I Will Honestly Never Get Over This

cinderella’s castle countdown day 3

A reminder that Glinda having either dyslexia/dysgraphia or a learning disability is canon in the Movieverse.

This is the same paper that we see her get back in this scene, in which we can see this was a large essay too.

There's nothing rushed to her handwriting, this was not an essay done at the last minute, and still, it shows several signs of a learning disability and/or dysgraphia.

Misspells her name in the second line

Wrong and inconsistent pronoun usage

Her margin spacing is consistent with someone who can't do proper syllable division

Immature transcription (see: writes her "um"s)

Limited vocabulary

Shows signs of: difficulty expressing ideas in writing, having a limited vocabulary, mispronouncing words or using a wrong word that sounds similar, and having trouble organizing what she wants to say. Those are all symptoms of a learning disability.

Less of a checklist sign, but her handwriting is very round and careful, while still not being consistently sized (see unfashionable). This and the margin sizes are very common in kids with bad dysgraphia who are made to take rigorous calligraphy courses to "fix the problem". Courses that work on the visual without remedying its underlying issues and causes. Form over content if you will.

Looking at this very blatant sign that she has a learning disability and immediately defaulting to calling her names (yes calling her stupid and saying Elphaba is a moronsexual for this counts), asking how she got into Shiz, or defending Dillamond in doing the very first thing teachers are told NOT to do with disabled students (re: calling attention to it in front of the entire class) is ableist!

This but it’s Ruth, Richie, Steph, and Pete.

The question is, who would each one be

Please please please 🙏

I need to know what Henry Hidgens was like before the lightning incident. I need to know what he was like immediately after the incident. I need to know when he finally lost his fucking marbles and how long did it take for him to snap. I need to know what it felt like when he first killed someone. I need to know how he got to the point where killing someone is just another Tuesday for him, how he dealt with it so easily and casually. I need to see all the grief and emotional turmoil he went through. I just need to.

So has anyone considered a Hadestown AU with Steph as Orpheus and Pete as Euridyce

Omg ok, just saw the show and it was amazing!!! The songs were magnificent and the acting was top notch. I loved how electric the audience was, they were so responsive and it made every reaction I had feel justified. I have so many thoughts but mostly I’m just glad to be able to unblock all of the spoiler tags.

Coming out as a Hey, Melissa! defender, she’s just girlie pop and I think catboy Paul and dogboy Ted are great additions to the lore ✌️🐈💖

Think of it this way: the crowdfunding is all for the show. It’s to buy props, and set pieces, and costumes, and even to reserve the venue, and stuff like that.

The digital ticket is for the actors. This pays the actors for their time and effort, so that they can keep a roof over their head and food on the table and so that they want to come back to do more shows in the future.

They can’t use crowdfunded money to pay the actors because they need as much of it for the show as possible. Not only for cool props and stuff but also for if anything breaks, or if there’s any other last minute things they need to worry about.

If starkid put their stuff straight into YouTube without doing things like digital ticketing they would start losing money fast, and future shows would be harder to create.

I know it’s hard, but have faith that these guys aren’t just putting up paywalls for no good reason :)

Just in case anyone was hoping to watch Star Baby on the 8th without a digital ticket, you can't <33

THERE'S A CASTLE ON THE HILL, AS THE STORY GOES...

As promised, some initial thoughts on the things I loved about seeing this show. Spoiler free, since most of us haven't gotten to see it yet, and under the cut since I do wax a bit poetic...

Cinderella’s Castle is, in a strange way, an exercise in irony. The show is a retelling of an ancient story that is beloved and recited throughout so many cultures, and yet somehow feels completely fresh. The modern take on glam-punk lighting, a score infused with styles from 80s synth to anime, a high fantasy set with the costumes to match, the spirit of Jim Henson lingering through both the puppets and some larger and intangible vibe, a script combining that Starkid humor and Hatchetfield darkness with a whole different style of speaking… all of these beautifully executed elements melted together into something that I’ve never before seen. To take a tale as old as time and make it unique is no easy feat, but Starkid did so with magic and charm to spare.

Like any good Starkid show, Cinderella’s Castle is relentlessly dynamic: fun and tragic and exciting and just-plain-silly, with many twists and turns and character moments will make you gasp or cheer just as often as you laugh. It simply rollicks. The story clicks right along, especially in act 2, but the characters are so distinct and fun that I found myself almost wishing the Langs had sacrificed their plotting and pace just to spend more time hanging with every single member of this ensemble of personalities.

And that’s also a tribute to the actors themselves. Jeff is David Bowie reborn as the impish and fabulous narrator. Jon and Joey bring Hop A Lot and Crumb to life with so much charm and presence that they practically had the audience eating out of their hands from the very first second. Like, seriously, you will not believe how invested you will immediately become in these talking animals. Kim’s Fairy Queen is as radiant and terrible as promised; her portrayal of immortal inhuman power compels and commands and stands fully distinct from the Lords in Black. Lauren and Mariah are delightfully disgusting as the vile but deeply lovable troll step-sisters; you can feel the fun they’re having practically radiating off of them. Curt’s Tadius is dryly funny and put-upon, but also provides a vitally grounding and centering presence in the larger-than-life world of the Lands That Are. His big scene with Bryce is probably my favorite part of the whole show. James Tolbert is nothing short of an absolute STAR as the Prince, stealing scene after scene after scene with ease and charm and more jokes about genitalia than I think any of us expected. Angela once again displays a completely different facet of her never-ending range, exuding such elegance and control even in trollish filth that I do fear that the kids on the internet are going to start calling her “mother” with greatly increasing frequency. "Facade" was an absolute highlight of the night. And of course Bryce anchors, propels, and heightens every scene she’s in with such apparent ease you forget she’s been rehearsing for weeks and isn’t simply Ella herself. Ella is this world’s bruised, brave, and angry heart, and you will absolutely root for her every step of the way as she wrestles with who she is and learns what it means to claim her own power.

This was Starkid’s biggest budgeted show to date, and you could tell. This group of Michigan Wolverines and friends have accomplished incredible things since the Very Potter days of a single door and some cardboard columns, and I’m so proud of how far they’ve come. And yet Cinderella’s Castle, the fifteenth musical in the fifteenth year, still retains some of that core Starkid magic that I’ve always believed boils down to love. You can so often see that love emanating from the performers on a Starkid stage: love for the show, for their friends, for their craft, for the audience’s energy pushing them through. And the sense of love and support and community radiating from the audience is just as palpable. The man sitting behind me last night was at his first ever Starkid show, and afterwards he remarked in awe how that was the best audience he’d ever been in. And all that love isn’t unearned—it is built and it is nourished by a proud history of creativity, of song and of dance and of laughter and tears. And Cinderella’s Castle, I think, is going to prove an installment worthy of both Starkid’s past and future.

Starkid family, Bogs Hollow grants thee Starlight.

Aww why can’t we share? How about this, I’ll buy every doll in the shop. On weekdays they’ll be mine, and on weekends you can look at one for five seconds through the front window of my house! Seems like an fair trade off!

Happy Black Friday everyone! Just a quick reminder that if you see a little green doll that resembles an under water creature from out of this world, to leave it on shelves! For me. Because that doll will be FUCKING MINE.