: The Demon will stay inside a bottle and give to the human everything he desires during a certain amount of time. Then when The time is over, The Demon will take The soul of the human straight down to hell. To summon a Cramunhão, you must take care of a Rooster Egg (Yes, you heard me. A ROOSTER egg) under your armpit until it hatches. During this time, you are forbidden to do anything related with God or the Church. Also, dont following these rules can make the Demon attack, curse or even kill you in response. Also, the true appearence of the Devil in The Bottle is a Mistery, as no one except the human who made the deal can see it.
Cobra Norato and his sister Maria Caninan are 2 demigods from Brazilian Mythology, who are The son and daughter of Boiuna, The Giant Snake. Both of them are very powerful entities, and both are very known in Brazil.
They are both twins, but are also very different themselves. Cobra Norato is described as being Kind, gentle and romantic, also a friend of humanity. As for his sister, Maria Caninana is explosive, violent and does not hesitate in eating or poison humans if she wants to. Both of them have incredible powers, but Cobra Norato have also The Power of turning into a man, but only at night. His sister does not hold The same Power.
According to the legend, both of them had a fight once because Maria Caninana wanted to destroy an entire human City by waking up one of their Half-Brothers, a Church Snake. Cobra Norato stopped her and their fight caused a thunderstorm, wich ended with Maria Caninana being defeated. After that, Cobra Norato became The protector of everyone who would get closer to rivers, and his sister became his enemy, causing Whirlpools to drag People directly into her mouth.
Boiúna, also known as Cobra Grande or The Giant Snake, is an ancient God who have The form of a Giant Snake. His size is unprecise, but he is supposed to be as big as The Amazon River itself in some versions. He is The God of all Water Courses and father of all Snakes and Cobras in Brazil.
Boiúna have a huge amount of Power, being capable of causing floods, Thunderstorms and even Earthquakes, sometimes by accident by just moving his Huge Body. Boiuna created all rivers and water courses just by moving his body around Brazil.
As being the father of all Snakes and Cobras, Boiúna had a bunch of powerful kids, known as Church Snakes. They are as big as their father, and are also very powerful. They are called Church Snakes because of a thing: Because of their size and Might, they spend a lot of time sleeping. Churches were built above their heads and tails, and they cant get up because they feel The presence of God and The Virgin Mary, wich makes them not get in mood to wake up. In Nazaré, a Brazilian City on The North, there is a religious ritual called Círio de Nazaré, where its believed by some natives to not only be a Catholic Party but also a way to prevent The Church Snake who sleeps under The City from Waking up, as they believe Holy Mary herself steps on The snake Head and keeps it asleep. There are registers of at least 10 Church Snakes around The Country, but there may be more.
The legend also says that when all Church Snakes wake up, they will cause an Earthquake so big that The entire country of Brazil will sink in the Ocean. A small Earthquake who happened in Nazaré was blamed by some locals as The Sleeping Church Snake "moving her tail while sleeping.".
BRAZILIAN MAGICAL CREATURES YOU CAN USE ON YOUR HISTORIES
Capelobo is a Werewolf-like monster, who is a man who in full moon nights turn into a monster with hooves on its feet and that have an Ant-Eater head. The creature attacks mainly humans, slashing them with its giant sharp claws and then using its massive tongue to pierce The human skull and feast on their Brains.
Gorjala is a vengeful spirit that assumes The form of a Giant Black Man or a Cyclop who eats People who are in their way, as a form to try appeasing The Hunger of the thousands of Black Men and Women who died because of Hunger during slavery. It appears mainly at night.
The Cupendiepe is a tribe of Vampire Beings who apparently lived in Brazilian hills and caves before the colonization. They had sharp teeth, bat wings and slept like bats. According to natives, they all had axes made of Steel, wich they used to call it "Moon Scythes" because of their shape. Also according to natives, The Cupendiepes were hunted until they were all extinct, The last remnants being suffocated to death with smoke on their caves. There's a history that tells one boy from The tribe survived, but died of depression mixed with the fact of no native knowing how to raise him.