I'm Saving This For Later Cause I Haven't Finished The Series But I'm So Excited To Read It

I'm saving this for later cause I haven't finished the series but I'm so excited to read it

The Agency's Older Brother: or, Ranpo's Character Development

The Agency's Older Brother: Or, Ranpo's Character Development

I want to talk about Ranpo and the development he goes through in the series, because for as much as Ranpo is an important member of the Agency, his story is focused on in small chunks that may not always, at first read, seem to be overly significant. In fact, Ranpo’s arc is very consistent and I’m fascinated to know where it’s building to, because he’s done a lot of growing in the series. A lot of the themes of his story are to do with responsibility and faith in others.

The Ranpo we meet at the beginning of the story is not the Ranpo we see now. The biggest change is that he’s a lot more personally involved with the struggles of the Agency members, taking it on himself to be proactive and protective, while previously he had to be pushed and bribed into helping much of the time. When did this change?

Well...

The Agency's Older Brother: Or, Ranpo's Character Development
The Agency's Older Brother: Or, Ranpo's Character Development

[ID: Two screenshots from a scene in Poe's introductory episode of the Bungou Stray Dogs anime. In the first screenshot, Yosano lies on the carpeted ground, an axe embedded in her chest, blood pooling around her. Ranpo is crouched beside her, supporting her shoulders with one hand and clasping her hand with the other. The second screenshot is a close up of Ranpo's distressed face. End ID.]

The thing is, it's almost easy to overlook the effect this scene had on Ranpo, because Poe’s introductory chapter/episode is such a brief one. Moreover, afterwards, Poe becomes an ally and is a bit of a silly character, so it’s easy to forget sometimes that he was a legitimate threat here - and Yosano nearly died for it. This scene was incredibly significant to Ranpo for a few notable reasons.

It’s the first time someone in the Agency was in serious trouble/died without a backup plan.

It is, unfortunately, kind of on him. (Let me be real clear here: I am not blaming Ranpo. But he probably was blaming himself and that's something to keep in mind.)

To recap: Poe pulls Ranpo into his novel out of revenge, also trapping Yosano, who went with him. Ranpo realizes that they are in a world with no abilities, and importantly, he doesn't have the glasses Fukuzawa gave him.

We know those glasses mean a lot to him. When Ranpo was at his lowest, when he was convinced the world hated him, Fukuzawa gave him those glasses and told him he had a special ability. That he had a gift that no one else did that allowed him to see the truth that no one else could. Untold Origins makes it very clear that if Fukuzawa hadn't reached out to Ranpo when he did, Ranpo may have forever been outcasted. He was a kid kept in a bubble then suddenly and rudely shoved into a world he was unprepared to cope with, where he continued to get rejected and thrown out over and over - and all this on top of the grief he felt from his parents' passing. Ranpo was bitter and terrified of people, and thought everyone was pretending to be oblivious just to hurt him. Fukuzawa saved him the only way he could, in the only way Ranpo would hear him. It's not an exaggeration to say Fukuzawa saved Ranpo's life. And, while cute, it's also telling how quickly those glasses became an intrinsic part of his identity. Only maybe twenty minutes after he first received them, he was already making little doodles of himself wearing them.

Suddenly, the glasses are gone, and Ranpo goes into a funk because he "can't activate his ability without them". Obviously, we know that isn't true, and so does Yosano. Ranpo probably, deep down, knows this too, but to admit that would be to admit the president lied to him, and to uproot the very thing that gave him the means to perceive the world in a brighter light. The reason Fukuzawa had to lie in the first place was because the truth would be to tell Ranpo that his parents lied to him, something he angrily denies could ever be the case. And now, Fukuzawa is very plainly stated to be Ranpo's adoptive father. Ranpo's parents do not lie to him. He does not want to see it - and so he doesn't. This is a recurring thing with Ranpo. For as much as he sees the truth clearly, he also chooses not to see it at times when it would be uncomfortable/go against the intuition of someone he deeply trusts and respects.

And I think it's very easy to just leave it there, and say, "Oh, Ranpo realized at the end of this chapter/episode that he didn't need the glasses, that he doesn't have an ability, and that's a key turning point" but I don't feel that's the full picture or even the focus here, especially since Ranpo still hasn't reached the point where he can properly admit it aloud, even to Yosano.

The thing is, those glasses aren't just of use to Ranpo - they have sentimental value. A heck of a lot of it, for a character who is not very sentimental. The real turning point here is that Ranpo put on Yosano's glasses in order to save her.

The Agency's Older Brother: Or, Ranpo's Character Development

[ID: A screenshot of a panel from the Bungou Stray Dogs manga. Ranpo puts on a pair of glasses. His hair is blown out of his face and he wears an intense expression. End ID.]

Shortly before this, we are informed by Yosano that not only was the Agency specifically formed for Ranpo to make use of his talents, but also that it was Ranpo who invited her to join - which we later learn was a pivotal moment for her to start over after she was completely broken by her experiences in the war. And now, he is watching her bleed out because she had to take over. Because he couldn't solve it. And that, to Ranpo, is unacceptable.

But again, there's more to it. Ranpo is fundamentally a self-centered character - this is not a judgement; I actually love that about him. He's the center of the Agency, the (ostensibly) good guys of the series; a narcissistic guy with little in the way of sensitivity who wants to use his skills to help others. Not for some higher ideal, or because it's "right" necessarily, but because he's good at it, and because he's supposed to protect all the "babies" who can't solve things for themselves. I love it because it highlights a major theme of BSD, which is good as something you do rather than something you are, and also because it explains something about Ranpo himself.

See, if everyone in the world is a "baby" who needs Ranpo's assistance, then the people in the Agency are a little different. They're people hand-picked by Fukuzawa to support him, both through praise and through backup. Remember that Ranpo trusts Fukuzawa's judgement more than anything - this means that he expects the Agency members can handle themselves. So, in chapter 10, when Ranpo doesn't really care that Atsushi has been taken, citing that it's a "personal problem" and he should handle it, I really think this was some odd form of "Atsushi will be fine" and "why should I worry or do anything when I know he'll be fine". And in the past, this has been true - the Agency members always pull through. None of them, up until that point, have been in a situation that they couldn't eventually fix. Ranpo has a bubble of safety in the Agency, that basically amounts to a "villain of the week" type beat from his perspective, where troubles gets fixed up pretty quickly. All in a day's work.

But then Yosano dies in Poe's book, someone he actually had some level of responsibility for when he invited her to join his safe little circle in a world that had no place for people like them. And it's a direct result of Ranpo's refusal/inability to act.

In order to fix this, Ranpo uses Yosano's glasses. The lens he's seeing through has changed. The people in the Agency were initially "his" in that they were meant to support Ranpo, the special one "chosen" by Fukuzawa's glasses, the reason for the Agency's existence in the first place. But now the people in the Agency are "his" in that they are his to protect. He's their big brother they all look up to in a way, and as the big brother, he's got to take responsibility for their safety.

Why did this not stand out in the moment? Well, we learn something about Ranpo from Untold Origins: he's very good at pretending he's doing okay and things aren't bothering him as much as they are. He's able to hold it together up until it all comes spilling out of him during the play. Also, I do think Ranpo cares about people a good deal more than he'd have you believe. A common fanon thing about Ranpo (from what I've seen) is that he tends to forget people, which, I can see how one would come to that conclusion, but I actually think it's completely wrong. I don't think Ranpo's forgotten a single person he's accused. I don't think he's forgotten a single person he's helped.

He lied about not remembering Poe, in fact, he remembered him pretty fondly as a real challenge. He remembers the information on a person from the Special Division he was asked to look into and gave the info to Mushitarou to allow him an in. He recognizes an officer he'd helped, and it's implied he recognizes every single officer who had been present while he was working on cases in the past. Does this mean he cares about all of them? ...eh. Probably not. But it does mean that Ranpo keeps a lot of his cards close to his chest. He's disarming with his intentional childishness. And so it can be difficult for the characters and readers both to notice that events like Yosano's almost-death... actually bothered him a lot more than he let on.

Because it was his fault. Because she was his responsibility. Because he's supposed to be invincible.

And unfortunately, the story from here on out does not get any kinder to Ranpo as his safe bubble that is the Agency is repeatedly targeted in ways that are increasingly hard to repair.

Fukuzawa falls ill and nearly dies in Cannibalism arc.

A girl gets blown up and Kunikida ends up in jail because Fyodor managed to manipulate Ranpo's intel.

Mushitarou is believed to have been shot and killed trying to warn Ranpo about the Decay of Angels plan.

Taneda bleeds out from a stab wound and falls into a coma. Ranpo can do nothing but listen and cannot get him help.

The amount of times Ranpo has seen people nearly die in front of him... bro it's almost as bad as Kunikida.

Much like Kunikida having extreme faith in his lofty ideals which make him fall just that much harder when he fails to uphold them, Ranpo has practically zero self-doubt and complete and utter confidence in his abilities... so when problems arise, Ranpo is very harsh on himself. He takes the blame because he's supposed to be better than that. Because he is the one with the powerful "ability" that should never fail.

In this sense, Ranpo's position in the Agency reminds me a lot of a certain person in the Port Mafia, someone who also has a powerful skill he puts towards protecting his own, someone who also received life changing words from the boss which earned him his loyalty, and someone who would do anything to defend the only place in the world he feels secure.

I think there's definitely a reason Cannibalism arc had Ranpo and Chuuya face off, I'm just saying. Both of them ostracized and thrown out as young teens by people who should've been looking out for them. Both the instigators of that arc, proactive and desperate to protect the person they are most loyal to who changed their perspectives. They've even got the same power stance, look. :P

The Agency's Older Brother: Or, Ranpo's Character Development
The Agency's Older Brother: Or, Ranpo's Character Development

[ID: Two panels from the Bungou Stray Dogs manga. The first is a panel of Ranpo with the silhouette of Fyodor behind him. He is standing with his hands in his pockets, facing front with his head tilted back and to the left a little, a fierce expression on his face and his cloak billowing outwards. The second is a panel of Chuuya standing in a similar manner, arms crossed, facing front with a fierce expression as his coat billows out around him. End ID.]

Of course, there's more interesting comparisons and contrasts to be drawn between them, but I'm focusing on Ranpo in this analysis, so I think I've made my point. Chuuya is the Port Mafia's best martial artist. Ranpo is the Agency's strongest man. And that places a burden of responsibility on them that they both believe they must uphold. They're both ready and willing to do whatever it takes.

The thing is though, is that Ranpo doesn't actually have an ability. When up against someone like Chuuya, he is at a distinct disadvantage, and he knows it. "Regular people can't defeat ability users". But he's still going to come up with a way to do it anyways, and why?

The Agency's Older Brother: Or, Ranpo's Character Development

[ID: A screencap from the Bungou Stray Dogs anime. The members of the Agency all stand around Ranpo, who is seated at his desk with a smile, one hand holding his cap, the other held up in a casual gesture. The image is filtered in a soft light. End ID.]

Because his friends think he's invincible.

If Ranpo wants to maintain his safe place in a world of fear, then he has to step up to defend it, and he has to get creative about it. And that's exactly what he does. Ranpo becomes steadily more active throughout the story, which is a huge change from the start, where he had to be practically bribed to help at all. I see a lot of people point out his channeling of Fyodor's tactics to secure Kunikida's release, which is definitely a dark turn for his character, but it's not the only change.

Ranpo is now choosing to place his faith in others, the first obvious instance of this being his use of Poe's novels - which was how he defeated Chuuya. Ranpo knows that he is not going to succeed against people who drastically overpower him all alone, even if he does still take things on as personal burdens. He's also far more obvious about his protectiveness, going on the rescue himself to save the Agency members, driving a car (whereas before he needed someone to take transit with him - another indication of his increased proactivity since he's now literally driving instead of being driven), and bodily shoving Atsushi out of harm's way.

It all culminates in one of my favourite Ranpo scenes where he speaks at the conference to the police, who've worked with him before, where he asks if they will think for themselves - and tells everyone gathered there that anyone can be a detective if they think for themselves and look with their own eyes (!!!). He manages to get half the police force on his side, just through his words and his logic alone! Minoura assumes he somehow knew it would all work out, because, well, it's Ranpo. Ranpo knows everything.

But...

The Agency's Older Brother: Or, Ranpo's Character Development

[ID: An image from the Bungou Stray Dogs manga. Ranpo sits in the passenger seat of a car with an honest, helpless smile. End ID.]

He reveals he didn't know if his ploy would work at all. He had to trust that it would with no solid proof. He had to trust these people would use their heads and look beyond the obvious. He respects these people enough that he thinks at least some of them will make the right call.

Fourteen year old Ranpo, bitter and estranged from other people, would never. For him to have come such a long way is testament to the security that the Agency provided him with. In a way, Fukuzawa forming the Agency allowed Ranpo to "complete" his childhood in relative safety, so that when the world became hostile once again and his family destabilized, Ranpo had matured enough to meet it and defend himself and those he has a responsibility towards head on. The Agency is his family, and Ranpo cares for them enough that he puts his faith, not just in them, but in the people they put their faith in too.

The Agency's Older Brother: Or, Ranpo's Character Development

[ID: A panel from the Bungou Stray Dogs manga. Ranpo is kneeling in front of Fukuchi, who is sitting backwards on his chair to face him. End ID.]

...aaaaand then Fukuchi went and ruined it. Thanks, Fukuchi.

Ranpo again chooses to put his trust in someone without proof because Fukuzawa trusts him, only for that to have gotten thrown back into his face in the worst way possible. And it's in this regard, the trust aspect, that I think we'll see Ranpo develop as the story goes on.

Will he continue to show this tentative faith in people? Or will he begin to hyper-analyze, unwilling to trust again without proof?

If this arc gets resolved decently well, I think Ranpo will have no issue brushing this off as a one-time thing. However, if what I fear might happen does and Fukuzawa doesn't make it out of this arc... Ranpo will be destabilized.

I don't know that Ranpo would go "bad" per se. He likes the other Agency members. He cares about them - that's genuine. But if Fukuzawa dies, then Ranpo may begin to take darker actions in order to keep them safe, almost overprotective and harshly logical, with little room for blind trust or risks in the name of justice or honour. It may put him at odds with Kunikida, in that Ranpo may start to develop a strong "do what's necessary" mentality, even if that may be immoral. He may regress a little into his old trust issues.

However, I really don't think Ranpo will go too far down the path of darkness, even if the worst should happen. He's a lot tougher than he seems, and he has a good support system in the Agency. I guess it remains to be seen where Ranpo's story takes him next.

Until then...

The Agency's Older Brother: Or, Ranpo's Character Development

[ID: A screencap from the Bungo Stray Dogs anime. Ranpo sits in his chair in a cuter art style, having taken a bite from the pastry he has in his left hand. End ID.]

I love one good boy. :)

More Posts from Always---wrong and Others

3 months ago

Fuck you man- "in moments of survival humans will regress into our base instinct to survive and throw anyone away to do so"

Literally proven not true when Seong Gi Hun's loan shark ally gave up his life in Rock, Papers, Scissors, Death to save the other guy. Who is the type of person the VIPs and the Frontman consider "Trash" and "rats" of the earth. He saw him as a friend and a brother, officiated his wedding, despite being a piece of shit he sacrificed himself, while the Frontman straight up shot his actual kid brother.

They cannot predict how people will react, they can just create the worse situations and hope it causes strife and conflict. Which it does. But it also creates friendships and loyalty, and thats a phenomenon that continues to confound and intrigue them. They believe it's a fluke, the humanity shown despite the horrors seen. Love so overcoming you strive for someone else's survival over your own. The outstretching of a hand despite the possibility of being bit. But really I believe its a core factor of our survival, and of the show


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5 months ago

I forgot I wrote this 😂

What was I on?

According to the Bible: Every hardship has a reason.

that reason being that your gods oc and he wants to give you so much trauma.

He'll show the angels and say, "look at this one! I killed their dad, made their mom a deranged sociopath, and their autistic! Now let me tell you about all their lore and character arc!" And you just have to sit there and wonder what you ever did wrong.

(This is coming from an ex-christian.)


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1 year ago
FINALLY Got This Finished! BIG Thanks To @reginamangala For The Toast-tally Perfect Idea Of Al Briefly
FINALLY Got This Finished! BIG Thanks To @reginamangala For The Toast-tally Perfect Idea Of Al Briefly
FINALLY Got This Finished! BIG Thanks To @reginamangala For The Toast-tally Perfect Idea Of Al Briefly
FINALLY Got This Finished! BIG Thanks To @reginamangala For The Toast-tally Perfect Idea Of Al Briefly
FINALLY Got This Finished! BIG Thanks To @reginamangala For The Toast-tally Perfect Idea Of Al Briefly

FINALLY got this finished! BIG thanks to @reginamangala for the toast-tally perfect idea of Al briefly experimenting with modern technology. 🍞🔥🧵

Also borrowed her OC Amon for this! (Go check out her fic!)

1 year ago
Context: Lucifer Is Lonely After The (supposed) Divorce And Unconsciously Ends Up Pinning For His Nemesis/frenemy.
Context: Lucifer Is Lonely After The (supposed) Divorce And Unconsciously Ends Up Pinning For His Nemesis/frenemy.
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Context: Lucifer is lonely after the (supposed) divorce and unconsciously ends up pinning for his nemesis/frenemy.

After past experience with Vox, Alastor can almost immediately tell when someone is crushing on him, so he did the only reasonable thing for an Aroace person to do in that situation. 👍

1 year ago

I love this idea. What a dynamic these two have.

Ik Rosie is like mostly viewed as Alastors gossip bestie...

BUT LOOK AT THIS

Ik Rosie Is Like Mostly Viewed As Alastors Gossip Bestie...
Ik Rosie Is Like Mostly Viewed As Alastors Gossip Bestie...

Shes holding him like she's his mother 🥺 Such a Mama's boy and we're eating it up

Ik Rosie Is Like Mostly Viewed As Alastors Gossip Bestie...
Ik Rosie Is Like Mostly Viewed As Alastors Gossip Bestie...
9 months ago

the Sam and Cas Dynamic™️ is like when you’re babysitting little kids and suddenly everything’s quiet and they’re nowhere to be seen and you just Know you’re going to walk in on something Bad. except instead of toddlers you have a 6ft+ approaching middle-aged hunter and a trillion year old eldritch horror who have enough trauma and brain damage between the two of them to make them completely and idiotically feral. and instead of like. drawing on the walls with sharpie. they’re committing willing acts of bodily harm and antagonizing powerful cosmic beings without any actual critical thought

1 month ago
🦾🪶
🦾🪶
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🦾🪶

4 years ago

Tips to Write Best Friends- Authoring advice 💕

There are many types of best friends. Some besties are complete opposites, others would have hated each other’s guts without their experiences together. Some are childhood buddies, and some met much later in life. But each one has similarities and are important.

For me, writing the relationship between two characters is the best part of writing, but for others… it may be difficult.So here are some tips!

Good Moments

Each friendship should have a few good moments in the book. This helps show why their friends and how their relationship works, also provides some clarity on their personalities.

The moments could be bantering between one another. Perhaps teasing, or helping the other cope. It could be anything that isn’t negative. They could be doing an activity together, even if it’s silent. They could be having a meaningful conversation; this is useful for explaining exposition to readers as well 😉. 

But be careful. You can’t just be sprouting meaningful conversations out of nowhere.It’s best to give hints at their relationship in the first or second chapter you meet them. Build the base of their bond.

The good moments should be consistent with their personalities or situation. Character A maybe should not be teasing their bestie a chapter after their dad died. 

Arguments

Disagreements between friends are inevitable. Its bound to happen, therefor conflicts are needed in your story. Your characters are people, and have their own opinions. And those opinions are not identical to their companion’s.

But, unless there’s a good reason and its believable, they should always make up. You chose how to do this, their your characters.

Reading Each Other's Mind

I do not mean literally. And it may not be constant, but best friends (especially if they knew each other for years) should be able to predict each other’s emotions, actions (some if not most of them), and reactions. These buddies should know when not to cross the line, (of course people always make mistakes so take that into account.).

Maybe the besties know each other so well they can synchronize. I am thinking of a team, fighting on the battlefield, fortelling eachothers moves and working together. This can also work for sports teams, charades, and attempting to not to die.

Relationship Development

This does not go for everyone. Some people and their relationships don’t change. But growth never hurts, and can in fact help your story to have some development. 

Example: say if character A realizes she does not appreciate character B, in some form. This changes their relationship because now character A listens to character B’s thoughts.

People and their bonds change. They grow and evolve, so it’s realistic to have growth to you story.

This is all I got! Thank you for reading, and have a FANTASTIC DAY! I’m posting soon!


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2 months ago

I was re-watching episode 4, and just look at Gihun's reaction when the first teams lost in a six legs game

I Was Re-watching Episode 4, And Just Look At Gihun's Reaction When The First Teams Lost In A Six Legs

It looks like he was trembling 😭

5 months ago

Is anyone gonna talk about the fact that Ranpo completely regressed to a pouty teenager when he was reunited with Fukuchi???

Like this grown-ass 26 year-old man went from “I trust you because the president does” to “actually I’m very possessive of my adopted dad, and I am quite petty about it because you have more life experiences with him than I do and a connection with him that’s different from mine, and that makes me very insecure.”

Like he went full “don’t you dare steal my dad just because you can” angsty step-child on that man.


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always---wrong - Annoyingly Autistic About Things
Annoyingly Autistic About Things

Trans, Aroace, He/Him, Autistic, Artist, Writer. Lover of one-sided ships

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