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Writing Advice - Blog Posts
How I learned to write smarter, not harder
(aka, how to write when you're hella ADHD lol)
A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.
The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.
As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!
Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!
2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)
Unpopular writing opinion time: You don't need to make a detailed outline.
Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.
I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.
Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!
This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.
As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.
When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD
People always say if you're stuck, you need to outline.
What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!
What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.
You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.
And then quickly note down your inspirations so you don't forget, haha.
And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.
If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?
And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD
In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.
Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.
Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)
And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)
Storyediting Questions to Ask
As You Read the First Draft:
Are there place that surprised you as you read your first draft? - Why do you suppose that is? - Is there material there you'd like to expand?
What are the character really doing in this story? - Might they have issues you haven't explored fully yet?
Look to the places that drag. - These might be scenes where you have avoided dealing with something deeper. - What are the characters really thinking in these places? - What are their passions, frustrations, and desires?
Imagine alternative plotlines. - How might your plot be different if ti headed off on another tangent from various points in the story? - You don't have to follow them, but they might suggest other streams that can flow into the main plot.
Think About Structure:
Does you story play out naturally in three acts?
Is there an immediate disturbance to the Lead's world?
Does the first doorway of no return occur before the one-fifth mark?
Are the stakes being raised sufficiently?
Does the second doorway of no return put the Lead on the path to the climax?
Does the rhythm of the sotyr match your intent? If this is an action novel, does the plot move relentlessly forward? If this is a character-driven novel, do the scenes delve deeply enough?
Are there strongly motivated characters?
Have coincidence been established?
Is something happeing immediately at the beginning? Did you establish a person in a setting with a problem, onfronted with change or threat?
Is the timeline logical?
Is the story too predictable in terms of sequence? Should it be rearranged?
About Your Lead Character:
Is the character memorable? Compelling? Enough to carry a reader all the way through the plot?
A lead character has to jump off the page. Does yours?
Does this character avoid cliches? Is he capable of surprising us?
What's unique about the character?
Is the character's objective strong enough?
How does the character grow over the course of the story?
How does the character demonstrate inner strength?
About Your Opposition:
Is your oppositing character interesting?
Is he fully realized, not just a cardboard cutout?
Is he justified (at least in his own mind) in his actions?
Is he believable?
Is he strong as or stronger than the Lead?
About Your Story's Adhesive Nature:
Is the conflcit between the Lead and opposition crucial for both?
Why can't they just walk away? What holds them together?
About Your Scene:
Are the big scenes big enough? Surprising enough? Can you make them more original, unanticipated, and draw them out for all they are worth?
Is there enough conflict in the scenes?
What is the least memorable scene? Cut it!
What else can be cut in order to move the story relentlessly forward?
Does the climactic scene come too fast (through a writer fatigue)? Can you make it more, write it for all it's worth?
Does we need a new minor subplot to build up a saggin midsection?
About Your Minor Characters:
What is their purpose in the plot?
Are they unique and colorful?
Polishing Questions:
Are you hooking the reader from the beginning?
Are suspenseful scenes drawn out for the ultimate tension?
Can any information be delayed? This creates tension in the reader, always a good thing.
Are there enough surprises?
Are character-reaction scenes deep and interesting?
Read chapter ending for read-on prompts
Are there places you can replace describing how a character feels with actions?
Do I use visual, sensory-laden words?
For a Dialogue Read-Through:
Dialogue is almost always strengthened by cutting words within the lines.
In dialogue, be fair to both sides. Don't give one character all the good lines.
Greate dialogue surprises the reader and creates tension. View it like a game, where the players are trying to outfox each other.
Can you get more conflict into dialogue, even emong allies?
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Tips for writing
I already had another story which I never got to post, since I kept rewriting it into eternity. After forcing myself to take a break from it, I think I finally figured out a way to keep consistently writing a story. So, I thought maybe this post might stumble across a reader who struggles with similar things as I did and I could provide a possible solution without them needing to go through a year and over 10 different versions of a first chapter ending in a failed project. (and admitting that I needed to stop was what hurt the most since I really love the idea I had and maybe I might even try to restart that story, but that's a topic for another post in maybe 2 to 3 years.)
Also Disclaimer: This is only my opinion on the matter and what I figured to be helpful. In the end, it's up to you how you want to write your story and to decide what works for you. I'm just sharing my experiences.
I had a couple of problems which mixed up together until I needed to give up.
First off, I lacked structure. With my first bigger story, I had an idea, a beginning and I knew some major plot points that needed to happen. But what I never knew was when or how the story ended. I just wanted to tell an endless story or figure out an ending on the way. That didn't work for me.
With my current story (which you can check out here, if you're interested) I researched a couple of ways how to structure a story properly. (It was just for fun honestly, but so helpful in the end) I already had, like before a vague idea, and some plot points I wanted to happen. What I did: See if my story would fit into any of these structures and what would happen at which point until the end. And then I found a structure that fit my story (almost) perfectly. After that, I wrote down the plot in bullet points creating my outline for the story.
(Note: Of course, you can take any story structure you find and bend it a little. For example, I decided to go for a three act-structure and decided to skip the introduction part, since I wanted to plunge the reader into the story without heavily explaining what was going on. They would figure it out on the way … )
This means I knew what happened at which moment. And most importantly, I had an ending. Now I had to face my next challenge, fighting my constant urge to rewrite everything. After proceeding with my used-to-way of just writing what comes to my head, I quickly figured out that this wouldn't work. It didn't work earlier and it didn't work now. So, I needed to figure out what was wrong with my approach.
For that, there are multiple options to do so. Either you can ask others for their opinion of what is wrong with your text or try proofreading yourself. I recorded how I read my texts and heard afterwards to the footage while I was reading along (and yes, it sucks hearing your own voice on record, but if you imagine it's another person, it's not that painful anymore, after a while)
Then I had another important realization. I still had no structure in my chapters. The story was now well structured and I knew what I wanted to write the chapter about, but my thoughts were jumping from one thought to another and then back again. To solve this problem, I came up with an approach that still works for me.
Before writing the chapter, I think about what I want to happen in this chapter. For example, in my current story, I needed to introduce the two main characters and they needed to meet. I also wanted to hide some hints on backstory and needed to write about the event that starts the entire story. With that in mind, I just start loosely writing down what comes to my mind. It doesn't matter if it's good or not, since I'm going to rewrite it later on. Once I come to a point, where I completed all of my goals for that chapter, I take what I wrote down and structure the plot into bullet points. Then I take these and write a second version along with the bullet points. This makes sure that my thoughts are structured in the end and that I have a clear storyline to follow.
After that, the last step is proofreading. As already said before, you can ask others to give you feedback or record yourself. Maybe use a grammar program to fix obvious mistakes you've overseen (helps a lot. especially if you're writing in a language that you don't use everyday) In this stage I mostly find some sentences that are hard to read / speak or just some wordings that repeat or don't quite sound right. So I go ahead, mark them and fix them.
And after that, I was by now always satisfied with what I wrote. This method might be a little overkill but it works for me and the most important thing you need to keep in mind: If you'd like to write something, it's supposed to be fun. No matter the way you do it. The process of creating an own story and slowly watching it come alive, that's the feeling that makes me happy and why I keep writing.
Hope you had fun reading and maybe I was able to give you one or another idea on how to write a story. If you want more tips, you can send me an ask or just comment on this post.
How to __ and Other Writing Tips
↳ a masterpost for informational writing prompts and other tips for writers
If you like what I do and want to support me, please consider buying me a coffee! I also offer editing services and other writing advice on my Ko-fi! Become a member to receive exclusive content, early access, and prioritized writing prompt requests.
I also have a Patreon! Become a member to gain access to a Member's Only Community where you can chat and message other members and myself. Also gain access to my personal writing, which includes completed short stories, chapters from novels in progress, as well as completed scenes.
Writing and Describing Physical Appearance:
How to Describe Facial Expressions
How to Describe a Character's Appearance
How to Write a Character with a Prosthetic
Body Language Descriptions
Body Language Descriptions part 2
Writing Dialogue:
How to Describe a Character's Speech
How to Write Dialogue for a Stuttering Character
How to Write a Mute/Non-Speaking Character
What to Do with Too Much Dialogue
How to Write a Character with an Accent
Terms and Phrases:
Pirate Terms and Phrases
Cowboy/Wild West Terms and Phrases
Writing Genres and Subgenres:
Murder Mystery
Slow-Burn Romance
Writing Villains, Monsters, and other Antagonists:
How to Write a Monster
How to Write a Good Villain
How to Make Readers Fear Your Villain
How to Write an Unreliable Narrator
Serial Killer Signature Ideas
How to Give an Eldritch Horror Entity a Voice
Writing Protagonists and Side Characters:
How to Write a Sacrificial Character
How to Write a Bully with an Opportunity for Redemption
How to Write a Mermaid
How to Write a Pre-Teen
Writing and Describing Emotions and Disorders:
Nightmares and Sleep Paralysis
Panic Attacks
How to Write a Character with an Eating Disorder
How to Write a Paranoid Character
Different Ways to Describe Fear
How to Write a Controlling Character
Writing and Describing Threatening Conditions:
How to Write a Character that has been Poisoned
How to Write Hypothermia and Frostbite
Writing and Describing Character Interactions:
How to Describe Emotionally Distant Parents
Ways for Characters to Get to Know Each Other
How to Describe Characters in Cold Weather
How to Write a Band Performance that Flows with Inner Dialogue
Body Language
When someone is...
Sad
Face/Body:
Avoidant/reduced eye contact
Drooping eyelids
Downcast eyes
Frowning
Raised inner ends of eyebrows
Dropped or furrowed eyebrows
Quivering lip/biting lip
Wrinkled nose
Voice:
Soft pitch
Low lone
Pauses/hesitant speech
Quiet/breathy
Slow speech
Voice cracks/breaking voice
Gestures/Posture:
Slouching/lowered head
Rigid/tense posture
Half formed/slow movement
Fidgeting or clasped hands
Sniffing or heavy swallows
Self soothing gestures (running hands over the arms, hand over heart, holding face in palms, etc)
Overused Words in Writing & How to Avoid Them
We’ve all got our comfort words—those trusty adjectives, verbs, or phrases we lean on like a crutch. But when certain words show up too often, they lose their impact, leaving your writing feeling repetitive or uninspired.
1. “Very” and Its Cousins
Why It’s Overused: It’s easy to tack on “very” for emphasis, but it’s vague and doesn’t pull its weight.
Instead of: “She was very tired.” Try: “She was exhausted.” / “She dragged her feet like lead weights.”
💡 Tip: Use precise, vivid descriptions rather than vague intensifiers.
2. “Looked” and “Saw”
Why It’s Overused: It’s functional but flat, and it often tells instead of shows.
Instead of: “He looked at her in disbelief.” Try: “His eyebrows shot up, his lips parting as if words had failed him.”
💡 Tip: Focus on body language or sensory details instead of relying on generic verbs.
3. “Suddenly”
Why It’s Overused: It’s often used to create surprise, but it tells readers how to feel instead of letting the scene deliver the shock.
Instead of: “Suddenly, the door slammed shut.” Try: “The door slammed shut, the sound ricocheting through the empty room.”
💡 Tip: Let the action or pacing create urgency without needing to announce it.
4. “Said” (When Overdone or Misused)
Why It’s Overused: While “said” is often invisible and functional, using it in every dialogue tag can feel robotic.
Instead of: “I can’t believe it,” she said. “Me neither,” he said. Try: Replace with an action: “I can’t believe it.” She ran a hand through her hair, pacing. “Me neither.” He leaned against the counter, arms crossed.
💡 Tip: Don’t ditch “said” entirely; just mix it up with context clues or action beats.
5. “Felt”
Why It’s Overused: It’s a shortcut that tells instead of showing emotions.
Instead of: “She felt nervous.” Try: “Her palms slicked with sweat, and she couldn’t stop her leg from bouncing.”
💡 Tip: Let readers infer emotions through sensory details or behavior.
6. “Really” and “Actually”
Why It’s Overused: They add little to your sentences and can dilute the impact of stronger words.
Instead of: “I really don’t think that’s a good idea.” Try: “I don’t think that’s a good idea.”
💡 Tip: If a sentence works without these words, cut them.
7. “Walked” or “Ran”
Why It’s Overused: These are go-to movement words, but they can feel bland when used repeatedly.
Instead of: “He walked into the room.” Try: “He strolled in like he owned the place.” / “He shuffled in, avoiding everyone’s eyes.”
💡 Tip: Use verbs that convey mood, speed, or attitude.
8. “Just”
Why It’s Overused: It sneaks into sentences unnecessarily, weakening your prose.
Instead of: “I just wanted to say I’m sorry.” Try: “I wanted to say I’m sorry.”
💡 Tip: Delete “just” unless it adds essential nuance.
9. “Thought”
Why It’s Overused: It tells readers what a character is thinking instead of showing it through internal dialogue or action.
Instead of: “She thought he might be lying.” Try: “His story didn’t add up. The timelines didn’t match, and he wouldn’t meet her eyes.”
💡 Tip: Immerse readers in the character’s perspective without announcing their thoughts.
10. “Nice” and Other Vague Adjectives
Why It’s Overused: It’s generic and doesn’t give readers a clear picture.
Instead of: “He was a nice guy.” Try: “He always remembered her coffee order and held the door open, even when his arms were full.”
💡 Tip: Show qualities through actions instead of relying on vague descriptors.
Final Tips for Avoiding Overused Words:
1. Use a thesaurus wisely: Swap overused words for synonyms, but stay true to your character’s voice and the scene’s tone.
2. Read your work aloud: You’ll catch repetitive patterns and clunky phrases more easily.
3. Edit in layers: Focus on eliminating overused words during your second or third pass, not your first draft.
3 of the worst story beginnings (and how to fix them)
Big no-no’s for story openers!
Now, don’t get me wrong - every type of story beginning can come out really well if you write it well, a skilled writer can make your typical wake-up-morning-routine-with-the-hero sound super interesting, but 9 times out of 10, this is not the case.
Especially if you are JUST starting out on your writing journey, I’d highly recommend to test out an unexpected opener for your story instead. Think of what makes your hero different, and HOW their normal is different than someone else’s.
#1 Waking up
Your protagonist wakes up to their alarm, tries to turn it off and drops the clock or breaks it. They get up and get ready for their day, typically while describing themselves in the mirror and telling us about their daily routine. Yawn. Pun intended.
✔️ The fix: If you’re going to start with a character’s wake-up routine, show us why it’s interesting. What’s different about their routine that could take your readers off-guard? Do they get up in the middle of the night? Inside a bunker? A submarine? If their routine is just like everyone else’s, there’s no reason to show it.
#2 Traumatic flashback
As soon as we open the book, we’re thrown into some kind of important and emotional moment of your protagonist’s life that happened years ago. The problem? We aren’t familiar with the protagonist yet, so we’re not going to care what happened to them.
✔️ The fix: Save the big important flashbacks for later. If you immediately hit with the biggest punch, then what is there to work up to? If you’re starting with a flashback, make sure it’s one that paints the character’s internal conflict well and makes us root for them.
#3 Exposition
Commonly found in prologues and first chapters, when we learn all about the story world, its history, the relationships between the characters in this scene, and their backstories. Also known as a surefire way to bore your readers before they’ve even started reading.
✔️ The fix: Subtext. Train yourself to think through subtext, and trust that your readers are smart enough to pick up on it. When we start the story we don’t care about the fascinating things of your world and complex backstories. We want to get to know who the characters are, and let them slowly reveal all the puzzle pieces through the book.
My final piece of advice is to focus on creating questions for your readers to wonder about, and resist the temptation to answer those until later chapters.
Did you hear I’ve got a Youtube channel? Subscribe through [the link here] or below, and watch my latest video about Creating Complex Characters!
A Comprehensive Guide for Writing Advice
Sometimes, despite enjoying writing so much, something is not working for you. Maybe your well of ideas has run dry. Or your WIP has hit a corner and you can't find your way out to the end of the story. Or you need to go back to your finished draft and see if there are any kinks to clear up.
Fortunately, everyone at Writeblrcafé has experienced such, and to help you out, we have a bunch of links to helpful posts by fellow writers to help you along on your writing journey as well as some helpful links to other websites, resources and software.
General:
WHY IS WRITING IS SO FUCKING HARD? (@writers-hq)
Writer Block First Aid Kit (@isabellestone)
Websites for writers (masterpost @2soulscollide)
Writing advice (masterpost @theliteraryarchitect)
Writing resources (masterpost @stinastar)
One look thesaurus (a reverse dictionary where you can enter words or concepts)
Coming Up with Ideas:
97 Character Motivations (@theplottery)
Character Flaws (@fantasyfillsmysoul)
Character Profile (@mistblossomdesigns)
Characters Unflawed (@emptymanuscript)
Why Theme is More Important than Plot (@theplottery)
Weekly writing prompts on Reedsy
Drafting:
3 of the worst story beginnings (and how to fix them) (@theplottery)
Cheat Sheet for Writing Emotion (@myhoniahaka)
Creative Writing for Writers (@writerscreed)
Describing Physical Things (@wordsnstuff)
How to Craft a Natural Plot (@theplottery)
How to Write a Story? (masterpost @creativepromptsforwriting)
How to write: ethnicity & skin colour (@youneedsomeprompts)
What the F is Show Not Tell (@theplottery)
Writing advice from my uni teachers (@thewritingumbrellas)
First Draft: story outlining template meant to help with planning your next big writing project (@fauxriot)
The wonder/ discovery arc (@evelynmlewis)
How to structure a chapter (@theplottery)
How to pace your storytelling (@charlesoberonn)
How to write and research mental illness (@hayatheauthor)
Seven Blogs You Need To Read As An Author (@hayatheauthor)
Editing/Revising:
Eight steps in making the editing process of your book easier (@joaneunknown)
Kill Your Darlings (@tibodine)
Self editing tips (first pass) (@projecttreehouse)
Publishing:
Chill Subs: biggest database for literary magazines and small presses; track your submissions and get your writing published!
5 steps to get your novel ready to self-publish (by @nanowrimo)
Resources for finishing and publishing your novel (masterpost by @nanowrimo)
For self-publishing: this page gives you the exact pixel count of a book spine based on its page count, and/or a template you can use for the correct width/height ratio.
Software:
Scrivener: one time payment of $60 or 70€ (macOS/windows), $24 (iOS; no Euro listed for iOS); used by professionals, many tools to write and organize your novel
Bibisco: free and "pay what you want" version; multilingual, world building, character profiles, writing goals, story timeline, mind maps, notes and more templates to write a novel.
Manuskript: free open source-tool; outliner, novel assistant, distraction-free mode
Ghostwriter: a free and open alternative which has a decent interface with some interesting features, like Hemingway Mode, which disables one's backspace and delete keys, emulating a typewriter.
NaNoWriMo: an international contest to encourage writers to finish writing their novel with many events, groups for exchange with fellow writers, helpful writing advice and help for self-publishing and publishing traditionally.
Campfire Writing: website, desktop app, and mobile app, with tools built in to help manage characters, magic systems, research, etc. It has a great free option, plus monthly, annual, and lifetime purchase options. It also has built-in NaNoWriMo compatibility and a catalogue of tutorials and writing advice videos (suggestion by @harfblarf)
Websites And Writing Apps Every Author Needs In 2023 (@hayatheauthor)
Let us know in the comments if there are any links we could add to it! Reblog this post to help a fellow writer.
Support our work by buying a cup of coffee on KoFi.
How to write a negative character arc
Here’s the simplest way to break down the building blocks of a negative character arc in your novel!
Here’s the A-Z on negative character arcs
It’s totally possible to pull off a negative character development, for ANY person in your story, whether that’s a side-character, villain, or the protagonist.
Here’s something no one tells you, but it’s actually fundamentally simple.
You can do this with a very easy formula. Typically, a positive arc means that you set out with one main character flaw/issue, which that character overcomes by the end of the story.
So all you need is:
a flaw your character NEEDS to overcome
a goal they WANT to achieve
For a positive arc, they’d succeed at their NEED. Then maybe their WANT as well. For a negative, they simply never fulfil their NEED.
This means they never overcome the flaw they are supposed to face. In fact, they ignore it so confidently, it becomes a PROBLEM. They will never truthfully own up to their mistakes.
This is where you can let it get worse, let it develop into fatal flaw, and let more issues arise from it. As for their WANT? They’ll usually put their external goal above everything else, and dig themselves even deeper into personal disarray, where they won’t recognize themselves any longer.
If you need a hand getting started on your novel, we have 3 coaches at The Plottery who can work with you intensively for 4 month to skill up your writing and help you finish your first draft.
Apply through the [link here] or below!
How to finish your novel in 1 year
Writing a full book is a really huge task! Most writers don’t understand how overwhelming it can get until they try it. Here’s my ideal guide of what it would look like to finish your full novel in one year.
Here’s a time-scheduled formula to succeed in finishing your book in just one year.
Spend some time on pre-writing (Month 1)
Take time to plan out all the most important parts of your novel before you jump in! This will keep you grounded and organised, so you don’t lose track of what you’re trying to achieve.
But don’t get stuck in it.
You should know your:
Character goals and story arcs
The thematic question of your story
Your biggest plot points
Don’t wait until you’re confident about everything to start writing!
The first draft (Months 2-7)
Think of your first draft as a chance to tell the story to yourself, and to find out what works and what doesn’t.
Do not think of it as something that needs to be complete on the first go!
The important part here is to just keep writing, even if you make a mess along the way.
A chapter overview (Month 8)
If possible, take a few weeks away from looking at the project before you do this!
Once your first draft is finished is when you should take a step back and make sense of the story again. It’s likely that a lot will have changed by the time you finished it, so creating a bird’s eye overview of your chapters will help you tackle the second draft.
The rewrite (Months 9-12)
Time to jump into that second draft!
This is where your project will come together, so enjoy this part of the process! Dedicate more time to your prose and the details.
And after the second draft is done?
Time to get some other eyes on your manuscript and jump into line and copy edits!
Want to try out for my coaching program? I’m fully booked until October this year, so if you want to get to work with me in 2023, now’s the time to apply!
Otherwise, I have two other amazing coaches you can try.
You can apply through the [link here] or below!
Tips for creative writers who want to write about fantasy:
1. Build a rich and immersive world: Create a detailed and imaginative fantasy world with its own history, geography, cultures, and magical systems. Consider the rules and limitations of your world's magic to ensure consistency.
2. Develop unique and compelling characters: Craft memorable characters with distinct personalities, strengths, flaws, and goals. Explore how their backgrounds and abilities shape their experiences and interactions within the fantasy realm.
3. Weave in elements of magic and mythology: Introduce mythical creatures, mystical artifacts, and ancient legends into your storytelling. Use them to add depth, mystery, and wonder to your fantasy world.
4. Embrace world-building details: Pay attention to small but significant details in your world-building, such as food, clothing, customs, and languages. These details will enhance the believability and richness of your fantasy setting.
5. Create a compelling conflict: Develop an engaging conflict or quest that drives your story forward. This conflict could involve a battle between good and evil, a personal journey of self-discovery, or a struggle for power and redemption.
6. Blend familiar and unique elements: Combine familiar fantasy tropes with fresh and inventive ideas to create a unique reading experience. Balance the comfort of the familiar with the excitement of the unknown.
7. Use vivid and descriptive language: Paint a vivid picture with your words, using descriptive language to transport readers into your fantastical world. Engage all the senses to bring your settings, creatures, and magic to life.
8. Establish consistent rules and logic: While fantasy allows for imagination and magic, it's important to establish rules and logic within your world. This will ensure that readers can follow and invest in the story without feeling confused or disconnected.
9. Include themes and depth: Explore deeper themes and messages within your fantasy story. Address topics such as power, identity, morality, and the human condition to add layers of depth and resonance to your narrative.
10. Read widely in the fantasy genre: Immerse yourself in a variety of fantasy novels to familiarize yourself with different styles, world-building techniques, and storytelling approaches. Analyze what works and doesn't work for you as a reader and apply those insights to your own writing.
Remember, fantasy writing is an opportunity to unleash your imagination and transport readers to extraordinary realms. Have fun, be creative, and let your passion for the genre shine through in your storytelling.
Happy writing and happy adventures in the realm of fantasy!
Tips for creative writers:
1. Read widely: Read books, articles, and poetry across different genres and styles. This exposure to diverse writing will expand your vocabulary, inspire new ideas, and help you develop your own unique voice.
2. Write regularly: Establish a writing routine and stick to it. Set aside dedicated time each day or week to write, even if it's just for a short period. Regular practice is key to honing your skills and maintaining creative momentum.
3. Embrace creativity exercises: Engage in writing exercises or prompts to stimulate your imagination. Explore free writing, brainstorming, or visual prompts to spark new ideas and challenge your creative boundaries.
4. Edit and revise: Don't be afraid to revise your work. Editing is a crucial part of the writing process, allowing you to refine your ideas, improve clarity, and enhance the overall quality of your writing. Embrace feedback and be open to making changes.
5. Develop unique characters: Create well-rounded and believable characters by giving them depth, flaws, and distinctive voices. Explore their motivations, desires, and conflicts to make them relatable and engaging for readers.
6. Show, don't tell: Instead of telling readers what is happening or how characters feel, strive to show it through vivid descriptions, sensory details, and compelling dialogue. Engage the readers' senses and immerse them in your storytelling.
7. Pay attention to pacing: Balance the pace of your writing to maintain reader engagement. Mix moments of tension and action with quieter, reflective scenes. Vary sentence length and structure to create rhythm and keep the narrative flowing.
8. Create compelling dialogue: Craft dialogue that is realistic, purposeful, and reveals character traits. Use dialogue to advance the plot, reveal conflicts, and deepen relationships between characters.
9. Embrace constructive feedback: Seek feedback from trusted peers, writing groups, or mentors. Constructive criticism can help you identify blind spots, refine your writing, and grow as a writer.
10. Stay inspired and curious: Maintain a sense of curiosity about the world around you. Seek inspiration from art, music, nature, and everyday experiences. Keep a journal to capture ideas, observations, and inspiration that may fuel your writing.
Happy writing!
George R R Martin is an American novelist and short story writer, screenwriter, and television producer. He is the author of the series of epic fantasy novels A Song of Ice and Fire, which was adapted into the Emmy Award-winning HBO series Game of Thrones (2011–2019).
01 - The human heart in conflict with itself is the only thing worth writing about. You need characters to question who, and what, they are and how they fit within the world around them. This is key for character development.
02 - Write for yourself. Following trends, or pleasing your audience in spite of your own plans, harms good storytelling. Listening to critique is good, but inevitably you must be entertained and feel your way through the writing process.
03 - Anyone can die, and death is a key part of any story with conflict. Don't give your characters any special treatment, have them play by the same rules you set upon your world. Not only does it add constant tension, but it also creates a realistic atmosphere.
04 - Sometimes an idea can just come to you. If so, do not disregard it, instead follow the idea as a writer and write it! It could either lead into an interesting project or serve as useful practice.
05 - Show don’t tell. Immersion is essential to any story. Only through visuals and vivid descriptions of your world, can your audience even start to imagine themselves in your world.
06 - Allow yourself to discover in the process of writing. While you need to know the major outcomes of the story, and character arcs, allow yourself to enjoy and be aware of your sixth sense on your way through the story.
07 - When writing a script, dialogue should never be too long. Other than a few monologues, or moments, keep it short and sweet. Also, read the dialogue aloud by yourself or with the cast, this is a simple effective way to see if it works.
08 - When adapting a novel, you’ll always lose some content. However, a good adaptation rides the fine line between cutting side content and keeping smaller meaningful moments that enrich the story.
09 - Being a writer is not a career for those who wish to be stable. It is a massive risk in every way. A true writer, even during the lows of their career, will never stop storytelling. It is essential to whom they are. So, from a beginner to a bestseller, never stop writing.
10 - The ending to an act is fundamental to keeping the audience engaged with your story. Leaving it on a cliff-hanger, or teasing the audience with a different outcome can be the best way to break up converging storylines and finished acts.
Wish
Wish
It truly was a wish come true. But you should always be careful what you wish for.
"Do you have any last wishes?" "Now you truly sound like a villain, after telling me their big plan to take over the world."
"If you had three wishes - anything possible - what would you wish for?"
"You have to make a wish!"
"I wish you would have talked to me."
Last wishes should almost always be granted.
"I wish for you to be quiet. For one second."
"Just wishful thinking, I'd say."
"Your wish is my command."
"I wish we could just go back to how things were."
"My first wish would always be to get infinite wishes. Duh."
"Don't tell me about your wish or it won't come true!"
"It's my last wish." "It's just a scratch. You're not dying, stop being dramatic."
How to make a wish:
throw a coin in a fountain
watch out for shooting stars
blow out birthday candles
wait for November 11th at 11:11
blow away an eyelash
For the 1 hour, 1 word prompts game: Don’t
Thanks! I love your prompts work btw - they’ve helped me so much in getting started with writing. Thank you so much for sharing them with us all ♥️♥️
So happy you enjoy them and that they inspire you! 🥰
Don't
"Don't say that."
"Don't even think about it."
"Don't play with me."
"Don't listen to them."
"Don't worry about it."
"Don't do this alone."
"Don't act like you don't know."
"Don't you listen to anything I tell you?"
"Don't stop doing what you love."
"Don't joke about this."
"Don't you love me?"
"Don't fall for it."
"Don't ever stop smiling like this."
"Don't laugh at me."
"Don't... please!"
"Don't lie to me."
"Don't even bother."
"Don't you hear me?"
"Don't... just don't."
"Don't ever change."
"Don't you see that we love you?"
Ways I develop character relationships in my writing
This is just a small list of things I do to add a little bit of coziness into my writing through my characters! Relationships (both platonic and romantic) are notoriously hard to write, so here are some of my tips!
Characters picking up on each other’s mannerisms
Characters finishing each other’s sentences
When one character trips/falls/slips and their friend(s) make fun of them before helping them up
Inside jokes
When a group is laughing together, characters who immediately look at each other to see if they found it funny also
Friends who can’t keep it together in serious situations when they’re together
Platonic touching (hugging, hand holding, high fives, etc.)
Characters discussing future plans
Intentionally making fun of each other in front of their crush/partner
ways you can further develop your main character
give them a misbelief
no characters have a personality when the plot starts. all of them have backstories, a past, and a mindset that they grew up with!
basically, a misbelief is the wrong mindset that they grew up with, and is also a belief that will be restructured by the end of your novel.
this not only shows character growth and development as their mind is "restructured" or they learn their life lesson, but also drives the internal plot of your story, which differs from the external (or action) plot that most people seem to read.
+ this gives readers a deeper insight to your character!
give them a goal
every character has a goal, or something they want in their lives. having them strive for it would essentially drive your plot, and may also help you dig deeper into your character's motivations!
this goal doesn't always need to be achieved, or may be impossible to (for example, someone wanting to meet a loved one who turns out to be dead; they may have not reached their goal, but it took them on a journey)
this goal should also be concrete if possible! vague ones like "they want to be happy," isn't very helpful. what do they think will make them happy?
(side note: wanting everything to be the way that it is can also be a goal, cause they're striving to make things go back to the way they were!)
more notes / explanations here! most of these notes in this post are taken from story genius by lisa cron, and i thought they might help. please take all this information with a grain of salt, and maybe use it in a way that'll work best for you! <3
Did I daydream this, or was there a website for writers with like. A ridiculous quantity of descriptive aid. Like I remember clicking on " inside a cinema " or something like that. Then, BAM. Here's a list of smell and sounds. I can't remember it for the life of me, but if someone else can, help a bitch out <3
So... I found this and now it keeps coming to mind. You hear about "life-changing writing advice" all the time and usually its really not—but honestly this is it man.
I'm going to try it.
Oh nice! I want to share this with fellow writers, and I'll be saving it for myself as well.
8 Proofreading Tricks (That Save Valuable Time)
In this post, Writers Write reveals simple proofreading tricks to improve any manuscript or draft.
What I’ve Learned As A Freelance Writer
Hello, hello, helloooo. I hope you’re all doing well. :) I’ve been freelance writing for over 10 years, and I thought I’d share what I’ve learned as a freelance writer.
Don’t Put All Your Eggs In One Basket I’ve seen websites go under, and I’ve had clients disappear on me. It used to send me into panic mode, but I’ve learned not to put all my eggs in one basket. Now, I always make sure I’m on enough writing teams and keeping in touch with my regular clients. I also bookmark other freelance/content writing websites to research as needed. Always Do Your Research Sometimes, a writing website sounds too good to be true because it IS too good to be true. Whether it’s for blogging or content writing, you should always research a website and/or ask for opinions before diving right in. At least that’s what I do. Don’t Be Afraid To Try Something New Even though I had an account for years, it took me until 2018/2019 to even post a gig on Fiverr. It was different from the websites I’m used to, so I wasn’t ready until then. I’m glad I made that leap because that’s where I land some of my writing clients. The same can also be said for joining new writing teams and websites, or taking on a new client. If it’s possible and legit, do not be afraid to take the leap because it could lead to something great. However, Learn When To Say No When my Fiverr gigs started picking up traction, I would try to do anything. If I didn’t feel qualified? I’d turn it down. If I was already swamped with work? I would do it and cut it close to my deadlines, or I’d pull an all-nighter to get things done. I’ve learned when to say “no” and/or put up my away message. It’s good to be productive, but you don’t want to overextend yourself and risk burnout. It’s Okay To Make Mistakes - But Make Sure You Learn From Them When I first joined Textbroker, I made a lot of comma mistakes because I wasn’t knowledgeable in the AP Style. I went from avoiding commas (unless I was sure I was right) to taking the time to learn how to properly use the commas. If I’m unsure of anything in general, I hit up Google to double-check it. I also read out loud when proofreading, and I proofread my longer writing orders twice. You’re a human being. You’re going to make mistakes, and that’s okay, but you want to make sure you learn from them. Write Outside Your Freelance Work It’s good to write for fun and as a hobby. I run this blog, as well as a grief-related blog (because I lost my parents) and a fan blog for my favorite band. I’m a member of MyLot, and I have multiple online/offline journals for sharing my thoughts. Write outside of your work. Express yourself. Keep the creative juices flowing. And mostly, don’t lose your passion for writing.
Those are just a few things I’ve learned as a freelance writer, and I hope they help you to grow into the writer you wish to be. :) What have you learned as a freelance or creative writer?
So I’m doing a short novel inspired by MDZS and other artwork. However I need some help to keep it together and respect the Xianxia genre while doing the same for the Chinese culture. If some ppl could help me on this please contact me on instagram: @itsjastyqbitch 😭🫶🏽
Hardest part of writing is accepting that some people will not fucking get it & you just have to like cope with that because over-explaining it just makes it worse
All of you are saviours
Apparently a lot of people get dialogue punctuation wrong despite having an otherwise solid grasp of grammar, possibly because they’re used to writing essays rather than prose. I don’t wanna be the asshole who complains about writing errors and then doesn’t offer to help, so here are the basics summarized as simply as I could manage on my phone (“dialogue tag” just refers to phrases like “he said,” “she whispered,” “they asked”):
“For most dialogue, use a comma after the sentence and don’t capitalize the next word after the quotation mark,” she said.
“But what if you’re using a question mark rather than a period?” they asked.
“When using a dialogue tag, you never capitalize the word after the quotation mark unless it’s a proper noun!” she snapped.
“When breaking up a single sentence with a dialogue tag,” she said, “use commas.”
“This is a single sentence,” she said. “Now, this is a second stand-alone sentence, so there’s no comma after ‘she said.’”
“There’s no dialogue tag after this sentence, so end it with a period rather than a comma.” She frowned, suddenly concerned that the entire post was as unasked for as it was sanctimonious.
writing advice for characters with a missing eye: dear God does losing an eyes function fuck up your neck. Ever since mine crapped out I've been slowly and unconsciously shifting towards holding my head at an angle to put the good eye closer to the center. and human necks. are not meant to accommodate that sorta thing.
NEED HELP WRITING? (a masterlist)
I have likely not added many that I've reblogged to this list. Please feel free to roam my blog and/or ask/message me to add something you'd like to see on this list!
Synonym Lists
Look by @writers-potion
Descriptors
Voices by @saraswritingtipps
Show, Don't Tell by @lyralit
Tips & Tricks
5 Tips for Creating Intimidating Antagonists by @writingwithfolklore
How To (Realistically) Make a Habit of Writing by @byoldervine
Let's Talk About Misdirection by @deception-united
Tips to Improve Character Voice by @tanaor
Stephen King's Top 20 Rules for Writers posted by @toocoolformedschool
Fun Things to Add to a Fight Scene (Hand to Hand Edition) by @illarian-rambling
Questions I Ask My Beta Readers by @burntoutdaydreamer
Skip Google for Research by @s-n-arly
Breaking Writing Rules Right: Don't Write Direct Dialogue by @septemberercfawkes
Databases/Resources
International Clothing
Advice/Uplifting
Too Ashamed of Writing To Write by @writingquestionsanswered
"Said" is Beautiful by @blue-eyed-author
things people do after having a nightmare that isn’t crying
struggle to catch their breath
grab onto whatever’s close enough to ground themselves in reality
become nauseous / vomit
shake uncontrollably
sweat buckets
get a headache
things people do to combat having nightmares if they occur commonly
sleep near other people so they can hear the idle sounds of them completing tasks
move to a different sleeping spot than where they had the nightmare
leave tvs / radios / phones on with noise
just not sleep (if you want to go the insomnia route)
sleep during the day in bright rooms
things people with insomnia do
first, obviously, their ability to remember things and their coordination will go out the window
its likely they’ll become irritable or overly emotional
their body will start to ache, shake, and weaken
hallucinate if it’s been long enough
it becomes incredibly easy for them to get sick (and they probably will)
add your own in reblogs/comments!