Reblog To Hug Prev Poster (they Need A Hug)

The lonely wants to be seen and so it chases the eye demands its focus because it has not been truly seen in so long

Why is windows Like This

Please

I just want to download some software

If i give you my firstborn child will you download it

Microsoft im begging you

Jonathan Sims would love those Halloween cookies that are super dry and have icing that tastes like expired cool whip that you get at Halloween themed elementary school functions

i think what michael shelley wanted more than anything was to be loved or even just appreciated, but in the neurodivergent way where you think that the reason you aren't recognized is because you haven't done enough rather than because the people you want recognition from won't give it to you

the distortion reflects this by being bizarrely overt, making campaigns of terror against specific people, being the center (or at least a very hard-to-ignore presence) in the lives of its victims, rather than eating them outright or befriending them like helen does (which reflects a much more businesslike "get the job done, make some connections, and move on" attitude that likely reflects her job when she was human)

I do not control the speed at which birds die!

i would love to hear more of your thoughts on michael shelley!!! 🌀🚪✨

you're in luck because i've sat on thoughts about him for years and i finally feel like i can articulate them. because michael shelley is such a well written case of tragic horror in the horror tragedy podcast. and, despite my criticisms of season 5, it really did do an excellent job in concluding his character arc with the gertrude backstory episode. in a podcast where a common in-universe theme is that knowledge, and the pursuit of knowledge, is dangerous, michael is a subversion in that his ignorance of the horrors of the world he lived in not only didn't save him, but was intentionally engineered to make him vulnerable to exploitation and harm (which, on a broader scope, emphasises the futility of the world of the magnus archives - regardless of whether you participate in or turn a blind eye to the systems at play, involved or uninvolved, you are not safe).

furthermore, i really appreciate the subversion of traditional tropes of the sacrifice as a typically female figure taken advantage of by a male father, brother, or lover, whose tragic and horrible death is used to motivate him (whether to greatness or self-destruction), with michael being a son sacrificed by his mother (or grandmother) figure, who never actually loved him and whose 'frail' and 'nurturing' qualities were weaponised incompetence used to gaslight and manipulate him - and who continues to operate successfully (at least in terms of what can be said to be 'success' in a world like the magnus archives) without being haunted by any apparent doubt about the decision she made, or any hesitation to use others in similar ways, following this betrayal. which makes the fact that he's sewn into the fabric of a being that represents lies in their most insidious form, used as a weapon to devour people and destroy their lives, all the more abhorrent in hindsight - he is forced to not only relive his trauma in an endless loop (or spiral, if you will), but to become the mechanism which enables it. michael is taken to the edge of something evil (at least from a human perspective), and pushed over the threshold with no hope of recourse. there's almost a reverse orphic quality to it - he descends into terrifying other world, one which exists side-by-side with but fundamentally seperate from his own, against his will, and looking back will only cause him pain as he's assaulted by memories of a life he will never be able to reach.

i think a lot of people forget to look past the surface with michael, despite there being an entire episode dedicated to doing so. which is understandable, he's a very outwardly expressive character - but this is intentional obfuscation to hide an incredibly damaged victim whose hatred of this part of himself is integral to his entire reason for being, and which the rejection of causes him to be unmade, incapable of existing as this contradictory nightmare any longer. it's a mercy killing, and yet it is violent and painful, because michael cannot and should not exist, and excising that graft used to muzzle the distortion is as agonising as latching it into place was in the first place. when michael-the-distortion says about michael shelley "he was born. he was pointless. and he should have died." there is an implicit longing there, a rage at the way he was used, his decisions made for him and used to imprison something else instead of ever being allowed to exercise any measure of free will. because michael shelley probably would have died for the archivist, given the opportunity, but he never got the choice.

Sometimes i look at the world and remember why most of what i look at on the internet is gravity falls fanfic. Goddamn everything is on fire, but at least we have scientists with npd and evil gay triangles and old men punching the shit out of anything that threatens their families and redemption arc aus and hurt no comfort and mullet stan doodles and fanmade ocs and salamander deities and weird books

Lobsterphone

MAY I HAVE YOUR ATTENTION PLEASE?

LOBSTERPHONE. That is all.

A MESSAGE FOR JONNY SIMS AND ALEXANDER J NEWALL:

you wanna give jon and martin a happy ending sooo badly. you want to make jon and martin so safe and alive and outside a computer even

Thinking about if HMS were amongst the GWs. So youve got a bunch of gothic horror celebrities(?) just vibing, hanging out, the most concerning situation any of them is in is adam giving jekyll the side-eye for being a scientist mostly. And then youve got these three random human dudes who literally have not stopped arguing since they got there