Teen skk this teen skk that. How about dazais deep depressive episodes where he didn’t brush his teeth or his hair or shower and after a few days of not seeing him around work chuuya would go to his container, grab him and wash him like a dog. Wet black cat. Dazai is just annoyed. Chuuya lets him sleep at his place during the bad parts of the episode “so he doesn’t skip work leaving all the paperwork for him” but really it’s because he doesn’t like thinking about dazai alone in that cold container. Even the most annoying person on earth should have more than a mattress and four metal walls, I guess. So chuuya has him stay over during those days. Is it such a hassle really to make a little more food when cooking dinner? Both of them have always had trouble sleeping so might as well spend the night together watching shitty sitcoms or talking shit about coworkers or setting up pranks for mori instead of looking at the ceiling all night. In this essay I will.
#together in every universe just in different fonts
Chuuya’s brief appearance in beast is so funny. He just kind of reads as “guy who is definitely sleeping with his boss. This is not plot relevant whatsoever.” to the point it’s like… why is he even here?
Before it was Dazai being a cute man whore, now he's just gay.
I’ve said this before and I’ll say it again but it is absolutely an example of civilizational inadequacy that only deaf people know ASL
“oh we shouldn’t teach children this language, it will only come in handy if they [checks notes] ever have to talk in a situation where it’s noisy or they need to be quiet”
I swear I could see Atsushi being brutally nice to Akutagawa just to fuck with him.
Just to confuse him.
Just to make him question all things.
(He learned it from Dazai)
Haven't been able to get these words out of my head. The fact they are the last thing he says. At first, I was just like "Okay, that's a very Kunikida thing to say" but then I put them into context of what just happened.
He'd been impaled and was desperately trying to use his last moments to allow Tanazaki time to escape. He knew he wasn't living after this, so as per his ideals he was going to fight until his last breath to save another life. If he can die in-service of helping someone else survive, that's enough for Kunikida.
And then he hears Atsushi shout his name. Atsushi ran up from behind Amenogozen, Kunikida probably saw him coming as well. He gripped the sword in his chest with the last of his strength to aid Atsushi in whatever way he could.
And Atsushi chose to save Tanizaki. The very thing he'd been trying to do just seconds before.
That why I think he'd smiling here, that's why I think he says his ideals will live on. Not in some abstract way, but in a direct reference to Atsushi, because he was Atsushi's mentor too. From day one, Atsushi has been seeking guidance from Kunikida, even when he didn't know how to give it.
One of the first pieces of advice Kunikida gives Atsushi is to "start thinking what you can do."
And it has been something he's been trying to figure out ever since. What can he do to help those who need it? To be worthy of living?
Both Atsushi and Kunikida want to save people. Both of them have been struggling on how to achieve that this whole time. Saving people isn't just a single action to Kunikida, it's sacrifice, it's taking on a burden, it's knowing you're tied to this person afterwards.
It's knowing you can't always save everyone no matter how much you want to. It's prioritizing saving who can and living with that.
Kunikida knew he couldn't be saved, but he hoped Tanizaki could. When Atsushi chose to leave him and save Tanizaki he following in Kunikida's footsteps.
His ideals will live on, in Atsushi.
(Click here for Part 2).
(06/19/2024)
Divider by: @cafekitsune
stormbringer is so rough. poor chuuya had to go through all the Horrors(tm) AND he was on his period?
im a fucking sucker for the “character gets so badly injured that they can’t think clearly and start calling for help in a distressingly vulnerable way.” characters who start using nicknames for their friends they haven’t used since they were kids. characters who start begging for their brother they haven’t seen in years to be there. characters who would usually use their parents’ names or call them mother/father/etc crying out mama when they go down. u understand.
This ^^^
[So a large portion of this is left over from when I was revising sociology for my alevels, which were done over a month ago now (wow). So I hope there's people out there who find this interesting, it's nice to post this since it goes back to my roots of what started me on tumblr in the first place (sociological analysis, but of MTP). Also this has Stormbringer spoilers.]
Sociologists agree that childhood is a social construct (a concept in society with no fixed definition). The definition of childhood changes depending on culture and time, so it is not universal or 'natural'. Bungo Stray Dogs portrays a definition of childhood much different to many of our own cultures, and part of its presentation is something I want to look into.
The main idea to look at is Jane Pilcher's idea of 'separateness' - childhood as a clear and distinct stage of life in which children are considered physically and psychologically incompetent and unable to run their own lives. This idea of separateness often leads to childhood being considered a 'golden age' of play and having a lack of responsibility. In BSD, the idea of childhood as a separate stage is not as clear - many children 16 or under are seen working in (or looking for) employment much like adults would do. For example, in Stormbringer Shirase (who is 16) works in a car factory, Yosano at age 11 is said to work in a confectionery store (we don't know if this was family owned or not though), and Ranpo in Untold Origins (aged 14) looking for a job when he meets Fukuzawa. With this information we can gather that children have to take the responsibility of work from a younger age than many cultures (for instance where I lived children have to be in education until 18) and that from as young as 11 they are able to employment.
Consider the other children present - the Akutagawa siblings living on the streets for many years without parents or financial support, Kyouka and Q (as well as teenagers like Dazai and Chuuya) being part of the mafia from a young age, Kenji in his village, Chuuya and Mary Wollstonecraft in Stormbringer, and Atsushi living in the orphanage. All of these have different notions of childhood attached to them.
The Akutagawa siblings learnt to support themselves from a young age. Their group of fellow homeless children act as proof of a wide child poverty issue, one which represent the effects of a lack of child welfare support by the government or the effects of the many casualties in the Great War (leaving many without parents). The lack of child welfare support may show a general lack of the idea of separateness, since specialist support for children is not available.
The abundance of children in the mafia, especially those who reach the higher ranks of executives like Dazai and Chuuya by the age of 16, show a distinct lack of recognition of childhood as a separate stage. Those who are children don't seem to be treated much differently to the adults, which is especially apparent in Q and Kyouka's missions (where Kyouka in her first mission we see being considered disposable by the mafia).
Kenji's childhood on paper seems the closest to many farming cultures in our world. He works on a farm from a young age, as many people in his village and in real life farming families do. The recruitment of him to the detective agency however, suggests that (despite his youth) his ability makes him fit for the job. This somewhat leads on to the idea that children with abilities are seen as more mature and subjected to more adult activities and topics from a younger age, with their allowance of separateness smaller than that of non-ability user children.
A few other Stormbringer examples - Mary Wollstonecraft is only 10 years old as of Stormbringer, and yet she is working for the European governments and making robot agents for them. Young children working for governments is a clear example of a lack of separation between child and adult. Another, and arguably much worse example, is Chuuya and Verlaine - both experimented on by scientists/the government and infused with singularities via force. Chuuya is also canonically cloned. Verlaine and Chuuya, in their experimentation, are not treated much differently, despite Verlaine being an adult and Chuuya being around 5 at the time of his kidnapping/start of experimentation. This suggests a lack of seperateness yet again. There is a lot more that could be said about the whole 'cloning/made into a weapon' part of their story, but this is not the post for that.
A more recent one - Teruko. Because of her unique ability to change her age means that within the first few months of her life she was forced to fight in war. She's actually forced to bypass her own childhood for the war effort, and therefore her childlike demeanour during the Decay of Angels arc may be to try and harness what she missed out on. Her ability in itself could also play into the 'old age is a social construct' argument too maybe but again, not the post.
Atsushi's childhood in an orphanage at first seems to match the ideas of childhood as a separate stage dependent on others. The purpose of orphanages is to raise children without parents and help them prepare for the world, but Atsushi's experiences of abuse shows that his ability, to the orphanage director, makes him undeserving of this separate stage. Instead he is abused and eventually kicked out with no real support. This being able to go on unchecked alongside the other examples brings me to my conclusion about the definition of childhood in Yokohama/the surrrounding villages/possibly the world are not being considered a separate 'golden age' to the same standards as our world.
As mentioned earlier, children who are ability users are less likely to have this construct of seperateness include them. In sociology, labels and constructs are assigned by people and society, and so in this universe there are many adults who have removed this construct from ability users' lives in their childhood. Yosano is the clearest example of this - Mori takes her away from her experience of childhood and places her in a war zone, where she, despite being 11 years of age, is treated like an adult and (because of her ability) is placed on a pedestal by the solders. She's stripped of her childhood through not only the standards placed upon her, but the trauma she endures in the war zone - leaving her to spend what remained of her childhood in a psych ward until Fukuzawa is able to take her in.
Ability user children, via circumstances or adult intervention, do not get to experience childhood in the way other children do because that label is stripped away from them. This is most usually because they pose some asset to an organisation or campaign - and this can include the ADA too. Just because the ADA offers a more healthy and safer environment for the children than other organisations, it is still putting children into work and treating them the same as adults. How ethical this is, is in itself another question that I don't think I can give an answer to. But I could honestly talk about how ability user children are treated differently in a whole other essay.
[I do not have much else to say now about this specific area but it's probably better to post than just to let sit in the drafts as it has done for a while. So no proper conclusion sorry.]
they/them (I am a minor!!) Welcome to my personal blog where I mostly yap about BSD right now… I also like writing, world building, and media analysis tho!
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