Oh yes!
Except when the title comes first and now you have to figure out the plot, the characters, and the premise all while using the title as a spring-board. And don't forget writing it so you don't waste what title!
Why are titles so hard đ
This is SO COOL!!!
pretend you're Lurien as you romp around Hallownest accompanied by the tiniest but most energetic and violent of your Watcher Knights
[download the reskin here or from my blog's pinned post]
Hollow Knight Fan Comic: Traditional Art
BLURB:
Instead of Deepnest, the Knight went up through the City of Tears to escape. What would happen but being found and adopted by none other than the Watcher himself.
Tell me, what happens now? After all, the Knight has a twin in the White Palace down below....
PROLOGUE: https://www.tumblr.com/violetdawn001/738374720772292608/script-out-of-nowhere-you-came-needing-someone-to?source=share
CHAPTER ONE:
SCRIPT: In the bottomost of Hallownest, there lies the White Palace, Where within ruled the Pale King, shinning and wise. I served this most glorious king, my son, as his Watcher. As his servant, I gave him everything. My service's reward was the entrusting of duties, treasures, and secrets. A reward only given to Her Majesty the Queen.
One day, His Majesty called me aside, desiring to share his secrets. O my son, I had no fantom of the darkness he would share. The only thought in my mind was how I could serve. After all, my liege lord needed all the help he could gather to defeat the Blazing Light.
His majesty was so eager, I recall, to share his secrets. I expected the project to be a grand scheme, a mighty warrior, or a secret weapon. But the last thing I expected to see...was you. A you that was cold, stiff, and lifeless while still drawing breath. Speechless, I observed this test that was required. Clueless, for I left you at our Spire.
What kind of test was this? Whose loyalty was tested? The father or the son? The only reward one could hope to earn was the approval of one's liege lord...
Somehow, the test was passed...but what His Majesty said and did surprised me more. "This 'construct', so capable, will be the vessel to seal away the Blazing Light." "YOU need not be so horrified at such a small thing." The king assured me.
I was horrified, my king not at What...but FOR WHO.
PROLOGUE:
https://www.tumblr.com/violetdawn001/738374720772292608/script-out-of-nowhere-you-came-needing-someone-to?source=share
COVER:
https://www.tumblr.com/violetdawn001/738375072551682048/part-1-prologue?source=share
CHAPTER TWO:
https://www.tumblr.com/violetdawn001/741443039477858304/perfectly-not-fine-chapter-2?source=share
This is very relieving to know as I am working on several posts with TONS of words on it.
tumblr users love reading. you literally stopped for this post just because it has words in it
i feel like we as a digital society have forgotten the important rules of the internet
Don't feed the trolls
Never give out personal information
Anonymity is the best defense
Don't click suspicious links
Don't click popups and ads
Just because it's written doesn't mean it's true
You are responsible for your own experience
There is porn of everything, act accordingly
âTechniques for drawing beautifully silhouetted hands and nailsâ
Source: takuya_kakikata
Ahh! This hurts so much! The separated twin and trainer!
What's scary though is that this applies to real life too. Thank you, my Second Grade teacher, for defending me from my bullies.
Family Portrait...or it will be once Lurien finishes his sketch!
I decided to give all three of them new outfits because of 1) time has passed and 2) Herrah is around to make her babies some cute outfits.
Reblog to tell me what you think!
Excuse me while I save this for a reference...
How To Write A Chase Scene
Before anyone takes off running, the reader needs to know why this matters. The chase canât just be about two people running, itâs gotta have a reason. Is your hero sprinting for their life because the villain has a knife? Or maybe theyâre chasing someone who just stole something valuable, and if they donât catch them, itâs game over for everyone. Whatever the reason, make it clear early on. The higher the stakes, the more the reader will care about how this chase plays out. Theyâll feel that surge of panic, knowing whatâs on the line.
Sure, a chase scene is fast, people are running, dodging, maybe even falling. But not every second needs to be at full speed. If itâs too frantic from start to finish, the reader might get numb to the action. Instead, throw in some rhythm. Use quick, sharp sentences when things get intense, like someone stumbling or almost getting caught. But then slow it down for a second. Maybe they hit a dead end or pause to look around. Those brief moments of slow-down add suspense because they feel like the calm before the storm kicks up again.
Donât let the setting just be a backdrop. The world around them should become a part of the chase. Maybe theyâre tearing through a marketplace, dodging carts and knocking over tables, or sprinting down alleyways with trash cans crashing behind them. If theyâre running through the woods, youâve got low-hanging branches, roots, slippery mud, and the constant threat of tripping. Describing the environment makes the scene more vivid, but it also adds layers of tension. Itâs not just two people running in a straight line, itâs two people trying to navigate through chaos.
Running isnât easy, especially when youâre running for your life. This isnât some smooth, graceful sprint where they look cool the whole time. Your characterâs lungs should be burning, their legs aching, maybe their side starts to cramp. Theyâre gasping for air, barely holding it together. These details will remind the reader that this chase is taking a real toll. And the harder it gets for your character to keep going, the more the tension ramps up because the reader will wonder if theyâll actually make it.
Donât make it too easy. The villain should almost catch your hero or the hero should almost grab the villain. But something happens last second to change the outcome. Maybe the villainâs fingers brush the heroâs coat as they sprint around a corner, but they manage to slip out of reach just in time. Or maybe your hero almost gets close enough to tackle the villain, but slips on some gravel, losing precious seconds.
And Donât let the chase end in a way that feels too predictable. Whether your character gets away or is caught, it should be because of something clever. Maybe they spot a hiding place thatâs almost impossible to notice, or they use their surroundings to mislead their pursuer. Or, the person chasing them pulls a fast one, Laying a trap, cutting off their escape route, or sending the hero down the wrong path. You want the end to feel earned, like it took quick thinking and ingenuity, not just dumb luck or fate.
if you have any questions or feedback on writing materials, please send me an email at Luna-azzurra@outlook.com âđ»
Whenever I think about the dark side and how Star Wars talks about it, it's never as small as having a temper or being prideful
It's those character flaws to an extreme
It's the loss of control. The loss of stability. The loss of who you really wanted to be. It's everything you would be if you sacrificed any kind of restraint
No one's turn to the dark side has ever been treated as a freeing experience because that's not what it is. Most dark side users have been broken down and twisted by even worse characters into following them. In most cases, it takes years of pain and suffering to be fully corrupted. It takes direct brainwashing to turn someone quickly. The very few who seemingly turned to the dark side completely by their own choice were just inherently drawn to the worst aspects of a person's nature
Many jedi have their own flaws and struggles. Quite a few lose their way and need time to rediscover themselves and who they are as jedi, but many of them never fall to the dark side because the dark side is more severe than having negative traits
The light side represents who a person is when they are at peace with themselves. It's who they are when they accept their vices as part of them, and then refuse to let those same vices dominate them. Keeping your worst traits under control is not a form of repression
The dark side is the full rejection of all of your positive traits. It's embracing your vices to the point that compassion and kindness no longer exist. It's expressing every negative emotion without thought or restraint
Light represents freedom. You're free to decide for yourself what kind of person you want to be. You're free to choose your way forward. You're free to change and grow as you please
Darkness is the one that represents being trapped. It's the side that chains you to your hatred and refuses to let go. It's what blinds you to the goodness in the world and lose sight of everything you hoped to be
That's why there's no such thing as positive corruption in Star Wars