This Is Very Relieving To Know As I Am Working On Several Posts With TONS Of Words On It.

I mean, I want to protect the precious smol bean because she is so kind and gentle...but at the same time this IS the ONE girl who utterly defeated Lance.

Anyways, if anyone wants to portray Yellow, I think people should just compare her manga arc to the Epic Conventions. You will be very surprised how much Yellow's story lines up... including the part where Yellow went to HELL and BACK!

If you all need help with the comparison, send an ask for me to post my Pokemon fanfic involving Yellow and Lysndre. Guess who ends up crying? Hint: it's not Yellow.

I've seen a few posts talking about the mischaracterization of pokespe characters recently (agreed 100%) so I'm here to jump in with a friendly reminder of my own: Yellow is not a shy, clumsy, uwu smol bean idiot. She's kind and gentle but she's also an intelligent badass in her own right. I love her and I get irritated when I see works portraying her as a little baby that needs to be protected 24/7.

This weird thing happened to me too. It was nice at first because "Ahh! 😃 Someone likes my work!" To "Wait da second? Why is this person commenting on how moving my writing is on my fanfic where I just post pictures? 😵"

Out of all the spammers I got, these bots were the nicest. (Especially after the panderers attempting to snag kids on my PG fanfic. 😡) But I still wish the person wrote a real comment actually praising parts of my work. (Again, praising me for moving writing on the fanfic with only artwork [not a comic], didn't even mention the AU the pictures were for)

Good news, haven't seen the bots in months. If they show up tomorrow, a work is getting put on private.

Any other AO3 writers getting spammed by comments that actually look like real comments but are rather… repetitive? They’re nice, effusive even, but after the second or third one I got suspicious. Not sure what the point of them is. Can’t find any links or anything that would make it a trap. Any ideas?

This painting is so pretty...🤩

Charles Antonie Coypel, Charlotte Philippine de Châtre du Cangé, Marquise de Lamure, ca. 1735, pastel/paper (Art Museum, Worcester)

I love the fact that we all agree that Lurien's primary weapon would be a sniper rife...and he would be terrifyingly good with it.

ref: link

Reblog this Pokemon + cat meme for my friend.

Just because I cannot fully appreciate it, doesn't mean she can't.

if they ever make Legends Kyrum and we see the two brothers fight with the two dragons, there BETTER be knights riding Scoliopede.

We need another cool rising option besides Zebstrika and Soutland.

not daily pokemon: scolipede

May she rest in peace, where no shadows fall...

@ddagent always finds the loveliest pics of Mira ❤️

Forever in love with this luminous, incredible woman who rose above the pain and horrors of this world to leave a lasting legacy of love and hope, light and compassion, of belief that a more peaceful, just world is possible if we fight for it. Through her acting, her writing, her music, her activism, she gives me hope and faith in the beauty of shining a light in the darkest places, of having the courage to stand up and loudly speak the truth when everyone around you wants to (literally) destroy you for it. I just cannot comprehend the sheer, unadulterated, unyielding strength that takes.

A beautiful soul, indeed.

Forever grateful for discovering Babylon 5 and falling in love with Delenn, and through her, finding that Mira was just as much a badass in actuality as the fictional one she played on TV.

Excuse me while I save this for a reference...

How To Write A Chase Scene

Before anyone takes off running, the reader needs to know why this matters. The chase can’t just be about two people running, it’s gotta have a reason. Is your hero sprinting for their life because the villain has a knife? Or maybe they’re chasing someone who just stole something valuable, and if they don’t catch them, it’s game over for everyone. Whatever the reason, make it clear early on. The higher the stakes, the more the reader will care about how this chase plays out. They’ll feel that surge of panic, knowing what’s on the line.

Sure, a chase scene is fast, people are running, dodging, maybe even falling. But not every second needs to be at full speed. If it’s too frantic from start to finish, the reader might get numb to the action. Instead, throw in some rhythm. Use quick, sharp sentences when things get intense, like someone stumbling or almost getting caught. But then slow it down for a second. Maybe they hit a dead end or pause to look around. Those brief moments of slow-down add suspense because they feel like the calm before the storm kicks up again.

Don’t let the setting just be a backdrop. The world around them should become a part of the chase. Maybe they’re tearing through a marketplace, dodging carts and knocking over tables, or sprinting down alleyways with trash cans crashing behind them. If they’re running through the woods, you’ve got low-hanging branches, roots, slippery mud, and the constant threat of tripping. Describing the environment makes the scene more vivid, but it also adds layers of tension. It’s not just two people running in a straight line, it’s two people trying to navigate through chaos.

Running isn’t easy, especially when you’re running for your life. This isn’t some smooth, graceful sprint where they look cool the whole time. Your character’s lungs should be burning, their legs aching, maybe their side starts to cramp. They’re gasping for air, barely holding it together. These details will remind the reader that this chase is taking a real toll. And the harder it gets for your character to keep going, the more the tension ramps up because the reader will wonder if they’ll actually make it.

Don’t make it too easy. The villain should almost catch your hero or the hero should almost grab the villain. But something happens last second to change the outcome. Maybe the villain’s fingers brush the hero’s coat as they sprint around a corner, but they manage to slip out of reach just in time. Or maybe your hero almost gets close enough to tackle the villain, but slips on some gravel, losing precious seconds.

And Don’t let the chase end in a way that feels too predictable. Whether your character gets away or is caught, it should be because of something clever. Maybe they spot a hiding place that’s almost impossible to notice, or they use their surroundings to mislead their pursuer. Or, the person chasing them pulls a fast one, Laying a trap, cutting off their escape route, or sending the hero down the wrong path. You want the end to feel earned, like it took quick thinking and ingenuity, not just dumb luck or fate.

if you have any questions or feedback on writing materials, please send me an email at Luna-azzurra@outlook.com ✍🏻

Tolkien is the kind of guy to love tropes and the reasoning behind them, so much so that he brings them into his stories only to completely flip the tropes on their heads.

The Girl doomed by the narrative only for Eowyn to find a new life, purpose, and happiness.

The Burglar who gets the whole kingdom into trouble with a dragon, setting up the Main Character to save the day... only for Bilbo Baggins the Burglar to BE the Main Character to help win BACK the kingdom from the dragon.

The Evil Stepmother filled with cruel jealousy over Snow White's beauty...only for Galadriel to be very loving to her granddaughter thank you very much. (Yes, that was a thing)

I do love that you can see the influence of Tolkien meaning for Eowyn to die throughout her arc. That girl just screams "doomed by the narrative". She's set up for this grand yet tragic death, and wants for nothing else than a grand exit and a glorious end to all things.

But having her live is so much more interesting. And having her live to find happiness especially. She seems like a tragic character. She thinks herself a tragic character. She is overwhelmed by a sense of doom and helplessness. Her narrative is overwhelmed by a sense of doom and helplessness.

But she isn't doomed.

Turns out, decent healthcare, clued in and concerned family members, and a decent support base, go a long towards towards un-dooming her narrative.

Oh this caused a pause because I'm still writing fics with these characters.

1. Yes they have to fight, 2. Tell me who’s fighting who in the tags! (I’ll add the most ridiculous combos in a reblog)